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Befo~e Gaston Alfred LOU1S Leroux wrote The Phantom of
the Qpera, he did a great deal of research.
He searched
through old records and documents, lntervlewed numerous
people and trached down oeoole in order to talh to them.
Gaston Leroux searched the Natlonal Academy of MUS1C'S
Archlves =or lnformatlon detaillng three lmoortant events.
The first event was the kidnappHig of a premler C';Jera
slnger, Miss Christine Oaae.
The second event was the
d 1 sappearance of Raou 1, the Vi cornte de Chagn y . Th,.::: ti, 1 rd
event was the death of Raoul's older brother, Counc
Pri i 1 i ope.
The count' s body was found 'Ai the ban" of ti'iC
un de r' 9 r 0 L< n d 1 a k e l!i the lower' c: e 1 'I a r S 00 f the (j per a .
Leroux read documents. read memoirs and tal~ed to
peoc 1 e whu relnember'eo the::::e b" =ar- re occu ret',ces . Le r-OU /, met
the e/amHilr'lg maglstr'ate of the case (Phil1ppe's j8ath).
Wh,le talklng to the examlnlng magistrate, Leroux 1earned of
a rnysterl0us wltness who was called "the Pers1an".
Leroux then tracl,ej down this myster10Us Witness, the
pers] ,:In.
The perSI an produced documeiltary Dr-oof of t:'18
e y, is tence of:::,he phantom c r' ghost of the ope r:.i ho~.se.
The
persian produced several letters belonglng to MlSS CI,r13tlne
Daae. These letters were oroo~ of the eXlstence af tne
ghost.
Later. when workmen were digg1ng 'n the cellars of ~he coera
house to bury ohonographs for Dosterlty, the} uncovered a
human sLe! eton . At f" rs t the ske 1 eton was thou'3h t t::> oe the
vlctlm of a demented commune.
Lerou
however. made the
cla'im that he was sur's that she body belonged LO the pfian1::)m
of the ooera.
Leroux.'s novel begins bv taking the reader back to the
1880's. The reader 1S lmmedlately infformed of the
bad"s tage goss 1 p of the' prian tom of t.he opera". The plianto;-n
lS sald to nave a death's head Instead of a face.
He 1S
supposedly a sllent flgure ln dress clothes that.
materlali:es at hlS own wlll backstage.
Madame G, r y announces that Buquet, '[iie Cll i ef
scene-shifter was found hanglng beneath the s'[age.
Then,
because C a ,-- 1 a L t a ( the 0 per a . S 0 r-I ma donna) i ~ 1 I l, ,= h r ; s'[ 1 n e
t akes-'e r' D 1 ace a magni f i cer' t ga -i a.
The gala IS attended by
Ph 1 " i ppe, the Comte de Chagny ana his broLher Raou . ti',e
Vlcomte ae Chagny.
After the performance, Phllippe and
Raoul 90 backstage where Ch r lstlne has fainted.
Chrlstlne
a wa~, e n3 toR a 0 U1 s tan din 9 by her'.
Ra 0 U 1 t a 'j \" S 0 f c. h 1 1 d h 00 d
l~ememb'2rances ,'-Ihen he saved a young gl r i ' s sca!~f from t.he
sea.
Christine goes into her dresslng room while Raoul waits
outsidethe dreSSing room door.
While waltlng, Raoul hears a
man's 'IClce teilHlg Chnst1ne she must love hlm.::h"isline
emer'ges fr'om ner dressing rO:Jm alone.
RaOUl has hldden ir~
or-der to see who Christine Will leave with.
After Ch'istlne
leaves. Raoul loo~s in the dressing roam to see whe was
t.alkln9 to ':::hristine. bu'[ an he finds '1S an emc't-, d:-essl~-'9
room.
y
-
•
The two managers of the opera house nand It over ~o two
new mana~ers.
As Deblenne and Poligny turn ~he cpera over
to the neH managers. they also hand over a document.
ThlS
docu~ent oontains the ooera ghost's demands for an allowance
,of 20,.000 fr-ancs a month and 80," ::, for hl s persor,a i use.
The new m:tnagers declde to :gnor'e these demands vih1crl the
prlor man3gers have always honored.
When the new managers allow Box 5 to be sold, the
oerformanoe 1S destroyed due to man,acal laughter oonlns
from someone unseen.
When Madame G1ry 1S asked about the
situation, she rec11es that the new managers have angered
the ghost.
She tells the new managers of o~her times the
ghost has caused d 1 stu rbaneeG, 1 n the ,ope ra.
Tf-Ie i ieVi
managers ca11 Madame Giry a madwoman and they f,re her.
Ch r lstlne becomes reluctant to s~ng.
She sends Racul a
letter' confesslng remembran.:::e of the,r shared ch,"·df-,DCd
experlences. Chrlstlne also adds that sne 1S gDlng to V1Slt
her father's grave at Perros-Gulrrec in Brittany.
After
rece i v 1 ;"i(; the 1et te r from '::h r l s t Hle. Raou 1 deG 1 des to gc
after her,
Raoui remembers Christine's father.
He was a Swedlsh
peasart with a rare g1ft for mus,c.
H,s young daughter
(Chr1stinel seemed to be an off-shoot of her father's
musical talent.
Chrlst-Ine's father- was brought to Parls by
Valerlus. a renowned music professor.
When Chrlstln0 and
her father' scent a summer 1n Br1ttany she and Raoul met.
They met by chance when Christine's scarf blew off OUL lnto
the sea.
The young Raoul then saved 1t for her.
After Lhat
the two p-ayed together every day until the autumn when they
parted. Christ1ne's father died shortly after that and
Chr1stlne forced herself to forge~ the young ar1stocraL sh0
had grown so fond of, Raoul.
Chrlst1ne pushed herself
continual~y toward a career ln mUS1C.
Slnce she has been at
the opera. Raoul has watched her every performance.
At Perras, Chr1stlne instInctively walts on Raou~.
He
asks her- "'hy she has Ignored him.
He tells her- about t.ile
tlme he heard VOlces 1n her dressing room.
Christlne reacts
by becom1rg very pale and nervous.
Then Chrlstlne tells
Raoul aoout the Angel of MUSlC who has been g1vlng her
slnglng lessons.
Chr1stine t.e1ls Raoul that she be~leves
the Angel is her father. come bac~ to glve her the help he
promlsed to someday glve her.
In the mlddle of the nlght. Chr1stlne goes to the
graveyard In a trance-l1~e state.
Raoul fol~ows her.
In
the graveyard Raoul hears perfect musIc.
The mUS1C draws
Raoul toward the grave of Chr-Istlne's father.
Raoul1s
suddenly attached by a spectre witn a death's head.
Raoul
1S knockej unconSC10US.
In ttie morning. Raaoul 1S
mysteriously brought back to the inn-- stlll unconscious.
Bach at the ooera house the two managers go tc have a
closer look at the lnfamous Box 5.
They both swear Lhe; see
someth 1 ng or someone there.
Monchanm n says he saw a
ueath':3 head resting on the! edge.
Ri cha(d sweats ile sa'""
the f1gure of a woman like that of Madame Giry.
The two
managers jecide to watch Saturday's performance from 80The managers rece1ve a letter full of demands.
The
myster-iOu3 letter lS slgned '().G.".
The managers fl::jure out
that the abbrevlatlon 1S short for Opera Ghost.
The ghost's
demands 1 nc 1 ude: resti tut Ion cf Boy. ; :. for h 1 S perSC)I]a, use,
replacement of Carlotta witn Chrlstine-- on a permanent
basis, return (rehiring) of Madame Giry, payment of hlS
salary.
The letter ended wlth a threat of a curse if all of
the ghost's demands are not met.
The stablekeeper comes in to the managers' offlce and
demands the dlsmlssal of the stablemen.
ThlS demand comes
after the disappearance of Cesar, the prlze horse of the
opera.
The phantom 1S the alleged aoductor of the horse.
Madame Glry then enters the managers' off1ce with a letter
from the Opera Ghost.
She 15 lIterally thrown out of the
office.
The stablekeeper leaves.
The ne.X t person to vi s 1 t the managers' off 1 cel s
Car-iotta.
She too has recel\/ed a letter from "C. G." Herletter states that lf she contlnues to perform a role sUl~ed
to Christlne, she w1l1 face a misfortune greater tnan death.
The letter ur3es Carlotta to come down wlth a bad cold so
Chr! st i ne can take her place 1 n Satur'oay' s perfor-mance.
The
letter Increases Carlotta's wl1l to go on instead of lettIng
the ghost pressure her to glve up her role tc Chrlst,ne.
Carlotta does not glve up her role to Christine.
Durlng the
performance Saturday. Carlotta loses her voice and beglns
croaklng 11ke a toad.
The Opera House becomes chaos.
The managers collapse
ln their seats ln Box 5.
The Phantom's voice 1S heard
throughout the opera house as it says Carlotta 1S SInging to
bring down the chandeller.
The phantom can not be seen, but
as he fin-shes saying this the huge chandel iar hanging from
the ceiling o~ the opera house crashes to the floor ln the
mlddle of the stalls.
Followlng the incident the papers are
filled ~ith news of the dlsaster.
Miraculously, only one
person was hilled by the fall1ng chandeller.
The person
Illled was a woman attendlng the opera for the flrst tlme ln
her life.
The woman was also tne woman Rlchard hac chosen
to replace Madame Giry.
Christine mysterlously dlsappears follow1ng the
incldent.
In hlS search for Christlne, Raoul questions the
wldow of the mUS1C professor who brought Christine's father
to France.
