The Books of the MTSU English Department’s Faculty York: Broadview Press, 2004.

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The Books of the MTSU English
Department’s Faculty
Bachman, Maria K. (with Marlene Tromp and Heidi Kaufman).
Fear, Loathing, and Victorian Xenophobia.Columbus: The
Ohio State University Press, 2014.
___. Charles Dickens’s “The Bride’s Chamber” and Wilkie Collins’s
‘The Dead Hand.” Tampa: University of Tampa Press, 2009.
___ (with Don Richard Cox). The Woman in White, by Wilkie
Collins. Broadview Press, 2006.
___ (with Don Richard Cox). Blind Love, by Wilkie Collins. New
York: Broadview Press, 2004.
___ (with Don Richard Cox). Reality’s Dark Light: The Sensational
Wilkie Collins. Knoxville: University of Tennessee Press,
2003.
Badley, Linda. Film, Horror, and the Body Fantastic. Westport,
CT: Greenwood, 1995.
___. Writing Horror and the Body: The Fiction of Stephen King,
Clive Barker, and Anne Rice. Westport, CT. Greenwood,
1996.
___, R. Barton Palmer, and Steven Jay Schneider, eds. Traditions
in World Cinema. Traditions in World Cinema. Edinburgh:
Edinburgh UP; New Brunswick, NJ: Rutgers UP, 2006.
___. Lars von Trier. Contemporary Film Directors. Urbana and
Chicago: Illinois UP, 2011.
Barnett, Claudia. I Love You Terribly: Six Plays. Pittsburgh:
Carnegie Mellon UP, 2012.
___, ed. Wendy Wasserstein: A Casebook. New York: Garland,
1998.
Bradley, Patricia. Robert Penn Warren's Circus Aesthetic and the
Southern Renaissance. Knoxville: University of Tennessee
Press, 2004.
Brantley, Will. Feminine Sense in Southern Memoir: Smith,
Glasgow, Welty, Hellman, Porter, and Hurston. Jackson: UP
of Mississippi, 1993; paperback editions 1995, 2010;
netLibrary.com edition, 2000.
___, ed. Conversations with Pauline Kael. Jackson: UP of
Mississippi, 1996.
___ (with Nancy McGuire Roche), ed. Conversations with Edmund
White. Co-edited with Nancy McGuire Roche. Jackson: UP of
Mississippi (forthcoming).
Bray, Robert. Tennessee Williams and His Contemporaries.
Newcastle upon Tyne, UK: Cambridge Scholars Publishing
Company, 2007.
___ and R. Barton Palmer. Hollywood's Tennessee: The Williams
Films and Postwar America. U Texas Press, 2009.
___ (with R. Barton Palmer), ed. Modern American Drama on
Screen. Cambridge: Cambridge University Press, 2013.
___ (with R. Barton Palmer), ed. Modern British Drama on Screen.
Cambridge: Cambridge University Press, 2014.
Brewer, Gaylord. David Mamet and Film. Criticism. Jefferson,
NC: McFarland, 1993.
___. Presently a Beast. Poems. Lawrenceville, GA: Coreopsis,
1996.
___. Charles Bukowski. New York: Twayne/Macmill an, 1997.
___. Devilfish. Poems. Los Angeles: Red Hen, 1999.
___. Four Nails. Poems. Cambridge, NY: Snail's Pace, 2001.
___. Barbaric Mercies. Poems. Los Angeles: Red Hen, 2003.
___. Exit Pursued by a Bear. Poems. Cincinnati: Cherry Grove,
2004.
___. Let Me Explain. Poems. Oak Ridge, TN: Iris, 2006.
___. Octavius the 1st. Novella. Los Angeles: Red Hen Press, 2008
___. The Martini Diet. Poems. Aptos, CA: Dream Horse Press,
2008.
____. Give Over, Graymalkin. Poems. Pasadena, CA: Red Hen
Press, 2011.
Cain, Jimmie. Bram Stoker and Russophobia: Evidence of the
British Fear of Russia in Dracula and The Lady of the Shroud.
Jefferson, NC: McFarland, 2006.
Donovan, Kevin (with Christoher J. Wheatley), ed. Irish Drama
of the Seventeenth and Eighteenth Centuries: An Anthology.
2 vols. Bristol : Thoemmes, 2003.
Hague, Angela. Iris Murdoch's Comic Vision. Selinsgrove and
London: Associated University Presses, 1984.
