Interior design for a resort motel at Quake Lake, Montana

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Interior design for a resort motel at Quake Lake, Montana
by Leonard Dane Harding
r A thesis submitted to the Graduate Faculty in partial fulfillment of the requirements for the degree of
MASTER OF APPLIED ART
Montana State University
© Copyright by Leonard Dane Harding (1966)
Abstract:
This thesis is the interior design for a projected resort motel which was designed by Mr. John Link as
his senior thesis project in cooperation with the School of Architecture at Montana State University.
A working file of sources for furnishings, fabrics and information was first assembled. Choices were
made from this file on the basis of use, finances and aesthetic principles. These choices were checked
with the manufacturer's representatives for suitability and with the thesis committee who acted as client
in terms of visual appeal. The plan is presented in a form which could be put into effect.
Many of the decisions made for this interior design were based on collateral studies concerning
carpeting, psychology of color, period furnishings and synthetic interior architectural finish materials
which were done in supporting courses.
It is understood that a close collaboration between the architect and the decorator would be important
as both will have decisions to make— some of which will overlap the other's area of authority. This
close association would be needed in order to bring a project of this type to an aesthetically satisfying
conclusion. INTERIOR DESIGN FOR A RESORT MOTEL
AT QUAKE LAKE, MONTANA
/
by
LEONARD DANE HARDING
•r
A t h e s i s s u b m i t te d t o t h e G r a d u a te F a c u l t y i n p a r t i a l
f u l f i l l m e n t o f th e re q u ire m e n ts f o r th e d e g re e
of
MASTER OF APPLIED ART
A p p ro v e d :
H e ^ d , M a jo r D e p a rtm e n t
I)
-v.'S'
M A C ez^
C h a irm a n , E x a m in in g C o m m itte e
G r a d u a te D ean
MONTANA STATE UNIVERSITY
B ozem an, M o n ta n a
J u n e , 1966
(
iii
ACKNOWLEDGMENTS
I w o u ld l i k e t o t h a n k D o c to r L o u is D. S . S m ith , M r. C y r i l C o n ra d , M is s
F r a n c e s S e n s k a , M r. S y d n ey K u r l a n d , M r. W il li a m C a r v e r a n d M is s R u th
O sb o rn f o r t h e tim e w h ic h t h e y d e v o te d t o g i v i n g ‘me t h e g u id a n c e and
a s s i s t a n c e w h ic h h e lp e d t o m ake t h i s t h e s i s a n e n j o y a b l e l e a r n i n g e x p e r i ­
ence.
S p e c i a l t h a n k s a l s o g o t o my w i f e M ary who p r o v id e d c o n s t a n t s u p p o r t
a n d i n t e r e s t i n my w o rk .
I w is h t o p a y s p e c i a l t r i b u t e t o t h e l a t e G e o rg e C o n k e y , who w as a
m a jo r f o r c e i n my d e c i s i o n t o p u r s u e a h a d v a n c e d d e g r e e .
a b l e g u id a n c e t h a t I d e v e lo p e d my b a s i c d e s i g n i n g s k i l l s
I t w as u n d e r h i s
in th e a re a s of
I n t e r i o r a n d I n d u s t r i a l D e s ig n .
I w o u ld a l s o l i k e t o e x p r e s s my g r a t i t u d e t o t h e l a t e J a y W. A l l i s o n ,
who w as Jam es L e e 's an d S ons C a r p e t r e g i o n a l r e p r e s e n t a t i v e i n B i l l i n g s .
M r. A l l i s o n p a s s e d aw ay i n N ovem ber o f 1 9 6 5 .
iv
TABLE OF CONTENTS
T i t l e P a g e .......................................
I
V i t a ..................................
ii
A c k n o w le d g m e n ts .............................
i« .,iii
T a b le o f C o n t e n t s . . . . . . ..................................i v
L i s t o f T a b l e s ......................
,.v
L i s t o f F i g u r e s .....................................................v i
A b s t r a c t ............................................... . v i i
I n t r o d u c t i o n ......................... ................................. v i i i
T he A r e a . . . . . . ..................................
M o t e l . ...................
C a r p e t i n g .....................
F u r n i s h i n g s ....................................
I
...4
.........5
.6
B a s ic I . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
B a s i c 2 . . . . . ...................
.9
B a s i c 3 . .................................... . . . . . . . . . . . . 1 0
D in in g R oom ..................
..2 1
C a r p e t i n g . .................
.2 3
F u r n i s h i n g s .......................................................... 26
D r a p e s .................... ....................
28
L i t e r a t u r e C i t e d .....................
.3 6
V
LIST OF TABLES
M o te l Room C a r p e t F i g u r e s . , . . ......................... .................. 16
D r a p e r y F i g u r e s - Room s.......................................... ...............1 7
Room F u r n i s h i n g s - U n i t G ro u p s 1 , 2 , 3 .
................... 18
Room F u r n i s h i n g s - U n it G roup 4 ....................................... 19
M o te l Room T o t a l F i g u r e s ......................................... ..............20
. D in in g Room C a r p e t F i g u r e s ............................. ..................... 32
D in in g Room D r a p e s ............... ...................................... ................ 33
D in in g Room T o t a l F i g u r e s ........................... ..• . . , 3 4
.1
vi
LIST OF FIGURES
MotlG X S Xt 6 Mcip e
S ltZG jPI a n
e o o e e » o # # e e » e o » e e e e o t t o o o e e e # e e d e e 2
e c e e o « e o o e e o # # e e e e e o e e e e e o o o e e e o o e o e # o e 3
M o te l P l a n V iew s a n d E l e v a t i o n s ....................................... 11
M o te l F l o o r P l a n s . *
.
...........................
..................12
N o t a t i o n S y s te m U s e d . ...................... ...................................... .1 3
U nxt X n te r x o r D e s x § n a tx o n s . e . . . . . . . . . . . . . . . . . . . . 1 4
T y p x c a l M o te l X n t e r x o r . . . . . . . . . e . . . . . . . . . . . . . . . . 1 5
D in x n g A re a F I o o r P
D in in g Room C a r p e t i n g L
I
a
a
y
n
o
u
. . . 22
t
. . . 25
Dxnxng Room D r a p e r I e s . . . . . . . . . . . . . . . . . . o . . . . . . . .3 0
D in in g Room I n t e r i o r P e r s p e c t i v e s .................................. 31
v ii
ABSTRACT
4%
T h is t h e s i s i s t h e i n t e r i o r d e s i g n f o r a p r o j e c t e d r e s o r t m o te l w h ic h
w as d e s ig n e d b y M r. J o h n L in k a s h i s s e n i o r t h e s i s p r o j e c t i n c o o p e r a t i o n
w i t h th e . S c h o o l o f A r c h i t e c t u r e a t M o n ta n a S t a t e U n i v e r s i t y .
A w o rk in g f i l e o f s o u r c e s f o r f u r n i s h i n g s , f a b r i c s a n d i n f o r m a t i o n
w as f i r s t a s s e m b le d . C h o ic e s w e re m ade fro m t h i s f i l e on t h e b a s i s o f u s e ,
f i n a n c e s a n d a e s t h e t i c p r i n c i p l e s . T h e s e c h o i c e s w e re c h e c k e d w i t h t h e
m a n u f a c t u r e r 's r e p r e s e n t a t i v e s f o r s u i t a b i l i t y a n d w i t h t h e t h e s i s c o m m itte e
who a c t e d a s c l i e n t i n te r m s o f v i s u a l a p p e a l . The p l a n i s p r e s e n t e d i n a
fo rm w h ic h c o u ld b e p u t i n t o e f f e c t .
Many o f t h e d e c i s i o n s m ade f o r t h i s i n t e r i o r d e s i g n w e re b a s e d on
c o l l a t e r a l s t u d i e s c o n c e r n in g c a r p e t i n g , p s y c h o lo g y o f c o l o r , p e r i o d
f u r n i s h i n g s an d s y n t h e t i c i n t e r i o r a r c h i t e c t u r a l f i n i s h m a t e r i a l s w h ic h
w e re d o n e i n s u p p o r t i n g c o u r s e s .
I t i s u n d e r s t o o d t h a t a c l o s e c o l l a b o r a t i o n b e tw e e n t h e a r c h i t e c t a n d
t h e d e c o r a t o r w o u ld b e i m p o r t a n t a s b o t h w i l l h a v e d e c i s i o n s ' t o m a k e -—
some o f w h ic h w i l l o v e r l a p t h e o t h e r 's a r e a o f a u t h o r i t y .