When Raoul asks the wldow if she ~.nows where
Ch r1 S tin e 1 s, the old W0 man say s t hat Ch r i s t 1 n e i S Vil L h the
Angel of tviusic.
Raoul recelves a letter from Christlne.
In the letter
she asks ~im to meet her at the opera's masked ba11.
She
asks him to keep their meet~ng a secret.
At the ball,
Chrlstine tells Rapul she must give hlm up.
Chrlstlne says
she cannot see hlm anymore.
After thlS meetlng Raoul h,des
In Christine's dressing room.
From hlS hlding place he
watches as Chr ~st-!ne talh.s to a voice comlng frorn tile
mirror.
Then, Christine steps lnto the m1rror and
disappears.
The 1ext day Raoul viSltS the wIdow of the ~rofessor
agaIn.
This time he finds Christlne with the widow.
Raoul
tells Chr'istlne that he saw rler' speak to a man named [ f l f , Iii
her dressing room--- a man whose VOlce came from Chrlstlne's
m1i r 0 r' . el"l r l s tin e tel 1s Ra 0 u 1 t hat E r1 k 1 S I'j erA n gel 0 f
Music.
Then, Chrlstlne nmakes Raoul (;rOmlSe not to viSit
her dreSSing room agaIn unless she sends for him.
Chr1stine and Raoul's relat1onshlo becomes verj uneasy.
The y f 1 n a ; 1 y got a the r' a 0 f top 0 f ttl e 0 per' a h 0 use t eta 1 I.
Chr1stine tells Raoul of a viSlt she had wIth Erih.
Christine tells Raoul how She was lured to Erik's la1r.
She
tells of how she got there on tne back of the miss1ng wh1te
horse.
\AII-jen she got there she found that Er" k' S bed was a
coffin.
Erik played her one of h',s own compos1tlons t.hat he
had wr'itten expressly for her.
The title of hlS gt'and opera
was 'Don,) uan Triumphant." Ch r 1 st 1 ne told Raoul that once
she had snatcr"led Erlh's maSi, and r-evea:ed a hideous face.
Later, Erik had confessed hiS true love for her.
He had
promised ~o ma~e her a great singer.
Then, Christine :Old
Raoul of r;er p: ty for En k.
/l,bovE~ Ch r 1 st i ne and Raou 1. unknown to them, s 1 ts E r 1 }, .
Erlk has heard the1r whole conversation.
As Raoul and
Chrlstlne leave the roof, the Persian meets them at the foot
of the stalrs and suggests they ta~e a different route from
the rooftop.
That night Raoul wahes up and feels l,~e Erlh 1S
watch I ng h -, m.
The ne;x t day Ph 1 11 ppe te 11 s Raou 1 that he
should not marry Chrlstlne because she lS utterly mad.
Ph,l1ppe uses Chrlstine's ghost stor1es as an example of her
madness.
During a performance of 'Faust" Chnst1ne suddenly
van1shes off of the stage before a beWlldereed audience.
There lS speculat10n as to whether the dlsappearance IS
Raoul '5 d01ng or Er"lk's.
Rao~l's clnnocence 1S proven by filS
immediate concern backstage.
The managers declde to flnal1y glve In to the demands
of the phantom.
The managers place 20,000 francs In an
envelope.
The francs are mysterlously replaced bv fa'se
banld!otes wh 1 -: e the en'/e lope IS st ill 1 n the mana(,3er<,:
off ice.
Ivladame Gi ry is accused of SWi ten i ng the f nlr,CS dnd
faise bani,notes.
Madame Giry is ;:;roven 1nnocent when
Mcncharmln attaches severdl francs to hiS coat WIth a
safety pir.
T~ese francs,
lihe the ones 1n the enve~ope.
mysteriously disappear.
The police are called 1n to deal with the
d1sappearances of the money and Chrlstlne.
The ~heory
develooed 1S that Philippe has abducted Chrlstlne 1n an
attempt tc heep Raoul from marrYing her.
Raoul talks With the Perslan.
The Perslan tells Raoul
that he has a soeclal Interest in the Phantom.
The PeerSlan
goes on to tell Raoul t.hat Chnstine is With th ePhantom
somewhere In the opera house.
Raoul and the Perslan go to
-.
-
Christine's dresslng room.
The Persian shows Raoul how
Christine's mlrror can become a door leadlng to the secret
inner passages of the opera house.
Raoul an dthe Persian go
down onto the secret cellars.
They both act as though they
are constantly ready to f1re their pistols.
They feel that
this offensive positlon will serve as a precautlon against
the Phantom's deadly punjab lasso.
Raoul and the Persian meet up with a large, eerie,
fiery head.
This fiery hewad comes toward Raoul and the
Pe r s 1 an . The two men bac~ themse 1 ves aga i nst trle wa I 1 . The
fiery face contlnues toward them bringing wlth it an lmmense
amount of noise.
The no i sel s made up of hundreds of tlilY
sounds.
The ~oise comes in waves 1i~e the waves of an ocean
comlng in wlth the tide.
Raoul and the PerS1an scream In
horror and pain.
The waves of noise are accompanled wlth
waves of little legs, claws. nails and teeth that attacf, the
two men's legs.
Raoul and the Persian ~ich at the painful
waves at ~helr legs.
The fiery head tells Raoul and the
Persian not to follow it.
The head also tells the twa men
to let lt pass because he 1S the Rat-Catcher.
The legend of
the Rat-Catcher sald that the rat-catcher turned tne light
(fire) on himself ln order to attract the rodents and draw
them through the passageways.
After the Rat-Catcher passes
them. RaOUl and the Persian contlnue on their sear:.h fer the
Phantom.
A t one po 1 nt the two men th ~ n~ they have found U-Ie
Phantom's la1r.
They lower themselves lnto the room to find
it is a torture chamber they can not escape from.
Here. ~he
Persian ta~es over the narratlon.
He describes how he
reached the Phantom's lair in a prevIous trlp through the
passageways. On hlS prior tr~p he had to cross the
under-ground lake.
While he was crosslng the lake. the baat
he was in was pulled under the water.
The Perslan was then
attached by Eric while he was underwater.
The Perslan
barely escaped drowning.
Cantlnulng, the PerSlan tells
Raou 1 that he hnew Er' I C in hIS own country.
En \ lA/as
adeformed person of superlor lntellect.
The Perslan offered
a c hal. 1 en Sl e t () E r 'j h de all n g w1 thE r I h 's a b s e s s 1 0 n '" i t h
'-.,nrlst-,ne.
Tfien, 'the Persian returns to the problems at
hand--- escaping from the tort~re chamber and flndlng
ChrIstine.
:hrl:::tlne lS imprisoned in the room ne.>\t to the torture
chamber.
She can converse wlth Raoul and thePerslan, but
she can !lct do anythIng to he-Ip U'lern.
Erlh offel~s Chr'lsltne
a challenge.
He has two bo~es. one with a scorpion and one
WiUl a male gr'asshopper.
Erlf-- tells Chnstltle she must
choose one and turn It.
If she chooses the correct one.
Raoul and the PerSlan lWlll be saved.
If she chooses the
other one, the opera house wl11 be destroyed.
To speed
Chnsltn edecls10n, the Phantom turns up the heat Hi tne
torture chamber.
Raoul and the Persian begin halluclnatlng.
Then, bef ere Ch ri st i ne mal,es a aecl si on. the Pe ;~s 1 2ii; f, riels a
way cut cf the chamber.
He leads Raoul lnt,o a chamber full
of barrels ~)f gunpowdet~.
-"
have esca:Jed, dec 1 des to take a chance Wl th Er 1~,' s
challenge.
She turns the scorpion.
SUddenly the room t~at
Raoul and the Per-Slan are currently in is flooded with
Here the Perslan's narratlon ends.
water,
L_e rou,)( takes over the s to r y say i ng that :-Ie heal~d 1 t
from a very old man shor'tly before the old man dled.
Raoul
and t r: e ~ l~ ,s 1 an 'v./ e r' e for c e dun con c lOU S b y the flood. The
Persian ~as awakened by ChrIstine carlng for hlm In Erik's
chambers.
E,l~
Introduces Ch,isltne as hlS wife.
The
Persicln and Raoul a,e myster lously returned to ~helr homes.
Late" Phillppe is reported to have drowned ln the lake
under the opera house.
[ I l k goes to visit the Pel~slan.
He telis the Pers1an
he (Erik) 1S dYlng.
erlk tells the Persian that Chrlstlne
1 s t h E~ f 1 S t ""oman who has all owed him to kl S S her .
El'l ! ,
explalns ~hat the death of Ph11ippe was beyond hlS control.
Erih says he trled to save Phlllppe.
As a slgn of
allegienct=, Erik turns over all of the papers ana eVldence
relevant ~o Christine's disappearance.
Erlk Lhen lea.es ln
a cab.
Th ree weel,s 1 ate r, E r' -I k ' s death was reoo r'ted 'j n a
s -j mp i e ad'/ert i sement U-Iat sal d , ' Er 1 f is dead."
In his epilogue,. Leroux exolalns that the Persian was
the only person to know the whole truth about Erik.
The
Pers-Ian e plaHled that Erik had been born a monster.
Ellk's
earlIest memory was that of a masl\ be1ng olaced over ;-11S
fa c e IN h 'I 1E, hew ass t 1 1 'r i nth e c r a d 1e . E rl k. b 0 r nth e son
of a master mason. travelled Eurasla wlth freah shows.
erlh
became a talented muslcian. a master archltect and a
oract~clng ventrlloquist.
As an archItect. ne became a
master at deslgnlng secret passageways and trapdoors.
