Innovative Church Design in Small Town Mid-America
An Honors Thesis (HONR 499)
by
Brianne Little
Thesis Advisor
Thomas Panzica
Signed
Ball State University Muncie, Indiana May 2015
Expected Date of Graduation
May 2015
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Abstract
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Church design plays a major role in the ability of a congregation to grow and thrive within a
community. The overall design sets a tone for the way a congregation will function and be able
to reach out to new people. If a church is lacking in appeal from a design standpoint, this can
have a negative effect on the ability of the church to bring in new members. Designing a space
that promotes itself while keeping with its rural roots creates another challenge in terms of
design. Through discussion, observation, and a literature review on church design and aspects, I
analyze the needs of Colfax Christian Church and utilize this information for the design of a new
"main" building for the church. The design process is demonstrated through a design program
and construction documents and renderings of the final design for Colfax Christian Church in
Colfax, Indiana.
**Full documents can be found on CD in Bracken Library or at
armsbel.wix.com/cccsanctuaryproject
Acknowledgements
I would like to thank my thesis advisor, Thomas Panzica, for giving me encouragement and
being extremely helpful with any help I needed on my thesis. Your design help and support have
been a huge blessing for me while working through the constant struggles of design. I would
also like to thank Dr. John Emert for being a great advisor on campus and getting excited with
me when I first proposed the idea for my thesis to him in the spring of2014.
Thanks also go to the congregation at Colfax Christian Church for becoming my church family
at home over the past four years and for allowing me to give something back. Thank you to Dan
Lloyd and Scott Nydegger for being the elders overseeing this project and for answering any
questions I had about the church.
Finally, thank you to my wonderful parents, Stan and Tina Little, for their unwavering love and
support during the ups and downs of my four years at Ball State. You have helped me become
the woman I am today, and I am ever grateful for everything you've done. Without your
support, I don't know if! could have made it this far.
Table of Contents
Introduction------------------------------------------------------------Artist's Statement-------------------------------------------------------2-5
Design Program
Construction Documents
Conclusion
Works Cited
6-59(numbered by pages in program)
60-69(numbered by pages in documents)
70
71-72
Introduction
The design of a church can be seen as a direct reflection of the congregation. By entering
a church building, one can begin to understand what things the church values and how it
welcomes visitors. This reflection can either help or hinder the ability of a church to grow and
thrive. The nature of the church building being a reflection of the church is why the design of a
church is a high priority for any church looking to grow in today's world.
Through attending Colfax Christian Church, I learned of past ideas for an add ition of a
sanctuary onto the existing building. I became interested in what a new building would look like
and the effect it would have on the congregation. With no past experience in church design, but
a thirst for growing my knowledge of different design fields, I have decided to design an addition
to the existing building at Colfax Christian Church. The design will be a reflection of the rural
church with a focus on bringing it to the forefront of the community.
Little 1
Artist's Statement
For this project, the client was Colfax Christian Church, with my direct contacts being
elders Dan Lloyd and Scott Nydegger. The ideas behind the project were to create a new
sanctuary facility integrated with the existing space. The design needed to encapsulate the views
of the congregation while updating and transforming the image of the church to the surrounding
communities.
To gain the understanding needed to take on this project, I went through the process of
understanding the space and the client and looking at information on church design through a
design program. The initial steps in programming were to talk to the client and assess the wants
and needs for design. Through meetings with Mr. Lloyd and Mr. Nydegger, the initial needs for
a new building were established, as well as an understanding of what the plan had been for
building when the existing structure was built. These meetings created a dialogue between
myself and the elders in case any issues with design were to come up. We also established what
areas were already set in place in the existing design for the integration of a new building.
After these initial talks, I created a questionnaire to ask a focus group from the
congregation about the wants and needs for a new space. The questionnaire focused on specific
ideas for church design and areas of design that are not currently available in the existing
building. This information was compiled into Excel pie charts for ease of understanding the
information. The answers to the questionnaire would go on to inform particular design decisions
that would become the essence of the design.
From these initial design specific discussions, I was able to start looking at the site itself.
During this portion of the program, I created the geographic map (which informed many of the
Little 2
decisions on entry and lighting), the space matrix (which gave way to information on space
allocation), and the bubble diagram (which gave the first idea of a layout of the space). I was
also able to start pulling inspirational images to fuel ideas for design. For this particular project,
I brought in inspiration from nature. The church is located in a small, rural town in the western
part of Central Indiana. Many of the church members are farmers, so pulling inspiration from
images of crops and creeks was important for me in the design. These images brought a sense of
the congregation's personality to the design.
A literature review also took place after the initial design discussions. This literature
review took a turn from a more focused approach on design itself, to one focused on the design
and the future needs of the congregation should the proposed design be implemented. The
literature reviewed took the form of church specific magazine articles that discussed design,
lighting and sound elements, and different ways to fundraise to support the construction of a new
facility. This review helped me in understanding the many facets of design at play within a
church and the work it will take moving forward with construction.
When the programming process was complete, I began work on the design. The
information gathered during this first phase helped to inform many ofthe decisions made during
the design process and create the overall feel of the new facility.
Utilizing information on space allocation within a church from the National Association
for Church Design Builders (NACDB), I was able to figure out the square footage needed for
each space within the new design. The guidelines given by the NACDB were used to highlight
what space was already available and what was still needed within a new building. This
information also took into account the estimation by the focus group that plans should be made
Little 3
for a congregation of350 members. With these figures in mind, and the help of the previously
made space matrix and bubble diagram, spaces were laid out within the design. During initial
discussions with the elders, it had been decided that the existing building's footprint should be
used as a basis for design of the new building. This footprint was then used as spaces were
allocated according to the specifications by the NACDB.
From the questionnaire, a majority requested that the seating pattern within the sanctuary
be on a diagonal axis. This request spawned the creation of a mostly diagonal entry into the new
sanctuary. To create a more evenly distributed seating pattern, the diagonal entry was created
from a forty-five degree angle from the stage. This path was then used to create a change in
carpet pattern to designate the main aisle of the sanctuary and separate pews. The entry into the
sanctuary has a slight jog to the carpet pattern in order to maintain the angle of the path and to
create the idea of a winding path . The carpet used within the space reflects the inspirational
images selected during programming. The main aisle is made up of a carpet tile that mimics
pebbles while the rest of the space is made of a teal colored carpet tile to mimic the color of
water. The use of these finishes creates imagery of walking along a stone path over a body of
water. Curved pews were within the sanctuary to mimic the use of a round baptismal. The
baptismal specified for the space was selected for its double entry and comer placement. Its
round shape was chosen to reflect the pebble style of the carpet aisle.
The winding path from the sanctuary helped to inspire an organic tile layout in the foyer.
The flooring used again mimics a stone path, this time in a linear fashion through the use of
hexagonal tiles. The flooring helps to direct church goers to the welcome center and the
sanctuary. The hardwood flooring used around the tile designates the area as a separate entity
from the adjoining hal/ways and creates a warm and inviting feeling within the space. The
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welcome center that was designed for this space also mimics this same flowing pattern through
its curved design. The use of wood stained to look similar to the hardwood flooring for the main
portion of the welcome center was used to bring continuity to the space and create a warm and
welcoming spot for visitors to come to.
Throughout the design, colors inspired by nature were used. Most inspiration came from
the images of rocks mixed with water sources. These images helped to create a sense of
welcoming calm that is inherent to the church while the colors chosen were used in a way to
bring a sense of new life to the space. Each color chosen was pulled from the images gathered
during the programming phase.
Every design decision made during this process was informed by the program made
before design began. The inspirational images and questionnaires provided the most help for
design decisions during the project. As one decision was made, that decision, along with the
information from the program, helped to inform the next decision with the space. The final
design outcome is a plan with a cohesive appearance that blends with the existing facility as
well.
little 5
Design Program
The following is the program established for design. The next fifty-three pages are
numbered in terms of the program as a separate document. These pages are filled with the initial
findings and analysis for the design of Colfax Christian Church. Included within its pages are
appendices of the documents looked at for the literature review and of the questionnaires given
to the congregation.
Little 6
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ACknowledgements Directory Client &" the Project Current Space
Demographics Methods Informational Analysis Literature Review
Inspirational Images
Site &" User Analysis
Client Needs
Questionnaires
Geographic Mopping
Space Matrix
Bubble Diagram
Conclusion Appendices Bibliography CONTENTS 3
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I 1- 13 14 I5 16 17-22 23 24 25 26 27 -5 1 52-53 I would like to thank Colfax Christian Church for allowing me the opportunity to design a new sanctuary and addition for the congregation. I would specifically like to thank Scott Nydegger and Dan Lloyd for being the elders in charge of helping me with this project. Thanks also goes to Trina Corbett for getting me the original plans to scan and use as reference, and to Keith Pugh for getting me the AutoCAD drawings to use on the project. Thank you also to the congregation of Colfax Christian Church and anyone who took time to fill out a questionnaire to help with the programming process. A final thanks goes to my ad visor for this project, Tom Panzica, for being helpful during my design struggles, and teaching me a lot along the way. ACKNOWLEDGEMENTS Pro ject Website
a rmsb el.wix.c om/cccsanctuaryproject
Secreto r
Tri na C o rb ett
Yo uth Minister
Tim McCormick
Senior Minister
Paul Del Volley
Colfax Christian Church
3 I 4 South Clark Street
Colfa x, IN 46035
(765) 324-2484
colfa xchris tianchurch.org
DIRECTORY Currently, Colfax Christian Church does not have a designated sanctuary and is forced to use it's multi­
use facility for classes, Sunday services, a nursery, and an ything else that the church needs it for. It is also
ava ila b le for rental to the community. The client is looking to create a new building to function as the
sa nctuary and house some more classrooms. The building will be attached to the multi-use facilit y and a
cohe sive design is to be accomplished through speCification of new finishes for the existing building.