T h is c l o s e
a s s o c i a t i o n w o u ld b e n e e d e d i n o r d e r t o b r i n g a p r o j e c t o f t h i s t y p e t o
an a e s t h e t i c a l l y s a t i s f y i n g c o n c lu s io n .
' I.
d
INTRODUCTION
. . . a b u s i n e s s e n t e r p r i s e m u st b e h o u s e d som ew here a n d Somehow6
I t h a s t o h a v e p h y s i c a l s u r r o u n d i n g s . T h e s e c a n b e s o u g l y , so
ta w d ry a n d s o t a s t e l e s s a s t o b e a c o n s t a n t a b r a s i o n t o e v e ry o n e
a s s o c i a t e d w i t h t h e com pany o r com ing i n c o n t a c t w i t h i t .
B ut t h e y
a t l e a s t h a v e p e r s o n a l i t y and i n t e r e s t .
F a r m ore d e a d l y a r e t h e
s t e r i l e , b l a n d , d u l l b u i l d i n g s e r e c t e d b y m an ag em en ts who a r e
j u s t i n d i f f e r e n t and u n i n t e r e s t e d .
T h o u g h t f u l m a n a g e m e n ts , on t h e
o t h e r h a n d , r e g a r d new b u i l d i n g s a s m a jo r a n d s e r i o u s e x p r e s s i o n s
o f t h e i r c o m p a n ie s ' p e r s o n a l i t i e s , p u r p o s e s an d e m p h a s e s . Such
b u ild in g s c a n b e handsom e, d i s t i n g u is h e d - ~ - a n d , above a l l ,
i n t e r e s t i n g -----a s o u r c e o f p r i d e t o a c o m p a n y 's p e r s o n n e l an d o f
s a tis f a c tio n to i t s v i s i t o r s .
G e n e ra lly s p e a k in g , b u s in e s s i s
t o d a y m ore d i s c r i m i n a t i n g a b o u t i t s h o u s in g an d s u r r o u n d i n g s
th a n e v e r b e fo r e .
Some o f t h e m o st i m p r e s s i v e a r c h i t e c t u r e o f
o u r t im e h a s b e e n i n t h e c o m m e rc ia l a n d i n d u s t r i a l f i e l d , b e c a u s e
t h e r e i s a new a p p r e c i a t i o n i n m anagem ent o f g e n u in e v a l u e s i n
a r c h i t e c t u r e a n d a new a b h o r r e n c e o f t h e s p u r i o u s . (1 4 )
T h is i s a v e r y i n t e r e s t i n g o b s e r v a t i o n — - o n e w h ic h i s t h e r e s u l t o f
a n a w a r e n e s s b y m anagem ent c o n c e r n in g t h e b u i l d i n g o r b u i l d i n g s w h ic h h o u s e
t h e i r p a r t i c u l a r b u s in e s s o r o r g a n iz a tio n .
I n ta n g ib le b e n e f its have
o c c u r r e d s u c h a s m o re e m p lo y e e c o n t e n t m e n t , d r o p s i n t u r n o v e r r a t e s a n d
i n c r e a s e d w o rk o u t p u t .
(3 )(4 )
T h is e s p e c i a l l y a p p l i e s t o t h e c o m m e rc ia l
t y p e o f b u i l d i n g a n d m akes t h e c o m m e rc ia l o r C o n t r a c t ty p e o f i n t e r i o r t h e
"new c h a l l e n g e " t o i n t e r i o r d e s i g n e r s .
A c o n t r a c t t y p e o f i n t e r i o r w as c h o s e n f o r t h i s t h e s i s a s a r e s u l t o f
p a s t e x p e r i e n c e , p r e s e n t i n t e r e s t s an d f u t u r e . h o p e s f o r e m p lo y m e n t.
I t has
b e e n my o b s e r v a t i o n t h a t c o n t r a c t i n t e r i o r r e q u i r e m e n t s a n d c o n s i d e r a t i o n s
have a h ig h e r p o s itiv e c o r r e la tio n to r e s i d e n ti a l i n te r io r s th a n r e s i d e n ti a l
i n t e r i o r re q u ire m e n ts and c o n s id e r a tio n s h av e t o c o n tr a c t i n t e r i o r s .
I a ls o
p r e f e r t o w o rk w i t h f i r m s , b o a r d s o r g r o u p s r a t h e r t h a n i n d i v i d u a l s , a n d t o
w o rk on s i z e a b l e j o b s i n v o l v i n g l a r g e b u i l d i n g s r a t h e r t h a n hom es o r
p o r ti o n s o f hom es«
T h is t h e s i s p r o b le m ,T h e Q uake L ake I n n , w as c h o s e n b e c a u s e i t
in c lu d e d
s e v e r a l t y p e s o f i n t e r i o r s p a c e s , s u c h a s m o te l u n i t s , d i n i n g ro o m , b a r ,
lo u n g e , d o r m i t o r i e s a n d c u r i o sh o p a r e a s a s p o r t i o n s . o f t h e t o t a l s t r u c t u r e
T he m o te l u n i t s a n d t h e d i n i n g room a r e a a p p e a r e d t o a f f o r d t h e b e s t c r o s s
s e c t i o n of d e c o r a t i n g p ro b le m s a n d , t h e r e f o r e , t h e m o st i n a l e a r n i n g
e x p e rie n c e .
It
i s t h e s e a r e a s w i t h w h ic h t h i s t h e s i s
is co n c ern e d .
The e x p e c te d g a i n fro m s u c h a n u n d e r t a k i n g i s one o f f a m i l i a r i z a t i o n ,
a w a re n e ss and a s e n s e o f o r g a n i z a t i o n :
. . . f a m i l i a r i z a t i o n w i t h new l i n e s o f f u r n i t u r e , c a r p e t s , d r a p e r i e s an d
w i t h some o f t h e s o u r c e s a n d c o s t s i n v o l v e d .
in th e l i f e
T h is i s a c o n s t a n t p r o c e d u r e
o f a n i n t e r i o r d e s i g n e r b u t c a n b e d o n e m uch m ore o b j e c t i v e l y
w hen n o t u n d e r t h e h e a v y i n f l u e n c e o f s a le s m e n a n d c u r r e n t l i n e s i n s t o c k
.
o r fa m ilia r l in e s .
. . . a w a r e n e s s o f p r o b le m s in v o lv e d a n d new m e th o d s o f t h e i r c o n t r o l .
. . . o r g a n i z a t i o n o f a w o rk in g p r o c e d u r e o f d e a l i n g w i t h a t o t a l p r o b le m
T h i s a ll o w s f o r l e s s " w h e e l s p i n n i n g " o n f u t u r e j o b s an d c a u s e s a m ore
e f f i c i e n t p a t h to w a rd t h e m o s t s a t i s f a c t o r y s o l u t i o n t o a g i v e n p r o b le m .
The A re a
On A u g u s t 1 7 , 1959 a t 1 1 :3 7 p .m . a n e a r t h q u a k e o c c u r r e d w h ic h h a d a
R ic h te r s c a le i n te n s it y o f 7 .1 .
I t w as f e l t o v e r a n a r e a o f 5 5 0 ,0 0 0 s q u a r e
m i l e s i n t h e W e s te r n U n i t e d S t a t e s .
(8 )
T he m a jo r e f f e c t o f t h e e a r t h q u a k e
w as a e l i d e w h ic h h a p p e n e d a p p r o x i m a t e l y 15 m i l e s s o u th w e s t o f t h e a c t u a l
fo cu s.
T h i s s l i d e c la im e d 17 o f t h e t o t a l 28 l i v e s l o s t d u e t o t h e q u a k e ,
( 12 )
The s l i d e c r e a t e d a l a k e w h ic h w as nam ed E a r th q u a k e L a k e .
u s a g e h a s s h o r t e n e d t h e name t o Q uake L a k e .
s l i d e w h ic h f i l l e d
G e n e ral
T h is l a k e was c r e a t e d b y t h e
t h e c a n y o n w i t h 3 7 ,0 0 0 ,0 0 0 c u b ic y a r d s o f m a t e r i a l .
(1 2 )
I t c a n b e r e a c h e d ,b y t h e r o a d s show n on t h e map on t h e f o l l o w i n g p a g e .