Erlk
had spent some tlme working on the construction of the Parls
Opera HOLi se . Du n ng th 1 s ti me he deve10ped the 1 aby ri nth of
secret passageways and trapdoors that were used during the
mysterlou~; deal ':n9s with the Phantom of the Goer'a.
Eni, had
planned to use this labyrlnyh as hlS nldeaway from manr Ind.
Be f 0 ,e h -I~; de a t h. E r' 'I h b 10 c I ,e d 0 f f all 0 f the en t ran c est ':J
h 1 sse ere t '1 a H' . '.) n 1 yon e t rap d 0 0 r was eve f 0 u n j .
That
trapdoor IAlas found in the manage i-S' off 1 ce . I twas tn rough
the use ef thl s doo r that E r j k wa~ ab 1e to remove the meney
from the managers' posess-[Cln.
Trie manuscl~1pt for Er-II\'s
"Don Juan Triumpnant" '?Jas ne'.;eer found. nor dld an'lone eler
find an erltrance to rll c underground [-lome after' n 1 s deat!i.
Here the booh ends.
Leroux leaves the reader on ~he
edge.
Ler ()u;< 1 eaves many auest Ions unanswereed.
: ne
reader's lmaginationls left to rUti wl-Id with tnese
unanswerec questlons.
r
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mOV18 begins by sh~w~ng a plcture wf 8as~8n Alfred
Leroux.
Also shown 1S a olcture of the Parls Goera
House f rom the time of the my s te r 1 OL.S oceu r enes (; f t I-)S
Phantom of the Opera.
Phlllppe and Raoul al-e Oli the grand stalr-c,ase C'T the
20era rlOu:3e waiting 0:-, a sno';" to beg1t~. Paou', r-,opes to ('Ieai'
his S vi e e t Ii ear' t. C h r 1 s t l n e. :O~ 1 n 9 .
Eve" j' 0 net a ~ s s t h et r s 8 a t s
and the show oeg:ns.
Chr~st;ne, under' the d'rectlon of a
mysterlou:3 teacher, has beccme qUlt,e an asp-Ir'lng or 'lilLl. :Js:L:'t.
After the performance. Raoul proposes marriage to
C h r i s t 1 to e .
ShE; an s we r s him t y say 1 Ii 9 t hat t i-I ere 1 s a f 0: c e
dr i 'y 1 rig hE?" 0:'1.
Therefore. she fee 1 s Ii ~e she can not mal-r'y
Raou 1. ye':,.
The rnana';jers of trie opera house res l::m m,n te s ..... ddei; 1 J
and tv. G t-;f~\N manage rs take o'./e /,'.
:hs tlAJO nel" manage rs ar'e
a 1 mos t 1 mmed1 :1te -i y \"Iarned c f the ta l~, of the arm fiCUS Phaiitom
of the ':=!PEH a.
The scene shifts to the gloGmy depths of the cellars ~f
the oeer'a house.
Here, Slmo:'1 and Joseph Buquet are ta-i~ tI',::!
wIth F 1 or'i ne Pap 1 II on as they all won .
Simon and,:csEO:',
ar'e brothers ~n char'ge of shifting the scenes fer the ope,'a.
Slnce FiurH:els the prope,--::; man. 'Crley all l"ior'k c':cs2i"
together.
As the men are tal~ lng, the ballerlnas run
thr'ough the room ye 1 ; 1tig, "The Fliantom! '
Carlotta, the favcrlte or1ma dona of th~ ParlS 3rand
':::"pera, gUE::S te' see the neVi managers In their off'c'3.
:::,',e
ta~es them a letter she has Just received.
The let~er
st3tes tr~at Christllie ',-"1-' take oyer the rOle that (a,1c1:'::s.
eLH-ret:t,ly p-Iays.
The letter also states :;hat any att.emot ~o
step Christine from olaylng th1s f'ole would be dlsasterous.
I n the cella r' . the ball e ri n as are tal f, -: IN abo u t the
Phantom.
Some sayne has no nose whlle other~ say he has an
enor'mous (lne.
Joseph BU:Juet tel'ls t:'-ie ballerlnas he ha2
ae tua 1 ! '! ~;een the Phantom .6.ccord 1 ng to Buquet, the Ph5.ntom
nas ghastly Pits where hls eyes should be.
In these Pits
the:e IS 110 llght--- they are llke holes In agr lnnin':j
s~ull.
Buquet continues saY1ng the Phantom's face 1S liKe
leperous parchment w1th ye~low s~ln stretched drum-tlgnt
over pro'Crudlng bones.
Buauet,s warned that ghosts 00 not
like to be seen or tal~ed about.
PaYlng no heed to tne
war-r,lng, tluquet effers to take the bailel-lnas to ~o.Jhere he
saw the Phantom.
Alone 1n her dressing room, Chrlstine loc~s the door.
From the ~ldden space beyond the walls of the dreSSlnq room
comes a mE lad -: ous voi ce that sounds ! 1 !,e the \/0 I ~.::;e or - an
angel.
I t spea~s to Chrlstine tel-: lng her' that she wI-I:
take Carlctta's
role ln the Opera.
A shadovJ aopecH'E <,)n t'ie
wall.
The voice seems to belong to the
Shadow.
The vOlce
t e 11 s .:; h rl s t HI e , "y' 0 u W 1 1 1 t n u mph ! All Pari S Vi Illv'I 0 r s hi p
you!"
The VOlce goes on to tel -i Chr1st1ne tc for'get al'l
worldly thlngs and thin~ only of her art ana ner mas'Cer.
Christlne orcmlses to sing for hlm--- for forever.
Tria scene sf-: 'I f ts bad, to B:..;quet ana :;he ba I 1e i 1 ridS In
the c e 1 'I a r .
He has t a i. e n t!-I e r:l t C·.'In ere he saw Ui e Phd n tom.
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,I n the oe 11 ar-, Ledou" sees a man hang 1 ng when the
cur ta 1 n gees :Jp.
Ledoux, goes to ,get other W-l tnesses . when
til e y .s. 11 I' e t U r II, the bod y 1 S n c "1 on 9 e r h an 9 1 tI 9 . I t -I S f 0 u n c
1 Y1 ng on '~he ground.
The men remove the] r hats to hel-,or the
dead man, Joseph Buquet. Arouna Joseph Bu~uet"s nec~. 18 ~he
Punjab Lasso--the Phantom's strangllng cord.
The \'0~ is
made ty a-II to -to i nd the Phantom out.
p.nother- ~-Iote 1 s sent frolll the pr.antom to Car 1ctta.
T!-Ie
no~e ~arns Ca~lotta net to slng the following nlght.
Again,
eft r 1 st i ne 1 s to ta~,e Car 1otto. 's pi ace.
Car lot ta tar,as U-,e
note to the managers.
,t..fter refuslng to heed the war-fling.
she p r anCE3S ou t of the mana'Je r- s' of fi ce . The rnal,age j" s Lidi,
receive a note from the Phantom that says Christine w:ll
take Carlotta's place the next nlght--or e~se.
The letter
goes en to say that the Phantom's Identity must remain a
secret.
-he letters are rep~rted to N. Faure. the prefect
of po -] ice.
The ne~t night Carlotta performs her usual role whIle
Christine stands in the wings as her understudy.
Ine
managers watoh the performance from 80~ 5.
After Raoul
sends Chr-stlne a message, she sends il1m a reply 111 WhlCh
she tells him to never try to see her again.
The -lghts begln fllcr-ei-lns whl1e ':::;arlotta is on st.aye.
The Phantom appears as a shadow.
His VOIce fl -I 1s V-ie:Joe (a
House.
H",) says, "Behold! She is Singing t.o bring down the
c han del i e r- ! " As he f1 n 1 shes say 1 n 9 t hiS , the huge
chandelier falls to the floor.
The audience becomes chaotiC
and Raoul begins to mai,e hL, way t.o ClHistHle's oi'essing
roem.
Bac~stage is also chaotiC.
Chrls~ine returns to her
dressing room.
As Raoul arrives at Christine's dreSSing
room he hear's the Phantom to. 11--1 rig to Chr i st i ne.
The Phantom
tells Chr1stine he has come for her.
Christine replies
that she 1S ready.
The Phantom tells Chrlstlne t~ wal~
toward her mlrror.
ChristIne obeys and she wal~s through
her mlrror into the cellars.
The Phantom comes up behlnd Cnristlne. She loo~s at hlm
and bac~s away even though he is wear1ng his mash.
The
Phantom tells her he 12 her master.
He leads her on down
the sta IrE.
As t-.e does so he te 1 1s her," Look not upon my
masl----thlnl-- rather of my devotion which has brought y~u the
g1 ft of song.'
The Phantom leads Chrlstine on to a horse where she
faints.
lhe Phantom then puts Chr1stlne on the horse ~h,ch
he leads deeper Into the cellars.
The Phantom leads the
horse to a lahe formed by seepage from the Rlver Seine.
Then, the Phantom puts Christine into a boat and ta~es her
aCt-aSs the la~.e.
On the OPPoslte shore. the Phan~om tal,es
Christine to hlS lair.
As tre Phantom r"emoves f"lis hat ana oape Chr-1st1ne
awakens.
She then shys away from the Phantom as he tells
her he has brought her here because he loves her.
He te11s
Christine he has awaited thiS time, " ... when that which 1S
<good wlthln me, aroused by your purIty mlght plead for your
1 ov'e. '
ChristIne gets Jlttery so she runs into another room
where she finds a coffln.
The Phantom calmly admlts that
this lS where he sleeps.
"It ~eeps me mindful of that other
dreamless sleep that cures ail llls--forever:" Chr-Istine
then flgu~es out that the Phantom is 1ndeed her Splr1t of
Muslc.