Located at 3 I 4 South Clark Street Colfax, Indiana, Colfax Christian Church is one of three churches
locate d in the small town of Colfax. Founded in 1852, Colfax Christian Church is a non-denominational
congregation seeking to restore the principles of Christianity as founded in the New Testament of the t)ible.
The church seeks to spread the message of Jesus Christ and reach the local and surrounding community.
The church offers Sunday morning services, Sunday SchooL Nursery services, Wednesda y night youth groups,
Vacation t)ible School, mission projects, and space for events.
CLIENT &. THE PROJECT UJ
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HOUSEHOLDS
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597 156
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GROWTH RATES
population
Compound Annual Growth Rates
Per Capita Income
Average Household Incom
M edian Household Income
IN COME
Avera ge Home Value
Median Home Value
(100%)
212 ,65 8"10
~2 2
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Total Hou sing Units
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HOUSING
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withln the spac e. r>ubble Diagram -
Bubble diagrams were produced to understand the current and potential future noorplan and adjacencies A space matrix was made to understand the adjacencies within the space. These adjacencies will help in de termining the best now of traffic throughout the space. Space Matrix -
Questionnaires - A questionnaire was developed to assess the needs of the client. The answers from the questionnaire will be
used a s refe renc e d uring design. Geographic Mapping _. A geographical analysis of the site was performed to gain an understanding of the lighting and air patterns of the area. This will be used to make informed decisions on the design of entries and views. might a p pe ar wi thin the design The use of elements from these images can be implemented in multiple forms throughout the
project.
Inspirational Imagery - A searc h for images for inspiration for the design took place to gain an understanding of what forms
To b etter ur"iderstand the space, the client, and the issues at hand a literature review of similar spaces
and topics was p erformed. li te rature on the topics of museum and retail design, traffi c patterns, and Native American art were
explored to enrich the design process.
LIterary Review -
The issues within the space were analyzed for a better understanding of the space. Goals for
Improve ment were establ ished off o t the existing issues within the space.
Analysis of Issues and Goals -
The needs of the client were established within the first meeting with the client. These were then
assessed fo r import ance and relevance within the space Other needs unseen by the client were added to the list for revision.
Assessment of Client Needs -
At the beginning of the project, an initi a l si te visi t was made with a general observation
of the spa ce and its issues taking place. Multiple site visit s were made after thi s point in time to have a more comprehensi ve
underst a nding of the space.
Site Visit and Space Observation -
In order to obtain the information needed to provide a design for the client,
th e following methodolgies have been used:
METHODS literature Review Inspirational Images This section is dedicated to the information gathering process outside
of information gathered on the paticulars of the church addition. The
information gathered is all based on similar spaces and concepts that
will be helpful in producing a well rounded product for the client. The
information contained within this section is as follows:
INFORMATIONAL ANALYSIS *All materials used in the literature review are available in the Appendix
at the end of this Program.
Fo r my particular project, I'm looking at information on church design, space planning, and
wa ys to help a church. While most of the information found is on ways to fundraise and help
a church with certain portions of design (i.e. sound lighting, etc.), this information is import­
a nt for the client going into the future with plans for adding the new bUilding to the existing
structure. By providing information now on these particular subjects, when the design comes
to fru ition, it will be better able to provide for the church community.
Overview of the Literature Review
LITERATURE REVIEW This arcticle gives a list of some of the biggest mistakes made by churches in terms of audio, visuat and lighting
decisions during the design process. The article discusses the importance of hiring professionals to determine the
correct systems to be used within a worship facility. It also brings to light the importance of having people on a
design team to help with acoustics and electrical needs, so that the best decisions can be made for the church.
Kumorek, J. (2011, May 1). The Pastor's Guide to Audio, Video and Lighting. Worship Facilities Magazine, 37­
42.
This article discusses the decisions made and challenges faced by a megachurch in Dallas, Texas during a major
fund raising effort. The article describes the reseaon for initial fundraising and the ways that the church was able
to raise $130 million dollars during the recession in 2009. The ideas used to raise this large sum of money can be
implemented on a smaller scale to help bring funding for a smaller church build.
Gopez-Sindac, R. (2013, May 1). How to raise megabucks. Church Executive, 26-28.
This article discusses the process one church took in designing their facilities. It focuses on the design of an addition
to the facility and the integrative approach taken with the design. The multi-use abilities of the new space are also
discussed, as well as the importance of looking to the future when designing a church facility.
Allen, R. (2011, May/June). Phase II Fusion: Church of the Highlands, Birmingham, Ala., expands and unifies
with the help of an integrated design approach. Worship Facilities Magazine, 20-24.
LITERATURE REVIEW
This artcile discusses the ways churches can embrace automated technologies to improve energy efficiency. Steps
are given to improve efficiency in large congregations as well as small ones. It shows how all churches can improve
the function of their space with a little time and effort.
Webb, B. (2011, May/June). Don't Procrastinate, Automate. Worship Facilities Magazine, 30-32.
This article discusses a few fundraising ideas that work well in church settings. This brief article is a good starting
point for any church fundraising needs.
Slaybaugh, R. (2013, May 1). Finding a Fundraiser Fit. Church Executive, 22.
This article focuses on lighting decisions for a sanctuary setting. It discusses the ways lighting is used to create ef­
fects within the worship space and lighting controls can be used. There is also discussion on the effects lighting can
have on wall colors and the ability this has to drastically change a space.
Slaybaugh, R. (2013, May 1). How Illuminating! Church Executive, 16-18.
These are rules of thumb used for designing and allocating space within the new church plan. The guidelines
discuss the square foot needed per person within spaces such as the sanctuary and restrooms. These sizes are
based off of an initial square footage per person multiplied by the maximum number of people within the entire
facility.
General Facility Requirements - Minimum IIThumb Rule" Guidelines. (2014-2015).
LITERATURE REVIEW
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Client Needs Questionnaires Criteria Matrix Bubble Diagram This section is dedicated to the information gathering process that took
place at the museum shop. The information gathered comes from the
cli ent and the existing space. Also included is information on what the
space is to become. The information contained within this section is as
follows:
SITE &, USER ANALYSIS The needs of the client focus on the creation of a new building to hold the
sanctuary. The client would like both the new building and the existing build­
ing to merge well with each other and create a sense of identity for the church.
Some ne w classrooms, restrooms, a welcome center, and possibly new offices are
also needed within the new building.
CLIENT NEEDS Questionnaires were distributed to members of the congregation to gain an understanding of the wants and needs of a larger body of people. Questionnaires were divided into those for the congregation and those for the elders. The congregation "focus group" questionnaire was made up of 1 I questions about basic needs within a church setting. The questionnaire for the elders was comprised of 25 questions, some of which were part of the congregational questionnaire, and others that were more comprehensive. The fi nd ings of these questionnaires will be put to use during the design of the new bUilding. The questions posed to both groups were compiled into pie charts which are shown on the following pages. QUESTIONNAIRES c./)
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Reflection: After going through the programming process, a better understanding of
the space has been achieved. This understanding will help to create a functional and
pleasing space for the client that should exceed any plan accomplished without the same
amount of analysis of the space.
Creating an updated and user-friendly space will revitalize the church and its use by
the community By creating a space that mixes the essence of nature with contemporary
elements, the bUilding will become an uplifting fixture within the small community.
After extensive analysis of the needs and issues at Colfax Christian Church, the need for a
new building containing a sanctuary has been verified. The new space will help to create
an image for the church that it is currently lacking. The new space will provide for the needs
of the congregation and the community
CONCLUSION ..
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APPENDIX A
Allen, R. (20", May/June). Phase II Fusion: Church of the Highlands, Birmingham,
Ala., expands and unifies with the help of an integrated design approach. Worship
Facilities Magazine, 20-24.
• missional?
• relational?
• sacramental?
• liturgical?
• educational?
Know the driving ministry
focus specific to each
client church:
Minimum "Thumb Rule" Guidelines General Facility Requirements
APPENDIX B
FellowshIp: 13.1 sq.ft.
2.0 SqJl
AdmlolSlraUoo:
flyerINarthex:
3.1 Sq.n.
Average: 52 Sq.n. per person
Preferred: 60 Sq.n. per person
Program Space IR equirements
per persol!
General Facility Requirements - Minimum "Thumb Rule" Guidelines. (2014-2015) .