___. Fiction, Intuition, and Creativity: Studies in Brontë, James,
Woolf, and Lessing. Washington, D.C.: Catholic University of
America Press, 2003.
___ (with David Lavery and Marla Cartwright), ed. Deny All
Knowledge : Reading The X-Files. The Television Series.
Syracuse: Syracuse U P, 1996.
___ (with David Lavery), ed. Teleparody: Predicting / Preventing
the TV Discourse of Tomorrow. London: Wallflower Press,
2002.
Helford, Elyce (with Taylor Harrison, Sarah Projansky, and Kent
A. Ono), ed. Enterprise Zones: Critical Positions on Star
Trek. Boulder, CO: Westview Press, 1996.
___, ed. Fantasy Girls: Gender in the New Universe of Science
Fiction and Fantasy Television. Lanham, MD: Rowman and
Littlefield, 2000.
Hibbard, Allen. Paul Bowles: A Study of the Short Fiction.
Boston: Macmillan, 1993.
___. Al Abur ila Al- 'Abbassiya (A collection of 12 stories
translated into Arabic by Osama Isber). Damascus: Dar al
Mustaqbal, 1994.
___. Paul Bowles, Magic & Morocco. Santa Barbara, CA: Cadmus
Editions, 2004.
___, ed. Conversations with William S. Burroughs .Jackson, MS:
University Press of Mississippi, 2000.
Hixon, Martha P. (with Teya Rosenberg, Sharon M. Scapple, and
Donna R. White . Diana Wynne Jones: An Exciting and
Exacting Wisdom . Ed.. Studies in Children's Literature
Series. New York: Peter Lang, 2002.
Kates, Ronald E. (with Warren Tormey), ed.
Baseball/Literature/Culture: Essays 2006-2007. Jefferson,
NC: McFarland & Company, 2008.
___ (with Warren Tormey), ed. Baseball/Literature/Culture:
Essays 2008-2009. Jefferson, NC: McFarland & Company,
2010.
___ (with Warren Tormey). Baseball and Social Class. Essays on
the Democratic Game That Isn't. Jefferson, NC: McFarland &
Company, 2012.
Kostkowska, Justyna. Ecocriticism and Women Writers:
Environmentalist Poetics of Virginia Woolf, Jeanette
Winterson and Ali Smith. London: Palgrave Macmillan, 2013.
___. Virginia Woolf's Experiment in Genre and Politics 1926-1931:
Visioning and Versioning The Waves. Lewiston, NY: Edwin
Mellen Press, 2005.
Lavery, David. Late for the Sky: The Mentality of the Space Age.
Carbondale: Southern Illinois U P, 1992.
___ (with Lynne Porter). Unlocking the Meaning of Lost: An
Unauthorized Guide. Napierville, IL: Sourcebooks, 2006,
2007.
___ (with Lynnette Porter and Hillary Robson). Saving the World:
A Guide to Heroes. Toronto: ECW Press, 2007.
___ (with Lynnette Porter and Hillary Robson). Finding Battlestar
Galactica: An Unauthorized Guide. Napierville, IL:
Sourcebooks, 2008.
___ (with Lynnette Porter and Hillary Robson). Lost’s Buried
Treasures: The Unofficial Guide to Everything Lost Fans Need
to Know. Napierville, IL: Source Books, 2008, 2009, 2010.
___. Joss Whedon, A Creative Portrait: From Buffy the Vampire
Slayer to Marvel’s The Avengers. New York and London: I. B.
Tauris/St. Martin’s 2013.
___, ed. Full of Secrets: Critical Approaches to Twin Peaks.
Contemporary Film and Television Series. Detroit: Wayne
State U P, 1994.
___, ed. This Thing of Ours: Investigating The Sopranos. New
York: Columbia U P/Wallflower Press, 2002.
___, ed. Reading Deadwood: A Western to Swear By. Reading
Contemporary Television Series. London: I. B. Tauris, 2006.
___, ed. Reading The Sopranos: Hit TV from HBO. Reading
Contemporary Television Series. London: I. B. Tauris, 2006.
___, ed. The Essential Cult TV Reader. Essential Readers in
Contemporary Media and Culture. Lexington: University
Press of Kentucky, 2010.
___ (with Angela Hague and Marla Cartwright), ed. Deny All
Knowledge : Reading The X-Files. The Television Series.
Syracuse: Syracuse U P, 1996.
___ (with Angela Hague), ed. Teleparody: Predicting / Preventing
the TV Discourse of Tomorrow. London: Wallflower Press,
2002.
