Community Unit School District #95, Lake Zurich, Illinois 2015 – 2016 Elementary Orchestra Handbook for May Whitney (Grades 4-5) Seth Paine (Grades 4-5) Spencer Loomis (Grades 4-5) Mrs. Mary Reitsma Elementary Orchestra Director May Whitney, Seth Paine and Spencer Loomis Gr. 4 Beginners’ Orchestra and Gr. 5 Prelude Orchestra -1Dear Parents, This handbook contains information dealing with your child’s participation in the elementary Orchestra program. Please take the time to review all the enclosed information with your child. It is important to the success of the program that you take an active interest in your child’s musical venture, by attending concerts and by helping your child learn the discipline required for practicing successfully. I am looking forward to a productive and enjoyable year. If you have questions or concerns throughout the year, please email me (mary.reitsma@lz95.org) or leave a voicemail message for me (847-719-3502), and I will respond as soon as possible. I am the elementary Orchestra teacher for 4th and 5th grade students at May Whitney, at Spencer Loomis, and at Seth Paine. Students in Grade 4 comprise the MW/SL/SP Beginners’ Orchestra, while students in Grade 5 are members of the MW/SL/SP Prelude Orchestra. Sincerely, Mrs. Mary Reitsma Elementary Orchestra Director MW/SL/SP Mary.Reitsma@LZ95.org VM 847-719-3502 Be sure to check out Mrs. R’s Elementary Orchestra webpage Detach here: return to Mrs. Reitsma at the next lesson (by Sept. 11). ------------------------------------------------------------------------------------------Student agreement: “I have read and understand the policies contained in this handbook. I am making a commitment to Orchestra and understand the expectation that I will continue in Orchestra for the entire 2015-2016 school year.” ______________________________ Student signature ______________________________ ________ Print the student’s name Grade Parent agreement: “I will support my child, will encourage him/her to practice regularly, and will transport him/her faithfully to rehearsals and concerts. I will communicate with the director to help ensure that my child has a positive experience in Orchestra. I have read and discussed the handbook with my child, and have noted our concert dates on my calendar.” ______________________________ Parent signature School: MW SL SP (circle one) Date___________ MW/SL/SP Elementary Orchestra Concert Shirts White “Polo-Style” Cotton Shirt with blue mascot design This is the official uniform for elementary Orchestra students from May Whitney, Seth Paine, and Spencer Loomis. The logo shows the mascot for each school. Students in Grade 4 should consider buying one size larger than usual, both to allow for shrinkage (the shirts are 100% cotton) and so that the same shirt can be worn for both the Fourth and Fifth grade years in Orchestra! Parents, you may order one for yourself if you wish! It’s a wonderful way to show support for your student and for Orchestra in general. (Students must have the uniform shirt. For a parent to order a shirt for him/herself is entirely optional!) Please turn in your order to Mrs. Reitsma by September 18. Thank you! Please note that 5th graders do not need to buy a new shirt! Orchestra polo shirt Order Form Please include cash or a check with your order: checks should be made payable to Seth Paine Elementary School. Payment is necessary for your order to be processed. Please return this order form and $$ in an envelope labeled with the student’s name and “Orchestra shirt,” to Mrs. Reitsma’s attention, by September 18. The order will be placed soon after, so that we will have the uniform shirts to wear at our December Demonstration Concert. Suggestion: consider ordering the next larger size for your student to allow for any shrinkage, and so that those continuing into 5th grade orchestra can keep the same uniform shirt. You do not need to buy one next year in Gr. 5 if this one still fits next year! Student’s Name_______________________ Phone:_____________________ School:________________________Classroom Teacher_________________ Quantity Size Price ________ Youth M (10-12) $13 __________ __________ Youth L (14-16) $13 __________ __________ Adult Small $13 __________ __________ Adult Medium $13 __________ __________ Adult Large $13 __________ __________ Adult X-Large $13 __________ Grand Total Enclosed: Total Price $ __________ Please remit the order form with payment by Sept. 18. Thank you! -4Program Description The Lake Zurich Orchestra Program is an elective, co-curricular subject which offers an opportunity for personal