Mission Statement: Regent University serves as a center of Christian thought and action to provide excellent education through a Biblical perspective and global context equipping Christian leaders to change the world. School of Communication & the Arts Mission Statement: To prepare emerging and established Christian leaders to inspire, enrich and transform the media, the arts, and the academy through excellence and innovation in scholarship and practice. SECTION 1: COURSE OVERVIEW Regent University School of Communication & the Arts SSW 510 Story Structure (3cr) SPRING 2016 (March 14 – May 7) 8 Weeks Distance Instructor: Sean Gaffney Location: Com 260 Office hours: Tuesday 2pm-4pm; Wednesday 1pm-5pm Phone: (757) 352-4134 Email: sgaffney@regent.edu Course Description This course will cover the essential elements of Story Structure and Text Analysis, particularly as they apply to film, television and theater storytelling. Attention will be given to the universal story elements drawn from God’s creation and Biblical storytelling. Faith Integration Matthew 13:34-35 says: Jesus spoke all these things to the crowd in parables; he did not say anything to them without using a parable. So was fulfilled what was spoken through the prophet: “I will open my mouth in parables, I will utter things hidden since the creation of the world.” Ever since God spoke the Word into creation, story has been the main way the questions of existence have been addressed: who are we, where do we come from and where are we going. The more we understand and can evaluate the stories of our culture, the closer we can come to bridging the divide between our Maker’s will and humanity’s condition. This course will not only Last updated: 7/1/16 1|P a g e explore the structure of story, but will delve deep into the deeper spiritual meaning of that structure. Course Learning Outcomes (with match to Program Outcomes) Upon completion of this course, students should be able to: 1. Analyze screenplays, teleplays and stage plays for structure, character, theme and other aesthetic elements 2. Understand and describe the power of Story and the importance of Story in understanding culture 3. Examine secular and sacred scripts and be able to extract themes and symbols, as well as determine both Biblical and anti-Biblical meanings found in the work 4. Understand Biblical models for storytelling and how faith integrates with an artist’s creative process; as well as how understanding a Biblical view of story informs a Christ informed life 5. Required and Supplemental Resources Required: Story, by Robert McKee The Screenwriter's Bible by David Trottier Casablanca (the film script) by Howard Koch, Julius Epstein, Philip Epstein Hamlet by William Shakespeare Pushing Daisies pilot (provided by instructor) Recommended: Aristotle's Poetics Backwards & Forwards by David Ball Method of Evaluating Student Performance Assignments Reading and Lecture Quizzes Personal Responses Film/TV/Theater Responses Five Sentence Stories Script Breakdown Exercises Final Participation TOTAL Last updated: 7/1/16 Points 80 80 160 30 270 300 80 1000 Weight 8% 8% 16% 3% 27% 30% 8% 100% 2|P a g e