• the site
• the budget
• the long-range
vision
• the ministry of
the church
Think about what
is appropriate for:
General Facility Requirements ­
Design Relevancy APPENDIX B Fire Safety and Handicap-Access laws mean it's no longer Ncheaper to go up 3,600 saJt TOTAl BUilDING 2.700 sq.ft. Education Space
900 sq .ft Service Area ONE STORY EDUCAnON BUILDING
4.900 saA TOTAl BUilDING
2.700 sq.ft. Education Space
2.700 sq .ft. Service Area
TWO STORY EDUCAnOIL BOIiDING
Single Story vs Multi-Story country 's worst economic recession since the
So. in November 2009 -\11 the midst of the
First Baptist had amassed a hodgepodge of
buildings that didn ' t fit with one another, or with
the aggressive revitalization of downtown Dallas.
Jeffress says he knew immediately what needed
to be done: Rebuild the church architecturall)'. as
well as spiritually.
When Dr Robert Jeffress became the
senior pastor of F" 't Flill2 l1 SI Q;l ll ~s in
Dallas, TX. one of the things he set out to do was
reinvent the 145-year-old downtown church .
Be rully involved in rundraising. Jeffress maintains that only God can stir the hearts of
.femess reminds church leaders that there are some things they don ' t need to pray about
because God already put those things in their hearts to do. "What you need to pray for,"
he says, ",s that you do it in God's way and on God 's timmg."
.Just do it. When people asked Jeffress if he prayed about whether or not to reconstruct
tht! campus , h,s answer was a resounding "No." Jeffress says he look"d at the Old
Testament book of Nehemiah and found that Nehemiah never prayed to God about
wheth"r or not he ought to r~tl1rn to .ferusalem to rebuild the walls of the city.
In an interv iew \VJlh Church Executive. Jeffress shares some of the lessons he learned
leading a church makeover.
J~ffress IS quick to admit that the mammoth undertaking wouldn ' ! have been possible
\VJlhout the "supernatural worbng of God." Still. he says he can ' t emphasize enough the
Importance of planning and leadership In the success of any building project.
0llcrate in your area or strength. Leading the team for the building projecl of First
Baptist Church was executive pastor Walter A. Guillaume, Jr., who worked alongside a
12-member committee and a full-time construction supervisor. "They spared me from so
"God has since blessed the husband with a wonderful job," says Jeffress . "But I learned
that, as pastors, we' r~ to put the challenge out there and I~t God speak to the hearts of
those who n~ed to give."
Don't underestimate the financially challenged. Knowing that many people at his
church were struggling financially , Jeffress says he softened his appeal by excusing those
who did not have jobs from giv ing to the building proJect. "1 tried to show sensitivity," he
reasons. But. he says, a couple approached him - the husband had been out of work for
a year - and said, "Pastor, don' t rob us of the joy of b"ing able to participate in this
undertaking ." The couple handed Jeffr~ss a check for $5,000 - the last money they had
in the bank
Lead tbrough the pulpit. "Use your preaching to carry the church to where you believe
God wants it to go," advises Jetl'ress, adding that It 's a principle he learn~d from Wil lo w
Creek CQmmllDl tv Chllrl' b pastor Bill Hybels. "There are a lot of pastors - and I used to
be one of them - who believed they should never use the pulpit to try to get the church
to do something ; th~y ought to do that outside of their sermon," explains Jeffress . But,
Jeffress says he learned that if a leader's vision is God-honoring and is in keeping with
God's will , he or she should use the ScriplUr~ to communicate to the people where and
how God is leading the church to go.
In the case of First Baptist Dallas, Jeffress says the church used social media, technology
and the "printed page" to give the people a picture of what the future could look like .
"We spent a significant amount of money creating an anirruJtion [film)," he says "I
would also say not to spare any expense in the production of printed materials - make
them full-color , on beautiful paper. Don ' t use flimsy paper for commitment cards. People
aren ' t going to make a million-dollar commitment on a flimsy piece of paper. I really
think anention to details like that help make for a successful project. "
Help your people visualize the project. Jeffress cites the example of the 12 Israelite
leaders who were sent out by Moses to explore the Promised Land and came back with a
visual piclUre: a cluster of grapes so large that it had to be put on a pole and took two men
to carry .
Jeffress then made an announcement to the congregation: "I said, ' Here ' s what we
propose to do; here 's what it's gOing to look like - and, by the way, half the money has
already been raised .'" People were ecstatic, he says, and voted unanimously to proceed in
a public fundraising campaign.
Secure the iovestnlcnt or tbose who can give the most. As soon as the church
committe~ approved the possibility of building a new campus, Jeffress picked 100 church
members who he felt had the ability to give the largest amount of money and personally
met with each one of them. In total , those 100 people made a commitment to give $65
million - one-half of the cost of the project.
people to give, but that as a leader he needed to be totally d~dicat~d to the task of asking
people to give. Jeffress says one of the things he realized early on was that if he was to
successfully raise $130 million, he must give 100 percent of himself to the fundraising
aspect of the building project. And that's what he did. Jeffress gave one year of his time
to raising funds - no book writing, no outside speaking engagements. The only other
thing he did was preach at his church.
Gopez-Sindac, R. (2013, May 1). How to raise megabucks. Church Executive, 26-28.
Great Depression - Jeffress announced a grand
Vision tor what would become the largest church
building program in modem history : a $130­
million new campus in the heart of Dallas. The new 500,000-square-foot facility opened
its doors to the public last Easter Sunday.
By Rcz GOllcz-Sindac
How to raise megabucks
, BUl r l lis
AllY l· I{ II ~ I
• SI BS, IWll
• lV" I,\ l l l l ~
APPENDIX C
C S hare I Sa ve (1 'I
r,-.
Fir'll H ~l p li" l is also getting ready to enter into mainland China with its broadcast, with the
potential of reaching I billion people. "We always have a new goal- but. hopefully, no
new buildings for a while," Jeffress concludes.
Cast the vision beyond the project's completion. Jeffress believes the new campus is
not an end unto itself, but simply a tool to use in ministering to the city of Dallas even
more effectively. "This is a new beginning for us - to reach more diverse groups of
people," says Jeffress.
Bathe everything in prayer. "We had in our church 300 men, called the Pastor's Prayer
Partners. who regularly prayed throughout this project that God would guide us and bless
our efforts," says Jeffress.
Don't build any more than what people are willing to give. Jeffress says one thing that
gave the members of First Baptist Dallas the contldence to give was the leadership's
commitment: "We're only going to spend what you commit." In other words, if the
project was going to cost $130 million, and the church only raised $115 million, it wasn't
going to borrow the other $15 million. "It made people give generously - and, of course,
it ' s going to keep us out of debt." says Jeffress.
Six weeks is all you need. It takes a lot of time to sow the seeds, but, according to
Jeffress. the actual campaign shouldn ' t last more than six weeks. Otherwise, the people at
large will grow weary of it. he says.
You have to spend money to make money. When Jeffress came to First Baptist Dallas
as senior pastor. the church was already $15 .5 million in debt from a previous project.
Imagine the shock of the deacons when, one evening, Jeffress told them they needed to
borrow $5 million to get the architectural plans drawn up and to do all that was needed to
be done to raise the funds. Some people left the church because of it, recalls Jeffress; but
the deacons, by and large, stood by him. "It cost us $5 million to raise $130 million," he
says.
many details," says Jetfress. who admits he doesn ' t know a thing about construction,
electrical outlets and building materials. "One thing I learned during this project - and I
learned it from talking to other pastors - was that the pastor needs to concentrate on
doing what he and only he can do, and let the committee build the building," says
Jeffress. He says what God has called and gifted him to do is to encourage the people to
give and provide the overall vision for what the project ought to look like and its role in
fuHllling the vision of the church .
APPENDIX C 'I
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The Pastor's Guide to Audio, Video and Lighting
Tc<~no loey
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Service Order App for the Tech Team
(http:/loascOSOSO.247realmedl.a.com/ ReaIMediWadsidickJlt..olds/www.worshlpfoilcilities.com ( l025689417fTop3/defaultlempty.gifJ52444e706e464
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Worship Facilities Magazine, 37-42 .
l og in (/site/loguvarticle/ thE'..p....stors.,.Euide.. to_audio ...... idt-o.. andJishlingl) . Registe r (!site!r~&iSler) · Why Jom? (/slte!benefits..o'_membershlp)
APPENDIX D
Kumorek, J. (2011, May 1). The Pastor's Guide to Audio, Video and Lighting.
8
Moving lights move and change colors and panerns. A church doesn't have to get out a
LED lights are the newer version of
conventional lights 10 the sense that they don ' t move These color-changing lights use
Iinle power and are able to change colors from the console, during a service. However,
because Ihese lights don't move, the church needs 10 get out the ladder if it wants them
pointed somewhere else. Price ranges from $100 to $1,000 per light. Also, cheaper LED
lights don'llook good on videotape.
These can be colored and have panerns,
or gobos , inside of them ; but, their color
or panern can't be changed without
gening out a ladder l The price is
generally $20 to $200 per light, but they
require a dimmer (about $100 for four
lights) if the church doesn't already have
a dimmer pack or rack .
