Matakuliah
Tahun
: O0372 - Dasar-Dasar Produksi Siaran Radio
: 2010
ADVANCED RADIO PRODUCTION
Books: “Modern Radio Production” by Hausman, Benoit,
Messere, & O’Donnell: Chapter 15
Pertemuan 12
MULTICHANNEL RECORDING
•INPUT MODULES
– THE VERTICAL/SLIDEFADER
• It uses because the position of a bank of slide
faders is easier to perceive at a glance than are
the positions of several dials.
– INPUT SELECTION CONTROLS
• These include mic levels and line level
seleectors
Bina Nusantara University
3
MULTICHANNEL RECORDING
•INPUT MODULES
– SOUND SHAPERS
• Consists of Equalizers and Filters.
• Equalizers alters the frequency patterns of a n audio
sources.
• Filters eliminates frequencies of a certain range.
– PAN POT
• It varies the amount of signal sent to each side of the
stereo signals.
• It is used in final mixdown.
Bina Nusantara University
4
MULTICHANNEL RECORDING
•INPUT MODULES
– SOLO
• The solo mutes other inputs so that channel
being soloed can be heard alone.
– BUS DELEGATION
• A bus is a junction of circuits. Any number of
input channels can be routed into a particular
bus in the output section of the console.
Bina Nusantara University
5
MULTICHANNEL RECORDING
•
OUTPUT BUSES
–
–
•
MONITOR CONTROL
–
•
Its governed the signal flow to the loudspeakers.
FURTHER NOTE ABOUT MULTICHANNEL CONSOLE
–
•
Send the signals to the tape machine and to the monitor.
It allows the signal assigned to each bus to be altered in volume, and some
effects can also be added at the output level.
It has the ability to shape sound and assign particular signals to certain
tracks, it system gives great flexibility to the recordist and allows remixing
of the program material.
ROLE OF MULTITRACK RECORDING
–
Sometimes it encountered by radio station personnel
STEREO
• There are two master channels for stereo,
usually designated as the left and the right
channels.
• It is popular because the balance between left
and right gives a feeling of location in space.
RECORDING MUSIC
•
TOTAL SOUND RECORDING MICROPHONES TECHNIQUES
– COINCIDENT MIKING
• Involves crossing two cardioid mics.
• It imitates the way ears hear and results in the kind of sound you would
hear sitting in the middle of the house.
– SPACED-PAIR MIKING
• It makes you get a very broad sound.
– MIDDLE SIDE MIKING
• It requires a special device known as a phase inverter to add the signal
together properly
RECORDING MUSIC
• ISOLATED COMPONENT RECORDING; its about how can the
mic pick up only one instrument.
– FOR SINGERS
• An acoustic filter is frequently put between the vocalist and the
mic to minimize the possibility of mic popping or sibilance.
– FOR DRUMS
• A separate mic for each unit; or often with a crossed pair.
– FOR PIANOS
• Pointing a mic toward the open top of a grand piano.
RECORDING MUSIC
– FOR STRINGS
• Pointing the mic toward the sounding hole.
– FOR BRASS
• It is usually miked near the bell because all the sound exits from
the bell
– FOR WOODWINDS
• Most of a woodwind’s sound exits from the finger holes, so that
is where the mic belongs
– FOR ENSEMBLE WORKS
• Place a mic on each instrument, or a mic for sections
ELECTRONIC EQUIPMENT AND IT
USES IN RADIO PRODUCTION
• EQUIPMENT
– EQUALIZERS
• It alters the frequency response of an audio signal.
• It can be used to boost or to cut down certain frequency ranges.
• Graphic equalizer allows you to seta graphic representation of
the response curve you would like to create.
• Parametric equalizer allows you to select one frequency and
boost or cut just that frequency or that and surrounding
frequencies.
ELECTRONIC EQUIPMENT AND IT
USES IN RADIO PRODUCTION
• EQUIPMENT
– FILTERS
• Low-pass filter, allows lower frequencies to pass but chops off
selected higher frequencies.
• High-pass filter, used to eliminate a rumble.
– COMPRESSORS AND LIMITERS
• The attack time (length of time it takes for the compressor to
kick in after a particular sound affects it)
• The release time (the length of time that compressor takes to let
the signal return to its previous level)
• Limiters (useful for keeping sudden loud sounds from
overmodulating the signal)
ELECTRONIC EQUIPMENT AND IT
USES IN RADIO PRODUCTION
• EQUIPMENT
– EQUPMENT FOR NOISE REDUCTION
• DOLBY SR
• DBX
– EFFECTS PROCESSORS
• To make SFx
– SPATIAL ENHANCERS
• Produce a signal that gives the impression of having greater
presence or a larger spatial environment.
ELECTRONIC EQUIPMENT AND IT
USES IN RADIO PRODUCTION
• TECHNIQUES
– REVERB
– ECHO
– FORWARD ECHO
– PAN POTTING
ELECTRONIC EQUIPMENT AND IT
USES IN RADIO PRODUCTION
• TECHNIQUES
– CHANGING SPADE
– DOUBLE TRACKING
– GATTING
– NORMALIZING