Persepolis 1

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WRIT 1506
Craig Stroupe
Preparation Work: Persepolis 3-80
Directions:
Write a response to each of the following questions in a word processor. Then
1. save it,
2. paste your answers into the appropriate online forums, and
3. print out the answers to refer to in class.
Each of these responses should be written as coherent, detailed, thoughtful
paragraphs, free of any spelling and grammatical errors.
When you quote, summarize, or cite a new passage, detail, or idea from the text, use
MLA-format parenthetical documentation at the end of each sentence so we can
look at the page in question if we want to.
1. Persepolis and McCloud’s Chapter 2 (Vocabulary of Comics)
Use one or two major ideas from McCloud's Chapter 2 to discuss how Satrapi uses
the "vocabulary" of comics--or "sequential art," as he calls it--to create meaning and
effects in Persepolis. How does McCloud's discussion help you notice and
understand the choices Satrapi made in drawing and writing this graphic novel?
Refer to two specific pages and panels from McCloud's chapter, and two specific
pages/panels from Satrapi.
2. Persepolis and McCloud’s Chapter 4 (Time Frames)
Use one or two major ideas/examples from McCloud's Chapter 4 to discuss Satrapi's
handling of time and her use of panels in Persepolis. How does McCloud's discussion
help you notice and understand the design choices that went into how Satrapi tells
her story? Refer to two specific pages and panels from McCloud's chapter, and two
specific pages/panels from Satrapi.
3. Persepolis and McCloud’s Chapter 2 (Show and Tell)
Use one or two major ideas from McCloud's Chapter 6 to discuss the significance of
how Satrapi combines images and words in Persepolis. How do the techniques of
visual/verbal combinations create meaning and effects beyond whatever meaning is
suggested by images and meaning alone? How does McCloud's discussion help you
notice and understand the choices Satrapi made in drawing and writing this graphic
novel? Refer to two specific pages and panels from McCloud's chapter, and two
specific pages/panels from Satrapi.
WRIT 1506
Craig Stroupe
Preparation Work: Persepolis 3-80
Directions:
Write a response to each of the following questions in a word processor. Then
1. save it,
2. paste your answers into the appropriate online forums, and
3. print out the answers to refer to in class.
Each of these responses should be written as coherent, detailed, thoughtful
paragraphs, free of any spelling and grammatical errors.
When you quote, summarize, or cite a new passage, detail, or idea from the text, use
MLA-format parenthetical documentation at the end of each sentence so we can
look at the page in question if we want to.
1. Persepolis and McCloud’s Chapter 2 (Vocabulary of Comics)
Use one or two major ideas from McCloud's Chapter 2 to discuss how Satrapi uses
the "vocabulary" of comics--or "sequential art," as he calls it--to create meaning and
effects in Persepolis. How does McCloud's discussion help you notice and
understand the choices Satrapi made in drawing and writing this graphic novel?
Refer to two specific pages and panels from McCloud's chapter, and two specific
pages/panels from Satrapi.
2. Persepolis and McCloud’s Chapter 4 (Time Frames)
Use one or two major ideas/examples from McCloud's Chapter 4 to discuss Satrapi's
handling of time and her use of panels in Persepolis. How does McCloud's discussion
help you notice and understand the design choices that went into how Satrapi tells
her story? Refer to two specific pages and panels from McCloud's chapter, and two
specific pages/panels from Satrapi.
3. Persepolis and McCloud’s Chapter 2 (Show and Tell)
Use one or two major ideas from McCloud's Chapter 6 to discuss the significance of
how Satrapi combines images and words in Persepolis. How do the techniques of
visual/verbal combinations create meaning and effects beyond whatever meaning is
suggested by images and meaning alone? How does McCloud's discussion help you
notice and understand the choices Satrapi made in drawing and writing this graphic
novel? Refer to two specific pages and panels from McCloud's chapter, and two
specific pages/panels from Satrapi.
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