Conventional lights are non-movlOg, non-color-changing lights that have one anribute:
They turn on and IIluminale the stage.
Henry: Dt:pending on the church's style of worship. it may have (or need) any combinatIon of conventional lights, LED lights and moving lights Churcll r reellfive: What kinds of lighling fixtures are particularly popular in worship spaces'! What kind of mood does each one create? And, bow much can a pastor expect to spend? DaVid Henry . l s;arn, (uycl!l.! hl jo !,l L'pm creator and bloggcr
To help pastors navigate their choices . Churell I:xeelllive spoke with a handful of church
Iighting experts : Duke Dejong, church relations director at Olympia, WA-based CCI
Solulions; Douglas Hood, preSIdent of CS!) Grn up 11K in Fort Wayne. IN ; and
It suffices to say that lighting the worship space isn 't an area of expertise for most
pastors - yet, the final decision regarding what fixtures and elements to invest in
often resls 10 their hands
By RaeAnn Slaybaugh
How illuminating!
• SlIHSCRIR I·
•
f 'flNTM 'T \ 's
,\ B(W! I I:>
• ,\!)VI !{ I 1:'1
APPENDIX E Intelligent lighlS - in other words. fi xtures that mOV" (prlc~d belween $2,000 and
$20,000 each) - arc also gaIRIRg popula"ty as they become more affordable With most
intelligent fixtures being IIlcredibly flexible and feature-rich , on top of being amiable
from a control surface, more and more churches are IOcorporat ing intelligent lights Into
their systems
In the last liv" to 10 years, LED fixture s
have become increasingly popular as
their prices havc dropped . Trusted
models range from $189 to $2 .500
depending on brightness, size and so on.
With Iheir low power draw, low heat
crcation, increasing intensit)' - and with
many having the ability to change to
whatever color you want from a control
surface - LED fixture s provide both
energy savings and fleXIbility
For stage lightlOg, the norm 10 churches
has been par can and ellipsoidal fixtures
Par can s create a softer, more diffused
and even wash over any given ficid.
EllipSOIdal fixtures are 1110re of a spol­
type lighl, gIving the ability to light more strategically over a speCific field. Par cans used
to be the standard just about everywhere; but. with the rise of projection , creative stage
design and color washing backdrops, we ' ve found that par cans don ' t always give us the
amount of control we wanl OVer our lighting. When light is neoded in one area, but n0110
anolher. an ellipsoidal fixture offers ,the best control with a tighter beam . as well as the
ability to shuller off part of Ihe beam
DeJong·; Traditionally , the most common types of lights we see go IOtO a house of
worship are par can, ellipsoidal and housc lights. [See page 161Catalina Church North
IOstaliation photos.] House lights come in nil shapes. styles and power ratings , of course:
but, the pendant-style fixture - which hangs down from a cord - has been more
po]).ular l:ltl!ly..-"Vhat ' s es~ i al l}' ni<;e about pendant-style fixtures is , cwn if your cell 109
ha, angles or IS open-Imss, you can drop
alilhe pendant lights to any given level
and whatever s above lhem Just son of
"disappears ...
All these lights can create the same types of looks or moods. From soft and dampened to
bnghl , colorful and Vibrant , Ihe\' can do II all. The more expcnslve LED and moving
lights can servc more purposes during a worship service , while a convenlionallight can
only lighl one speCific area al a lime.
ladder for any re-pointing or re-coloring of these lights; II can do cool movements and
effects during Its worship service uSing these lights. They' re priced anywherc from $500
to $20.000 per light. but most cost less than $7,000 each .
Slaybaugh, R, (2013, May 1). How Illuminating! Church Executive, 16-18.
114) ~ 1 '( - tl..~ t-tJII md, ~
cool thai big dimmer rack .
(U ) YO II
ii ' S
It 's
tlm~
to upgrade wht:n the I.:hurch is replacing lamps more often than it
I.i~ ~ t e m
,;;; beg inning to fa il' needs Increased control of it.s lighting coverage ,
Irunl c<l lI\ II might Hi so be lime to upgrade ifth~ worship environment IS charac terized by
lo.s or pl uill While or beige wall s While those ci omcols I11lght be prelly boring 10 look a•.
add ing 3 nc\\ LED lighting svSlem rca II v brtngs them to lilt. Imagine: lIyou sh ine a red
Hood: If a p:l>tLlIlook s at hi S church', platformistage and would describe It as
"underwhcim mg," It mi ght bt: time for an upgrJd ~
II
ants to add Slgnili cJnl color to its Itghting , wants to add effects li ghling; and/or real'les
" S It gh ttng cun lt oller no longer mects its needs.
dim m ing
wanLCi to J ~ looking to decrt:a.~ t' its po'rver con sumptIOn and cooling co sts: sees an existing
VeJon~:
rcq llire.d
I' a' t"" shou ldn' t ma~ e major deCISions without lIeighing Ihe costs and work invol ved .
And. they shuuld keep III mind thai upgrading to the latest technology IS by no means
want It to do m o r~ th~n t! can handle . or (b)
111 a ~tn tl' u f ul '\rcprll r. Lllld tht! cost 01' fixlIlg it doesn"1 make s~n sc .
Itt"" III upgl';tdc __ he n
lighting'!
Henry: It' ,
thurch'~
( '/ How dots a pastor Or business administrator know it's time to upgrad. the
, FD li gh lillb pavs for itsel f In powe r and coolin g savings Plus, a church iSld rcplaclIlg
la mps 111 Its fixtures rve rv vcar. wh n::' h SUVI.:'S lam p tOS l and man hours. And, With many
fi x.ures ((Ilor tlexlhllt t)', churches not only gel a highl} ( [I',elel1l and elketi.-e fi xlure,
bUI the)' IHtl t tl ~ <Ibtlit y 'o creu tc Jmbiencc and mood With color.
()fJong: 1~ l)r miill) rt:.asons. LED hou:".: und st Jg c lighting I S makin g more sense than
cVl! r - especially fur ne w r~c i htl t: s. \V hllt: they're dL"ll nild y n tllggc:r upfront invt: stmenL,
10
OfUJllll1l erc;o cr!.;:nlin g a big heal source;: in a back room,
somewhe re. and no speCi al coollll!; sy stem
rac ~ -
a
Sharp I Save
n " r"
For most church clients, if the house lights are currently "doing the job" in terms of light
output, we can reuse those. A new control system might be needed just so the overall
system can be controlled easily. but a church can most likely keep the house
fixtures . Many times, a church replaces its house fixtures because they ' re dated, not
because they don ' t work .
Typically, an incandescent system gives us the best general wash for the stage. We then
supplement that base system with LED lights and intelligent lights for key light, back
light, uplight, stage accents and architectural accents.
Hood: For most of our church clients, we still use a balance of incandescent (standard
dimmable lights) and LED lights.
Dejong: Because most LED lighting fixtures last tens and even hundreds of thousands of
hours, a church can feel pretty good about investing in LED fixtures . Although fans and
dimmers built into those fixtur~s can fail , I believe LED fixtures offer the most bang for
the buck , long-term . (Also, they're incredibly flexible. So, if you no longer need them in
one facility . you can always redeploy them to another venue .)
NOli . chulLil es cu n conSider no. only " LED light. bu. a moving-head L cD lighl: so . the
pmcess i- \Va) cas let. And bV using I.E)) lixturcs. the church doesn't need a dimmer
Hood: Wh en wlklng about longevity and
versatility . I. ED qu.ckly pops up 111 any
conve rsation We 've all heard of it, and
we' ve .111 Sec n LEOs ill lise 111 churches,
offer some "nash" ?
Par cans have also stood the test of time and are a great, basic lighting fixture. Ellipsoidal
fixtures , 100, have been a long-time slandard in theatrical venues.
outdoor lighllllg.
integrated ioto a (partilllly) new lighting scheme?
that criteria in mind - but that also
I 10\ C .0 Incilide LEDs III our church designs because Iheir colors can easily t>e changed
which i, ulmosl always on " church SWish lisI. bu. which used 10 be co mplicated. At
one t ll11( It 1m o I.-cd putting a ge l fmmc holder on a theatrical light. and then putting a
ge l nn that It xlUre And even .1') ou did all that. you slill only had one color on that li gh.
Beyond tha I. II "Oll wanted ' 0 move .he light . you had to get out a ladder. scaffolding or a
rn otortZed Illi
rd.JlI tnVlfUJ llnents ~f1l.i
('h': Are there certain types of fixtUre, thllt stand the test of time and could be
elements would you frcolumrnd, with
Henry : Yes' In fact. anything that's in good . working condition and uses modern DMX
protocol 10 communicate can become a part of a new system . The great thing about
lighting is that the data and power standards have been in place for more than 25 years.
So , many pieces of older equipment will seamlessly integrate with a new setup.
light at a black surface , you ' ll see red , to some degree . But, if you shine a red light at a
plain white wall. the light really pops. That simple example helps paint the picture of
what a professionally designed I.ghting system can do for even the most "blah" stage
(F:
Pastors might evaluate their
lighting options in terms of longevity
and versatilitv versus what might be
the "nashiest" choices. What lighting
APPENDIX E •
•
•
•
32
As Abramson points out, part of the fundraiser's success is its lack of upfront cost. " You
could sell all the ad spaces [properties] in one day, or it could take two years," he says .
