THE BELLS
For eight-part mixed choir
Text: Edgar Allan Poe
A CREATIVE PROJECT
SUBMITTED TO THE GRADUATE SCHOOL
IN PARTIAL FULFILLMENT FOR THE DEGREE
MASTER OF MUSIC IN COMPOSITION
BY
S. ANTHONY AMSTUTZ
DR. KEITH KOTHMAN
ADVISOR
BALL STATE UNIVERSITY
MUNCIE, INDIANA
JULY 2009
Table of Contents SUPPORTING
DOCUMENT……………………………………………………………………1
APPENDIX A ………………………………………………………..………....8
APPENDIX ………………………………………………..…………………..10
Supporting Document
The Bells is an eight-part chamber choral setting of Edgar Allan Poe’s poem by
the same name. The piece conveys numerous sound images seen throughout the text
making it ideal for a musical setting. Poe’s use of rhyme and alliteration as sound
imagery are conveyed in the work using bell-like vertical sonorities and cascading
textures. Onomatopoeia, and extended vocal techniques such as Sprechstimme, a sung
speech technique; inhalation, words or spoken sounds made while inhaling; whistling;
and both voiced and unvoiced sighing are also used in the piece. These techniques and
held fricatives such as [s] as in the word set are employed to increase the timbral
possibilities of the choir.
The topic of bells provides a musical image in itself, but metaphors concerning
traditional musical terms such as tune, harmony, and time are also used. The piece
captures the drama and wide range of emotions from delight and even child-like nostalgia
regarding the bells to terror and macabre fear invoked by their ringing. The text of The
Bells has been set by other composers, most notably by Sergei Rachmaninoff as a choral
symphony in 1913. Joseph Holbrooke composed a musical setting of the text as a
symphonic poem with chorus and orchestra in 1903. Ball State professor Jody Nagel also
set this text for baritone voice and eight instruments in 1995. While these pieces share the
2
same text with my creative project, they have no compositional influence on my setting
of The Bells.
The conception of this piece was a reaction to Nuits, Adieux, a choral piece by
Kaija Saariaho composed in 1997. I studied this piece in a special topics course on
spectral music in 2008. Saariaho is known for her careful attention to timbral effects in
her pieces, and her setting of Balzac’s poetry in this work is certainly a testament to that
attention. Nuit, Adieux calls for eight-part choir and additional soprano, alto, tenor, and
bass soloists. Using this setup the piece conveys small-thin textures with contrasting
large-thick textures. The piece also employs Sprechstimme, whispering, phonetic nonpitched sounds, and other extended vocal techniques that provide a very attractive and
sensual musical experience. Parimarabo, a chamber piece composed by Claude Vivier in
1979, was also discussed in the spectral music class and was also an influence on the
conception of my creative project through his use of timbral effects. The music of
Benjamin Britten also provided influence in regards to melody and drama, in particular
his Serenade for Tenor, Horn, and Strings composed in 1943.
A characterizing portrayal of bell-like qualities plays a large role in the piece.
Vertical sonorities that imitate bell-like harmonies are capitalized on with tertian
harmonies with added notes such as added 4ths, 6ths, 7ths, and 9ths as seen in mm. 179 –
182. Root and 5th octave-doublings often occur with the chordal third being omitted in
major chords. These bell-like chords occur by themselves but are also mixed within the
vocal parts, juxtaposing melodic lines and providing support and accompaniment to the
lines conveying the text as seen in mm. 260 – 267. These sonorities also musically serve
3
to depict the imagery and mood being conveyed by the text they occur with.
Onomatopoeia with vowel combinations are used with these bell chords to create a
greater sense of timbral effect. For instance in mm. 64 – 69 the soprano 1 and tenor 2
voices are providing the melodic line that is conveying the text while all other voices are
accompanying the melody with repetitive minimalistic-like motives. The soprano 2 voice
that is singing the bell chords with the baritone and bass parts sings her note on the word
“bohm” while the lower voices sing the word “bahm”. These chords are often given
longer note values and are attacked with an accent, a fortepiano, or a heightened dynamic
marking with an immediate decrescendo. This consistent treatment of these chords
mimics the pealing-like quality heard in bells.
