Midget rodeo by Armando Ramos III A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts Montana State University © Copyright by Armando Ramos III (2003) Abstract: no abstract found in this volume MIDGET RODEO by Armando Ramos III A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts MONTANA STATE UNIVERSITY Bozeman, Montana September 2003 N n s APPROVAL of a thesis submitted by Armando Ramos III This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies. Approved for the Department of the School of Art Richard Helzer 3 /3 /0 3 Approved for the College of Graduate Studies STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master's degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Signature in I The essence of my work is not entirely in the medium, but in human beings and their history. The differences in humanity are fascinating to me, and in my thesis show I want to bring this to light. My thesis show, the Midget Rodeo, explores the oddities of our kind. Our lives today are overrun by computer enhanced models and manicured lawns; I want to show that it is okay to be who we are. We have lost touch with real existence to such an extent that we don’t realize what is really important. Americans have created a whole hierarchy of values that are unrealistic. In contrast, the rodeo is an example of a more honest portrayal of ourselves. The midget rodeo is a large installation that fills the entire gallery. The rodeo is comprised of five distinct scenes that are setup in their own environments. One is a singing cowboy on a crude stage. It has the feeling of a makeshift stage made of bales of hay that gives you a feeling of traveling from county fair to county fair. Other scenes range from rodeo clowns to a corral of galloping fantasy horses. All of these are constructed in their own specific setting in the rodeo, for example, a corral or toy horses. All scenes come together to form a collective environment in which they are all present and the viewer is free to interact. The clay figures are constructed in the same manner that my past work has been made. The sculptures are hand built in a traditional manner and then incorporated with cast found objects and toys that are selected to represent the history, personality and emotions of the individual pieces. The hand built figures are representations of the human form. They are simplified, to elicit the energy of a quick drawing and to focus on the character of the piece. The Midget Rodeo is inspired by an intriguing memory I experienced as a boy living in Mexico. In America this type of event is a completely different form of entertainment. In the United States there is not a feeling of being involved in a fun environment that is innocent and suitable for children; instead it’s much more of a freak show. The Midget Rodeo, in this country, is seen more as a demeaning event that makes a spectacle of someone who is different. A so-called normal adult condemns this type of display, hr reality, they have little tolerance of these events, because it is too close to an honest acceptance of mankind. Everyone loves to go to the carnival, and they love to go to the freak show component, but they are embarrassed to admit it. Having traveled and knowing people from other countries, I have realized that it is mainly our country that feels this way. Instead of embracing diversity, we strive to help the midget, the bearded lady and the snake woman because—god forbid—“those poor people” actually enjoy their lives entertaining us “normal” people. SLIDE LIST Armando Ramos III Midget Rodeo I . Midget Rodeo Ceramic and Mixed Media 10’x20’ 2. Barrel Racing Ceramic and Mixed Media 7'x5'x7' 3. D etail of B arrel Racing Ceramic and Mixed Media 7'x5'x7' 4. Pogo Pony Ceramic and Mixed Media 3’x l4 ” 5. Cowboy Up Ceramic and Mixed Media 12"x7"x7" 6. Portraits of a Cowboy Ceramic and Mixed Media 15”x l l ” 7. The Singing Cowboys Ceramic and Mixed Media 15”x l l ”x l l ” 8. Wild Ponies Ceramic and Mixed Media 7'x8'x3' a. I A t/* W £0)60 3 Ve+AiL of &A2/Z ZU &AC//U$ e BABAo, ZAC/lv) $ 7 w /70 Pom ie$ Pofz+ZAHS of a Cdu/fidy S .* 3 ^ STATE UNIVERSITY -