"But, Ihe neat thing is , the game only gets produced once th~ ad spaces are sold." Then,
Jay Abramson, owner of Pl'lde DlStTl hlllnr5. Inc., has been making these custom games for more than 30 years He's helped more than 1,500 organizallons - many of them nonprofit - raise millions of dollars. Another unique idea is to sell custom "church-opoly" board games - not just the games
itsel f, but sponsorships of the dozens of "properties" around the board and of the paper
money
Outside-thl~bo, Ol)tioos
Churches looking for a more umque Idea can sell flower and vegetable seeds, plant them
In their church's communiry garden, and host a farmer's market once they bloom To this
end, selling pumpkin seeds is a good idea: revenue is generated with the sale of the seeds
and again. \J1 the fall, when the pumpkins are grown and can be sold at a church pumpkin
patch. (NOTE: At least one fundraising company will dispatch truckloads of pumpkins .
And, Virginia Beach, VA-based Lre,'I ;" - ])",plnv, offers a "pumpkin tree" that can be
used in the fall at the patch, and again as a display/fundrai se r - to se ll sponsored
poinsettias or remembrance candles during the holidays - a few months later.)
"First, cookies. flowers and candles are always welcome additions to the home," Fass
says "Almost all people enjoy them , and they brighten up peoplos ' lives. They're
uplifting - which is in line with the values ofa church." Second, he contends familiar
products arc easier sells. Last but not least, he points out that these ideas don ' t require a
startup cost
Tried-and-Irue ideas
Some fundralsing ideas are "med-and-true" for a reason : They work . And doggone it,
people like them.
According to Matt Fass, owner of Mission VieJO, CA -based ABC FuodwISIO", cookie
dough falls inlo th,s category, as do two other popular options : flolVer bulbs and candles
A Google search for "church fundraiser" is enough to make your head spin­
Ihere arc Iilerally hundreds of options to choose from . To help readers decide,
('hurd, F,re'wl/ve consulled with a few "in-the-trenches" fundraising experts.
By RaeAnn Slaybaugh
Finding a fund raiser fit
\ J3oi I I' l iS
ALl VI-'RI I)/.
SIlBSCK IBI­
('( lNl\LI IIS
APPENDIX F
Church Executive, 22.
Abramson suggests selling the 36 ad spaces/properties for about $280 each and Individual
board games tor $25. At that rate, a nearly $13,000 protit is possi ble by selling just 500
games.
conversations revolve around (he property sponsors
Church clients can get pretty creative when selling the spaces/properties - hosting a
" property auction ," or even selling the spaces to church families " What 's great abo lll
these [games] is that people actually talk whilc plaYing them , he pOints out. Often , those
he works with clients to determiOc how many games lO produce.
Slaybaugh, R. (2013, May 1). Finding a Fundraiser Fit.
TWitter
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'SimplJf\loI'lI l>f(K cuu1tf'" lTMn'nt tInY foe IliI!W votunl e~n Nrs liIDt:1wHlu. u;,.$(OI,:JIfd t ech PCOP~ lo UICnd Ins rl ffi(' fr. . . . I'aIt~.­
Webb, B. (2011, May/June). Don't Procrastinate, Automate. Worship Facilities Magazine, 30-32.
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APPENDIX G
It
What
I
~,
de Ih.. 8UttndallCO: number In lunlor church?
.l- 5.?
Ihe liltendance number In lhe nurse<y?
A-Jcyp...
tho; curren. worshIP attiandance tolal?
For Ihe Eldera
{l-/~
comfortably full?
5 WhOl would be the deSired maximum capacity or lIIe new space when
Wlllln II •• padled to the ma,,;mum?
4 Whlll I~ IhlO CUmin! capacity 01 Ihe space when 1\ IS comtoruobly fu ll?
IS
1&
WIll'I
\/\/hat
Ouafitionnalre - Part One
CoUP. C;hrrallan Church
U"o,-
APPENDIX H
I V
rr_..4
J
1;
9.
Circle Yes (No
Circle One:
~
Double Entry? Portable?
Other?_ _ _ __
It
Circle One : Centered? Off-Cenler? Other?_ _ _ __
If ao. IS there a specific area where you would w ant it?
Would you pnsf8 r a desognated pulpit?
or
•
8. Is tn ere " specific BaptJalJy location?
1
r
~~ -~
I
~ , .. i ~
.1
o
6 Do you have a prefe rred Malng pattern? Name Iha n umber below or describe
Questionnaires from 2014 - 2015
~
raq ulremenl. fDr
II
16
,.
thlO "paC8?
r
C lrclft~, No
Po vou want" 5meh coffIM orea? CIft:)e Yes I No
Do VDU wnnl 0 deslgMtad welCOme ores?
If.lO now many 8H_nd1_ _ __
IV) no.cIlId In 1I'1e new apace?
DD VDU hilY» a day car. Dr pre-5ChDQl?
How many eXlto dO yDU I. .,
~
-/1•• L~
f-1ow many ctasarooms are used legular1y?
:c~._O"..,.'t....
cl\"""\I.o(t....11... )'S l r+ ~
requirement.?
( -~ ~W· ~ 'G- k
{)fl:<-e. Lc::. .~acJ also be used lor practices (bendlahorrj? 7~5 room?
C'" ~~l.Mf~'"
12cV~'",--brf -.:s l~ CaJ,"~ 0 de.~al"'" Instrument 010l'89, 0
13 Arelhare any apeclGllighlu'19
Would Ih.5
~CV'- -f.~
al' would be
.IOlin
.J-~~ 1.>, (.......,(... h,l...(.,..~,t., ""'-T"'I ..
If 50 whet Bnt some
c ordet;; ' No Do you wanl a Communion pr.pa ... tton ante 118P8r818 !rom the kitchen?
Huwfua,w?
Do you warn Baphltry QhanlJlno lOom-.? Clrcltlf(etl l No
I? ~"nt
11
lD
APPENDIX H (I
Are Ihere any special design goala for the SDIIC8?
25
Do you have a logo for tha church wilh designated paramate'" that you wou ld 24
Circle One : Low
or curren t k nowtedga . It not,
Hig h
This can be an estimated figure from past projaels
OD you have a ball park b udget for the SPlice? About
~~
togo des ign mada and used w ith in the space?
If nol, would you like a
Circle Yes I No / NO
lik e uaad? Circe
a..../~~~1L~+-
Do you want a covared entrance? Circle Yes ( No f.J.R- hc..J..C- i~of­
23
ttl)
Would ,y ou like n designated praye r room? C ircle Yes f N
22
D4:::vt;nY~cora~T
~eqUiremenI8?
-5f~~~
,ldra countertop space . exira
"F- f4. fKS W­
Do you need a custod ial office? C ircla Yoa ( No
sloragll. IIlc,)?
spa~!I
~ V..j
21
20 ,
19
,jec.. ~-~·V
Are there special needs in these
.3 -
18, In the event that til..? office plans wyl cha nge . w ho a ll needs an otfp ?
Chl l1itl.n Church
What " Ihe allendance num ber In Junior Chu rch?
W hat ~ the attendance numbel In the nursery?
.J/J -] S­
.F_/()
!>
In.
maximum?
7 dt)
comlortably lull?
J
Oil
INn", would be me desired maximum ClIp8C1!y o f the new 6paca when
When II I. pRoI<ad 10
I ttl
.J .5-- / "/(J (,JIett/~1
4 What I. Ih" currenl capaCIty ollhe apace when It Is comfortably full?
3
- For tho Elders
Whot 15 the CUITant worshIp attendance lotal? ,
u uel tlonnDIriB - Parl On
C oll~.
APPENDIX H ~ ~,
Circle
on(C..ntered~ Ofl'-center?
Other?,_ _ _ __
ortable ?
: ;;:VOff-Conter? O lher?_ _ __ __
E ..
What kind of Baptistry do you want?
Circla One:
B. Is thare a spaci!;c Bap Ustl)' location ?
9
CIrc~8SjJ NO
If so, Is thel$ 8 l!lpedflc araa whel$ you wou ld wa nt il?
7 . Would you prefer e de.s.i gnated pulpil?
...
~i
6. Do you have a preferred Mllting panern? Name Ihe number betow o r deBcrl be .
/,~p
, ~~, .Oi Itt?'/.
l~""'"
~"
small coffee area?
C.rcle& No
Do you wanr
17
0
Do you want a destgnaled welcome area? CI
'J7
16
II so . how many anend?_ _ __
Do you havo a day carlO o.r pr&-sCheol?
:i'
H-:)w mrJnV ..,"'18 do. you !&<!II ere needlld In the n ..w space?
f
-A'tfj
7'1 IV
7V ~ .R6JJ?vllt P / v ~ ~- l
h
Would th•• space also be used lor practoces (band/choir)?
114f f '/",1L /'
1/,/'/
rt r
[ VII·t ,
t MJtJ
'PJ
,(ltl(Jr!V
7 iJ
I ~A Cr;
'rom the kitchen?