In orchestrating for the choir, the melodic writing that conveys the text is often
heard in the first part of each voice type such as soprano 1 or tenor 1 with the juxtaposing
bell chords pealing in the second voice type such as soprano 2 or tenor 2, as seen in mm.
90 – 94 and mm. 277 – 288. This orchestration of the choir almost implies a double choir
setup, but this orchestration is not a consistent treatment of the ensemble. Homophonic
bell chords as seen in mm. 49 – 52, and cascading imitative bell structures as seen in mm.
195 – 213, use all the voices and provide ample thicker textures. Smaller textures are
used as well, with small imitative motives being passed around between solo and tutti
voices as seen in mm. 79 – 83.
The opening section of the second stanza is a good example of the previously
mentioned treatment of texture and bell mimicking. The opening texture is thin, depicting
wider leaps beginning with one voice giving away to other voices entering in imitation—
4
as if accumulating in happiness as expressed in the text in mm. 43 – 54. These building
lines are juxtaposed with vertical bell chords spread across the voice types that attack and
quickly decay with solo voices weaving between them. This setting supplies a ceremonial
feeling or call to arrival along with an attention to individual emotional display—fitting
in a description of a wedding.
A similar orchestrating of the voices is used in mm. 280 – 289. Here the text
describes the tolling and rolling nature of the bells, which is heard in soprano 1, alto 1,
tenor 1, and bass 1, with the mimicking rolling and tolling heard in the alternate voice
parts. This same technique is used later in the stanza in mm. 293 – 300, in depicting the
rolling and swelling of the king bell. This section is the sectional climax of the last
stanza. From here until the end of the piece the voices enter one by one with repeating
motives similar to what is heard earlier in the piece in mm. 56 – 70. The voices taper off
one by one just as they have entered, leaving the lower voices to slowly grind to a halt
depicting the final moaning and groaning of the lower and larger bells.
Extended techniques are employed to create a greater use of timbre, as well as for
word painting or to convey the images described in the text. For these same reasons
Sprechstimme and whispering are also used in the more climatic sections, however these
techniques also provide a horrific chant-like quality in describing the fearful bells. Use of
extended techniques are displayed in the beginning stanza where the text speaks of stars
twinkling in the heavens in mm. 24 – 31. While the voices convey this text and denote
their repetitive twinkling, one voice supplies a triplet figure with a repeating unvoiced [s]
consonant that represents stars twinkling in the night sky. This [s] sound is also seen later
5
in the word “stars,” where the consonant is notated separately to align the twinkling
consonants with their name. In mm. 74 – 77, unvoiced techniques are also used to
represent “What a liquid ditty floats.” While the voices melodically ascend to a floating
note and provide word painting, other voices provide breathy inhalation and exhalation to
personify the airy quality of floating.
Sprechstimme is used frequently in the third stanza. In mm. 153 – 156, the text
describes the bells as startled and screaming. While voices sing this text on descending
melodic lines, other voices use the Sprechstimme technique on the rhyming words
“night” and “fright.” The words are repetitive and building among the voices with forte
crescendos and rising pitch approximation to denote their screaming. This technique is
used significantly in mm. 214 – 246, where it is used with dynamics and articulations to
convey the rising wildness of the text to a terrifying climax.
The form of the piece is largely governed by the form of the poem; four stanzas
with each stanza becoming longer than the previous one as it builds on previous material.
A sectional variation form is used to align similar placed phrases between stanzas that
unify the piece. As the poem progresses, the festive and child-like bells in the first stanza
give way to greater promise of marriage and union in the second stanza. The third stanza
conveys a darker, more macabre, and fiery vision of the bells that dramatically increases
to a horrific climax, leaving the fourth stanza to mournfully consider the wreck and
contend with the devastation. From Christmas bells to wedding bells, then Hell’s bells to
funeral bells, the emotional changes of the bells are musically traversed and experienced.
Weaving melodic lines are used to denote the swinging or jingling of bells. These lines
6
were expanded upon in corresponding phrases of the text from the different stanzas that
have a similar placement in their respective stanzas. This recurring sectional melodic
variation gives the piece consistency as well as draws out the relations between the
stanzas of the text. These melodies are used with more simple textures in the beginning.