growth and enrichment through the study of a stringed instrument. The program is structured to provide young people with motivation, positive attitudes, and commitment to success in an atmosphere of discovery and learning through music. Children do not have to be “gifted” to succeed in the program; anyone willing to learn and to work hard will succeed. The program emphasizes dedication, hard work, perseverance and team work; these qualities are the foundations of any meaningful endeavor. The basics of music covered in the lessons will include note reading, rhythm, musical vocabulary, performance technique, and practice habits. These basics need your parental support and encouragement. Orchestra includes not only the weekly sectional and rehearsal but also the time spent at home practicing. Encourage your child even if progress seems slow at times. The Orchestra Program is comprised of the following, all of which are necessary to ensure the success of your child: 1. Parental support 2. Sectional classes 3. Practice at home 4. Orchestra rehearsals 5. Solo & Ensemble Contest (for those taking private lessons) 6. Progress reports/Evaluation each trimester 7. Instrument care/Supplies 8. Performances and social activities -5Parental Support Parents: the more interest and involvement you express to your child about his/her new endeavor, the more likely it will be that he/she will have a positive musical experience. Specifically: 1. Show a genuine interest in your child’s musical studies. Monitor assignments and sign the practice record weekly (Oct.-May). 2. Arrange a regular time for your child to practice in a quiet, uninterrupted place which is free from distractions. 3. Help with practice as much as possible. Have your child teach you what he/she knows! 4. Insist on faithful attendance at all lessons (set out the instrument and music the night before), rehearsals, and concerts. 5. Attend all of your child’s concerts. 6. Sign up to be a parent helper for field trips, providing/serving refreshments at concerts, taking photos, etc. 7. Confer with Mrs. Reitsma when you have a question or concern. 8. Be patient: progress may be slow at first, but with regular practice, your child’s sounds should consistently improve. Small Group Sectional Classes Small group sectional classes are held during the school day. Students participate in one 30 minute class each week, usually on the same day each week. Students are responsible for being at the lesson on time, after letting their homeroom teacher know where they will be. Students receive a schedule which can be kept at home on the refrigerator or in a place where you and your child can be reminded of when the next class will be, in his/her orchestra folder, or taped onto his/her desk. The classroom teacher also posts the sectional class schedule in the classroom. Students must make up the classroom assignment missed while attending orchestra class. This takes responsibility on the part of the student to check with a homework buddy or with the teacher to see what work needs to be completed. Please communicate with Mrs. Reitsma if you have questions or concerns regarding scheduling or how your child is handling the pull-out classes. -6Each student is expected to bring his/her instrument and materials to Orchestra every week. Instruments should be kept clean and free of excessive rosin dust; books and materials should be kept neat and organized. A pencil should be kept in the folder at all times to complete assignments and to make helpful notations in the music. Private lessons can help your child advance much more rapidly, should your child demonstrate the desire to do so. Please contact me if you decide to take this step with your child; I can refer you to a qualified instructor. Lessons typically are once a week for 30 minutes, and the average cost is $25 per half-hour lesson. Practice Practice is the orchestra program’s homework, and should be treated as such. Each student will receive a practice record which should be filled out daily. Part of your child’s grade will depend on the ability to play the weekly assignment. A parent or guardian must sign this record to verify its accuracy prior to the student’s lesson each week (Oct. –May). This is an important part of your child’s evaluation each grading period. Beginning students are required to work up to 10-20 minutes of practice each day, four--five days per week. Circumstances such as sickness and family emergencies do arise, but please do not allow poor planning, lack of effort, or playing video games to get in the way of your child’s