Poetry, like music, has a flow from one line to another and one stanza to the next. In Robert Frost's classic poem, "The Road Not Taken," we discover an unusual use of timing that not only represents the sentiment of the poem, but also reflects the character of the man himself. Efpatridis – ENG 1DP - 2014 The Road Not Taken by Robert Frost 1 1 1 1 1 1 1 1 1 =9 Two roads di verged in a yell ow wood, (a) 1 1 1 1 1 1 1 1 1 =9 And sor ry I could not tra vel both (b) 1 1 1 1 1 1 1 1 1 =9 And be one tra vel er, long I stood (a) 1 1 1 1 1 1 1 1 1 Road = choice =9 And looked down one as far as I could (a) 1 1 1 1 1 1 1 1 1 The poem has a rhythm that departs from the norm much like the speaker who chooses his own path. The speaker is facing a conflict – making a major decision in his life that is leading him in in different directions. =9 To where it bent in the undergrowth; (b) He is in the “fall” of his life – 40s to 50s. Leaves in the woods are yellow and falling – metaphor for his life. 4 stanzas – 5 lines each = quintain In "A Road Not Taken," the beat of the poem, like the beat of a heart in the middle of a major decision, is irregular. By beginning with a spondee - Two roads - the reader feels the sudden shock of the speaker of the poem. Throughout the poem, the speaker skips a beat - anapest and dactyl - carrying the reader along with anticipation to the final stanza. Efpatridis – ENG 1DP - 2014 YOUR TURN: I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Was it a mid-life crisis? Moving? Changing jobs? Divorce? Having another child? ? ? Oh, I kept the first for another day! - ended up taking a different path than he initially thought. Adventurous, impulsive? He stood a long time reflecting and contemplating on the choice, and then takes the other in a split second. What does it reveal about him? Is he happy or sad with his choice? It has had a major significance. After telling the reader that telling the story would come with a sigh, Frost masterfully creates a sigh in the third line of this stanza when the speaker says, "...and I -- / I took the one less traveled by..." Interestingly, this is all in strict iambic meter; however, Frost returns to a heart skipping beats in the last line, "And that/has made all/the dif/fer ence. Like a Song Frost's poems are like finely crafted symphonies. There is tension, discord, harmony, climax and resolve. His poetry does not have the comforting harmonies of a lullaby. Rather, Frost writes poems that trigger the emotions in ways that can sometimes surprise the reader. He writes to pull at the heart, planting seeds of thought that wiggle their way into the conscious until they bloom into epiphanies. The rhythm and meter in "The Road Not Taken," leaves the reader unsettled and questioning. Efpatridis – ENG 1DP - 2014 The Road Not Taken by Robert Frost Study Questions 1. What problem did the narrator face? Why do you think he wanted to travel down both roads? 2. How does the narrator describe the two roads? How are they similar and different? What imagery is associated with each road and why are these references significant to the meaning or message of the poem? Use the chart to organize your analysis: Road 1 Road 2 Description of road: Images used by narrator: What meaning do the images contribute to meaning? Consider connotation and denotation. 3. Which road did the narrator take? How does the narrator feel about this choice? How do you interpret the words “sigh” and “difference”? Why are these words open to different interpretations? 4. Describe how the narrator’s dilemma in facing both roads could be a metaphor for life. What other words in the poem contribute to creating the metaphor? 5. With your elbow partner, describe an experience from your life when you had to make a difficult choice concerning something important in your life. How did you make this decision? What issues or emotions did you struggle with? Were you happy with the decision or did you have any regrets or doubts? Efpatridis – ENG 1DP - 2014