T h i s a r e a h a s s i n c e d e v e lo p e d i n t o a t o u r i s t a t t r a c t i o n .
a ttra c te d
(1 1 )
I n 1964 i t
some 2 ,0 0 0 c a r s p e r d a y w i t h a n a v e r a g e o f 3 .4 p e r s o n s p e r c a r .
T h is i s a n i n d i c a t i o n o f t h e p o t e n t i a l w h ic h t h i s
r e s o r t m o te l d e v e lo p m e n t.
s i t e has fo r a
2.
B O Z -E -N X A M
V IR a iN lA C V T Y
W EST
Vello w rro M E
I
I
M o te l
G e n e ral
The. m o te l room s a r e d e s ig n e d t o a d a p t t o m any d i f f e r e n t s i t u a t i o n s .
M ost room s h a v e p o s s i b l e s p a c e f o r f o u r g u e s t s .
To c r e a t e a h o m ie r
a tm o s p h e r e f o r t h e t r a v e l i n g c o u p le s and s t i l l b e p r e p a r e d t o h a n d le
l a r g e r g r o u p s o r p a r e n t s a n d c h i l d r e n , t h i s c a p a c i t y o f f o u r i s s o lv e d b y
u s i n g one 4 / 6 d o u b le b e d a n d a s o f a - b e d .
The room s i n U n i t G ro u p s I ,
b a th r o o m a r e a .
2 and 3 a r e a l l 1 4 1 x 2 1 ' in c lu d in g th e
T h is i n c l u d e s e n o u g h s p a c e f o r a s i t t i n g
a r e a , and t h e r e
i s a l a r g e e x p a n s e o f g l a s s w h ic h a ll o w s t h e g u e s t s t o o v e r l o o k t h e l a k e .
U n i t G roup 4 room's a r e 1 4 ' x 1 6 '6 " .
w i t h tw o 3 /3 b e d s .
H a l f o f t h e s e room s a r e e q u ip p e d
T h is a r r a n g e m e n t d o e s n o t l e a v e e n o u g h s p a c e t o
c o m f o r t a b l y p r o v i d e tw o c h a i r s .
T he o t h e r h a l f o f t h i s g r o u p h a s one
d o u b le b e d w h ic h d o e s a l l o w e n o u g h room f o r t h e e x t r a c h a i r .
A l l room s
h a v e a d e s k c h a i r w h ic h c a n b e u s e d f o r a c o n v e r s a t i o n a l g r o u p in g i f n e e d e d
The p r im e f a c t o r s g o v e r n i n g d e s i g n a n d c h o i c e o f m a t e r i a l s f o r t h e
room s a r e d u r a b i l i t y an d e a s e o f m a in te n a n c e a n d c l o s e a t t e n t i o n t o a n
a e s th e tic g o a l.
E a s e o f m a in te n a n c e a n d d u r a b i l i t y i n t h i s a p p l i c a t i o n
a c t u a l l y o v e r l a p , a s one c a n n o t b e p r e s e n t w i t h o u t t h e o t h e r .
r e q u i r e s a c e r t a i n w arm th a n d h o m in e s s , a n d t h i s
t o b e in c lu d e d i n th e c h o ic e s m ade.
th e ex p en se o f d u r a b i l i t y .
T he p u b l i c
i s one f a c t o r w h ic h h a s
Many t im e s t h i s h a s t o b e 'p r o v i d e d a t
C e r t a i n l y a n a l l m e t a l c h a i r w o u ld b e m o st
d u r a b l e , b u t c u s to m e r r e s i s t a n c e w o u ld b e t o o g r e a t .
P re se n t t r a f f ic
p a t t e r n s show t h a t t h e t o u r i s t s p l a n t h e i r s c h e d u l e t o p u t th e m i n W est
Y e l lo w s to n e , E n n i s , B ozem an, o r s u r r o u n d i n g to w n s w i t h l o d g i n g s , an d t h i s
p a t t e r n c o u ld b e c h a n g e d i f t o u r i s t s w e re t o l d o f The I n n 's c o m f o r t .
,
5
C a rp e tin g
W a ll t o w a l l c a r p e t i n g w as c h o s e n f o r t h e room s b e c a u s e o f i t s
m a in te n a n c e , i t s
dase o f
low y e a r l y c o s t a n d t h e s o u n d c o n d i t i o n i n g q u a l i t i e s .
p r im e c o n s i d e r a t i o n h e r e i s t h e a e s t h e t i c f a c t o r . -
Of
The f e e l i n g o f w a rm th ,
s o f t n e s s a n d " h o m in e s s " a f f o r d e d b y c a r p e t e d f l o o r s c a n n o t b e o v e r l o o k e d .
C a r p e t i n g i s a n e x tr e m e l y i m p o r ta n t p a r t o f t h e e n t i r e sc h e m e , s i n c e
t h e f l o o r r e c e i v e s t h e h a r d e s t w e a r o f a n y s u r f a c e i n a room a n d i s a p t t o
be th e la r g e s t a r e a .
It
is
l o g i c a l t o s t a r t t h e r e a n d p i c k a c o v e r i n g w h ic h
m e e ts d u r a b i l i t y a n d a e s t h e t i c r e q u i r e m e n t s a n d w o rk fro m i t a s a b a s i s .
T h is p r o c e d u r e a ll o w s a d e c o r a t i n g schem e t o "g ro w o u t o f " t h e f l o o r i n g an d
its
in h e r e n t c o lo r and t e x t u r e .
The u n i t s a r e o r i e n t e d t o f a c e t h e l a k e .
e x p o su re .
T h is g i v e s th em a n e a s t e r n
The m o rn in g s u n w i l l b e a v e r y w elcom e s i g h t a f t e r one o f t h e
a r e a 's c o o l n i g h t s , and th e e x p o su re and g e n e r a l c lim a te f o r t i f i e d by th e
e x p o s u r e t o t h e c o o l i n g b l u e o f t h e l a k e d i c t a t e a warm s c h e m e .
a rriv in g
s u n lig h t.
G u e s ts
i n t h e a f t e r n o o n w i l l b e show n t o a room w h ic h h a s n o d i r e c t
T h is c o u p le d w i t h t h e e x p a n s i v e l a k e v ie w w o u ld b e p l e a s i n g l y
c o u n t e r a c t e d b y a warm d e c o r a t i n g sc h e m e .
The f i b e r c o n t e n t c h o s e n f o r t h e c a r p e t i n g i s A c r i l a n .
c o n s id e re d b e s t f o r t h i s
T h is i s
i n s t a l l a t i o n b e c au se o f th e c h a r a c t e r i s t i c
a p p e a r a n c e a n d warm lo o k o f w o o l w h ic h A c r i l a n h a s an d b e c a u s e o f i t s
in h e re n t r e s is ta n c e to s o il i n g .
A c r ila n i s a " g la s s y ro d " a p p e a rin g f i b e r
and i s , t h e r e f o r e , e a s i l y c le a n e d .
S p i l l s , d i r t and m o is tu r e a r e n o t ab ­
s o rb e d b y th e f i b e r i t s e l f and c a n b e c le a n e d r e a d i l y and e f f e c t i v e l y .
(6 )
L e e 's " W o n d e rfu l W o rld " w as c h o s e n b e c a u s e o f i t s p a s t r e c o r d i n s i m i ­
l a r i n s t a l l a t i o n s and b e c a u s e o f i t s
re a s o n a b le p r i c e .
T he p o i n t w as m ade
6
b y M r. A l l i s o n t h a t d o l l a r f o r d o l l a r t h i s t y p e o f c a r p e t i n g p e rf o r m e d b e t t e r
th a n o t h e r s .
The l i n e h a s 17 c h o ic e s a n d a f f o r d s a c o m p le te , c h o ic e o f
c o l o r s — - b o th p l a i n s and s a l t and p e p p e r t y p e s .
I t h a s a f u r t h e r a d v a n ta g e i n t h a t i t h a s b e e n w oven w i t h a w e b b in g o f
a p l a s t i c m a t e r i a l a t th e b a s e o f each lo o p .
In e ff e c t, i t
i s w oven t h r o u g h
a p l a s t i c w e b b in g w h ic h i s d e s ig n e d t o h o l d l i q u i d s p i l l s a t t h e s u r f a c e
f o r e a s y c l e a n a b i I i t y , an d i t d o e s n o t a l l o w d i r t t o p a s s t h r o u g h t h e c a r ­
p e t t o a p o i n t w h e re i t c a n ' t b e vacuum ed o u t .