These melodies grow more rhapsodic with thicker and more varying textures as the work
progresses with increasingly dissonant harmonies and timbral effects as the drama of the
piece unfolds.
The first line of the first stanza is set to a weaving stepwise melodic contour seen
in mm. 1 – 2. This treatment provides an innocent, simple characterization of the phrase
“sledges with the bells.” In mm. 43 – 45, this contour is then later applied in variation to
the first sentence of the second stanza, “Hear the mellow wedding bells.” While the
contour is similar, the intervals have been widened with successive leaps to give the
melody a more floating light hearted feeling that represents romantic feelings. The
beginning line of the third stanza, “Hear the loud alarum bells” found in mm. 143 – 146,
follows the same contour with a more angular melody to depict the fearful emotions soon
to be represented in the rest of the stanza. The fourth stanza in mm. 256 – 257 begins
describing “the tolling bells” that use the same contour but in a more descending manner
and at a softer dynamic to represent the mourning nature of this stanza.
The last line of each stanza reads “from the jingling and the tinkling of the bells,”
“to the rhyming and the chiming of the bells,” “in the clamor and the clanging of the
bells,” and “to the moaning and the groaning of the bells.” Each of these stanzas are also
treated in similar melodic ways. The second line of each stanza reads, “Silver Bells,”
7
“Golden Bells,” “Brazen Bells,” and “Iron Bells,” respectively. These all share a similar
motivic nature that that helps unify the piece. Other smaller phrases used in the four
stanzas are “on the moon,” “out of tune,” “all in tune,” and “all alone.” These also share a
motivic nature. This similar technique of shared contours and motives is found with other
similar phrases between the stanzas. Similar text phrases are all melodically similar but
are altered to fit the emotional connotation of the individual stanza in which they belong.
In this way the piece is compositionally unified but still explores the emotional
development narrated through the course of the poem.
In conclusion, The Bells is an eight-part chamber choral setting of Edgar Allan
Poe’s poem by the same name. Poe’s many uses of rhyme and alliteration as sound
imagery are conveyed in the work using bell-like vertical chords and cascading textures.
Onomatopoeia and extended vocal techniques such as Sprechstimme, inhalation,
whistling, and both voiced and unvoiced sighing are also used in the piece. These
techniques increase the timbral palette of the choir in conveying the sound images seen in
the text and help to portray the musical experience as an abstract narration, which is an
appropriate response to its influence.
8
Appendix A
The Bells
I
Hear the sledges with the bells Silver bells!
What a world of merriment their melody
foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells Golden bells!
What a world of happiness their harmony
foretells!
Through the balmy air of night
How they ring out their delight! From the molten - golden notes,
And all in tune,
What a liquid ditty floats
To the turtle - dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! - how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells Of the bells, bells, bells, bells,
Bells, bells, bells To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic
fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now - now to sit, or never,
By the side of the pale - faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the
bells Of the bells Of the bells, bells, bells, bells,
Bells, bells, bells In the clamor and the clanging of the bells!
9
IV
Hear the tolling of the bells Iron bells!
What a world of solemn thought their monody
compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people - ah, the people They that dwell up in the steeple,
All alone,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone They are neither man nor woman They are neither brute nor human They are Ghouls: And their king it is who tolls: And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells: Of the bells:
Keeping time, time, time
In a sort of Runic rhyme,
To the throbbing of the bells Of the bells, bells, bells: To the sobbing of the bells: Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells Of the bells, bells, bells To the tolling of the bells Of the bells, bells, bells, bells,
Bells, bells, bells, To the moaning and the groaning of the bells.
10
Appendix B
THE BELLS
For eight-part mixed choir
Text: Edgar Allan Poe
BY
S. ANTHONY AMSTUTZ
11
Performance notes
Phonetic sounds
s
as in stars
ah
as in father
huh
an inhaled gasped
Bohm
as in foam
Bahm
as in psalm,
Boom
as in gloom
The unvoiced consonant [s] in the word stars may be notated separately from the rest of
the sung word. The voiced consonant [l] in the word bell and the voiced consonant [m] in
the words bohm, bahm, and boom will also be notated separately. The singer should close
to the ending syllable to imitate the sound of a bell.
Sprechstimme on 3 line staff indicates a sung spoken technique with non-specified
melodic contour indications.
