Baton Rouge Community College
Academic Affairs Master Syllabus
Date Approved or Revised: 6/12/2012
Course Name: Film Production I
Course Number: FILM 221
Lecture Hrs. 3
Lab Hrs. 0
Credit Hrs. 3
Course Description:
Provides students with an introduction to the technical, artistic, and
procedural aspects of film production. Teaches students to write, shoot, and edit films. Places students
on a production team to develop several digital video programs throughout the semester.
Prerequisites: None
Co-requisites: None
Suggested Enrollment Cap: 21
Learning Outcomes: Upon successful completion of this course, the student will be able to:
1. Define the phases of the production process and become proficient in their management and
execution of the tasks involved with each stage;
2. Improve their collaboration skills and gain an appreciation for the necessity of teamwork in
production;
3. Identify basic concepts of visual and sound strategies as they relate to cinematic production.
Students will be able to apply their understanding of these concepts to their projects;
4. Be technically proficient in basic camera operation, sound recording, and computer based nonlinear editing.
Assessment Measures: The student will be assessed and graded using some or all of the
following methods:
 Students will submit all materials relating to each of their group projects, including
storyboards, production schedules, location scouting materials, release forms, dailies, and
rough cuts.
 Students will participate in class discussions in which they will critique both their own work
and the work of other groups.
 Students will submit individual journal entries that relate to each group project. Students will
identify their specific contribution to the project as well as the contributions of their other team
members.
 Projects will be evaluated by student execution of specific visual and sound strategies. Projects
will also be evaluated on technical execution.
Information to be included on the Instructors’ Course Syllabi:

Disability Statement: Baton Rouge Community College seeks to meet the needs of its
students in many ways. See the Office of Disability Services to receive suggestions for
disability statements that should be included in each syllabus.

Grading: The College grading policy should be included in the course syllabus. Any
special practices should also go here. This should include the instructor’s and/or the
department’s policy for make-up work. For example in a speech course, “Speeches not
given on due date will receive no grade higher than a sixty” or “Make-up work will not
be accepted after the last day of class.”

Attendance Policy: Include the overall attendance policy of the college. Instructors
may want to add additional information in individual syllabi to meet the needs of their
courses.

General Policies: Instructors’ policy on the use of things such as beepers and cell
phones and/or hand held programmable calculators should be covered in this section.

Cheating and Plagiarism: This must be included in all syllabi and should include the
penalties for incidents in a given class. Students should have a clear idea of what
constitutes cheating in a given course.

Safety Concerns: In some programs this may be a major issue. For example, “No
student will be allowed in the safety lab without safety glasses.” General statements
such as, “Items that may be harmful to one’s self or others should not be brought to
class.”

Library/ Learning Resources: Since the development of the total person is part of our
mission, assignments in the library and/or the Learning Resources Center should be
included to assist students in enhancing skills and in using resources. Students should
be encouraged to use the library for reading enjoyment as part of lifelong learning.
Expanded Course Outline:
Week 1
Introductions/ the Production Process/ the Production team
Week 2
Image Creation/ Video vs. Film
Week 3
Image Composition/ Framing/ Depth of Field
Week 4
Shooting/ Production Procedure/ Production Environments
Week 5
Interframe Narrative vs. Intraframe Narrative/ Pre-Production
Week 6
Continuity Editing/ Production
Week 7
Sound Recording Technology and Techniques
Week 8
Dealing with Dialogue/ Working with Talent
Week 9
Non Linear Editing Technology
Week 10
Documentary Production/ Production Paperwork
Week 11
Documentary Production/ Production Paperwork
Week 12
Short Narrative Film Production
Week 13
Dallies/ Re-shoots
Week 14
Dailies/ Rough Cuts
Week 15
Second Cuts
Week 16
Final Cuts