F u rn is h in g s
B a s i c f u r n i s h i n g s a r e fro m t h e K r o e h l e r l i n e c a l l e d "T h e T r a v e l e r I I "
a n d a r e f i n i s h e d i n Fawn w a l n u t f i n i s h .
b ran d o f p l a s t i c
T h is l i n e i n c l u d e s " C a n t M ar"
s u r f a c i n g on t h e t o p s o f a l l p i e c e s .
B ecause o f th e n a tu r e o f th e a r e a , i t
w i l l s t a y m ore t h a n o v e r n i g h t .
a r e m in im a l.
(1 1 )
i s h ig h ly d o u b tfu l t h a t g u e s ts
T h is m eans draw e’r s p a c e r e q u i r e m e n t s
D ra w e rs a r e t h e r e a s o n f o r m any " l e f t b e h in d " a r t i c l e s
a s p e o p le d o n 't c h e c k t h o r o u g h l y .
(9 ),
F ew er d r a w e r s a r e d e s i r a b l e ; h o w e v e r ,
a m in im a l am ount s h o u ld b e p r o v id e d f o r t h o s e who do p l a n t o s t a y l o n g e r
o r who d o l i k e a n e a t e r a p p e a r i n g room a n d f o r t h e s t o r a g e o f w r i t i n g
s u p p l i e s , te le p h o n e d i r e c t o r y and o th e r in f o r m a tio n .
The # 4 5 7 a n d 458
d e s k s a l l o w f o r t h i s d r a w e r r e q u i r e m e n t , an d t h e y s e r v e , a s a d e s k and a s
a lu g g a g e r a c k .
The lo u n g e c h a i r i s o f l o o s e c u s h io n d e s i g n f o r a d d e d w e a r b e c a u s e o f
its
r e v e rs a b ility .
n e c e ssa ry .
T he re m o v a b le c u s h io n s c a n e a s i l y b e r e c o v e r e d when
As a p r e c a u t i o n , a few e x t r a c u s h io n s o f e a c h c o v e r i n g a r e t o
b e k e p t on h a n d f o r r e p l a c e m e n t u n t i l dam aged c u s h io n s c a n b e r e p a i r e d .
7
The s o f a b e d u n i t i s a p l a i n s q u a r e a rm , b u t t o n b a c k s t y l e w h ic h le n d s
i t s e l f to a c o v e rin g o f e l a s t i c n au g ah y d e,
When o p e n e d , i t c o n t a i n s a
s t a n d a r d . 4 / 6 b e d a n d c a n b e r e a d i l y m ade up t o accom m odate t h e c h i l d r e n
o r a l l o w f o r o v e r f lo w i n h e a v y t r a f f i c
seaso n s.
•
The m a t t r e s s an d b o x s p r i n g u n i t s a r e e x t r a l e n g t h .
T h is i s a f e a t u r e
w h ic h i s a p p r e c i a t e d a n d i s h i g h l y d e s i r a b l e i n m o te ls a n d h o t e l s .
The
u n i t i s S im m on's B e a u t y r e s t a n d i s g u a r a n t e e d f o r 15 y e a r s .
M o st o f t h e l i g h t i n g f i x t u r e s a r e s p e c i f i e d b y t h e a r c h i t e c t ; h o w e v e r ,
t h e r e a r e o t h e r s r e q u i r e d w h ic h a r e l e s s p e r m a n e n t.
a tta c h e d s h e lf su ch as L i g h to l ie r #9093 f i l l s
n e a r t h e lo u n g e c h a i r s .
A f l o o r lam p w i t h
th e need f o r illu m in a tio n
T he d e s k a l s o r e q u i r e s a l i g h t s o u r c e .
A lam p
su c h a s L i g h t o l i e r #9085 i ll u m i n a te s b o th th e d e sk s u r f a c e and th e a tt a c h e d
lu g g a g e s t a n d .
j
Bed s p r e a d s a n d d r a p e r i e s a r e s t a n d a r d f o r a l l a r e a s .
lig h t p u tty c o lo r.
q u a lity .
T hese a r e a
D r a p e r i e s a r e h u n g o n tw o -w a y d ra w r o d s i n h e a v y d u t y
8
M o te l - B a s i c JL
C a rp e tin g
The. c o l o r c h o s e n f o r t h i s s c h e m e 's b a s i s
B ro n z e .
i s # 4 7 3 0 -2 0 9 w h ic h i s c a l l e d
I t i s d e s c r i b e d a s a " r i c h o l i v e brow n".-
T h is c o l o r i s d a r k
e n o u g h t o c o n c e a l s o i l i n g b u t l i g h t e n o u g h t o show o f f i t s
r i c h l y w arm ing
p o w e rs.
F u rn itu re
T he lo u n g e c h a i r c o v e t i n g i s K n o l l T e x t i l e s #K179 Two T one N y lo n
H om espun.
and i s
I t is
100% s p u n n y l o n a n d i s S c o tc h g a r d e d f o r s t a i n r e s i s t a n c e
l a t e x b a c k e d f o r a d d e d f i b e r s t a b i l i t y an d i n c r e a s e d w e a r .
C o v e r in g f o r t h e s o f a b e d i s K n o l l T e x t i l e s E l a s t i c N a u g a h y d e #K244
i n G old ( o r e q u i v a l e n t c o l o r a n d w e ig h t fro m o t h e r s o u r c e i f
a c c e s s to q u a n tity l o ts to re d u c e th e p r i c e ) .
fa c to ry has
The c o v e r i n g i s
100% c o t t o n
k n i t w ith a d u l l v in y l f i n i s h .
N a lls
T he w a l l s a r e a l i g h t g o l d e q u a l t o D u tc h Boy J o n q u i l # 8 5 .
B a th ro o m
B a th ro o m c o u n t e r t o p s a r e F o rm ic a A n tiq u e M ila n o # 7 9 3 w i t h w a l l t i l e
fro m Pomona #A F 813.
in g .
The f l o o r i n g i s a l i q u i d 'e p o x y w i t h a d a r k brow n f l e c k
9
M o te l - B a s i c _2
C a r p e ti n g
k The. schem e o f B a s i c 2 gro w s fro m a m u l t i - c o l o r v a r i a t i o n o f t h e
W o n d e rfu l W o rld s e r i e s .
It
i s # 4 7 3 0 -3 a n d h a s a c o l o r c o m b in a tio n o f b u r n t
o r a n g e , o l iv e and g o ld .
T h is c o m b in a tio n r e s u l t s
in a r ic h t e x tu r a l
a p p e a r a n c e w h ic h i s a n e x c e l l e n t b a s i s f o r a d e c o r a t i n g sc h e m e .
F u rn is h in g s
T he lo u n g e c h a i r c o v e r i n g i s K n o l l T e x t i l e s K n o l l Two Tone N y lo n
H om espun # K 170.
It
i s a l s o 100% sp u n n y l o n w i t h S c o tc h g a r d s t a i n r e p e l l e n t
tr e a tm e n t and i s
la te x backed.
The s o f a b e d c o v e r i n g m a t e r i a l i s K n o l l E l a s t i c N au g ah y d e ( o r e q u i v a ­
l e n t ) #K245 i n C o p p er c o l o r .
W a lls
The w a l l s i n B a s i c 2 a r e p a i n t e d l i g h t g o ld w i t h D u tc h Bby G old M is t
#133.
B ath ro o m
The c o u n t e r t o p a ro u n d t h e s i n k i s F o rm ic a P o r tu g u e s e L io z M a rb le # 6 5 1 .
T he w a l l t i l e
i s Pom ona #A B 519, a v e r y l i g h t y e ll o w p u t t y c o l o r .
i s th e l i q u i d epoxy a g a in w ith a d eep g o ld c o lo r e d c h ip .
T he f l o o r
10
M o te l - B a s ic 3_
C a rp e tin g
The. c o l o r c h o s e n f o r B a s i c 3 i s # 4 7 3 0 - 5 1 i n a m edium o l i v e g r e e n .
It
i s a warm g r e e n a n d w o rk s w e l l w i t h t h e c o v e r i n g s on t h e c h a i r a n d t h e
so fa b ed .
F u rn is h in g s
L ounge c h a i r s a r e c o v e r e d i n K n o l l P r e s t i n i # K 1 6 0 /1 1 .