A single line staff indicates a rhythmic a non-pitch specified speech. Whispering is
indicated by the dashed note stems.
12
Ex → indicates exhalation of breath on that syllable indicated. In ← indicates inhalation
on the syllable indicated. An approximate pitch to the gasp is indicated.
A solo whistle indicates that a solo singer should whistle the specified notes and rhythms
provided. The technique is meant to imitate a cuckoo clock.
Tounge clicks indicate that the singers are meant to click their tongues to the rhythms
provided. The technique is meant to imitate the ticking of a clock.
13
The Bells
Text: Edgar Allan Poe
Music: S. Anthony Amstutz
Optimistically q = 112
Soprano 1
F
4
&4 œ œ
Hear the
Soprano 2
F
4
&4 œ œ
Hear the
Alto 1
Alto 2
Tenor 1
F
4
&4 œ œ
sledg-es with the bells,
be - ll,
Í>
œ œ œ œ ˙
Í>
œ ˙.
sledg-es with the bells,
be - ll,
Í>
œ œ œ œ ˙
Hear the
sledg-es with the bells,
Í
œ ˙.
>
Hear the
sledg-es with the bells,
be - ll,
F
& 44 œ œ
V 44
Í Í
> > .
œ œ œ œ ˙
œ ˙
∑
Í>
œ
œ œ œ ˙
∑
be - ll,
Í
.
>œ ˙
Í>
œ ˙.
Í
œ ˙.
>
w
w
Í
œ ˙.
>
w
w
p
Í
port.
# >œ œ œ œ w
>
w
be - ll.
be - ll.
be - ll.
Í
be - ll.
>œ ˙ .
w
w
w
w
w
w
w
w
be - ll.
Í
œ ˙.
>
V 44
∑
Baritone
? 44
∑
∑
∑
∑
∑
∑
Bass
?4
4
∑
∑
∑
∑
∑
∑
Tenor 2
∑
be - ll.
Copyright © 2009 by S. Anthony Amstutz
6
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
B.
& ˙.
n.
n.
n.
n.
n.
w
n.
Vw
?
Í
4 œ ˙.
4 >
w
43 ˙ .
Í
44 œ ˙ .
>
w
Œ
œ 43 œ œ ˙
œ
>
Í
4
4 #œ ˙ .
>
w
43
∑
Í
44
œ> ˙ .
Boh - m
w
∑
Í
4 œ> ˙ .
4
w
Í
44 œ ˙ .
>
w
Í
44 œ> ˙ .
w
be - ll!
Œ
F
œ >œ œ .
œ J
∑
∑
Boh - m
Boh - m
p
F
Ó
Sil - ver
&w
?
3 ˙.
4
Sil - ver be - ll!
&w
V
p
Fœ >
œ œ ˙.
œ
Sil-ver
&w
14
∑
∑
∑
∑
∑
be - ll!
3
4
43
Boh - m
Boh - m
∑
Boh - m
43
∑
43
∑
Boh - m
44
∑
Í
œ> ˙ .
Boh - m
15
P
& ˙ ˙
11
S. 1
Sil - ver
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
Í>
œ ˙.
be - ll
Sil
& w
Í>
œ ˙.
w
& w
Í
.
>œ ˙
& w
Í
.
>œ ˙
V
w
ver
be - ll!
w
be - ll
w
be - ll
Ó
w
∑
w
Ó
V w
? w
Í
œ ˙.
>
be - ll
Í
.
>œ ˙
be - ll
P
œ œ
Sil - ver
˙
>
bells!
w
F
Œ œ œ œ œ œ œ œ . œj œ œ œ œ ˙
What a
w
>œ œ
Œ bœ œ
Sil-ver
Í
.
>œ ˙
?
-
œ
be - ll
be - ll
B.
P
œ
world of mer-ri-ment their
w
w
w
mel-o-dy fore -tells!
Í
> . Íj
bœ œ bœ œ .
J
>
Bah-m,
Boh- m,
Í
Í
j
j
œ> œ . b œ œ .
>
Bah-m,
Boh-m,
>
bœ œ ˙ .
Bah - m,
w
Íj
Í
j
. bœ œ .