The Pllantom tells her,"If I am the Phantom, 1tiS
because man's hatred has made me so." Chrlstine's love 1S
needed to redeem and save the Phantom.
The Pnantom e~plalns
that men once ~new hlm as Erl~.
He has llved 1n the cellars
for jears--a ~ameless legend.
Chrlstlne falnts.
Tne
Phantom rushes toward her and carries her to an elaborate
curtained bedroom.
There lS a mob above in the Opera House where the
headllnes state that Christlne Daae has disappeared
follow1ng the chandelIer disaster.
In the managers' offlce
Raoul demands to hnow why the pollce are not dOlng anythlng
to f<ind ChristIne.
Raoul tells the managel-s that he saw
Chrlstine dlsappear through the mlrror ln her dressing room.
Raoul vows that If no one WIll help him flnd her he will
find her on hIS own--even at the cost of his llfe.
The night that Christlne spends in the Phantom's lalr
is one of tortured dreams.
When Chrlst1ne gets up she flnds
bride's clothes beside the bed along with a note from the
Phantom.
The note says she WIll come to no danger as long
as she does not touch the mas~.
The note says she wl~l be
free as soon as her love for the Splrlt overcomes her
fear. The note is slgned "Eri~."
Christlne wal~s out of the room to find the Phantom at
his organ composing h-IS opera, "Don ,Juan Triumphant.
Christine is entranced by the music.
The Phantom IS
compos i n g his ope r a, " Don J u an T r l U mp f-I an t ." Ch rl s ti n e
reaches out for the Pha~tom.
Suddenly, she draws bach.
Then, she r-eaches out for him aga 1 n . Th is t 1 me she ('emoves
the mask he wears.
The Phantom angrl 1/' turns arcund.
Ch r1 s tine s tumb 1es down a few steps as the Phantom f 01 -lOWS
her.
He forces her to 100~ at hlS hldeous face.
Christine
covers her faoe wlth her hands.
The Phantom tal~s of
Chrlstine not heedlng his warnlng.
Christine promises to be hlS slave lf he wlll let ~er
go. She says If he loves her as much as he says he does. he
wl11 let her go.
The Phantom says he will orove the depth
of his love for her by lettlng her return to her world.
He
goes on to say he wlll let her sing ln the opel~a agaln.
He
warns her that she is his alone and lf she does anythlng to
Jeopardc,zE that, 1 i"e see Rao~l, it wi 11 mean deatl-I for both
Christlne and Raoul.
Then. the Phantom crles and Chrlstlne
vows to never see Raoul agaln.
Raoul receives a message from Christine warning hlm to
stay away from her.
She war-riS hlm that It -IS dange ous fer
h ,m to see he r< .
At the annual ParIS Opera's Masquerade 8all, Chrlstlne
100,",s for Raoul.
The couple find each other on the grana
staircase.
Then, a spectral f1gure appears at the top of
the stalrcase.
The figure 1S dressed as the Red Oeath-- the
Phantom has arrived.
The crowd of people on the stalrcase
sp~its as the figure descends the sta1rs.
Everyone crowds
around to see the Phantom.
The Phantom tells the
peOplE!, "BE~neath your danCltlg feet are the tombs of tortured
men--thus does the Red Deat.h rebuke your me('nment!'
T:"iS'1
the Phantom spots Raoul and Christlne.
The GOUp; e flees to the ('oaf of the Jpera House.
The:,
Slt bsneath the statue. Chrlstine ashs Raoul 1f anyone can
hear them.
U'lseen by Christlne and Raoul, the Pha:ltOrlilS
above them on the statue. Chrlst1ne tells Raoul she has
seen the Phantom.
She begs Raoul to save her from the beas~
that is the Phantom.
Eecause Car-lotta is under a spell she vJ:ll never' slng
agaln so Chrlstlne must return for the Opera's performance
that night.
Chrlstlne ashs Raoul to take her away after
that night's performance.
Raoul promlses to be at the stage
door a.fter' the performance.
He promi ses Chr; st 1 ne they ','n 11
fly tc England.
The Phantom whlspers that Chrlstine has
betrayed him.
Christine and Raoul hlSS and leave the roof.
The Phantom comes down from hlS h1dlng place on the statue.
The Managers find an announcement 1n their offlce.
The
announcement says that Erik was born durlng the Boulevard
Massacre.
He 1S a self-educated mUS1Clan and master of the
black arts who was e~lled to Oevll's Island for the
c rim 1 na 11 y 1nsane . He had escaped f rom the re and I'-Ias
currently at large.
Raoul uses this announcement to figure
out that this Eri~ is their Phantom of the Opera.
After
ceming to this real'~zat",on, Raoul shares this lnrorrnatlon
with the Prefect.
The next night everyone is nervuus and scared.
Christlne, left alone in her dresslng room, nervously
prepares to go on stage. Christlne goes on stage and
performs.
When she comes off stage, Raoul goes to her
dressing room.
She tells Raoul that the Phantom ~nows of
their plan.
She then asks Raoul to belleve In he~ and save
her.
Raoul tells Chrlstlne that hlS carriage lS Wal1:Hlg fo(
them outside the stage door.
Chn:::,tine goes bacL on stage to flnish the performance.
The cue man is grabbed from beneath.
After he d1sappears,
the Phantclm appear"s wher"e the cue mati was.
eh r 1 st"1 ne sees
the Phantcm and she 1S scared.
A man runs onto the stage.
The cur tal n fa 11 5 .
Ra a u 1 r- u nsf 0 r t Ii est age . ,.:; h,' s 1:1 n e 1 5
missing, enly her wig 15 fOUiid.
Bacl,"stage becomes chaos.
Raoul begins looking for Chr1stH1e.
He looks :,1 hei'
dress119 room.
Then, a forelgner says he can take Raoul to
Christine.
Raoul asks the foreigner about hlS ldentlty.
The for"eigner says he 1S Ledou)( of the Secret Pol "Ice. He
has been studying the Phantom for a month.
LedouA and Raoul begin loohing for a catch 1n
Chrlstine's dress"ing room mlr~ror.
The 1111rr'or n~oves.The t'r"IO
men had found the secret entrance to the Phantom's hidlng
olace.
Leduu~ tells Raoul that thiS IS where Erl~ was
confined during the Second Revolutlon.
Ledoux tells Raoul
that these cellars used to be torture chambers.
Lastly.
Ledou- ad'rlses Raoul to ~eep his hand up by hlS face as a
precaution ag3lnst the punjab lasso.
:he i:WO rnen di seaver the trapdoor that cost Jasepf-,
Buquet h:I~3 life.
Phillipe 1S some ....Jhere far behlnd Raou-l and
Ledoux.
He had come after his brother because he feared for
Raou 1 ' s 1 i fe.
Raou 1 and Ledoux al~e met by a messeil ge i f r'om
the s~adows, a fiery s~ul'.
The Phantom IS arguing with Chrlstlne.
The Phantom
accuses ChnstClne of lyClng T.O hlm.
He says tliat she tllOUght
that she and her lover could cheat him.
The Phantom calls
Chrlstlne an ungrateful fool.
Then. he threatens her w~th
an eVIl spirit to match his evil face.
The Phantom sajS
that Christine shall brlng him love.
Raoul and Ledoux stumble across a trap that causes them
to fal~ into a pit. They find themselves in the 'Room of
Many tv. i rro rs." Th is room 1 s one of the rooms tr,a t u sed to
be a torture chamber.
The Phantom tells Ch I~ 1 s t 1 ne hei s a human be H)) VJho
wl'l not be denled hlS happlness.
Ph11lioe yells for Raoul
when he reaches the edge of the underground lahe.
Thls
alerts the Phantom to the visltor in hlS underground lalr.
The Phantom then leaves Christine to greet his caller.
The
Phantom steps into the 1ahe with a plpe to breathe through.
Phi1lipe sets off from the oppcsite side of the la~.e in a
small boat.
The Phantom tiPs Phililpe over causing Phllilpe
to drcwn : n the underground 1 ake.
Raoul begins calling to Christine. Christine calls out
to Raouln return.
Christlrle then begins loof,lng fot' a
door that will 1ead her to Raou 1 and Ledoux.
Unf.JI~tunate 1 y ,
when Chr-lstlne finds the doorlt 15 locked.
Christine
beglns looklng for the keys.
The Phantom climbs out of the lake and returns to
Chrlstlne.
He tells her that their caller has departed.
Then, he sits down at the organ to continue composing.
Outslde on the street. Simon Buquet has found an
outdoor entrance to the Phantom's hiding spot below the
Opera.
Simon Buquet makes plans to avenge hlS brother's
death that night.
Inside, the Phantom continues composing.
Chrlstlne
continues secretly loo~in9 for the keys to help her get to
Raoul.
When Christine finds the heys, she grabs them and
sneaks to~ard the loched door that separates her and Raoul.
The Phantom turns. asks for the heys and grabs them from
Chrls~lne's hand.
Raoul and Ledou~ can be heard ln the
other room.
The Phantom asks Christlne if she heard voices.
Then, he says that perhaps they havve some more callers.
The Phantom looks through a secret window into the loched
room and sees Raoul and Ledoux.
After seeing the men, the
Phantom tLrns the heat up in the loched room.
As the heat
reaches ~nbearable levels. the Phantom bechons Chrlstlne
over tJ warch Raoul and Ledoux suffer.
Outside on the street an angry mob 18 gathering.
The
mob 18 led by Simon Buquet.
The scenes begln flashing from
the mob on the street to the Phantom lair where Raoul and
Ledoux are suffer ing in the heat.