progress. Arranging a regular practice time in a quiet place without interruption will result in steady improvement. It is best to practice the full 20 minutes at once, since any lengthy break in concentration slows the learning process. Rehearsals and Programs All students participate in a large performing ensemble. BEFORE SCHOOL rehearsal begins Wednesday, Sept. 16 for SP/MW/SL FIFTH graders, Tuesday, Sept. 29 for FOURTH graders at Seth Paine/Spencer Loomis, and Thursday, Oct. 1 for FOURTH graders at May Whitney. Prelude Orchestra (Gr.5) rehearses together on Wednesdays in the May Whitney Orchestra Room. Beginners’ Orchestra (Gr.4) students from SP and SL rehearses together on Tuesdays in the Seth Paine Gym. MW 4th graders rehearse on Thursdays (MW Orchestra room). In 5th grade, these rehearsals are where most concert preparation (sheet music rehearsal) takes place. Rehearsals begin promptly at 7:15 a.m. Many parents find carpooling convenient and necessary for transporting students to the before-school rehearsal. Students who attend an elementary school other than where the rehearsal takes place will be bused to their school after the rehearsal, on a bus designated solely for the Orchestra students. -7Another important concerts we present. August 26: December 3: part of the Orchestra program includes the Please highlight these on your district calendar: Elementary Orchestra Kickoff (7:00 pm @ HS PAC) MW/SL/SP Grade 4 Orch. Demonstration Concert for parents, friends, & relatives (7:00 pm @ MW) December 4: All-District Prelude Orchestra (Grade 5) Concert (7:00 pm @ the HS Performing Arts Center) February 20: IL Grade School Music Assoc. Solo/Ensemble Contest At the elementary level, this is for students studying privately. Recommendation for participation is at the director’s discretion. March 1: All-District Gr. 4-12 Orchestra Festival (7:00 pm @ SL/MSN Cafetorium) TBD: Gr. 5 Orchestra field trip May 4: MW/SL/SP Grade 4 Beginners’ Orchestra Spring Concert (7:00 pm @ the MW Gymnasium) May 11: MW/SL/SP Prelude Orchestra Spring Concert (Grade 5) (6:30 pm @ the SP Gymnasium) May 26: Gr. 3 Orchestra Enrollment Meeting (7:00 pm @ the MW Gym) th May 31: 4 -5th Grade Orchestra/Band Rollerskating Party (6:30 – 8:30 pm @ Orbit Skate Center in Palatine) Concerts are “final projects” for each trimester: participation is mandatory. If an emergency arises (i.e. extreme illness), please notify the director prior to the concert if possible, in order for the absence to be excused. If there is any other extenuating circumstance, please contact the director far in advance of the concert. Orchestra is a team activity: every player is important! Concert attire is as follows: Boys: Orchestra uniform shirt, black dress pants, black socks, black shoes Girls: Orchestra uniform shirt, black skirt, socks/hosiery, black shoes Female cellists wear black pants rather than a skirt. Progress Reports/Grading Student progress is monitored weekly at lessons and rehearsals. Progress reports are issued each trimester. Mrs. Reitsma is available during parent/teacher conferences. Please feel free to contact me at any time during the school year. My contact information is on page one of this handbook. Progress is measured according to the following: *Lesson/rehearsal attendance: attendance at every sectional and rehearsal is important. Vital skills and information are learned in these settings, which helps students succeed and feel confident in his/her playing skills. -8*Practice Records: parents must assist beginning students in establishing a regular practice routine. Accountability to the parent (who must sign the record weekly) and to the teacher (who checks it weekly) helps the student develop solid practice habits. Parents must especially monitor second year players’ practice habits and accountability. *Technical progress: note reading, rhythm, bowing, fingering, and proper playing posture are regularly evaluated. *Basic class rules: school rules found in the Student/Parent handbook apply in Orchestra also. Good attitude and effort are crucial. *Written assignments must be turned in at the next sectional class. Written work is generally assigned twice per month. Student progress is recorded at each lesson and rehearsal. Students can gain extra credit for: *Verified private lessons *Verified attendance at a preapproved music performance (check your district calendar for the many middle/high school performances as well as professional performances) *Extra practice (more than two hours per week) *Listening to an approved recording or performance on video *Positive attitude and