Whll\ all would boo I torad In a d..,lgnated In"trumenlatorllge~,?
rp,' I'" t't1 ,....
4'i II' A'1I1';AlJ..et,
{1Jtt"lIX{Jr
II ,0.. what "ra .orne requlr.menlA
area separate
'0' this apace? -VI
vo.u want a Co.mmunlon preparalton
CirCle Yes rNo
00
--=-­
14 How many clDlIsreoms are uaed regularlv?
13
12
11
How morty?
..,
10 Do you WIInt Boptrstry eIUInglng room.? Clrcl.-Ye;J.o No.
APPENDIX H ha~e
/ltf;t,Qy,UdtF
ha~e
WIth
Circle Yes VNe rv
/tIl
A bou t ~
Circle One
~
Mid-Range
High
weuld yeu eallm ate the budgel to be low-range , mid-range , or hIg h ?
This can be an estimated figure frem past projects er current knowledge . If not.
/Or
/fl{'.t ~
71/11-,/
d01ligneled p a ram ete rs t haI you Wo.u ld If not, weuld yeu like a lege des ign made end used within Ihe " pace? /\
a lege fer the Ch urch
like used? CirCle V..,s De you
I;:;
25. Do yeu have a bell park budget for the apace?
24
23 . /IE" Mlc..\
/.l[/ &In
Circle )(eaJ No.
unr
roo.m?
22. Are there any special desIgn geals fer the space?
l!t/Lo
11MI c·R' ' J 6-·VU.rT.!Plj
III lafrF T/f"dLcr/bjl;,fil-J
rtrmJ'
21 Weuld yeu I.ke 8 designated prayer
/h.-'P
h1 M If 1£tt 1
any specifIc storage space requirements ?
¥nn
];#T ,va">; /'},J
20 . De you
19.
/111W!J re7'l /
18. In the event that the office p lens will cha nge , who all needs an office?
r
comfonably full?
~
new ~ pa ce wh en
...' · ...... L
--,<.,e..-.
'''~ '''-~ V' :--1 '-
IJ-fi"""'l:
IS
Ihere
8
~ A~J
4:
<It~
Off-Center?
Olher?,_ _ __ _ __
,t7
desi~nated pulpit? C'~~ I No
C"'4LJF<~1-l
"-:,.,
~L .;""'I
specific: area where you would wn nt
Circle One ( centered?
If so .
tJ
.. -;
, l eu "t '
~~-= ~~~
I~ill~~(:~ .
lII-..-J1...J"'1o­
,
O' ~~ 'W
00 YOII he,e a pr"remtd S81Ohn9 paltam? Nom" the number below o r deacnbe 3. Would you prefer 8
2
WiI~t would be the desired maximum cePJlclly of the
Ouesuonnlure Pan Two - Focus Group
APPENDIX H ~
I. there a specific Baptistry 10C81ion? Circle One : Centered?
;Z
No
Do you wanla smell cc1'!ee Ote8?
;'
~~
\ rf
ICr~
t
II
.., '
fibrIl
--'
" . Ara thare any specia l de"ig n goals 10< tha "pace? Explain .
~e., No
ClrCI~ N o,.....
Do you want a designated welCOme area? CirClet:."';}' No
If so, what are some req uire ments for this space?
ClrCleYes e
, .. ~f {f n
00 you want a Communion preparation area separate from the kitchen?
Number?
Do you want Baptistry changing roo ms?
Othet?_ _ _ _ __ 10 Would you like .. designated prayer roam? Circle
II
8.
7. 6.
5 . What kind of Baptistry do you w ant?
..
,1,.,.41
fO/.<I'Io
1..... 1­
T1'-"1'15I'1"'T
Itl
~ U rc+l
~p!"Oo:.US
,, '~':' UU. f'- ­
I"i.J't4
fOfI1~ ~""~""I Circle One' Centered? I Off-Centel ?
Other? _ __ _ __ If so , IS the re a specific area where you would want ,I? 3 Would you prefer a designated pulp~? Clrclq-Ves/ No V"'~ I""''-I ON~
U -fi:'lV'l
'1 3.'[1]
"I~l
~ ,I'GIl~­
'O"llBr
2 Do you have a preferred sea~ng pattern? Name the number below or describe.
comfortably full? ~_",-,~_
What would be the deS ired maximum tapacity 01 the new space when
Ouest,onn;life Part Two - Focus Group
APPENDIX H ~l Do you want a small coffee area? Circle Ves r Na
G.
11 . Are there any speClai design goals for the space? Explain
'­
10. Would you like a deSignated prayer room? C,rcle'Yes I )No
'
Do you want a designated welcome area? Circle Yes I No
If so, what are some requirements for this space? Circle Yes
Do you want a Communion preparation area separate fnam the kitchen?
.a
8.
7
Number?
Cird~ANa
Entry7~ Portable?
Other?_ _ _ __
6. Do you want Baptistry changing rooms?
Circle One: Single
5 What kind of Baptistry do you want?
Circle One:
4. Is there a specific Baptistry location?
•. 'l '"
~
,
"
wI'
OJ:: 7D () 5.0
----
2~O
.....I"L
1~SI!n
rv,~
Off-Centor?
~? - ) /J,.. t
Dille! , _ _ __ _ _ If so , is there a specifiC area where you would want
~ No
fOl'M'S>
~I"I-I
3 Would you prefer 8 designated pulpit? Circle
C-+hJ~
~~,,~
t: 1~ l.Ul.Jll'-­
v"'rt-I....TION? Irl
tJ - f<:>f<J1
'B• •
VEN1 ~H FO~""
-lreGUt..'+- •
' O~I'Y
~r
f MOl /1 2 Do you flave a preferred seating pattern? Name the number below or desCribe .
comfortably full?
Whal would be the desired nlllximum capacity of the new space when
Questionnaire Part Two - Focus Group
APPENDIX H Off-Centei'?
Other?,_ __ __
"L­
~ No
Circle ~ o
11 . Are there any special design goals for the space? Explain .
10 Would you like a designated prayer room?
Do you want a small coffee area? ClfCI@
9
NO
Do you want a designated welcome area? Circ~ No
8.
If so, what are some requirements for this space?
Circle Yes
7. Do you want a Communion preparation area separate from the kitchen?
Number?
6. Do you wanl Baptistry changing rooms? Circle
Circle One : Single Entry? Double Entry? e~
5. What kind of Baptistry do you want?
Circle One :
4. Is there a specific Baptistry location?
f
~{I
f
1
""
-.
.
,.0 Chela Onl>
Centered ?
Dff-C.nl.r?
Olher? _ _ _ _ __ _ II 'C, IS there a specrflc area where YOU would want,t? Would you pralar a deslgnaled pulpn? C.rcle Ves
/)k"yrVlI ~1
DO you h.,e II prefM.... d ....allng pattern? N ame the number ua\ow or descnbe .
comfortably full?
Wh,,' lvo"ld be! Iha d ... lred maXImum capacity of the nOlw 6paoe when
OU8$tlonnalre Part Two - Focus Group
APPENDIX H ----
Off-Cente r'1
}­
8J1p~,,1fy changing room ,,?
circl6 1 t No
r ,"0 . th i~
SPlice? Do you want a small coffee area ?
11
:------.
AlB !hera any apec181 d""'lQfI goala lor the apace? Explal
Clrcl~' N o
Circ1a~o
Do you want,. designated welcome a rea? Cir~No
If so, whet are some req uirements fo r
Circle Ve."
Do you wan t a Communion preparation area &eparate from Ihe kilchen?
Number?
Do you want
~
Single En lry?(pouble
En!f1 ):>onabla1
OtooO _ _ _ _ __
10 Would you Ilke • deSignated pnayer room?
9
8
7.
6
Circle One
5 What kind of Baptostry do you want?
Circle One ' - - -
4 . Is there a sp"clflC Baptistry location?
350 ­
Fe,!/'"
C
Nf""'L.
r~sl!rr
PL.Af'J
fC"fCt1.;,
~L~'
Circle One : Centered ?
Off-Center?
- Yes
Other?___Center
If so, is there a specific area where you would want it?
3. Would you prefer a designated pulpit? Circle Yes I No
C'.foIu~
!:/lP fOClJ!"> 1/Cc.uL"P- •
"'""F- '....TI"N? If'!
IJ -fl?rc.r1 ,-ENT ~L
~·Ipc.::.UL!',c..
'0'1' '130'[1]
6, 2
2. Do you have a preferred seating pattern? Name the number below or describe .
comfortably full?
1. What would be the desired maximum capacity of the new space when Questionnaire Part Two - Focus Group
APPENDIX H Off-Center?
Double entry
Other?_ _Center
If so, what are some requirements for this space?
Circle Yes / No --No
Do you want a Communion preparation area separate from the kitchen?
Do you want a small coffee area? Circle Yes / No - No
Has to be designed by BEL
.n
11 . Are there any special design goals for the space? Explain .
10. Would you like a designated prayer room? Circle Yes / No - Yes
9.