The Phantom as~s Chrlstine what she would offer film to
spare Raoul's and Ledou~'s lives. While the Phantom lS
tal~ing to Christlne, Raoul and Ledoux find a trapdoor and
escape to another room.
The two captlves find themselves
locked ln this room w1th a large supply of gunpowder.
The
Phantom n::turns to hlS composing at hlS ol~gan.
Christi:',e is
offered the cnance to save Raoul and Ledou/.
The mob from
outside lS gettlng closer to the Phantom's lalr.
The Phantom presents Christine wlth two insects, a
grasshopper and a scorOlon.
Christine 1S told that If She
turns one of the insects Raoul and Ledoux wlll be set free.
HowevE,r, if she tu rns the wl~ong 1 nsec t. the ope ra house IV 1 ! 1
explooe.
The mob is closing in.
They are gettlng very
close. Clir 1 st"j ne reaches for the grasshopper. then she
withdraws her hand.
She turns the scorpion and water rushes
lnto the room where Raoul and Ledoux are belng held.
Raoul and Ledou~ are trapped. Chrlstlne offers to do
anything to save Raoul.
The Phantom opens a trapdoor.
sparing the 1 lves of the two men.
Chrlstine rushes to
Raoul.
The mob 1S seen at ~he edge of the underground lake.
The water level cf the lake 1S so low that the pecole in the
m() b jus t vJ a 1 k rig h t t h r 0 ugh the wate r .
The Phantom pulls Christine from Raoul.
Then he rushes
off wlth her.
Raoul goes after Christ1ne and the Phantom.
The mob reaches the apposite side of the underground lake
and catches up with Raoul.
The Phantom leads Chrlstlne out
of the Opera.
The Phantom and Christine take Rao~l 's
waltlng carrlage.
The mob IS close behind them now and 1S
led by both Simon Buquet and Raoul.
Chrlstine jumps from the carriage and the Phantom
crashes the carrlage while he looks to see if she lS
unhurt.
Raoul stops to help Christine.
Seelng Raoul wlth
Christlne, the Phantom runs away.
The angry mob chases the
Phantom to the river's edge.
Here, the Phantom raises a
threatenlng flSt when the mob corners him.
When the
Phantom opens his empty flSt. the mob descends uparl him.
The Phantom jumps lnto the rlver.
The angry mob watches as
the Phantom di sappears beneath the surface and the t", S 1 ng
alr bubbles cease.
The mOV1 e ends I'll th scenes of a honeymoon as Raou 1 a:ld
Chnstine kiss.
ActJ,e
The scene 1S set on thE stage of the
'fie 6how opens.
The contents of the opera I'cuse are
Pails Ocera In 1905.
The peoole present are the aU:~loneer,
belng auc~10ned off.
Raou 'I
Darters. bldders. and RaO',-l i, U-,8V] cornte de Cnag 1'1 y .
is 70 and 'I n a whee 1 chc' r'. Tne auct ,on beg 1 t'.S when t,;2
a~ctlcneer bangs h;s gavel down.
Lot 663. a oos~er from thE
house' s ~rodu(;t 1 on of 'Mann i ca I ' , I S trie f l rst t:: I rlq
c't U c t : e n e :j off .
Lot E 641 s a o 1 s to 1 and s 1-', u lis t rom a n c~ the r
O,'r,;.ductlon.
c..ot 665 IS a mUSiC be;< \'ilth a barrel ;~,~)!';~e,
pi a v 1 n goy ill bo 1 S on the toP.
Tri emu S] c b 07< S t I Ii \AI C " k san C)
1t
p I a y s a c h a r' m '] n 9 l i t t 1 e ~ u n e .
R a 0 U 1 b Ui S t i': e ,11 U-:: I c b ':; ,
and Dr 'I ef y 61 ngs t ( ) 1 t as 1 f i t INere human.
Thel~.
tr'ie
aue t 1 c'nee t' con ti nues, [W)'/ 1 rl::j to Lv: 6 t, b. a cr'iande Ii e r t ha ~
f 1 gu r'es 1 r'to::,r'le d -, sas te r 0-:- the Pnan tern of tne Coe r'a
affaIr.
-he auctIonEer informs hiS aud1ence that th~
w:::; r k s !! U P has 1- est ere d 'I t a r~ d 'f i t t e d 1 t wit h w' r 1 1)':,:1 "':J r
electricltv.
The au·~tl:::neer' savs,'Per'haoE: we :11a:, f';gh~e:~
d' 'a '-i the ('hos,:.,--.,r sc; many, veqrs .3.go t"; 1 th a -I I t t l~.
_
1 ~ J um 1 nat "on,
Gen t I ernen _' . - He sw, ~cni::!S or~ '.:.he cn31L,e 1 :~:
3nd 'It beqins rl:::lnq.
The PI-,antorn',s '.:.neme pia,-s I',hi 'Ie ,/8
c han de i i e r' r- i S e san:J t i l est a ::l e r' e tun, S C,.~ 'L,:C ,2 a r i I <::::
g ",:::tndeu r ,
Hie :::l U dl en c e 1 s t a f. en L) a c:- t _ , j j 2, 1 t --: a Ie, i e :i T :~ ~: .:: T
" Han til b 2i 1 ' .
Her E, t r, e au die n c e -j E3. r n ::: U-I a t L e f e 'y "8. tI-, e
ouera h:::u,~,e' s manager-, 1 s ret: ri r.g an'] S8 111 ng U',2 ',)0';:;, :t
hou,~e t,~) F-,r'mltl and Andl-e.
t-1e~:ind Christl/Ie are be,tf',
b a 1 let 9 I r l S I n the :::. h c, I" U S at the ': iJ era .
t'1 '2 9 i'!:1 ;C, 9 i ',jOt ~
talent as a ddr~cer. but ':::hri:itlne falis out of ~:te[,
C h r i :os tin e has d eve -I 0 lJf.~ d a C) f' eat 1 e)'l e 0 I' mu s 1 '_ be :::':t U 3 ,= ,J f r, -= ."
fatner.
~e waS a famous Ylci lillSt,
Carlotta oeglils 51ngi~g
r-Ier- a(,3 for the new manager3. but IS cut o f t ,...;iien a
b:i c I.. d r' 0 0 C I a s f-; e s t Co the s tao e .
The c I', .:) r u S 0 f b 3_ -; 1 e t 9 1 r i ;:;
~~lng that the Pr-Ia:ltorn:::;f the :~'lei-3
is tiler'e,
B~q'..<ct, Sdy::':
t.r'i':tt no ure was at hl~. O'Jst t,,) ca:..<se tr',e backcl-·-::;P fal-i.
Mid r- e ,s a) E t h d t the s e t h 1 n 9 s i"l a 00 en.
'::. a r 1 c' t t as;:, ,S t hat
u"it!1 Lhe:::e thl ngs stuD haope:~ In;, :::,he doe:::- nc t hacoen.
HdcJarne '31 r v has a ne,te f r'c-ril the f=r,c.I)ton: we] CClill n j t :IE
rnanager~ tC) t'ilS opera nuuse.
The note aiso c)rnmands tr,at
Box 5 be kept empty and the Phantom's salary be paJ~.
I t 12
anr<>.Jn:::.ed that the V1COrnO'Le je Ct',agn/ 1S trie ne'f'oi pac.rDti e:f
the oreta.
Crjrls,tlr)e~rac::. t-1t:?g's arrn::.{'[ that an(k,Jii::E-ilerlt.
T~',e rie,:c d'lemma faced is tha-: t,herelS nc undel~stuj,
for
Car 1 etta cecause the shm'J 1 s so nel'!.
f,1eg vc, i ;,,<nteet ':0
Chrlstlne to take oVer the lead during Carlotta's ao~enSE:;.
Madame G 1 i' Y seconds the nom 1 r1a t 1 on.
t-1ey s i rig S f J ( tl-,e
managers, tirnldly at fllSt.
Then h~r ~01ce beccmeE
strong'3r.
'tlh 1 I e she i s s -I rig 11',g. U-i 1 r~gs are tr ~-:i.n-::,folined [0
tr-la'[, E.en1ny's oerforme.,nce.
Cl:r!s~,ine lS SHlg-'tig ana Rae'""i
recogn 1 .:::es lier,
The c; u r tal n s c 1 Co s e at , d c pEn a y ai 11, 0 u t t l il Y t i ,(~ aU d ; oS i'l c; e
bdL~stdse 'iooflng at a Closed curtain artel' thE; Oer"tormancE;.
E-,/eryone congratulates C:hr-Ist-~ne 0(, c i'vonder-l'ul O~;ITGI'mar,:::,c.
-pleasE-d.
eh r ; s tine rnov'2S tc,'iarj he i
j ress 1 r~q r-com as 1 t becJme~
-.lsH.;"iE:, CI~ stdge.
Meg tol-Iows her.
As Chrisltne opens her
d r es:::~ 1 rig t~com door, s r,e hea I-S the Pilan t·om con q;- a tu 1a t i l 9
her.
S~e turns around and sees Meg.
The\ gO-into t~e d no; s sin 9 roo rn and t1 e 9 '::1 S ks I::' h r -1 s t 1 r-! e a 0 0 u t FI e r 1:1, ::3 L Co i i :.; U s
V()iCe tutc;t~.
Christine tells ~1eg l t l S the ':\ngs-I c·f HU3!~
triat rier -~;_,.ther told her "bout ~,mer~ l-,e>'id::o ali I,::.
:,Liuj.file
'::in\!
cal:s f'leg av;ay to f=:raCllce.
r-1adame CiH', tt;e:-j snve",
::;hrlstHle a note fr-orn Paou:.
Raoul comes t.:J CCll::ji'2ttl. .ate
CtH'istlne on her- oel-fon-nance.