conduct Acceptable musical performances include any middle/high school performance, a community or professional group performance, or a church concert. MTV is not appropriate for these purposes. Students will be marked down for: Incomplete weekly practice record Unexcused absence from sectional class or rehearsal Forgotten instrument/materials If your child is absent from school on an orchestra day, please e-mail the director if the weekly assignment has not been received (a classmate or the classroom teacher usually forwards the assignment to the student the next day). If a child misses a before-school rehearsal due to illness, Mrs. R. appreciates an e-mail so that I know there was a valid reason for absence. If your child forgets his/her instrument, he/she must still attend the small group sectional class and learn by watching and listening. Students may not skip a class or attempt to discontinue Orchestra without consulting with the director. Problems can usually be amicably resolved! Good behavior is expected from all Orchestra students. LAKE ZURICH UNIT SCHOOL DISTRICT 95 LAKE COMMUNITY ZURICH COMMUNITY UNIT SCHOOL DISTRICT 95 2015-2016 2011-2012 STUDENT Orchestra Progress Report Excels Demonstrates exceptional achievement. Satisfactory Meets grade level expectations. 1st Demonstrates skill development in: S Note reading S Fingering S Intonation S Rhythm S Tone Quality S Bowing S Hand Position/Posture Lessons / Rehearsals: S Weekly practice records S Written assignments/quizzes S Playing quizzes S Rehearsal attendance Learner Characteristics X Indicates area of concern Puts forth effort in class Brings required materials Positive attitude/cooperation SCHOOL Seth Paine Elementary Teacher Mrs. Reitsma LEGEND NI Needs Improvement NA Not Applicable 2nd S 3rd E S S S S S S S S S S S S E E S S S S S S Trimester 1 Comments: Mrs. Reitsma writes comments each trimester regarding skills we are working to achieve, what each student is doing well, and which skills to especially focus on for improvement. Comments are meant to be helpful to the student and parent. Trimester 2 Comments: Trimester 3 Comments: -10Instrument Care/Supplies/Fees Unlike band instruments, stringed instruments are sized smaller to fit the younger student. You will rent an instrument for the first years of study; when your child reaches mature build, you can then consider purchasing a fine full size instrument. Staying with the same company insures that a good portion of your rental money applies toward the purchase of a full size instrument. Several area music stores provide instruments at competitive rates. They also sell the required books, music stands, and other necessary materials. Mrs. Reitsma can refer you to reliable music stores in this area. Extra Activities The director may select fifth graders to compete in the IGSMA Solo/Ensemble Contest on Saturday, February 20, 2016. This is usually an activity reserved for students who are studying privately. Preparation begins in November. Registration is $6.00, and an accompanist charges approximately $30 (unless you make other arrangements with a pianist that you know). In past years, the Grade 5 Prelude Orchestra district-wide has taken a field trip to a professional orchestra concert matinee. We have heard the Lake Forest, Elgin, and Chicago Symphony Orchestras, and Camerata Chicago. We have toured the Wm. Harris Lee instrument manufacturing company. We have experienced the ECHO center at Symphony Center downtown, and the Music Mart. This chaperoned field trip is usually in the winter or early spring. In March of 2012, we were thrilled to host worldfamous Mark Wood in Lake Zurich! Our students experienced an “inschool” workshop with him, and 5th-12th graders performed in the Fire & Ice concert. You can watch YouTube videos of Mark Wood (our program was similar to his “Electrify Your Strings” events) and Mrs. R. has some LZ photos posted on her Elementary Orchestra website. In addition to scheduled performances, the Orchestra program also offers a variety of fun activities. Students can earn Orchestra bucks to cash in each trimester for school supplies/fun prizes. Awards are issued in May. During the year, achievement charts are posted so students can visually monitor their progress. Our roller skating party this year is Tuesday, May 31 (right after Memorial Day), from 6:30–8:30 pm at Orbit Skate Center in Palatine! Consistent effort and a positive attitude will help your child to have a great time making music! Thank you for the opportunity to work with your child in this exciting venture. Mrs. Reitsma ORCHESTRA