>œ œ >
w
Í>
Í>
œ œ . bœ œ .
J
J
w
Bah-m,
Bah-m,
Boh- m,
Boh- m,
Íj
Í
œ œ . b œj œ .
>
>
Bah-m,
Boh- m,
16
∑
16
S. 1
S. 2
&
Œ
œ
œ >˙
w
Sil - ver bells!
>
& bw
w
∑
bells.
A. 1
A. 2
∑
& w
& Œ œ œ >˙
T. 2
Bar.
B.
V ˙
V w
? w
?
w
Œ
How they
Sil - ver bells!
T. 1
Ó
F
œ œ
Œ œ œ
What a
∑
w
Í>
œ œ ˙.
œ œ œ œ ˙
world of mer - ri - ment
Ó
Œ
Boh - m,
œ œ
What a
œ bœ œ œ ˙
world
∑
∑
of
mer - ri - ment
∑
Ó
Í>
œ œ.
J
Bah - m,
17
A
19
S. 1
S. 2
&
F. .
œ œ
œ.
Sil - ver
Í>
& œ
bells,
œ
˙.
.
& œ
œ.
œ.
f
œ. œ.
sil - ver
P.
œ
bells,
œ.
sil - ver
œ.
œ.
bells,
p
œ. œ.
sil - ver
bells
∑
Boh - m
A. 1
tin - kle,
A. 2
Í
& >œ
tin - kle,
tin - kle,
œ
in
œ
the
œ
i
-
œ
œ
cy
air
Í>
V œ œ
˙.
F> p
œ œ
Bah - m,
Bah - m,
Í
V œ œ
>
˙.
œ
Í
? œ> œ
˙.
Ó
Boh - m,
B.
œ
˙.
Boh - m,
Bar.
œ
œ
Boh - m,
T. 2
œ.
F p
>œ œ
Boh - m,
T. 1
œ.
?
Í
>œ
œ
Boh - m,
˙.
F p
>œ œ
Boh - m,
˙.
˙.
œ
of
F p
œ œ
>
Boh - m,
œ
night.
˙
F
œ
How
˙.
Œ
œ
they
œ.
œ.
tin - kle,
18
21
S. 1
S. 2
A. 1
A. 2
&
œ.
œ.
sil - ver
œ.
bells,
P
œ œ
How
Bar.
P
F p
& œ œ #œ œ
>
>
>
V œJ
F> p
œ œ.
J
Boh - m,
∑
V
œ.
œ.
bells
œ
œ.
sil - ver
œ
tin - kle,
œ.
œ.
tin - kle,
œ.
œ.
bells,
œ.
Í
>œ
œ.
œ
˙.
Í
>œ œ
˙.
Œ
Í
œ œ
>
Boh - m,
? œ.
œ.
Í
? œ
>
œ
Boh - m,
œ.
œ.
Ó
Ó
tin - kle,
˙.
œ
they
œ
Í
>
œ œ.
J
Boh - m,
Ó
bells
tin - kle,
How
Boh - m,
œ.
Ó
F
œ
Boh - m,
œ.
sil - ver
Ó
˙
Boh - m,
œ.
tin - kle,
B.
they
∑
&
Boo - m,
T. 2
œ.
sil - ver
& Ó
Boo - m,
T. 1
œ.
Í
j
œ> œ .
Boh - m,
œ.
œ.
Í
œ
>
œ
tin - kle,
Bah - m,
19
23
S. 1
S. 2
A. 1
&
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
sil - ver bells,
sil - ver bells
sil - ver bells,
sil - ver bells
sil - ver bells,
sil - ver bells
˙
Ó
& Œ
Í>
œ œ ˙
Boh - m,
A. 2
T. 1
T. 2
Bar.
Boh - m,
p
& œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
tin - kle, tin - kle,
& œ
V œ
tin - kle, tin - kle
Í
>œ œ ˙
Boh - m,
Í>
œ œ ˙
tin - kle, tin - kle, tin - kle, tin - kle
Ó
˙
˙
˙
? œ
Í>
œ œ ˙
˙
Ó
B.
œ
Boh - m,
tin - kle, tin - kle, tin - kle
tin - kle,
tin - kle, tin - kle, tin - kle
p
∏
œ. œ. œ. œ. œ. œ. œ. œ.