I t i s a 100%
c o t t o n S c o tc h g a r d e d f a b r i c a n d i s a b a s i c t a n g e r i n e c o l o r w i t h a s l i g h t am ount
o f y e ll o w sh o w in g t h r o u g h .
T he c o v e r i n g f o r t h e s o f a b e d i s a g a i n K n o l l E l a s t i c N au g ah y d e ( o r
e q u i v a l e n t ) # K 247.
I t i s . o l i v e c o l o r a n d i s o f c o t t o n k n i t b a c k in g a n d d u l l
v in y l f in is h .
W a lls
The w a l l a r e a s a r e p a i n t e d v e r y l i g h t p u t t y c o l o r t o m a tc h t h e d r a p e r i e s .
B a th ro o m
F o rm ic a Y e llo w M a y flo w e r # 2 0 3 i s u s e d on t h e c o u n t e r a r e a .
tile
i s Pomona #AB513 w h ic h i s a m id d le y e l l o w / g o l d c o l o r .
m a te ria l is
l i q u i d ep o x y w i t h a d a r k p u t t y c o l o r e d c h i p .
The w a l l
F lo o rin g
tK * J
K L i-V K J lO M
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U N IT
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A rc h ite c tu ra l
N o t a ti o n
U n it
G roup I
U n it
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U n it
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4 /6 Bed
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U n it
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3 /3 Bed
U n it
14
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16
MOTEL ROOM CARPET
F i g u r e s an d T a b u l a t i o n
M a t e r i a l - L e e 's -W o n d e rfu l W o rld ( C o lo r s a s n o t e d ) , # 4 7 3 0 S e r i e s
C u ts N e e d e d :
U n i t G ro u p s I ,
2 , 3 - One 1 5 1 x 1 6 '6 " f o r e a c h room (6 0
c u t s ) 2 7 .5 1 s q u a r e y a r d s
U n i t G roup 4 - One 1 2 1 x 1 4 ' f o r e a c h room (4 0 c u t s )
1 8 .6 4 s q u a r e y a r d s
C u ts b y C o lo r a n d S i z e :
B a s ic I # 2 0 9
B a s i c 2 #3
B a s ic 3 # 5 1
U n i t G roup
1 .2 .3
4
20
16
20
12
20
12
T o t a l R e q u ire m e n t
1 5 ' Goods 1 2 ' Goods
330'
224'
. 330'
168'
330'
168'
C h a rg e s:
M a t e r i a l ........................... 1 0 .0 0 /y d
P a d ....................................... 1 .5 0 / y d
I n s t a l l a t i o n . . . . . . . . 1 .2 5 / y d
1 2 .7 5 /y d c o m p le te i n s t a l l e d
C o m p u ta tio n :
U n i t G ro u p s 1 , 2 , 3
$ 1 2 . 7 5 /y d
2 7 .5 1 sq y d s
$ 3 5 0 .7 5 /ro o m ..
60 room s
$ 2 1 ,0 4 5 .0 0 T o t a l
U n i t G roup 4
$ 1 2 .7 5 /y d
1 8 .6 4 sq yd
$ 2 3 7 .6 6 /ro o m
40 room s
$ 9 ,5 0 6 .4 0 T o t a l
$ 2 1 ,0 4 5 .0 0
9 ,5 0 6 .4 0
$ 3 0 ,5 5 1 .4 0 M o te l C a r p e t i n g T o t a l
17
DRAPERIES (ALL ROOMS)
A r e a t o b e d r a p e d 120" w id e 96 " lo n g
W id th D e t e r m i n a t i o n :
120"
+ 6"
126"
4"
130"
o p e n in g
r e t u r n (3 " e a c h )
o v e rla p
t o t a l d ra p e w id th
P ric e :
U n lin e d f i b e r g l a s s d r a p e r y $ 5 . 0 0 /y d r e t a i l . Made up w i t h
h o o k s f o r 130" w i d t h - 9 6 " l e n g t h i s a p p r o x i m a t e ly $ 1 0 0 .0 0 .
O rd e r:
(1 0 0 )
(1 0 0 )
(1 0 0 )
I p a i r d r a p e s 130" w id e x 9 6 " lo n g I d r a p e r y r o d 130" w id e 3 " r e t u r n
I te n s io n p u l Iy
T o t a l p e r room
In s ta lla tio n
I n s ta lle d p ric e
$ 1 0 0 .0 0
1 0 .0 0
1 .0 0
$ 1 1 1 .0 0
4 .0 0 ( e s t i m a t e d )
$ 1 1 5 .0 0
18
ROOM BREAKDOWN (FURNITURE)
U n i t G ro u p s I ,
Q u a n tity
I
I
I
I'
2
I
I
I Set
I
I
Number
113
456
or
457
839
08
47
9093
9085
D e s c rip tio n
4 / 6 P a n e l Bed
M u l t i D esk
2, 3
E s t im a t e d P r i c e
$ 3 0 .0 0
9 0 .0 0
1 6 .0 0
D esk C h a ir
‘ 1 6 .0 0
S h e l f N ig h t T a b le
1 8 0 .0 0
L ounge C h a i r s
1 2 .0 0
4 / 6 Bed F ram e
S o f a Bed
' 2 5 0 .0 0
4 / 6 x 80 M a t t /B x S p r ' 1 7 5 .0 0
. .6 0 .0 0
F l o o r Lamp
3 5 .0 0
T a b le Lamp
...................... ..
, , ...T o ta l , . $ 8 6 8 .0 0
S o u rce
K r o e h le r
K ro e h le r
K r o e h le r
K r o e h le r
K ro e h le r
S immons
K r o e h le r
S immons
L ig h to lie r,
L ig h to lie r
‘
.
. .
19
ROOM BREAKDOWN (FURNITURE)
U n i t G roup 4 - 4 / 6 Bed U n i t
Q u a n tity
I .
I
I
I
I
I
I Set
I
I
Number
D e s c rip tio n
113
839
08
47
456
or
457
9093
9085 ,
E s tim a te d P r i c e
S o u rce
4 / 6 P a n e l Bed
D esk C h a ir
S h e l f N ig h t T a b le
L ounge C h a ir
4 / 6 Bed F ram e
M u l t i D esk
$ 3 0 .0 0
1 8 .0 0
1 8 .0 0
9 0 .0 0
1 2 .0 0
9 0 .0 0
K r o e h le r
K ro e h le r
K r o e h le r
K r o e h le r
S immons
K r o e h le r
4 / 6 x 80 M a t t /B x S p r
F l o o r Lamp
T a b le Lamp
T o ta l
1 7 5 .0 0
6 0 .0 0
3 5 .0 0
$ 5 2 8 .0 0
S immons
L ig h to lie r
L ig h to lie r
■
U n i t G roup 4 - D o u b le 3 / 3 Bed U n i t
Q u a n tity
.2
I
I
I
2
I
S e ts
I
I
N u m b e r_
D e s c rip tio n :
123
839
08
47
3 / 3 P a n e l B eds • .
D esk C h a ir
. S h e l f N ig h t T a b le
L ounge C h a ir
3 / 3 Bed F ram es
M u l t i D esk
456
or
457
9093
9085
E s t im a t e d P r i c e
$ 5 0 .0 0
1 8 .0 0
1 8 .0 0
9 0 .0 0
2 4 .0 0
9 0 .0 0
3 / 3 x 80 M a t t /B x S p r
3 5 0 .0 0
F l o o r Lamp
. 6 0 .0 0
F l o o r Lamp
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o r i e n t e d to w a rd t h e l a k e a r e a i n o r d e r t o
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t h r o u g h a n e n t i r e w a l l o f g l a s s w h ic h a f f o r d s a p l e a s a n t m o rn in g s u n b u t
e x p o s e s t h e c u s to m e r t o a v e r y c o o l a p p e a r i n g l a k e .
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d e s ira b le .
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c r e a t e a n u n e a s y a tm o s p h e r e f o r d i n i n g .
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b e c o m f o r ta b le i n o r d e r t o c r e a t e a n a tm o s p h e r e c o n d u c iv e t o l i n g e r i n g w h ic h
i n t u r n a c c o u n ts f o r l a r g e r c h e c k s .
C ool c o lo r s and b r ig h t l i g h t s a r e
a p p r o p r i a t e f o r lu n c h c o u n t e r s , a n d warm c o l o r s a n d dim l i g h t s a r e b e s t
s u i t e d t o a d i n i n g room a tm o s p h e r e .. (1 6 ) (1 2 )
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l a r g e a n d h a s a t w e n ty f o o t c e i l i n g .