___ (with Rhonda V. Wilcox), ed. Fighting the Forces: What’s at
Stake in Buffy the Vampire Slayer. Boulder: Rowman and
Littlefield, 2002.
___ (with Sara Lewis Dunne), ed. Seinfeld, Master of Its Domain:
Revisiting Television's Greatest Sitcom. New York:
Continuum, 2006.
___ (with Michelle Byers), ed. Dear Angela: Remembering My So
Called Life. Lanham, MD: Lexington Books, 2007.
___ (with Michelle Byers), ed. On the Verge of Tears: Why the
Movies, Television, Music, and Literature Make Us Cry.
Lanham, MD: Lexington Books, 2010.
___ (with David Scott Diffrient), ed. Screwball Television: Gilmore
Girls. Syracuse: Syracuse U P, 2010.
___ (with Cynthia Burkhead), ed. Joss Whedon: Conversations.
Jackson: University Press of Mississippi, 2010.
___ (with Paul Levinson and Douglas Howard), ed. The Essential
Sopranos Reader . Essential Readers in Contemporary Media
and Culture. Lexington: University Press of Kentucky, 2010.
Lee, Jid. From the Promised Land to Home : Trajectories of
Selfhood in Asian-American Women's Autobiography .
Woman in History, 83. Ide House, 1998.
___. To Kill a Tiger: A Memoir of Korea. New York: Overlook
Press, 2010.
Mackin, Randy. George Scarbrough, Appalachian Poet: A
Biographical and Literary Study with Unpublished Writings.
McFarland & Company, 2011.
Neth, Michael (with Donald Reiman), ed. Bodleian Shelley MS.
adds e. 7. The "Hellas" Notebook. Bodleian Shelley
Manuscripts XVI . New York: Garland Press, 1994.
Ostrowski, Carl. Books, Maps and Politics: A Cultural History of
the Library of Congress, 1782-1861. Amherst: University of
Massachusetts Press, 2004.
Philips, Philip Edward. John Milton's Epic Invocations:
Converting the Muse. New York: Peter Lang, 2000.
___, ed. Prison Narratives: From Boethius to Zana. New York:
Palgrave, 2014.
___. (with Noel Harold Kaylor, Jr.), ed. New Directions in
Boethian Studies. Studies in Medieval Culture XLV.
Kalamazoo, Michigan: Medieval Institute Publications, 2007.
___ (with Noel Harold Kaylor, Jr.), ed. The Consolation of Queen
Elizabeth I. Medieval and Renaissance Texts and Studies
366. Tempe, Arizona: ACMRS, 2009.
___. (with Noel Harold Kaylor, Jr.), ed. A Companion to Boethius
in the Middle Ages. Brill's Companions to the Christian
Tradition 30. Leiden and Boston: Brill Academic Publishers,
2012.
Renfroe, Alicia Mischa. Editor and Introduction. A Law unto
Herself by Rebecca Harding Davis. 1878. Lincoln: University
of Nebraska Press, forthcoming 2014.
Smith, Allison. Signs: A Grammar Handbook. Southlake, TX:
Fountainhead Books, 2011.
___ (with Trixie C. Smith). Building Bridges Through Writing.
Southlake, TX: Fountainhead Press, 2014.
___ (with Trixie C. Smith). CompBiblio: Leaders and Influences in
Composition Theory and Practice. Southlake, TX:
Fountainhead Press, 2007.
___ (with Trixie C. Smith and Stacia Watkins), ed. The Pop
Culture Zone: Writing Critically About Pop Culture.
Independence, KY: Cengage Learning, 2008, 2014.
Tormey, Warren. The Shield and the Cross: Mining,
Metalworking, and the Epic Underworld: The Formation of
State Identity to the Anglo Saxon Age. VDM Verlag Dr.
Müller, 2009.
___ (with Ronald E. Kates), ed. Baseball/Literature/Culture:
Essays 2006-2007. Jefferson, NC: McFarland & Company,
2008.
___ (with Ronald E. Kates), ed. Baseball/Literature/Culture:
Essays 2008-2009. Jefferson, NC: McFarland & Company,
2010.
___ (with Ronald E. Kates). Baseball and Social Class. Essays on
the Democratic Game That Isn't. Jefferson, NC: McFarland &
Company, 2012.
Wilt, Timothy, ed. Bible Translation: Frames of Reference.
Manchester. Routledge , 2003.
___ (with Ernst Wendland). Scripture Frames and Framing: A
Workbook for Bible Translators. Stellenbosch: University
Press, 2008.
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