8. Do you want a designated welcome area? Circle Yes / No - Yes
7. Number?_ _2_ _
6. Do you want Baptistry changing rooms? Circle Yes / No - Yes
Circle One: Single Entry? Double Entry? Portable?
5. What kind of Baptistry do you want?
Circle One : Centered?
4. Is there a specific Baptistry location?
:;' 1~lIu-",,­
N I.... I...
T~~PT
IN c.+IU~
V,AF :,......fI"'N~
rl..""'rJ
fO~r..
~I.~I
Circle One:
Centered?
Off-Center?
Other?_ _ _Centered If so, is there a specific area where you would want it? 3. Would you prefer a designated pulpit? Circle Yes I No - Yes CIfi:<:'UlJo.fI, e MP f'c;c.UG
iJ-f1:?M
Ell T'" L ""CO'i
'0 '0'
'B.'DJ
#6
2. Do you have a preferred seating pattern? Name the number below or describe.
comfortably full? _ _35o_ _ 1. What would be the desired maximum capacity of the new space when Questionnaire Part Two - Focus Group
APPENDIX H Off-Center?
Other?_ _ _ __
Off-center
2
If so, what are some requirements for this space?
Circle Yes / No - Yes
Do you want a Communion preparation area separate from the kitchen?
Number?
Do you want Baptistry changing rooms? Circle Yes / No - Yes
Light and bright - windows for natural light
10. Are there any special design goals for the space? Explain.
9. Would you like a designated prayer room? Circle Yes / No - Yes
8. Do you want a small coffee area? Circle Yes / No - Yes
7. Do you want a designated welcome area? Circle Yes / No - Yes
6. Circle One Single Entry? Double Entry? Portable?
5. What kind of Baptistry do you want? Double entry
Circle One Centered?
4. Is there a specific Baptistry location?
It-I
Clll1!CC+l
CI/t(.Ul-'fI. e p.j t> FOC.U5> .....,.., ....1..
f'1."'r-J
fOft'lt;
~L~I
~se,.,.. Circle One . Centered?
Off-Center?
#6
Other'l_ _ _ _ __
If so, is there a specific area where you would want it?
3. Would you prefer a designated pulpit? Circle Yes I No
~F- ,""itON?
LI-FC""'" C.II'"GULI'F- elln.. L F-.)'~
'0 '1 'B.'m
2. Do you have a preferred seating pattern? Name the number below or describe.
comfortably full? _300_ __ 1. What would be the desired maximum capacity of the new space when Questionnaire Part Two - Focus Group
APPENDIX H Off-Center?
Other? behind stage but visible
11 . Are there any special design goals for the space? Explain.
10. Would you like a designated prayer room? Circle Yes I No
9. Do you want a small coffee area? Circle Yes I No
8. Do you want a designated welcome area? Circle Yes I No
If so, what are some requirements for this space?
Circle Yes I No
7. Do you want a Communion preparation area separate from the kitchen?
Number?_2_ __
6. Do you want Baptistry changing rooms? Circle Yes I No
Circle One : Single Entry? Double Entry? Portable?
5. What kind of Baptistry do you want?
Circle One: Centered?
4 . Is there a specific Baptistry location?
-
CIJt(.UV.F·
e~t' Fcx.u;. )'JII~L
"~~rr
IrJ
C44urtc+! rl.....['J
fO~.;.
~I."""'I IS
Off-Center?
5&6
Other?_ _ _ _ __
there a specific area where you would want it?
Circle One ' Centered?
If so,
3. Would you prefer a designated pulpit? Circle Yes I No
v~rt-!""Tl°r1~ u -f1:'i"J1 '1 3.TI]
r.;eI<Tf.4L FOW­
.c'II"GU~
'0'[1 2. Do you have a preferred seating pattern? Name the number below or describe.
comfortably full? _35o_ __ 1. What would be the desired maximum capacity of the new space when Questionnaire Part Two - Focus Group
APPENDIX H Other? to allow separate areas for pulpit, and
design should build on some of those ideals . It should be welcoming .
Colfax past and present have always noted how friendly the church is. Any
11. Are there any special design goals for the space? Explain. People Visiting
10. Would you like a designated prayer room? Circle Yes / No
9. Do you want a small coffee area? Circle Yes / No near/in kitchen area
8. Do you want a designated welcome area? Circle Yes / No
If so , what are some requirements for this space? Circle Yes / No 7. Do you want a Communion preparation area separate from the kitchen? Number?_2_ __ 6. Do you want Baptistry changing rooms? Circle Yes I No Circle One : Single Entry? Double Entry? Portable? 5. What kind of Baptistry do you want? Circle One : Centered? Off-Center?
baptism working hand in hand.
4. Is there a specific Baptistry location?
Two - Focus Group
. ':Il.
~.
•.
L
-'
....
.
110.. .. ' ..... 1
•
-r~~I!~
... ~':,
-~t'
•
.
-.'
.r.
',.,-
r
~..,ul'r·
,..1. .......
r-~
elrel" On..
Ce nte red?
Off-Center?
O lhe r? _ _ __ __ _ If so I. the re .. SpeCIfIC are.. w here you wculd want ~7 'i!::0 :'O!A4<"'"''''''L ..-.!oj"
Would you pre fer a deSigna ted pulpit? Circle Yes
IJ
lij.1!J0
... . .
~~Ut....l'"" .·
~)~~
~ ' riil·~· I mmG)j 0­
Do you have .. preferred .... ollng patle'" ? Name the number below or dascriDe .
comfortBbly luln
What would be the desired maximum capacity 01 the new s pace w he n
au~suon n a"e P~n
APPENDIX H s.;;;tistry do you want?
Other?_ _ _ _ __
Circle One: Single Entry? tD~ portable? ,
What kind of
Off-Center?
Do you want a Communion preparation area separate from the kitch e n?
'\
\l.~
Do you want a designated welcome araa?
~ I"' ~*
If 90. what are some requ irements for this space?
Cinc/B Yes ) No
11 . Are there any special design goals lor the space? Explain
10
9.
B.
7.
Number?_-,-_ _
6 . Do you want Baptistry changing rooms?
5
Circle O ne; Centered?
4 Is there a specific BaptIStry location?
FOCUD
GIUUp
•
Do vou ha"" 8 preferrod sealing paaem? Name the number below or desCtlbe
comfortOJblv lull? _ . "
Circle On
Olf-Gemel?
Olh8r?_ _ _ _ _ __ _colle area where you would wanl II? iI
Centered?
II so IS Ihal e
3 Would you prefe r a deSl!)naled pulpl!? Cu.::1& Ye s ·J No 2
P. rt T wv -
Whal would be Ihe deSired maXimum COIpaclty of Ihe new space w hen
Out"\hDm,.U"
APPENDIX H vo'­
O lher'?_ _ __ _
11
....... deSig nated prayer ro om? C ir CIe ~~l! No
-t\
...;u t<
\J ' "
+h
t,.,
0. \\
0".· (,.:.
\,..1'':''·''1 C o.
-SC; .. dLo. . . r ~I .
"'hc
be.: hcc..... cl
HO/1~' c' (\<:.<.. ~ ~~" b\
0i r...k-
any specia l design g.oals for the apace? Explain
you like •
A re the re
10. Would
Do you want II deSignated _!<:orne area? Corcl~es J No
Do you want a small collee Ii,ea? Circle Vas N-Jo
'0< thl. space? 9
If so, what are sam" req uorements
C irclO Ves ~ N Do you want e Communion preparation a rea separa le from Ihe kitchen?
Number?_l.-_ _
~ I NO
Do you wanl Baplt.lry ctlang.ng rooms? Clrcle/Ves
Circle One· ~ ingle Entry? pouble Enlry"? Portable?
Whal kind of Baptistry do you wa nt? -
~
loceHon?
Off-Cenler'?
8pecif~Baptl5try
Clrcia One ' Centered;)
Is there 8
8
7
6
5
.01
Perl Two - Focus G roup
B
preferred seating patte m? Nama th e number betow or descnbe.
Jl .........
,
__
I'III
.
.....-r
~
,.,~
,­
•
-
Circle One
"-'t"C~
Circ l' \ 3 ' No
""":
4 1l l J
Oft-Ce nter?
Oth
lfie are a where you would w ant It?
0
~?
If '50 e there a S
~ ...
t~ ~*V"-l
-­
fUJ
- mrfl[
I{'~ .
-~ =r
pulp~?
--nLik.-.t
"XI
I§§
•
.....
3 Would you prefer a deSIgna ted
... ...:,
· '-"r' J
~
II
.~L! I IU'
r
~~I I~'II ~s:)J
. ~·
\~(f! l~ - .1 U
00 you have
comfo/'W bly futl? ~
What would be the desire d maxim um cspaclty of the new space when
Ou,,~ tionnalf"
APPENDIX H Portable?
Do you want a small coffee arsrJ "'(
'--"
CirCI~1 No
No
GI
Co" .. ';'.,;6,o
Do you want a designated welcome area? C,rcle
S' 1.. ..." ~ / ~' ~' , s ...-l.t! tr f;; TV"",",
If so, what are some requirements for this space?