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a d v a n ta g e o f c r e a t i n g a p l e a s a n t d i n i n g a tm o s p h e r e b y c o n t r o l l i n g n o i s e c a u s e d
b y c l a t t e r i n g p l a t e s , s i l v e r w a r e an d g l a s s e s a n d t h e c h a t t e r o f t h e d i f f e r ­
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A n tr o n i s a
new d u P o n t f i b e r a n d i s t h e name g i v e n t o t h e t r i - l o b a l c o n ti n u o u s f i l a m e n t
n y lo n f i b e r .
T he m a t e r i a l c h o s e n i s fro m Jam es L e e ’ s D e s ig n I I I s e r i e s #20235. c o l o r
14 N.
It
i s a n e x tr e m e l y d e n s e l y t u f t e d c a r p e t .
a c o t t o n a n d j u t e b a c k in g a n d t h i s
c o a tin g .
is
The A n tr o n i s t u f t e d t h r o u g h
in tu r n backed w ith a heavy la te x
The e n t i r e m a t e r i a l h a s a s e c o n d l a y e r o f j u t e b a c k in g b o n d e d t o
r
th e c a rp e t by th e la te x .
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s ta b ility .
The c o l o r o f t h e c a r p e t i n g i s a c o m b in a tio n o f m edium a n d d a r k brow n
w ith , some ran d o m w h i t e a n d b l a c k f l e c k i n g .
T h e re i s no p a t t e r n , b u t th e
s a l t a n d p e p p e r o r tw e e d y e f f e c t w i l l b e good f o r c o n c e a l i n g s o i l i n g .
B e c a u s e o f t h e e x tr e m e d e n s i t y o f t h i s m a t e r i a l , crum bs w i l l n o t r e a d i l y
p e n e t r a t e th e s u r f a c e and w i l l , t h e r e f o r e , b e e a s i l y p ic k e d u p .
S m a ll a r e a s
c o u ld b e c l e a n e d u p w i t h a s o f t broom s u c h a s o n e o f p l a s t i c a n d a d u s t p a n .
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l a r g e e n o u g h a n d r e q u i r e s e n o u g h y a r d a g e t o j u s t i f y a c u s to m
c a r p e t woven" j u s t f o r T he I n n .
I t was d e c i d e d t h a t s i n c e a s t o c k c a r p e t i n g
m a t e r i a l m et a n d a c t u a l l y e x c e e d e d r e q u i r e m e n ts , t h e r e w as n o n e e d t o a s k
f o r a s p e c i a l l y w oven o n e .
If,
in th is
c a s e , a s p e c i a l c a r p e t w e re s p e c i f i e d ,
t h e r d w o u ld p r o b a b l y b e a n i n c r e a s e i n t h e t o t a l c o s t o f t h e p r o j e c t , w h ic h
c o u ld h a r d l y b e s u b s t a n t i a t e d .
A tte m p ts s h o u ld b e m ade t o f i n d a m a t e r i a l
o r o b j e c t w h ic h i s a l r e a d y i n p r o d u c t i o n b e f o r e s p e c i f y i n g a c u s to m d e s ig n e d
ite m .
T h ere a r e , o f c o u r s e , e x c e p tio n s a s i n th e c a se o f i n s t r u c t i o n s to
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c r e a t e a n i n t e r i o r e n v ir o n m e n t u s i n g o t h e r t h a n c o n v e n t i o n a l m eans o r i n
t h e c a s e o f t h e c l i e n t who r e a l l y w a n ts s o m e th in g d i f f e r e n t a n d d i s t i n c t i v e
24
a n d m ay e v e n a s k f o r t h i s t y p e o f s e r v i c e .
The c a r p e t i n g i s t o b e l a i d o v e r a c o m m e rc ia l g r a d e r u b b e r p a d s u c h a s
A i r l i t e D e lu x a n d w i l l b e s t r e t c h e d w a l l t o w a l l u s i n g t h e t a c k l e s s m e th o d .
T he r o l l g o o d s come i n 12 f o o t w i d t h s o n ly w h ic h a r e t o b e seam ed b y a n
a c c e p t e d s e a m in g p r o c e d u r e s u c h a s s e w in g 'o r g l u e i n g o r , a c o m b in a tio n o f
b o th .
' I n o r d e r t o d e te r m i n e t h e m o st e c o n o m ic a l a n d e f f i c i e n t d i r e c t i o n i n
w h ic h t o r u n t h e c a r p e t i n g , ; s c a l e d r a w in g s w e re p r e p a r e d a n d t e s t d r a w in g s
w e re d o n e u s i n g t h e c a r p e t i n a n e a s t - w e s t d i r e c t i o n a n d a n o r t h - s o u t h
d ire c tio n .
Y a rd a g e n e c e s s a r y w as co m p u ted a s was w a s te y a r d a g e .
I t was
fo u n d t h a t t h e d i f f e r e n c e w as n e g l i g i b l e .
I n r u n n in g t h e m a t e r i a l e a s t an d w e s t , s e a m in g p ro b le m s w e re e n c o u n te r e d
i n t h e a r e a o f t h e e n t r a n c e t o t h e d i n i n g room a n d i n t h e a d j a c e n t a p p r o a c h
a re a s to th e s te p s le a d in g d o w n s ta irs .
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a n d s i n c e i t w i l l h a v e a h e a v y t r a f f i c p a t t e r n , t h i s m eth o d o f i n s t a l l a t i o n
w as r e j e c t e d
i n f a v o r o f t h e m ore e f f i c i e n t m e th o d o f r u n n in g t h e m a t e r i a l
n o r th and s o u th .
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r u n n in g t h e w i d t h o f t h e h a l l an d t h e o n e n e a r t h e e n t r y t o t h e d i n i n g a r e a .
The r e m n a n ts c a n b e u s e d a s a r e a p r o t e c t i o n r u g s a n d / o r k e p t f o r f u t u r e
p a tc h in g o r a r e a re p la c e m e n t.
The o n e s e c t i o n w h ic h i s 4 ' x 3 5 'S " c a n b e
u s e d f o r a h a l l . r u n n e r i f t h e m a n a g e r s o d e s i r e s - — e s p e c i a l l y on r a i n y d a y s
t o c a t c h some o f t h e s a n d w h ic h w i l l i n v a r i a b l y b e t r a c k e d i n .
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e x te n s iv e .
T he sam e b a s i c t a b l e a n d c h a i r u n i t i s u s e d t h r o u g h o u t f o r
u n i f o r m i t y a n d e a s e o f c o m b in a tio n s f o r s e a t i n g o f l a r g e r g r o u p s .
The c h a i r c h o s e n f o r t h e d i n i n g c h a i r i s fro m t h e c o l l e c t i o n o f M a d iso n
F u r n i t u r e I n d u s t r i e s o f C a n to n , M i s s i s s i p p i .
It
i s t h e i r # 4 7 3 1 d i n i n g arm ­
c h a i r a n d com es i n a s t u r d y w a ln u t wood fra m e w i t h p o ly fo a m p a d d in g on t h e
s e a t and b a c k .
M r. L . K. Nommensen o f L . K . Nommensen a n d A s s o c i a t e s i n t h e P a c i f i c
N o r th w e s t F u r n i t u r e M a rt was c o n s u l t e d f o r h i s o p i n i o n c o n c e r n in g t h e u s e
of th is c h a ir.
He i s t h e M a d is o n f a c t o r y r e p r e s e n t a t i v e i n t h i s a r e a , an d
t h e r e a s o n f o r t h e i n q u i r y t o h im w as t o a n s w e r q u e s t i o n s r e g a r d i n g t h e
s t r u c t u r e , r i g i d i t y a n d g e n e r a l l a s t i n g c h a r a c t e r i s t i c s w h ic h m ake t h i s
p a r t i c u l a r c h a ir s u ita b le f o r t h is u s e .
M r. Nommensen r e p l i e d , "T he 4731
c h a i r . . .w o u ld b e a n e x c e l l e n t c h a i r f o r a m o te l d i n i n g r o o m ," a n d , " . . .
f u r n i t u r e b y M a d is o n i s u s e d v e r y e x t e n s i v e l y f o r c o m m e rc ia l i n s t a l l a t i o n s . "
T he c h a i r r e t a i l s
'
f o r $ 6 5 .0 0 b u t i n t h e q u a n t i t y t h i s p r o b le m i n v o l v e s ,
w o u ld b e c u t b y a p p r o x i m a t e l y 25% w h ic h w o u ld b r i n g i t t o a f i g u r e o f $ 4 8 .7 5
d e liv e re d .