Private Teachers: area code 847 unless otherwise noted Studios Classic Violins The String Project Knight Academy in LkZurich Solo Classic Inc. Barrington Suzuki Harper College Music McHenry County Music Center Quinlan & Fabish Moraine Music Academy violin/viola/cello www.classicviolins.com/teachers.php all instruments www.thestringproject.com/934.7500 www.knightmusicacademy.com 72-MUSIC violin/viola/cello http://soloclassic.com/faculty.html all instruments 382.9517 all instruments 925.6568 all instruments 815.356.6296 all instruments 253.5592 all instruments 266.9980 Adult Teachers Carol Owens * teaches at LZHS Violin 304.8102 Carol Stolley Violin 253.5209 Violin Kildeer 540-7730 Sara Chung Chungmehdi@yahoo.com Mark Hilbrink MDHilbrink@ATT.net Violin 809-1752 Henry Criz *teaches at LZHS Violin/Viola 266.9980 or 266.9981 Marinette Gadgess Violin 708.583.9735 Mike Nelson Violin 934.8827 Elizabeth Ortiz Violin/Viola 639.0997 Jennifer Silk www.stringsofsilkmusic.com Violin/Viola 224.856.1144 Kristin Rock (LZ graduate!) Viola 951.6395 Jason Bonham Viola 209.6275 Cello Elisabeth Oar @ Knight Academy 847-726-8742 Julia Wen Cello juljwen@gmail.com Alicia TakushiAndes AMTCELLO@gmail.com Cello 312.404.5207 Nathalie Hall Cello 312.545.3669 Lisa Lithall cellovision1@hotmail.com Cello 640.8537 Janet Park Cello 224.659.8300 Maruca Bednarek will travel to LZ Cello 392.9204 Fabian Lopez Cello 630-529-6132 Holly Stangland@yahoo.com Cello teaches in Wheeling Richard Evans will come to your house Cello 815-608-0534 Marion Fadrowski Cello 382.1252 Al Steiner Bass 913.0772 Steve Dreyer Bass 462.1956 Laura Lane (LZ Graduate!) Bass 550.8281 Libby Louiseau libbeth@comcast.net Bass 462.1525 University Students (accepting private students only for summer lessons): Evan Anderson Jenny Mleczko Alura Chung-Mehdi Annika Sundberg Toby James Mark Noll Desirae Rowan rowanvj1@gmail.com Sean Delanty Sean.Delanty@Gmail.com Bass Violin Cello Viola/Violin Cello/Guitar Cello Bass Bass 726.8719 Cell 224-433-4270 550.1514 540-7730 224.628.9329 726.6722 381.9404 845.8874 224.522.5735 High School Tutors for Elementary Orchestra students Chris Choi Graduated (summer lessons only) Grace Dwyer Graduated (summer lessons only) Marlies Emmelot Graduated (summer lessons only) Noel Brindise noelb@att.net Grad. summers only Nate Coirier Kevin Snyder Violin Violin Viola Cello Cello Bass 224-456-8234 370-3498 438.7384 382-2517 540-6666 540-9198 If you know a private teacher for violin, viola, cello, or bass who is NOT on this list, please get their permission for us to add them to the list for the 2015-2016 school year. We are always looking for names and phone numbers of teachers that can be recommended. WHY MUSIC? Music is a Science. It is exact, specific, and it demands exact acoustics. A conductor’s full score is a chart—a graph which indicates frequencies, intensities, volume changes, melody, and harmony all at once and with the most exact control of time. Music is Mathematical. It is rhythmically based on the subdivisions of time into fractions which must be done instantaneously, not worked out on paper. Music is a Foreign Language. Most of the terms are in Italian, German, or French, and the notation is certainly not English, but is a highly developed kind of shorthand that uses symbols to represent ideas. The semantics of music is the most complete and universal language. Music is History. Music often reflects the environment and times of its creation, even the country and/or ethnic feeling. Music is Physical Education. It requires fantastic coordination of fingers, hands, arms, lip, cheek, and facial muscles in addition to extraordinary control of the diaphragmatic, back, stomach, and chest muscles, which respond instantly to the sound the ear hears and the mind interprets. Music Develops Insight and Demands Research. Music is all these things, but most of all, Music is Art. It allows a human being to take dry, technically boring (but difficult) techniques and to use them to create feeling and emotion. That is one thing science cannot duplicate. Music makes us more human. That is why we teach music: -not because we expect your child to major in music -not because we expect your child to play or sing all his/her life (even though we hope he/she does!) But: -to be human -to recognize beauty -to be closer to an infinite beyond this world -to have something to cling to -to develop more love, more compassion, more gentleness, more good…in short, more life! Thanks to The Music Achievement Council 5140 Avenidaa Encinas, Carlsbad, CA Parents on Trial By Dr. Leon Fosha, Associate