MUSIC APPRECIATION
TERMS FOUR
DR. LOVE
THE CLASSICAL ERA (1750-1820)
AGE OF ENLIGHTENMENT
RECAPTURE THE NOBLE SIMPLICITY AND CALM GRANDEUR,
INFLUENCED BY GREEK AND ROMAN MODELS
CLASSICAL
CHARACTERISTICS OF CLASSICAL STYLE
CONTRAST OF MOOD
FLEXIBILITY OF RHYTHM
BASICALLY HOMOPHONIC TEXTURE
TUNEFUL MELODIES
DYNAMICS AND THE PIANO
END OF BASSO CONTINUO
STANDARDIZED ORCHESTRA
SYMPHONY, STRING QUARTET
FORM: FAST, SLOW, DANCE, FAST
SONATA FORM
EXPOSITION, DEVELOPMENT, RECAPITULATION
CODA
MOZART: SYMPHONY NO. 40 IN G MINOR, FIRST MOVEMENT
THEME AND VARIATIONS
HAYDN: SYMPHONY NO 94 IN G MAJOR, SECOND MOVEMENT
CHAMBER MUSIC
STRING QUARTET
RONDO FORM
BEETHOVEN: STRING QUARTET IN C MINOR, OP. 18,
NO. 4, 4TH MOVEMENT
CONCERTO
CADENZA
FRANZ JOSEPH HAYDN
TRUMPET CONCERTO IN E FLAT MAJOR, 3RD MOVEMENT
WOLFGANG AMADEUS MOZART
LA CI DAREM LA MANO, FROM DON GIOVANNI
LUDWIG VAN BEETHOVEN
HEILIGENSTADT TESTAMENT
PIANO SONATA IN C MINOR, OP. 13, 1ST MOVEMENT
SYMPHONY NO. 5, 1ST MOVEMENT
THE ROMANTIC PERIOD (1820-1900)
REBELLION AGAINST NEOCLASSICISM
FANTASY, DREAMS
CHARACTERISTICS OF ROMANTIC MUSIC
INDIVIDUALITY OF STYLE – SELF EXPRESSION
FLAMBOYANT, INTIMATE, UNPREDICTABLE FEELINGS
SUBJECTS FROM MIDDLE AGES, SHAKESPEARE
NATIONALISM
EXOTICISM
PROGRAM MUSIC
EXPRESSIVE TONE COLOR
COLORFUL HARMONY, CHROMATIC HARMONY
EXPANDED RANGE OF DYNAMICS, PITCH, AND TEMPO
FORM
MINIATURE
MONUMENTAL
RUBATO
FOUNDING OF MUSIC CONSERVATORIES
VIRTUOSI
ART SONG
STROPHIC
THROUGH-COMPOSED
SONG CYCLE
FRANZ SCHUBERT
ERLKÖNIG
FRÉDÉRIC CHOPIN
NOCTURNE IN E FLAT MAJOR, OP. 9, NO. 2
FRANZ LISZT
TRANSCENDENTAL ÉTUDE, NO. 10 IN F MINOR
FELIX MENDELSSOHN
CONCERTO FOR VIOLIN AND ORCHESTRA IN E MINOR
HECTOR BERLIOZ
IDEE FIXE
SYMPHONIE FANTASTIQUE, 1ST MOVEMENT
PETER ILYICH TCHAIKOVSKY
*NUTCRACKER SUITE, OPUS 71, “DANCE OF THE REED PIPES”
JOHANNES BRAHMS
HOW LOVELY IS THY DWELLING PLACE, FROM A GERMAN REQUIEM
GIUSEPPE VERDI
*QUARTET, FROM RIGOLETTO
GIACOMO PUCCINI
CHE GELIDA MANINA, FROM LA BOHEME
RICHARD WAGNER
LEITMOTIF
BAYREUTH
DIE WALKURE, ACT I, CONCLUSION