WO O L F I N THE REAL WOR L D
Selected Papers from the Thirteenth International Conference on Virginia Woolf
dited by aren

V. ukil

CONTENTS:
“In the Footsteps of Virginia Woolf: The Hours by Michael
Cunningham” by Laura Francesca Aimone  “Virginia Woolf and
Pacifism” by Michèle Barrett  “Doing the Splits: Outsider/Insider
as Women’s Historian and Feminist Activist” by Joyce Avrech
Berkman  “‘What Are Novelists For?’: Writing and Rewriting
Reality from Woolf to McEwan” by Doryjane Birrer  “Carolyn
Heilbrun: The Last Interview” by Susan C. Bourque  “‘Printing
Hope’: Virginia Woolf, Hope Mirrlees, and the Iconic Imagery of
Pari ” by Julia Briggs  “Modernity’s Shock and Beauty: Trauma
Paris
and the Vulnerable Body in Virginia Woolf’s Mrs. Dallowa
Dalloway ” by
Cornelia Burian  “Woolf and Education” by Carol T. Christ
Theater”
“Filming Feminism: A Room of One’s Own on Masterpiece Theater
by Kristin Kommers Czarnecki  “The Paris Press Publication of
On Being Il
Ill ” by Jan Freeman  “‘This Loose, Drifting Material of
Life’: Virginia Woolf and Biography” by Lyndall Gordon  “The
Mask/Masque of Food: Illness and Art” by Susan Rubinow Gorsky
 “Mrs. Dalloway’s Menopause: Encrypting the Female LifeCourse” by Elizabeth Hirsh  “Virginia Woolf ’s Double Signature”
by Catherine W. Hollis  “Virginia Woolf and Vanessa Bell as
Photographers: ‘The Same Pair of Eyes, Only Different Spectacles’”
by Maggie Humm  “Objects Dissolving in Time” by Dianne
Hunter  “Writing the Land: The Geography of National Identity
in Orlando
Orland ” by Erica L. Johnson  “Sex Costumes: Signifying
Sex and Gender in Woolf ’s ‘The Introduction’ and The Year
Years ”
by Jennifer-Ann DiGregorio Kightlinger  “Darwin’s Temporal
Aesthetics: A Brief Stretch in Time from Pater to Woolf ” by Joseph
Kreutziger  “The Guidebook and the Dog: Virginia Woolf and
Italy” by Eleanor McNees  “Woolf ’s Interrogation of Class in
Night and Da
Day ” by Mary C. Madden  “Woolf and the American
Imaginary” by Cheryl Mares  “The Living Memes and Jeans of
Bloomsbury and Neo-Paganism” by William Pryor  “In Search
of the Self: Virginia Woolf ’s Shadow Across Sylvia Plath’s Page”
by Pamela St. Clair  “The Lightly Attached Web: The Fictional Virginia Woolf ” by Drew Patrick Shannon  “Editing
the Palimpsestic Text: The Case of Virginia Woolf ’s Sketch of the Past ” by Elizabeth A. Shih and Susan M. Kenney  “Ailing
Dualisms: Woolf ’s Revolt Against Rationalism in the ‘Real World’ of Influenza” by Lorraine Sim  “The Paradox of the Gift:
Gift-Giving as a Disruptive Force in Woolf ’s Writing” by Kathryn Simpson  “Vanessa Bell’s Portrait of Virginia Woolf at Smith
College” by Frances Spalding  “The Works of Women are Symbolical” by Elizabeth von Klemperer  “The Political Legacy of
the Garden: (Anti)Pastoral Images and National Identity in Virginia Woolf and Vita Sackville-West” by McKenzie Zeiss

utumn
 expected publication date
Online version: The Center for Virginia Woolf Studies, California State University, Bakersfield (www.csub.edu/Woolf_center)
Printed version: Clemson University Digital Press (www.clemson.edu/caah/cedp/cudp%20home.htm)
 dditional information:
Karen V. Kukil, Neilson Library, Smith College, Northampton, Massachusetts  U.S.A.
E M A I L : kkukil@email.smith.edu T E L E P H O N E : () -
W E B S I T E : www.smith.edu/woolfconference