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th e c h a i r s e a t and b a c k r e s t a r e c o v e re d i n a h eav y g ra d e v i n y l i n d u l l f i n i s h
b la c k .
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s o n o p r o b le m s h o u ld b e e n c o u n te r e d i n t h i s a r e a .
s ta n d a rd c o v e rin g s
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Company o f C o m p to n ,. C a l i f o r n i a .
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# 9 6 6 9 w i t h a s a t i n b r a s s co lu m n a n d a n e n a m e le d b a s e w i t h g o l d a n o d iz e d t r i m .
T he co lu m n i s
2 1 /2 i n c h e s i n d i a m e t e r , a n d i t
l i s t p ric e is
$ 3 2 .5 0 p l u s a n e x t r a c h a r g e o f $ 1 .5 0 f o r t h e 10 i n c h c a s t t o p
p l a t e f o r m o u n tin g t h e t a b l e t o p .
i s 28 1 /4 i n c h e s h i g h .
The
T h is b r i n g s t h e t o t a l l i s t p r i c e f o r e a c h
u p t o $ 3 4 .0 0 , l e s s a n a p p r o x im a te 25% f o r t h e q u a n t i t y , m a k in g i t a v a i l a b l e
a t $ 2 5 .5 0 e a c h .
The t a b l e t o p u n i t a l s o com es fro m V i r t u r e B r o t h e r s .
p la n t f o r e x c lu s iv e p ro d u c tio n o f ta b le to p s .
T hey .h a v e a s e p a r a t e
T hey u s e a 13 p l y b i r c h h a r d ­
wood c o r e , p l a s t i c b a c k in g s h e e t , h ard w o o d r im b l o c k i n g a n d f i n a l l y a p l a s t i c
s u r f a c e b o n d e d p e r m a n e n t l y w i t h a recom m ended a d h e s i v e u n d e r p r e s s u r e f o r a
sm o o th b u b b le f r e e s u r f a c e .
The c h o ic e o f a tw o i n c h s e l f e d g e w i l l g i v e
t h e t a b l e a v i s u a l s t a b i l i t y w hen u s e d w i t h o u t a t a b l e c l o t h .
T h is t o p i s
p r i c e d a t $ 4 3 .5 0 w i t h a n a d d i t i o n a l c h a r g e o f 10% f o r t h e p l a s t i c s u r f a c i n g
m a t e r i a l m a k in g a t o t a l p r i c e o f $ 4 7 .7 5 .
When t h e s t a n d a r d 25% r e d u c t i o n
f o r q u a n t i t y i s a p p l i e d , a f i g u r e o f $ 3 5 .8 1 i s d e r i v e d .
When t h e s e c o s t s a r e c o m b in e d , t h e t a b l e com es t o a t o t a l o f $ 6 1 .3 1 com­
p l e t e c o m p a red w i t h a f i g u r e o f $ 9 5 .1 0 f o r a n e q u i v a l e n t s i z e t o p an d a
p l a i n b l a c k b a s e fro m C h ic a g o H a rd w a re a n d F o u n d ry Com pany.
The t a b l e t o p s a r e f i n i s h e d i n F o r m ic a P u t t y G ray # 9 3 1 .
T h is c o l o r
p r o v i d e s a n e u t r a l b a c k g ro u n d f o r fo o d a n d w o rk s w i t h a n y c o l o r p l a c e m a t .
I t i s u s u a l l y u p t o t h e p a r t i c u l a r d i e t i t i a n m a n a g e r w h e th e r h e w a n ts
t o u s e t a b l e c l o t h s a t a l l tim e s o r i f t h e y w i l l b e u s e d o n l y o c c a s i o n a l l y .
T he t o t a l d e c o r a t i n g sch em e i s d e s ig n e d t o s t a n d a l o n e o r t o b e e q u a l l y
e f f e c t i v e w ith c o lo re d t a b l e c lo th s o r w ith th e u se o f a l l w h ite c l o t h s .
T he l a t t e r w o u ld g i v e a v e r y f o r m a l a p p e a r a n c e t o t h e room a s o t h e r v a r i a b l e s
h a v e b e e n h e l d t o a n e u t r a l b l a c k a n d b ro w n s c h e m e .
A f o r m a l a tm o s p h e re
w o u ld b e v e r y d e s i r a b l e i f , f o r i n s t a n c e , t h e w e s t e r n s t a t e g o v e r n o r s w o u ld
28
h a v e a c o n f e r e n c e t h e r e w h ic h c o u ld e a s i l y b e t h e c a s e .
I t m ig h t b e fo u n d
t h a t t h i s a tm o s p h e r e w o u ld b e e x tr e m e l y a p p l i c a b l e a t a l l t i m e s .
Many
sch em es o f d e s i g n e r s a r e d e s ig n e d so w e l l t h a t a n y t h i n g o u t o f p l a c e o r
c h a n g e d w i l l th ro w t h e w h o le room i n t o c o n f u s i o n . t h e d e c o r a ti n g , and i n t h i s
I t _is_ p o s s i b l e t o o v e rd o
i n s t a n c e , t h e v a r i a b l e f a c t o r of: t h e m a n a g e m e n t/
d i e t i t i a n a l l i a n c e a n d t h e r e s u l t a n t c h a n g in g d e c i s i o n s a r e s t r o n g eno u g h
to w a rra n t c lo s e a t t e n t i o n to th e c r e a tio n o f a n e u tr a l d in in g a r e a .
T h is
n e u t r a l t y p e o f d e c o r a t i o n d o e s n o t h a v e t o b e d u l l i n a p p e a r a n c e , an d i t
can be v e ry e f f e c tiv e .
T h is i s t h e i n t e n t o f t h e schem e c h o s e n f o r The I n n i
P r o v i s i o n w i l l h a v e t o b e m ade f o r h i g h c h a i r s o r b l o c k s e a t s t o r a i s e
th e c h a ir h e ig h t.
U se o f C o sco h i g h c h a i r s i s recom m ended b e c a u s e o f t h e i r
l o c a l a v a i l a b i l i t y and t h e i r s t r u c t u r a l r i g i d i t y .
S e r v in g s t a n d s a r e t o b e p r o v id e d f o r ran d o m p la c e m e n t a s d e te r m in e d
by w a itr e s s e s .
D ra p e s
The w indow s t o b e d r a p e d p r e s e n t a d i f f i c u l t p r o b le m .
The s h a p e o f t h e
g l a s s a n d a n g u l a r a r e a s d u e t o t h e r o o f s t r u c t u r e do n o t a l l o w f o r a s im p l e
ro d a c r o s s th e to p f o r i n s t a l l a t i o n .
I f t h e r o d w e re p l a c e d on a l i n e a c r o s s
t h e b a s e o f t h e c o n c r e t e b e a m s , i t w o u ld l e a v e a n o p e n a r e a a t t h e t o p w h ic h
w o u ld a p p e a r t o b e u n f i n i s h e d .
The d r a w in g on t h e n e x t p a g e show s t h e w indow s a n d t h e p r o b le m i n v o l v e d .
On t h e sam e p a g e . i s show n t h e m eth o d o f d r a p i n g d e c id e d u p o n .
T h is i s t o
h a n g a f i x e d c u r t a i n v a l a n c e a c r o s s t h e t o p o f t h e e n t i r e w indow t o f o l l o w
t h e u n d e r s i d e o f t h e r o o f s t r u c t u r e a n d b e j u s t lo n g e n o u g h t o h a n g down
a n d o v e r t h e d r a p e r y r o d o f t h e l a r g e p a n e l s b e lo w .
in c h o v e rla p to p ro v id e a c o v e r f o r th e r o d .
T h ere w i l l b e a f o u r
29
T he a c t u a l m a t e r i a l i s , o f n e c e s s i t y , f i r e p r o o f .
fo r i t ,
and f i r e
B u ild in g co des c a l l
i n s u r a n c e w o u ld b e i n c r e a s e d i f t h e y w e re n o t f i r e p r o o f e d
or of fire p ro o f m a te ria l.
