‘A moral unity equalled by no other large national state’? Edward Shils and Michael Young • • • • • • • • • • Sociologists at London School of Economic: new science for studying nation Argue for unprecedented ‘moral unity’ of Britain at start of 1950s Partly a product of longer-term trends over the past century Assimilation of working class into the ‘moral consensus’ of British society had gone further than anywhere else Transformation from unruly to peaceable society Decline in hostility to symbols of authority Although ‘ruling class’ somewhat discredited by WW1, General Strike, and Depression, consensus on fundamental values remained and reinforced by WWII Labour victory 1945 brings moral unity of British society to remarkably high level by concern for under-privileged and not alienating middle and upper classes Although attention to class, notably missing is any attention to divisions of race/ethnicity or of gender; no mention of internal British divisions of four nations or region Post-war full employment, government patronage, and growing repugnance to Soviet Union brings many intellectuals back into the fold Context of Coronation of Elizabeth II, 1953 • Edward Shils and Michael Young, ‘The Meaning of the Coronation’, Sociological Review (1953). • Coronation of Elizabeth (27) in June 1953. • Ceremony a symbol of the moral unity, but also a role in cementing ‘An act of national communion’ • Huge crowds in London • Via television and radio ceremony itself brought into the homes of the nation: 20 million watch (key event in expansion in TV: 1950 less that 100,000 TVs; by coronation day, 2 million) • Street parties up and down country. The sacred dimension • • • • • • • • Not just product of media/market Not just irrationality Not just love of pomp Not just desire to have a good time Not just release from drabness and routine Not just attraction to young Queen Crucially, touches the sense of the sacred in people: importance of ceremony and ritual Link to religion, but more a form of secular form of sacred Family Britain • • • Shift from focus on monarchy to Royal Family Link to emphasis on family in period (unique period of stability? David Kynaston, Family Britain, 1951-57 (London, 2009); Pat Thane, ‘Family Life and “Normality” in Postwar British Culture’, in Richard Bessel and Dirk Schumann (eds.), Life after Death: Approaches to a Cultural and Social History of Europe during the 1940s and 1950s (Cambridge, 2003), pp. 193-210.) Family also deployed as metaphor in thinking about involvement of Commonwealth: a family of nations (Conservative) Tradition or Modernity? (Conservative) Tradition Modernity • Ancient symbols of monarchy: . http://www.youtube.com/watch? v=aGLN1kREJ2Q • Symbols of privilege • Overlooks social divisions and inequalities • Idea of the sacred • Rhetoric of new Elizabethan age (delusions of continuing power?) • Incorporation of the modern into the traditional: moral unity • Many of these symbols are ‘invented traditions • Importance of medium of television • Shift to family • Argument that symbol of monarchy helps democracy • Young and Shils in fact of left (Young involved in writing Labour’s 1945 manifesto, and founder of Consumers’ Association and Open University) An alternative moment to test the climate of the nation • Festival of Britain, 1951 • Centred on London (8m visitors), but events across the nation • Timed for centenary of 1851 Great Exhibition • Emphasis on modernity, as in Dome of Discovery and Skylon structure on South Bank, and in use of modern design projected into home via fabrics and wallpapers. • Provides an idea of the modern for a generation • Aims to pull Britain into a new age A Tonic for the Nation? • A pale imitation of the show of international strength in 1851 • As much driven by desire for release from austerity and for fun: Battersea Pleasure Park just as much an attraction: ‘a tonic for the nation’ Cultural Paternalism? • • • • • Alongside emphasis on science and the future, also much on history, tradition, and culture Emphasis on value of education: an improving mission (even in relation to design and science) Driven by Labour Party (Herbert Morrison) Labour Believes in Britain (1945): ‘Socialism is not bread alone. Material security and sufficiency are not the final goals. They are also means to a greater end – the evolution of a people more kindly, intelligent, co-operative, enterprising, and rich in culture’. Hope this might be electoral boon to Labour, but loses 1951 Autumn General Election to Churchill. • http://www.youtube.com/watch?v= m9uGlfvyH0M Austerity Britain • Key context of post-war austerity • 1947 Fuel Crisis • 1948 London Olympics – the ‘austerity games’ – still in midst of rationing of food, fuel, building material • The ‘flying housewife’ Fanny Blankers-Koen • 1952 Great Smog Does the Affluent Society Challenge ‘Moral Unity’? • • • • • • • • 1947: The ‘New Look’ 1952 Introduction of commercial television 1956 Premium Bonds; 1960 Betting and Gaming Act; advance of hire purchase and culture of credit Rise in crimes of violence: 5,869 in 1950; 11,592 in 1960; 21, 046 in 1968 Richard Hoggart, The Uses of Literacy (1957): concern about erosion of working-class culture via commercialism/Americanism Michael Young sets up Institute of Community Studies, and with Peter Wilmott publishes study of breakdown of workingclass community: Family and Kinship in East London (1957) Increasing anxieties about community, ‘culture’, and divisions of age (adolescents), and ethnicity/race; and gender (feminism) Is the post-war Festival/Coronation moment on the cusp of austerity/affluence, still with unity of war in the background, a unique moment for national unity?