Faculty Curriculum Vitae
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NAME:
Jessica Locheed
POSITION/TITLE: Instructional Assistant Professor
OFFICE ADDRESS:
Fine Arts Building 104A
OFFICE TELEPHONE:
713-743-2838
WORK EMAIL:
DrLocheed@gmail.com
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EDUCATIONAL BACKGROUND/TRAINING
University of Iowa. Iowa City, Iowa
Ph.D., Art History
Dissertation: Degas, Mallarmé and Symbolist Aesthetics.
Dissertation Advisor: Dr. Dorothy Johnson
Major Field: 19th-century French Art
Minor Field: 16th-century Venetian painting
Spring 2000
M.A. , Art History
Thesis: Degas’ 1886 Suite of Nudes: A Reinterpretation.
Spring 1995
Smith College, Northampton, MA
A.B., Art History
Spring 1992
RELEVANT TEACHING EXPERIENCE
University of Houston Downtown.
Adjunct Professor, Art History
Spring 2008- Su2011
University of Houston
Adjunct Professor, Art History
Fall 2008-Su2011
Sam Houston State University. Huntsville, TX
Fall 2008
University of Louisiana at Lafayette France Summer Program.
Summer 2007
University of Louisiana at Lafayette, Lafayette, Louisiana.
Assistant Professor, Art History
2001 –2008
University of Louisiana at Lafayette France Summer Program.
Summer 2002
University of St. Thomas. Houston, TX
Summer 2001
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Faculty Curriculum Vitae
Adjunct Professor, Art History.
North Harris County Community College, Houston, TX
Adjunct Professor, Department of Humanities
Summer 2000
North Harris County Community College, Houston, TX
Adjunct Professor, Department of Humanities
Spring 2000
University of St. Thomas. Houston, TX
Adjunct Professor, Department of Art History
Summer 1999
University of Iowa
Instructor
Summer 1998
Summer 1996
University of Iowa
Teaching Assistant
Fall 1993Fall 1995
ACADEMIC SCHOLARSHIP/RESEARCH/CREATIVE ENDEAVORS
PUBLICATIONS
The Ineffable Essence of Degas’s Sculpture.
Sculpture Journal. Summer 2009.
“Degas the Sonneteer”: Transcending Disciplinary Boundaries and Building a New Aesthetic.
Mosaic: a journal for the Interdisciplinary study of literature. Vol. 3 No. 40 September 2007.
Book Review for John House Impressionism: Paint and Politics.
Journal of Interdisciplinary Humanities. Spring 2008.
Temporality of Space: The Theme of Time in Degas’ Late Works
P-Arts. Winter 2003
Book Review for Robert Hughes Goya.
Journal of Interdisciplinary Humanities. Fall 2003
Bridging the Void: Alastair Noble on Giving Form to Mallarmé. Journal of Interdisciplinary
Humanities. Special Issue 2003.
PAPERS AND PRESENTATIONS
Bridging the Arts: The Juncture of Literature, Criticism and Art in 19th Century Europe,
Panel Chair ATSAH panel, College Art Association Conference 2008.
Southern Women in the Arts
Paul and Lulu Hilliard Museum Symposium. Panel Participant. January 2006.
Degas’ Sculpture and a Mallarméan Aesthetic,
Southeastern College Art Conference, October 2005.
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Faculty Curriculum Vitae
Interdisciplinary Borrowings and Common Bonds,
Panel Chair. National Association for Humanities Education Conference. February 2005.
“Degas the Sonneteer”: Transcending Disciplinary Boundaries and Building a New Aesthetic,
National Association for Humanities Education Conference. February 2005.
Looking Beyond the Andromeda Complex: Reviewing Ingres’ Roger Freeing Angelica,
Southeastern College Art Conference, October 2004.
A Spectral Palette: Degas’ Application of 19th Century Color Theory,
Paper accepted not presented. Society for Literature & Science Conference. October 2004.
Are they or Aren’t They?...Prostitution in the Age of the Impressionists
National Association for Humanities Education Conference in San Antonio. March 6-8, 2003.
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