Clfd~NO
Do y~nt a Communion preparation area separate from the kitchen?
Number?--"rJ"----_ _
Do you want Baptistry changing roo ms? Circle'Yes'l No
Entry?~
O ther?_ _ _ __
11. Are there any special design goals for the space? Explain .
1O. Would you like a designated prayer room? CircilYesV No
9
8
7.
6. Circle One: Single
5 . What kind of Baptistry do you want?
Circle One ' Centered?
4 Is there a specific Baptistry location?
HN840-7619002999R47S001 HN840 Summary I Commercial CarpetTile I Interface. (n.d.). Retrieved April 24, 2015, from http:// www.interface.com/US/ en-US/detail/
Gopez-Sindac, R. (2013, May 1). How to raise megabucks. Church Executive, 26-28.
html
Golden Yellow Wheat Field - Wallpaper [Online image] . Retrieved August 2014 from http://wallpaperose.com/golden-yellow-wheat-field.
General Facility Requirements - Minimum "Thumb Rule" Guidelines. (2014-2015) .
gallery/#prettyPhoto[slidesJ/16/
Curru mbin Creek pebbles at Cottages on the Creek [Online image]. Retrieved August 2014 from http:// www.cottagesonthecreek.com.au/
Colfax, IN Profile: Facts, Map & Data. (n.d.). Retrieved April 24, 2015, from http://indiana.hometownlocator.com/in/ciinton/colfax.cfm
galleries17556950765/ photos/2134683/
America n Sycamore (Platanus occidentalis) in Carouge, Switzerland [Online image] . Retrieved August 2014 from http://www.dpreview.com/
design approach. Worship Facilities Magazine, 20-24.
Allen, R. (2011 , May/June). Phase II Fusion : Church of the Highlands, Birmingham, Ala., expands and unifies with the help of an integrated
~I~LIOGRAPHY Webb, B. (2011, May/June). Don't Procrastinate, Automate. Worship Facilities Magazine, 30-32.
mer-country-road-wallpapers-pictures-2/
[Untitled summer country road image). Retrieved August 2014 from http://bestpics.in/summer-country-road-wallpapers-pictures/sum
itation-and-recovery
[U ntitled rock path over water image]. Retrieved August 2014 from http://www.stroke-network.com/articles/goal-setting-for-stroke-rehabil
[Untitled corn and barn imageJ. Retrieved August 2014 from http://www.cnn.com/201 0/US/1 0/17 /iowa.farm.visit/
Slaybaugh, R. (2013, May 1). Finding a Fundraiser Fit. Church Executive, 22.
Slaybaugh, R. (2013, May 1). How Illuminating! Church Executive, 16-18.
Sky path wallpaper [Online imageJ . Retrieved August 2014from http://nexuswallpapers.me/hdpics/sky-path-wallpaper.html
Lomo Photography 15933 [Online imageJ. Retrieved August 2014 http://freewallsource.com/lomo-photography-15933.html
Kumorek, J. (2011, May 1). The Pastor's Guide to Audio, Video and Lighting. Worship Facilities Magazine, 37-42.
BIBLIOGRAPHY Construction Documents
The following pages contain the construction documents prepared for the design of
Colfax Christian Church. They are numbered in tenns of the construction documents being a
separate entity from the thesis itself. They contain a cover sheet, demolition plan, construction
plan, enlarged views of specific areas, elevations, reflected ceiling plan, finish plan, furniture
plan, and three dimensional renderings of the design.
**For full sized construction documents, check the CD version of this thesis located in
Bracken Library or visit armsbel.wix.com/cccsanctuaryproject
Little 60
COVER
DEMOLITION PLAN
CONSTRUCTION PLAN
RESTROOMS & WELCOME CENTER
STAGE & PREP AREA
REFLECTED CEILING PLAN
FINISH PLAN
FURNITURE PLAN
3D RENDERINGS
Brianne Little : arrnsbel@yahoo,com
DESIGNER:
CHURCH CONTACTS:
Dan Lloyd : lhelloyds@td,.nel
Scott Nydegger : Ihenydeggers@yahoo,com
Colfax Chri5tii!ln Church : colfaxchristianchurch.o(g
OWNER:
CONTACT INFORMATION
OCCUPANCY: A-3
CONSTRUCTION TYPE: II 6
PROJECT SQUARE FOOTAGE AFTER: 21,320 square reel
PROJECT SQUARE FOOTAGE 6EFORE: 1O,S6O square reel
CODE INFORMATION
IAOO
Al00
A10l
Al02
Al03
Al04
Al05
AI06
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DRAWING SHEET LIST ~
WALLS
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SITE LOCATION A. DIMENSIONS ARE FROM FACE OF FINISHED WALL TO FACE OF FINISHED WALL
UNLESS THE WALL IS NEW CONSTRUCTION, NEW WALLS ARE DIMENSIONED
FROM CENTERLINE TO CENTERLINE,
B, SEE PLAN NOTES AND CONSTRUCTION PLAN KEYS FOR WALL CONSTRUCTION
AND WALL TYPES,
C. EXISTING DOORS AND DOOR FRAMES TO BE REUSED ARE TO BE CLEANED AND
REINSTALLED AT COMPLETION OF CONSTRUCTION UNLESS OTHERWISE NOTED,
D. FLOOR SHALL BE CLEANED, SMOOTH, AND LEVEL FOR INSTALLATlON OF NEW
FLOOR FINISHES AS SCHEDULED.
E. ALL WALLS SCHED ULED TO REMA IN (I.E. CORE WALLS AND DEMISING WALLS
SHALL BE PATCHED. REPAIRED. AND SANDED SMOOTH IN PREPARATION FOR NEW
GENERAL NOTES
INTERIOR ELEVATIONS
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A. DOORS FROM REMOVED WALLS WILL BE SAVED ,
8 . REFINI SH EDGES OF WAlLS WHERE DEMOLITION
HAS TAKEN PLACE.
C . FRAME WALLS WH ERE ENTRY TO ADDITION WILL BE
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GENERAL NOTES
A . DIMENSIONS ARE FROM FACE OF FINISHED WALL
TO FACE OF FINISHED WAl.L UNLESS THE WAlliS
NEW CONSTRUCTION. NEW WAlLS ARE
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R see PLAN NOTES AND CONSTRUCTION PlAN KEYS
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D . FLOOR SHALL 6E CLEANED, SMOOTH, AND LEVEL
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SCHEDULED .
E. ALl WALLS SC HEDULED TO REM AIN (I.E. CORE
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8 . FURNITURE NOT SPECIFIED IS
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Conclusion
Through the process of designing this church, I have been able to grow my understanding
of multiple areas of design, as weJJ as designing for a different demographic of people. By
creating a design that is both contemporary and informed by the community, I have been able to
create a product that is a reflection of the congregation while bringing it into a new and growing
light. By going through the process of extensive programming before design, I have been able to
make more informed decisions during the design process that have led to a comprehensive final
product. The information I have gathered and knowledge I have gained through this process will
help me in making decisions in my future career as a commercial interior designer.
Little 70
Works Cited
Allen, R. (2011, May/JlU1e). Phase II Fusion: Church of the Highlands, Binningham, Ala, expands and
unifies with the help of an integrated design approach. Worship Facilities Magazine, 20-24.
American Sycamore (Platanus occidentalis) in Carouge, Switzerland [Online image]. Retrieved August
2014 from http://www.dpreview.comlgalleriesI7556950765/photos/2134683/
Colfax, fNProfile: Facts, Map & Data. (n.d.). Retrieved April 24, 2015, from
http://indiana.hometownlocator.comlin/clinton/colfax.cfm
Currumbin Creek pebbles at Cottages on the Creek [Online image] . Retrieved August 2014 from
http://www.cottagesonthecreek.com.au!gall ery/#prettyPhoto[sl ides ]/16/
General Facility Requirements - Minimum "Thumb Rule" Guidelines. (2014-2015).
Golden Yellow Wheat Field - Wallpaper [Online image]. Retrieved August 2014 from
http://wallpaperose.comlgolden-yellow-wheat-field.htrnl
Gopez-Sindac, R. (2013, May 1). How to raise megabucks. Church Executive, 26-28.
HN840 Summary I Commercial Carpet Tile I Interface. (n.d.). Retrieved April 24, 2015, from
http://www.interface.comlUS/en-US/detaiI1HN840-7 619002999R4 7S00 1
Kumorek,1. (2011, May 1). The Pastor's Guide to Audio, Video and Lighting. Worship
Facilities Magazine, 37-42.
Lomo Photography 15933 [Online image]. Retrieved August 2014
http://freewallsource.com/ lomo-photography-15 93 3 .htm I
Sky path wallpaper [Online image]. Retrieved August 2014 from
http://nexuswallpapers.me/hdpics/sky-path-wallpaper.html
Little 71
Slaybaugh, R. (2013, May 1). How Illuminating! Church Executive, 16-18.
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[Untitled com and barn image]. Retrieved August 2014 from
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[Untitled rock path over water image]. Retrieved August 2014 from
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[Untitled summer country road image]. Retrieved August 2014 from http://bestpics.inlsummer­
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