(1390-1441)

Jan Van Eyck, Portrait of a Man,
1433. Oil on Panel.
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Portrayed direct and distributed light and texture
Created subordinate areas of focus
Realness and unity
Sheer artistry, inscription in his work simulate carved and applied lettering.
Meticulously accurate
Round figures

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Marriage contract between
Giovanni di Nicolao Arnolfini and possibly his wife,
Presumably in their home in the
Flemish city of Bruges
A pictorial prayer for fertility and children

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Dog: fidelity in marriage
Hands held with palms upwards: fidelity in marriage
Candle: God
Orange: innocence that exists in the beginning of a marriage

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Reflection : death of Christ and prayers to Virgin Mary
Mirror: all knowing God and passion of Christ
Shoes removed : sanctity of marriage

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The chandelier: one candle lit which represents matrimony and the unity of marriage
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Style of shoes: high status
Their hands: raised as though taking an oath
Dog: wealth and high status
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Oranges on the windowsill: indicates wealth

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Convex mirror: neutralism; it’s there so the whole room can be seen, and to show that there was a witness to the wedding.
The crystal prayer beads on the wall & the image
of Saint Margaret: suggest strong belief in religion
Words above mirror mean
“Jan Van Eyck was here.”

Ghent Altarpiece (1432)
Lucca Madonna (1436)
Just Judges (1432)
Portrait of Cardinal Niccolo Albergati (1432)