Christil-e rust-Ies tc iilr: tl-Ien
stle oad,s o';:f.
Cflr-lstlne aid RCi,-,ul \.:.a:\, anj he S::'y
::2
vlants to take her out to ea~~.
Cllr lstine s In9s to her- j~nge I ·:.:::f f.-Jus IC
TIle Fh::.nL0:1I Gc_-:"'il,i;:j:;5
a po a r' ell t n t h ear e s sin 9 roc m n I rr- OJ r .
F: a 0 u -I r e L u r Ii S Cl n :J
hears VCI c;es 1 n the d re'~s-! nq r ')')Iri.
He :::.ar:llot '-is t I,. Ui~',",q:,
b,cjcaL..se the -locr IS l:.:<:~iec;.
Chi Istnie walks tl-ll-c~:3h 'the ;-;'11 r r 0 r t- her' A. Ii gel of H u s I .~ •
The an r r- 0 \' ( 8 t U r (. :.;'.:.~ ['i:::: nn d 1 •
trle doc r '--In! oc,i,:3 ana Raou 1 ente r s to f Hid a dese r ted
dressing roum.
Christlne walks part of the waf down to his lair
Then
she a nat h e P r-, ant 0 rn t a k e abo a t t h r 0 U 9 h the m 1 S t y,'i a 1., e r sot
the underground lake.
Christine and the Phantom sln~ a
duet.
Thej arrive at the Phantom's lalr and the boat
becomes a bed.
There 1 s a Oi pe organ to one S 1 de a,ld a
large mIrror to the other.
The Phantom slngs to Chrlstlne
and then leads her to the m~rror.
He removes the just ~oye:
from the mirror to reveal the lmage of Christlne ln a
wed d 1 n 9 d r' e s s .
C h r 1 s tin e m0/ e s s low 1 y tow a r- d the ill J r r 0 r
unt I i the i mage thrusts her hand out towards Chl- ". st tile.
Christlne faints.
The Phantom catches her and ca~r~es her
to 'the bee where he la!s her down.
The nex t morn i ng the Ptia;--;torn is PI a j i ng mus i c and
wrltlng It down as he plays i t .
Beslde the bed where
Christine is S t 1 11 s 1e e p 1 n g i S the barrel 0 r 9 a i i mus 1 C b 0 .,
wlth the monkey on top.
I t plays as Cnrlstine wakes up.
Christlne only vaguely remember's the nl<~ht before.
She
moves toward the Phantom who does not see her.
S'le tear-s
away hls mask.
He furiously slngs to her-, but I t bE:<~..:mes a
sad cry.
She holds the mask out to hlm.
He takes i t and
hurrledly outs I t back on.
Then. I,e hurrles her eff saY,i19
that t,e two fools that run his theatre wll~ be m,ssl~g her.
As they leave. the Phantom's lair slnLslntc the f-io:.:::r.
B '..J a u eta p pea r s 1 n f r en t 0 f the cur t a Hi h () 1 din 9 a PI e c e
of rop·:;: se rv 1 ng as a meek punj ab I dSSC.
Buquet ::;.hc'.'Js ti,e
chorus 9 1 r 1s his defense oga 1 nst the Phantom's Jeaai;, tloos-.?
He ShOINS off in front cf the chorus f::Jlrls.
He \>JanlS U",em tcbe constantly on thelr guards or the
Phantom mlght get them
with h1s magical lasso.
A trap door opens and ci shada~
appears as the Phantom emerges.
The 9'rls run off In fear.
The Phantom stares at Buauet then sweeps h 1 S cape ai:>.-wa
'::;hristHle.
tvladame Glry enters as the Pr-:antom and ChrlstHle
leave.
Madame Gl r; has seer~ '",hat has !iappenej d;~d :::-:';0 te 1: s
6uauet he I-:ad better ho 1 d h 1 S t()ngue.
The curtain separates.
The scene IS set 1n the
manage r s ' of f 1 C e .
F 1 r min 1 sse 0 r Ii f ~ 1: Y eye ltlg the II e w 5
paper'.
He starts singHlg about the rn!ster~, of Cal~IGtta,
then Christlne leavlng.
I t turns into qUlte a llvely tune
about hm" the my ste r y '1,1 1 1 ua::::k the ho~se.
And re ~orT,2S 1,~
sho~tln9 ri()'..... l t lS damnable.
FHmln tt'les argU'lng th2.t I t
1s
f no e pub 11 C 1 t y •
Andre 00 1 n t :3 out that the v h '-1./ E- Ii .::- ;~ a sc .
F 1 rm Hl 00' nts out the :Jueue.
And re r'ias been so I't in:3 n 1 S
rnall through the or-dea 1. and he reall2es that t,he; ea::;!i hav'e
a note.
They epen then notes.
Andre r'eads hlS a'\cua.
It
taHs abo~.t YJilat a channing;Jala the perfor-man::::e I-las. 110
1 () ssw hen ,::: a riot t a ': eft, C h r 1 s t 1 11 e ' s sue c e s s, the en t r' an C 1 n g
ctlcrus, and the appa 111 ng danc 1 ng.
Then F 1 rm1 n reads 1') 1:3
let,ter.
I t is just a remlnder that the phantom's salary has
not been pal d.
'The 1 et te j'S ar'e both 5'i gned "C'. G. '
standlng for Opera Ghost.
R aOll
bu rs ts 1 n to the r-'')om demand 11'")9, "\Alhe ie 1:3 sy,e:-"
He 1S 'lool--1ng for Chrlstlne.
The mai,agers do not know v,ilere
she 1 s.
Ha:)u 1 says he wants an answer and he \·Iants t-:; ;,nc,·~
why they sent hlm a note.
Raoul reads hlS note that says
not to f ear for Mis S 0 a a e, :. :1 e i-\ n gel 'J t tvl u SiC ; -) as t,2 i U! ids r
hiS \-/lng.
I t also says triat Raou', should not try to see her
a '9 a in.
A;--, d rea n d F 1 r min bot;) G e n y sen dIn 9 the not e .
R ~1. ~ U i
1'..'0 n de 1- s w rod, d sen d the not. e l f I twa s not the r;, a nag s r s .
Carlotta bursts Into the rocrn der;landlng, Where IS i-e.
..:/:2
IS -iooklns; for Raoul.
She I Ii turn cumcla1ns abuut the
letter thc,t Raoul sent her.
Raoul reads Carlotta's istte(
alo~d.
It says that her days as a star ars numoered.
Chrlstine wou~d be tah1ng her clace that nIght, anJ I ,
Carl~tta showed UP tc ta~e Chrlstlne's olace a great
nn s for tun E' w0 u 1 d () C C U r- .
R a 0 u 1 den i e s ::: s n d Hi 9 :, ;, e 'I e t t e ,- .
The managers are beglnn1ng to tire of these nOLes.
Flrmln
and Andre sing a song about receIvIng far too many noces
(most of them about Chrlstlne).
Madame G1ry and Meg walk
HltO the room.
Madame G 1 r v announces that M 1 ss Daae lidS
returned.
Madame G1ry sent her home to rest, and says that,
Chr 1 st 1 ne w; 1 - see no one.
Then Car -I at ta asks r-1adar:le:;) r /
I f Chrlstlne wlll s1ng.
Madame G1ry replles,'Here, I have a note!'
Raoul, Carlotta and Andre all say,Let me see I t ! '
Fir m HI 9 r a b s the not e and beg ins I e ad i n 9 1 t .
T h'2; F [u n t C iii . S
vO'lce ~radL,;ally takes over the reacll1(j.
:he no-:::.e says trldt,
sever'al notes of the most ariliable natlAr-e ha\e been :::eiic.
about the runnlng of the tneatr2.
The) will na~e one last
chance to sat1sfy those wlshes--- In the castIng of Lhe
11eW
show, ":: I Huta'.
The no::'e gues on tc say that the Phantom
1S anXlOUS to see Chrlstlne's career progress.
There~ore
Car 1 etta s hou i d be cast as t',e pageboy and Ch n s t ne shcu '! d
clay tne role of the countess.
The role of the counLess
Cd 11 S for charrfl and appea 1 wr- j 'I e ttle r () -I e of the pageboy 1 s
slient.
Therefore, the Phantom calls hlS cast1ng ,deal.
The le~ter ends wltn the r::' II a r I tarn say 1 n '3 that he W 11 1 ,'I a t c ii
the pe:formance from Ii 1 S usua; seat 1 t-, B::JY E v-Ihl CI'Is/,:)U! J
e ", p t ; for h 1 m .
F:nall)
ShOL,id hiS Plans not be
car r lEd 0 uta dis a s t e r () e '/0 n d the 1 r 1 rr a g HI a t 1 C) n \,10 -' '! C 0 C C U!~ .
ThlS lettE~r was also signed ·O.G.
Carlotta then p1tches a f1t.
~lrmln brings , t to an
end by sa)'i~g that Christine Will be p~aYlng the role of ~he
pageboy and Car 1 ct ta Wl 1 1 be pj ay 1 ng trie r'o I e of tne
countess.
Then everyone 11'1 the room g~es en about their own
U'ioughts.
Cal'lotta .... orr les about herself dnd her u lJ2.
;'..nd re and F 1 rrn 'it 1 WOfT:> about thei r' D t-I ma dOt-diG.
~acu 'I
Vlorr'les about ChrlstH1e and ner angel.
t>1adame.:'ii' "td.(n",
everyone af the Phantom's scorn.
Meg wonders i f the Angel
IS really an angel or a madman, from Heaven or He] 1.
