Chapter 28 slide review
Final Exam Review Spring 2016
Charles-Francois Daubigny, Les Penchiches (The Barges), 1865
Barbizon school, foreshadows Impressionism, loose brushwork
Thomas Cole. The Oxbow, 1836
Hudson River School, sublime
Benjamin Henry Latrobe. US Capitol, 1808
Neoclassical architecture in America
Charles Barry and Augustus Wlby Northmore Pugin. Houses of Parliament,
London. 1836-60
Gothic revival, classical plan by Barry, Gothic decoration
Luis-Jaques Mande Daguerre, Still Life in Studio, 1837
Photography, Daguerreotype
Nadar (Gaspard-Felix Tournachon). Portrait of Charles Baudelaire. 1863
Realist, informal poses, aerial photography
Joseph Paxton, Crystal Palace, London, 1850-1851
Glass and iron
Henri Labrouste, reading room of the Biblioteque Sainte-Genevieve, Paris, 18431850
Beautifies and reveals iron structure
J. L. Charles Garnier, the Opera, Paris, 1861-1874
Revives Baroque, opulence
Gustave Courbet. The Stone Breakers. 1849
Realism, contemporaneity, social awareness
Gustave Courbet, Burial at Ornan, 1849
Ordinary citizens, Realist
Jean Francois Millet, The Gleaners, 1857
Barbizon, rural life, Realist, rural poor
Jean-Baptiste-Camille Corot, First Leaves, Near Mante, c. 1855
Rural landscape, soothing, idyllic,
Rosa Bonheur, Plowing in the Nivernais, 1849
Realist, socialist parents, studied carcasses/ anatomy
Animals
Honore Daumier, The Third Class Carriage, ca. 1862
Realist, urban poor
Thomas Eakins, The Gross Clinic, 1875
American realist, scientific light, Rembrandt, Spanish Baroque
Winslow Homer, The Life Line, 1884
Unvarnished realism, sublime, Romantic influence
James Abbott McNeill Whistler
Nocturne in Black and Gold ( The Falling Rocket), 1875
American expat, abstract,
Edouard Manet, Le Dejuner sur lÕHerbe, 1863
Modernity, simplified flat modeling, scandal
Edouard Manet, Olympia, 1863
Titian, cold indifferent, subverts tradition of passive female, race
relations
Claude Monet, On the Banks of the Seine, Bennecourt, 1868
Plein air, optical color, unmixed color, optical blending
Impressionism
Claude Monet, Rouen Cathedral (In Sun), 1894
Late Impressionism, plastic qualities of color
Camille Pissarro, Wooded Landscape at LÕHermitage, Pontoise, 1878
CorotÕs screen of trees, brighter color, thick paint in dabs
Pierre-Auguste Renoir, Le Moulin de la Galette, 1876
Urban life, middle and upper classes, dappled light
Edgar Degas, Ballet Rehearsal, 1874
Elevated horizon, diagonal recession into space, Japan infl.
Infl. From photography, cropping
Gustve Caillebotte, Paris Street Rainy Day, 1877
Empty center, spatial recession, cropping, modern
Mary Cassatt, Maternal Caress, 1892
American Impressionist, Degas infl., Japanese prints infl.
Domestic scenes, elevated horizons
Berthe Morisot, SummerÕs Day, 1879
Telegraphic brushwork, loose, painterly
Edouard Manet, A Bar at the Follies Bergere, 1882
Heroism of modern life,
Paul Cezanne, The Basket of Apples, ca.1895
Modern, bicameral vision, Post-Impressionism
Paul Cezanne, The Large Bathers, 1906
Canvas separate from reality, its own reality
Georges Seurat, A Sunday on La Grande Jatte, 1884-1886
Post-Impressionist, pointillism, divisionism, complimentaries
Vincent Van Gogh, Starry Night, 1889
Expressionism, symbolic color, subjectivity, firm drawing
Paul Gauguin, Mahana no atua (Day of the God), 1894
Post-Impressionism, Expressionist, arbitrary color, non-western
Symbolist
Gustave Moreau, The Apparition, 1874-76
Symbolist, jewel like
Odilon Redon, THe March Flower, a Sad and Human Face, 1885
Symbolist, fantasy, delirium,
highly subjective
James Ensor, The Intrigue, 1890
Symbilist, subjectivity, acidic color
Edvard Munch, The Scream, 1893
Subjectivity, Expressionism, from Symbolism
Albert Pinkham Ryder, Jonah 1885
American Symbolist, glazes
Henry Ossawa Tanner, The Resurrection of Lazarus, 1896
African American, Rembrandt
Auguste Rodin, Burghers of Calais, 1884-1889, cast ca. 1953-1959
Sculptural Impressionism
Camille Claudel, The Waltz, 1892-1905
Female sculptor, assistant (and mistress) to Rodin, Art Noveau
Victor Horta, Stairway, Tassel House, Brussels. 1892-93
Art Noveau, vine forms, curvilinear
Antonio Gaudi, Serpentine Bench, Guell Park, Barcelona. 1900-1914
Art Noveau, organic
Gustav Klimt, The Kiss, 1907-1908
Art Noveau, decorative/figurative
Henri De Toulouse-Lautrec, Jane Avril, 1893
Art Noveau illustration, Degas
Frederick Law Olmstead and Calvert Vaux. Map of Central Park, New York City.
1858-1880
Park design, suburbs
Henry Hobson Richardson, Marshall Field wholesale store, Chicago, 1885
Structural iron masked in classical masonry
Louis Henry Sullivan,
Guarantee (Prudential) Building Buffalo New York, 1894-1896
Reveals metal framework, large windows, curtain wall
Louis Henry Sullivan, Carson, Pirie, Scott Building,
Chicago, 1899-1904
Reveals metal framework, large windows, curtain wall