Professor Music Education School of Music Indiana University, Bloomington, Indiana An outstanding weakness in the elementary school instrumental music program concerns its status as viewed by parent and child. Parents often regard the program only as an opportunity for their child to “try” music, thus placing the program and the child on trial, so to speak. Meanwhile, the parent stands by passively on the sidelines as a spectator, rather than playing an activist role by encouraging and overseeing the child’s progress in his beginning musical studies. Few young children are mature enough to stick to any activity for an extended period of time, particularly when the original interest wanes and the going gets rough. Since parents are not prone to consider any other aspect of elementary school education as being on trial, why, then, should they consider instrumental school education in this light? When parents decide a child should learn to play an instrument, they should be aware of their commitment in several areas. 1. They, as parents, are on trial, not the child. They must make certain the child meets the obligations of the program in terms of practice and equip-ment. The attitude and behavior of parents toward the child and the program is a major factor in the child’s success or failure in music study. 2. Right from the beginning, parents should make the child understand that the music program is one of permanence, an endeavor that will be successful. Since the program will not take on any sense of permanence for the child until instrument ownership is established, parents should stand ready to equip the child with an instrument of his very own. 3. Parents must not threaten to take a child who does not meet his obligations out of the program, nor threaten to return the instrument for the same reason. Such action provides a quick “out” for parents and child when neither have met their obligations to the other. This kind of threat poses a serious challenge to a child’s security and cannot help but undermine his attitude toward music study. The child must be made to understand he will continue in the program regardless of progress result! The child who understands his responsibility will be much more apt to develop a mature and long-range view of his music study than will the child whose parents threaten to remove him from the program because of lack of progress. 4. The elementary instrumental music program is a long and arduous one. Progress will and should be slow during the period when basic learning is taking place. Parents must not react violently toward the child and the program if high performance standards are not achieved in a matter of two or three months. As a matter of fact, even when parents meet their obligations at home, nothing substantial can change during the stage of beginning lessons. Even so, many parents become totally discouraged with the program after a month or two, and can’t wait to return the instrument to the school or music store before the next rental payment is due. When this occurs, the parent’s sincerity about the child’s study of music must have been in question from the very beginning. And, in finding a convenient “out” for themselves, parents also save their conscience by telling the child he was given an opportunity to study music, but didn’t “make good,” a tie-in bargain available for only a few dollars rental price. Or is it such a bargain? MUSIC MAKES THE DIFFERENCE “I have always believed in the definition of an educated man or woman as one who could, if necessary, refound his or her civilization. That means we must teach our students more than just hard facts...we must teach them the rich artistic inheritance of our culture, and an appreciation of how fine music enriches both the student who studies it, and the society that produces it. Music educators deserve special recognition for the valuable service they perform for our children. I know that all of us who care about education and the arts sometimes feel we are fighting a losing battle against institutional mediocrity and cultural illiteracy. But as our society becomes all the more technical and complicated, we must keep an eye always to the future, and to the type of people we wish to be. The existence of strong music and fine arts curricula are important to keeping the humanities truly humanizing and liberal arts education truly liberating. What we teach in our classrooms today will determine America’s ability to produce capable and compassionate leaders for tomorrow.” Ronald Reagan President (40th U.S. President, 1981-1989) MUSIC IS BASIC.