R~ouj
01 ans to beg 1 n a new game aga 1 nst 'i.:,he Pha~;tofn in 3,::;>. ':"
Trle
scene ends wlth the Phantom threatenIng that If I t lS t~ be
war betwe~n them and hiS demands are not met, a dlsdster
beyond thE)' r Imaginat10n 'tl1 11 occur.
H-;e cu r'ta H,S close and Raou 1. And re and F'i rrn 1 n s1:.ep o~n:,
to talh 11'1 front of them.
I t 1S a perfcrmance cf
II Nuto'
Raoul say~' he Will be Sic..tHlg HI Boy:; l::ec,auss
c·f the
other seats al~e tah,en.
The men al'; tai,e thelr sedts.
he
cur t d 'I n s ~,e p a :- a 1:. e .
The 2 c e !, e 1 sat' e 1 9 he e e n t ri c e (, t U r:. sa', 0 I;
wit h a c a n 0 p 1 e :j bed 1 nth e (, e n t e r .
C ai" 1 () t t a ,S p: <-1" 1 Ii g :: t" e
countess and Christine ,s plaYing ~he pageboy, SeraTlmo.
Seraflma 1S disgUised as the cauntess's maid.
Thers are
four people off to one side of the stage discussing the
countess's affalr wIth Seraflmo.
Don At,l 1 10. the
cO.Jntess'~; husbar;d comes 'I nand te 'II s his \'J 1 fe he r-Ias been
ca Ii ed 3v.;ay to Eng 1 and on off'! cia i busi ness.
TO ;::1',8
au d 1 en c e r- e s a v s t h at, he t h '!I'll-. S t hat hi S \V 1 f e 1 sun f a 1 t ri f ul .
He 1 s not r- e a ': -1 '! go 1 n g t () E t I .::,) 1 and .
I II s· tea d he 1 s go 1 n 'g :, a
tl 1 de and v. at c h h 1 S W 1 f e .
Don ,::. 1:. 1 1 l i 0 p r- e ten d s t a l e a \ e a:': d
hi des.
After she V'li rd,s he ,s gone. the countess
I us ·:)ff
Seraf1mo'e d1sgu1se to reveal manly breeches.
The Phantcm's vOice in~erruDts the scene.
I-k: j s upset·
because Be·> !,:,. r,as not been I eot emoty for him.
r·leg
shouts, HE!' s he Ie!
The Phan tom of the '::JDe r a!
Chr',st.lne br'ea~s character dnd says,"It's t-,lfn ••• I k,nmv
1 t ... 1 t ' s him."
Car lot tag e t sup set be c a use C h n s t 1 ~~ e . 2
Dart IS sl.pposed to be silent, so she cails Chr1s":"ine a
1 i t t 1 e t Oc:d .
The Phantom cernes back WI th 'Che.:::o:nment L lia t
maybe l~ is she that is the ~cad.
Carlot'Ca tries to begin
the scene aga 1 n.
However', ,,,hen she tr i es to s ': ng . s,-,e
croaks like a frog.
Sne rega1ns herself and tr,es to begln
agall!.
Asalrl, she croahs.
r'le Phantorn IS 'iaugrijn':~. ::,;ulet'l/
at f1rst. but h,s 1augnter gets more and more hysterical as
'2ar 1 at ta c roaf s on.
The chande 11 er beg 1 ns to b 11 Iii. 3.i , j the
Phantom sa/s that Carlotta IS singing tc bring do,·m trle
chandeller.
Carlotta says that she can not go on.
And re and Firm 1 n I-ush ontc' the stage.
F 1 rm i ~1 sa:, s the
performance will resume In ten mlnutes W1th ChrJst~ne Oade
In the iead.
The cr~ande-Iler ('eturns to ncrmal.
Then Andre
asks for the ballet from Act 3.
The ballet begIns.
Behlnd
the bachdroD 1 s the Phantom's shado'v'J.
Meg sees 1 t and fa lis
out of steo.
Suddenly. Buquet's body falls and dangles 1n
the all' at the end of a tlOose.
The pun] ab 1 asso has got ten
an
q
him.
Christine screams for Raoul who rushes to her side.
They rus~ off to the reof.
Flrmln trles to placate the
audience as t~e curtaln closes behind hlm.
Then he steps
off stage and the cur'taln opens to reveal the fiappen1ngs on
the r'oof.
It 15 tW1light on the roof of the Opera House.
Rac~l
asks Chrlstine why she has brought him there.
Chrlstlne
does rot want to go bac~ to the theatre because she IS
afraid thE, Phantom wll1 klll her-.
Raoul tries to convince
her trie Phantom lS all ln her mlnd.
Christine tell:; Raou1
that she has been to the Phantom's world of unendlng nlght
and that she has seen hls face.
She says that the Phantom's
VOlce fll-ed her splrlt and she heard mUS1C llke she had
never heard before.
Raoul says Chrlst1ne's name tW1ce.
Then the Phan~om echoes Raoul saY1ng her name.
Christlne 1S
scar-ed.
Fla0u 1 and Chr 1 st I ne look deep 1 nto eac:-I otf-iel"s
eyes.
The mood changes as they sing a love song toge-cher.
They},iss,
Then Chrlstlne y-eali=es she must go.
:~tle asi,s
Raoul to walt for her.
They hurry off.
The Opera House's
cr'est comE~S down into the audlence's Vie"'l.
The Phantom
stands up in it.
~e has heard everythlng Raoul and
Chrlstlne have sald.
At flrst the Phantom 1S sad and feels
rejected.
Then, Raoul and Chrlstlne can be heard off stage
slnging thelr love song.
Ine Phantom's sonq turns to one ~f
rage.
He says that they ~il1 curse the day-they dld not do
a11 that he asked of them.
The curta inc loses and the cast fi~om .. II Huto ste;) 1["
front of i t , taklng their bows after the oerformance.
Chrlstlne 1S dressed as the lead.
The Phantom's maillacal
laughter fills the theatre.
The audience sees hlm hlqh
above the stage on the c res t . The chande 1 i e r beg 1 ns ~c,d 1 ng
and b -11 nk -i ng. On the Phantom's command of." Go.' the
chandel1er' crashes lnto a mlllion Oleces o~ th~ stage at
Chr1stlne's feet.
The lights fade.
END OF ACT ONE--- INTERMISSION
-
ACT TWO
The next act opens.
The audlence sees an elaborate
staircase filled with immoblle people.
The stalrcase cannot
be seen clearly by the audlence because of the gauze c~rtaln
ln front of it.
Andre and Flrmln back their ways cautlously
onto the stage from OPPcslte directions.
They are both
dressed as skeletons with opera capes.
They flnally bach
right 1 nto each other.
They both caut"1 ous 1'1 ca 1] Jut.
Thel',
they ralse thelr masks and recognlze each other.
They
congratulate each other an a wonderful evenlng and they
~rink to a wonderful new year.
Firmin says it is a shame
that the Phantom is not there.
The gauze curtaln 1S removed
to reveal the Opera House stalrcase. The opera ball DeOlns.
Among the fancy costumes are a peacock. a lion, a jragon.
Mephlstopheles, a hlghwayman, a clown, knights. an
executlonnr, ladies, a monl~ey with cymbals, a toy soldier
wlth a drum, a toy soldler wlth a trlangle and a toy soldier
with bells.
The four with instruments wander around plaYlng
mUS1C.
As the ball begins everyone slngs a grand song.
Everycne talks about the wonderful past SlX months with no
notes and no ghost.
They drlnk a toast to a wonderful new
year and the new chandeller.
Christine and Raoul galn the sPOtllght as Chrlstine
admires the engagement rlng Raoul gave her.
She wears lt on
a chaln around her neck because she wants to keep thelr
engagement a secret for a whlle.
Raoul does not understand
the need for secrecy.
Chrlst'ne is swept into the dance
sectlon.
She begins to get upset because all of her
partners seem to be replicas of the Phantom.
Raoul loses
her In the crowd, so he rushes around looking for her.
F I na 1 1 y. rle rescues he r f rom the dance sect i on and ho 1 ds he r
close.
At the helght of actlvlty, a grotesque flgure appears
at the top of the staircase.
Dressed ln an elaborate,
crimson outfit, a more elaborate crimson hat, and a Death's
face mask, the Phantom has arrived at the opera ball.
With
omlnous steps he slowly descends the stalrcase. All af the
ather guests grow silent and move to the far sldes of the
staircase.
The Phantom anno~nces that he has wrltten Lhem
an oper"a called "Don Juan Triunmhant". He thrmoJs it to
Andre and adVlses that all lnstructlons be followed e7actly
because t~ere are worse things than a shattered chandeller.
Chrlstine, entranced. approaches the Phantom.
He rlps the
secret engagement rlng from her neck teillng Chrlstine that
her chalils are sti 11 hiS and she 1'1111 SHlg for hliD.
Every01e cowers away untll he dlsappears lnto a cloud of
smoke.
T~e curtain closes.
Madarre Giry rushes onto the stage ln front of the
curtain.
Raoul stops her.
She says that she knovJs no l1Iore
than a0yone else, but Raoul thlnks that she does.
Flnally.
she tells him of a travelling fair that came through the
city many years before. There was a man wlth the falr who
was a ~rod,gy--- scholar, musiclan, archltect, composer and
1 nventor.
He was I.ept ina cage because he was a f rea~. of
nature; more monster than man.
He turned up miss1ng--escaped.
No one ever found hlm. Many sald he had dled.
Madame Giry had seen him before he escaped, and she had seen
him after his escape ln the darkness of the theatre.
Then,
Madame Gil" Y rea 1 1 zes she has sa i d too mucn to Raou 1 on ti-Ie
subject of the mystenous Phantom of the Opera.