B e ta f i b e r g l a s s a n s w e rs t h i s r e q u i r e m e n t an d a l s o
p ro v id e s f o r e a sy c le a n in g and a h ig h d e g re e o f c o lo r f a s t n e s s .
■ The d r a p e s a r e a l i g h t p u t t y c o l o r e d m a t e r i a l o f l o o s e w e a v e .
T h is i s
e n o u g h t o c l o s e o f f t h e w indow s w hen d e s i r e d b u t a ll o w s t h e v ie w t o b e s e e n
i n d a y l i g h t a n d a t n i g h t a n d s t a t e s t h e f a c t t o t h e a p p r o a c h in g t r a f f i c
t h e h ig h w a y t h a t t h e r e i s a d i n i n g room t h e r e .
on
Due t o t h e s u n a n g l e s , i t
i s n o t n e c e s s a r y t o b l o c k o u t t h e s u n s o a s o l i d m a t e r i a l w o u ld n o t b e
n e c e ssa ry .
The n o r t h w a l l a r e a i n t h e room i s n a t u r a l r o c k s o w i t h t h i s t e x t u r e
and th e t e x t u r e o f th e c a r p e t and d r a p e s , i t
s u r f a c e f o r th e e a s t and s o u th w a l l s .
i s a d v is a b le to go to a p a in te d
I n o r d e r t o in d u c e a d e g r e e o f b r i g h t
c o l o r t o g i v e a b r i g h t e r g lo w t o t h e ro o m , a m id d le o r a n g e i s u s e d .
T he s o u t h w a l l w o u ld b e a good a r e a t o u s e f o r i n c o r p o r a t i n g a m u r a l
or p a in tin g s .
wood " s t r i p
I t w o u ld b e p a r t i c u l a r i l y
in te re s tin g
i f a w a ln u t s t a i n e d
s c u l p t u r e " w e r e u s e d w i t h t o p o r b o tto m l i g h t s .
T h is i d e a c o u ld
a l s o b e e f f e c t i v e . I f a w e ld e d s c u l p t u r e o f low r e l i e f w e re u s e d .
30
DRAIPE
SECTION SHOWING AREA TO BE DRAPED
DRAPE PROPOSAL-
32
DINING ROOM CARPET
F ig u r e s and T a b u la tio n
M a t e r i a l - L e e ’ s D e s ig n I I I A n tr o n N y lo n C o lo r #14N
C u ts N e e d e d ;
2
I
I
3
Sub T o t a l
- 1 2 ’ x 5 8 ’ 6"
1 1 7 ’ 0"
- 1 2 ’ x 5 5 ’ 6"
' 5 5 ’ 6"
- 12’ x 19’ •
1 9 ’ 0"
- 12’ x 8 ’
2 4 ''Ou
T o t a l R e q u ire m e n t 2 1 5 '6 " *
C ut #
1 ,2
3
4
5 ,6 ,7
* 2 1 5 16 " = 2 8 7 .3 3 s q u a r e y a r d s
C h arg es;
M a t e r i a l .......... . . . . . 1 3 . 5 0 / y d
Pa d . . . . . . . . . . . . . . . .2 .0 0 / yd
I n s t a l l a t i o n ............. 1 .2 5 / y d
' 1 6 ,7 5 /y d c o m p le te i n s t a l l e d
C o m p u ta tio n ;
x
, 28.7.3.3. s q u a re , y a rd s . . .
1 6 .7 5 ' p e r s q u a r e y a r d
$ 4 ,8 1 2 .7 8 i n s t a l l e d c o m p le te
O rd e r;
Two R o l l s
R o ll one a t l e a s t 1 1 7 ’
C ut 2 p i e c e s - 1 2 ’ x 5 8 ’ 6"
R o l l two. a t l e a s t 9 8 ’ 6"
■One c u t a t 5 5 ’ 6"
One c u t a t 1 9 ’
T h re e c u ts a t 8 ’
33
DINING ROOM DRAPES
A r e a t o b e d r a p e d - , 5 b a y s e a c h 1 5 '6 " w id e x 18* h i g h
W id th D e t e r m i n a t io n ::
19 2 " o p e n in g
.+ 6 " r e t u r n
198"
4"
202" t o t a l d ra p e w id th
P ric e ;
U n lin e d f i b e r g l a s s d r a p e r y a p p r o x i m a t e l y $ 5 . 0 0 /y d r e t a i l .
Made up w i t h h o o k s f o r 20 2 " w i d t h 204" l e n g t h . A p p r o x im a te ly
$ 2 5 0 /p a ir.
O rd e r;
5 p a i r d r a p e s 2 0 2 " w i d t h x 2 0 4 " l e n g t h - @ $ 2 5 0 ^ 0 0 = $ 1 ,2 5 0 .0 0
5 h e a v y d u t y d r a p e r y r o d s 2 02" w i d t h
- @ $ 2 0 .0 0 =
1 0 0 .0 0
T o ta l
$ 1 ,3 5 0 .0 0
34
DINING ROOM TOTAL FIGURES
46 T a b le s
@ $ 6 1 .3 1 e a .
$ 2 ,8 2 0 .2 6
190 C h a ir s
@ $ 4 8 .7 5 e a . '
$ 9 ,2 6 2 ,5 0 .
D ra p e rie s
3 V a la n c e s
C a rp e tin g
10 H ig h C h a ir s
5 W a i t r e s s S ta n d s
$ 2 7 0 ,0 0 / p a i r i n s t .
@ $ 7 5 .0 0 /e a .
$
( B a la n c e b r o u g h t f o r w a r d )
' @ $ 1 7 .0 0
@ $ 1 5 .0 0
$ 1 ,3 5 0 .0 0
$ 4 ,8 1 2 .7 8
$
1
TOTAL
2 2 5 .0 0
1 7 0 .0 0
$■■■ 7 5 .0 0
$ 1 8 ,7 1 5 .5 4
36
LITERATURE CITED
1.
A m e ric a n C a r p e t I n s t i t u t e p u b l i s h e d b y t h e A . C . I . , Sound C o n d i t io n i n g
w ith C a rp e t.
2.
B a k e r , G e o f f r e y , M o te ls ', New Y o rk , New Y o rk , 1 9 5 5 .
3.
B i r r e n , F a b e r , 'T h e A g r e e a b l e E n v ir o n m e n t" , P r o g r e s s i v e A r c h i t e c t u r e ,
A u g u s t,1960.
4.
B i r r e n , F a b e r , C o lo r P s y c h o lo g y a n d CoTdf T h e r a p y , New Hyde P a r k , New
Y o rk , 1 9 6 1 .
5.
B i r r e n , F a b e r , NeW H o r iz o n s i n C o l o r , New Y o rk , 1 9 6 0 .
6.
C h e m s tr a n d , A c r i l a n , New Y o rk , T he C h e m stra n d C o r p o r a t i o n ( P a m p h l e t) .
7.
D e s ig n M a g a z in e ', "How C o lo r A f f e c t s t h e I n d i v i d u a l " , M ay, 1 9 6 2 .
8.
H o d g so n , J o h n H . , E a r th q u a k e s a n d E a r t h S t r u c t u r e , New Y o rk , 1 9 6 4 .
9.
H o rn b e c k , Jam es S . , M o t e l s ,' H o t e l s , R e s t a u r a n t s a n d B a r s , New Y o rk ,
1960.
10.
K e n y o n , O t i s A l l e n , C a r p e ts a n d R u g s , O h io , The H o o v e r Com pany, 1 9 2 3 .
11.
L i n k , J o h n , A R e s o r t M ofdT f o r Q uake L ak e,- S e n i o r A r c h i t e c t u r e T h e s i s ,
M o n ta n a S t a t e U n i v e r s i t y , B ozem an, M o n ta n a , 1 9 6 4 .
12.
L i n k , R. W ., G r e a t M o n ta n a E a r t h q u a k e , C a r d w e l l, M o n ta n a ,1 9 6 4 .
13.
S c h r o e d e r , F r a n c i s d e N . , A natom y f o r I n t e r i o r D e s i g n e r s , New Y o rk , 1 9 5 4 .
14.
S t a n t o n , F r a n k , P r e s i d e n t , o f C . B . S . , S p e e c h t o A r t s C o u n c ils o f A m e ric a
a n d A m e ric a n Sym phony O r c h e s t r a L e a g u e , J o i n t N a t i o n a l C o n f e d e r a t i o n .
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