Srie
d 1 sappear~3 ~ nto the darkness be fa re Raou 1 can ask i-Ie 1- an y
more auestions.
Raoul rushes off 10o~1ng for her.
The curtaln opens.
Andre and Firmin are in tnelr
off1ce discussing the score of the Phantom's opera.
They 00
not "1 1 k e -It at all. As they d 1 s CU S S theIr dl s -II kef 0 t' the
Phantcm's opera, they also dlSCUSS the notes they Just
received from the Phantom.
Andre's is about the orc~estra's
ina b i -j 1 t lEl san d F 1 r min's 1 s a b out the c h a r us' spa <:) r t a len t .
Outraged by the score, Carlotta and Piangl burst lnto the
office.
Raoul and Christlne wal~ in shortly thereafter.
Carlotta verbally attacks Chrlstine saying that she lS to
blame for the role assignments.
Chrlstine flnally blows up
at C,::H'lotta and says she wants no par't of the new ope;--a.
Andr'e and F~r'min pressure Chnstine to do it.
Meg and
Madame G 'j r'y J Oi n the scene.
Madame G1 r-y has with he I
another note from the Phantom.
They all stand ln i1ne slde
by slde as she reads it.
The Phantom's vioce takas over as
everyone 1S slngled out. He says that Carlotta must be
taught to act lnstead of her usual struttlng around the
stage.
Plangl must lose some welght because 1t 1S unhealthy
for someone hiS age to be that round.
The managers n1L.;st
learn that theIr place 1S 1n the offlce not in the arts.
Chnstine wi l'J do ~"el', but she has room to Hr1PrOVe, and srle
should return to hIm so that she can ,mprove.
The note 1S
si g ned , "Y 0 Urob e die n t f r 1 end a" dan gel
Raoul suddenly has a plan on how to snag the Phantom if
Chrlstlne will beln the opera.
Everyone is unsure of t:iis
plan so they dISCUSS ,t for a lIttle while.
Chr,st~ne IS
extremely scared.
Raoul pressures her untll she fina~ly
runs out of the managers' offlce.
Raoul addresses an
1 mag i nary Phantom and th rea tens that th 1 S t'i me the dOl'inf a I 1
wl11 be t~e Phantom's.
The llghts dlm and the Drops are
changed to a rehearsal scene.
Reyer 1S supervls1ng the learning of a new piece for
"Don Juan T r'i umphan t".
Because Pi ang i keeps s ir',gl ng the
song the ~ay he thinks it should be, he keeps messlng up.
Car' 1otta comp 1 a 1 ns that at 1 east Pl ang i 's way sounds -; 1 !,e
music.
Madame G1ry says that Carlotta would never speak
that way if the composer were there.
Carlotta replIes that
he is not there and she goes on with her complainIng.
Everyone tegins talking and argulng.
Then, the plano begins
to play by ltself.
It plays w,th a great force and rhythm.
Everyone falls sllent and freezes.
As the piano olays the
song they have been futiley worklng on for hours, they all
sing their parts perfectly.
ChrIstine moves away from the
group and begins slnging on her own.
The other vOIces fade
and the scene changes as Chrlstine sings of her father's
prornis~~s to her-.
The new scene 1S a graveyard.
In the center 1S a
pyram1d of skulls 1n front of a large cross. Chrlstine
sings to her father wlshing he were wlth her agaln.
She
asks hlm to help her say good-bye to the past sa she can go
on and llve her llfe.
The Phantom steps out from behlnd the
cross.
He slngs to Chrlstine very softly and ent1clngly.
Raoul appears 1n the shadows and Just watches the Phantom
and Christlne for a moment.
Chr1st1ne begins to let down
her- res 1 stance and mO'/es toward the Phantom.
Paou"1 speaks
up, renam - ng the Phantom the .4.n ge 1 of Darkness.
Raou 1 ca 1'1 s
to Christlne.
She wakes +rom her trance, runs to Raoul and
they embrace.
The Phantom gr'abs a spi ke Wl th a sku'll
lmpalled on top and with a quick movement the he sends balls
af fire from the mouth of the skull to the ground at Raoul's
feet.
Raoul slowly beglns walking toward the Phantom.
The
Phantom coaxes him on.
Raoul 1S almost at the Phantom's
feet when Christlne rushes forward and pulls Raoul back.
The Phantom declares war on them both and disappears ln a
flash of fire.
The curtaln closes.
The nlght of the premiere of "Don Juan Triumphant',
Andre, F'ir-mltl and Raoul are talking in front of tr-Ie curtain.
The orchestra is warming up wh11e the firearms chief 1S
instructlng his men where to statlon themselves throughout
the theatre.
There 15 a marksman positloned in the Plt
aiming for the stage.
Raoul informs hlm to shoot to kl11.
The chief asks If all of the doors are secured. One by one
the r1flemen answer that their doors are secure.
Then the
Phantom rE,p 1 i es, "I'm here-- tne Phantom of the Opera."
The
rlflemen run ln the direction of hlS voice.
Then. from a
different direction. his VOlce repeats the same thlng, and
the r l f 1emen a 11 run 1 n that d 1 fect 1 on.
Th i s happens
several tlmes until the Phantom's VOlce comes from Box 5.
In the confussion, the marksman in the pit fires a shot.
Raoul yells at him.
The Phantom then tells them that their
Joke is wearing thin.
He says to let the audlence in and
let the o~era begin.
The curta 1 n opens.
The f 1 na 1 scene of "Don J ual'l
Trlumphant" 1S set. There 1S a huge hall w1th a cur-ta1ned
arch. behind which is a bed.
There 1S a fine table set for
two 1n the foreground.
Don Juan's servant, Pessarlno, 1S
directing the staff.
Don Juan, played by Plangi, emerges
from t1e bed wlth a gypsy dancer, played by Meg.
He throws
her a Durse and she rushes off.
Don Juan and Passarlno make
plans to sWltch places so Don Juan can impress Aminta.
played by Chr1stine.
Don Juan hides in the bed and
Passarino leaves the room.
Chrlstine enters the room
singing.
Don Juan pretending to be Passarino enters the
room from behind the bed's curtaln.
Instead of belng
Piangi. the Phantom is wearlng Don Juan's cloak.
The punjab
lasso has killed Plangl (however the audlence does not see
that yet).
Don Juan hides hlS face ln the hood of hlS robe.
He sings to Christlne and she slngs her reply to hlm.
Then,
they sing a lcvely duet, and everyone realizes it 13 the
Phantom beh1nd the hood instead of Plangl.
The Phantom
removes a rlng from hlS finger and glves lt to Chrlstine.
It is her engagement ring from Raoul.
Slowly, she puts it
on her finger.
Then, quite calmly, she removes the
Phantom's mask, reveallng hlS hldeous face to the audience.
The Phantom then sweeps hlS cape around her and they
disappear together. Meg pulls the bed's curtaln back to
reveal Piangi propped agalnst a post wlth hlS head
gruesomely tilted to one side.
Upon seeIng Piangi, Meg screams.
Mass confusslon follows.
Involved ~n the confussion are: police. riflemen, Raoul.
Meg, Carlotta. Flrmin, Andre, Madame Giry and numerous
stagehands.Madame Giry grabs Raoul and hurries off with him.
The Phantom sings furiously to Christine as they cr"oss
the underground lake to his laIr. The voices of the
gathering mob can be heard off stage.
Raoul and Madame Glry
can be seen on the path above slowly maklng thelr way down
to the depths of the opera's underground.
Madame Glry
reminds Raoul to keep hlS hand at eye level to avold the
punjab lasso.
Then, she says she WIll go no farther wlth
him.
Raoul removes hlS coat and plunges lntc the water,
lost from sight.
The angry mob is seen at the top of the
slope. The gate to the Phantom's lair descends as the rest
of his la~r rises.
The dummy of Chrlstlne sits crumpled in the thr~one.
The Phantom pulls Christine from the boat.
He stlll does
not have a mask on sInce Christine pulled it off on the
stage.
She frees herself from his grasp and asks hIm If he
is satisfied. The Phantom coldly sIngs to ChristIne and
places a ~edding vell on her head.
As they sing to each
other the Phantom reali~es that Raoul is present, and he
announces to ChristIne that they have a guest.
Raoul pleads
with the Phantom from the other side of the gate.
The
Phantom gestures and the gate rlses as Raoul scramb1es under
It.
The Phantom then catches Raoul around the nec~ WIth the
punj ab 1 a~so.
After the Phantom 1ets go of trle enc of the
rope it magically remaIns suspended In mld-alr.
The Phantom taunts Raoul, turns to Christlne, and
offers her an Ultimatum.
She can buy Raoul's freedom by
starting a new lIfe WIth the Phantom.
The Phantom, Raoul
and ChrIstIne therl beg and plead WIth each other.
F1nally,
the Phantcm tells ChristIne to make her deCIsion.
She
thinks for a moment, then moves toward the Phantom.
She
sings to him and then hIsses him fully on the mouth wh,le
Raoul ~atches in horror.
After the kiss, the Phantom holds a candle above
Raoul's head, and the suspended rope falls.
The mob can be
heard in the background.
The Phantom turns to Raoul and
tells Iyim to take Christine, leave and forget evel-ything.
Chr-I st i ne and Raou 1 move off toward the boat.
Trle Phali"[om
loo~,s mockingly at h,s mask.
Maglcally, the monkey mUSiC
box begins playing, and the Phantom listens to it carefully.
Ch r i st I ne re-en te;s andwa -I f,s s 1owl y toward tl-Ie Phantom.
She takes her ,"ing off her finger and gives It to 1-!lii'.
He
slngs ~hat he loves her as she hurries off and he ~ur:s the
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