œ
Í>
œ œ ˙.
Ó
Boh - m,
Í
œ> œ ˙ .
Ó
Boh - m,
Í
>œ œ ˙
tin - kle,
Boh - m,
V œ
Boh - m,
∏
œ. œ. œ. œ. œ. œ. œ. œ.
Í>
œ œ ˙.
Boh - m,
Í
œ œ ˙
>
?
Í>
œ œ ˙.
Œ
Boh - m,
F
œ
œ
˙.
œ
While
the
stars
that
20
26
S. 1
S. 2
&
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
œ. œ. œ.
sil - ver bells,
sil - ver bells
sil - ver bells,
sil - ver bells
sil - ver bells,
sil - ver bells,
F
& y y
s
A. 1
A. 2
s
s
s
s
s
s
3
s
3
s
s
Ó
s
3
tin - kle, tin - kle, tin - kle, tin - kle
tin - kle, tin - kle, tin - kle, tin - kle
tin - kle, tin - kle, tin - kle, tin - kle
tin - kle, tin - kle, tin - kle, tin - kle
∏
p
P
& œ. œ. œ. œ. œ œ œ œ œ œ œ œ œ œ œ œ
. . . . . . . . . . . .
Boo - m,
45
w
tin - kle, tin - kle, tin - kle,
tin - kle
tin - kle, tin - kle, tin - kle,
tin - kle
p
P
5
œ. œ. œ. œ. œ. œ. œ. œ. 4
∑
∑
5
4
V w
∑
∑
45
?
∑
∑
45
V
T. 2
B.
3
y y
Í
>œ œ œ
∏
p
P
π
∏
.
.
.
.
. . . .
& œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ œ œ œ œ œ œ œ 45
T. 1
Bar.
s
y y y y
π
y y y y
5
4
w
? œ
ov
œ
œ
œ
er - sprin - kle
all
the
œ
-
œ
œ
œ
heav - ens
œ
œ
seem
to
˙
twin
-
45
21
5 œ. œ. œ.
&4
29
S. 1
sil - ver bells,
S. 2
Í
j
5
& 4 œ> œ .
Bah - m.
A. 1
π F
œ. œ. œ.
4 œ
œ œ 4
œ
œ œ
F
œ
œ œ 44
œ œ œ
sil - ver bells.
˙
With a
With a
Í>
5 œJ œ .
V4
Í>
5
V 4 œJ œ .
s
P
44 ¿
˙.
Bah - m.
Bar.
s
Í
? 5 œ> œ .
4 J
˙.
? 45 ˙
Ó
P
4 ¿
4
Bah - m.
B.
-
tars
-
œ œ
de
kle
s
Œ
P
44 ¿
s
œ
-
-
˙
-
light.
-
∑
-
˙
w
˙
w
b˙
w
˙
w
tars
œ
tars
Keeping
-
w
tars
œ
Keeping
-
œ œ œ œ œ
tars
œ
œ œ
light.
tin-kle, tin-kle, tin-kle, tin -kle
P
4 ¿
4
˙.
Bah - m.
T. 2
s
de
∏
5
4
& 4 œ. œ. œ. œ. œ. œ. œ. œ. œ œ 4 œ. œ. œ. œ. œ. œ. œ. œ.
> >
tin - kle, tin - kle, tin - kle, tin -kle, tin - kle
T. 1
crys - tal - line
P
>π> 4 P
.
.
.
.
.
.
.
.
5
& 4 bœ œ œ œ œ œ œ œ œ œ 4 b¿ bœ
tin - kle, tin - kle, tin - kle, tin -kle, tin - kle
A. 2
crys - tal - line
˙.
œ œ
22
& œ̄
32
S. 1
time,
S. 2
& œ̄
time,
A. 1
A. 2
T. 1
T. 2
Bar.
B.
œ̄
œ̄
time,
time,
œ̄
œ̄
time,
time,
& Ó
Œ
&
∑
V
V
?
?
œ œ
in
a
œ œ
in
a
F
œ #œ
Keep - ing
œ œ œ œ œ
sort of run - ic rhyme,
œ œ œ œ œ
sort of run - ic rhyme,
œ
<
time,
œ
<
time,
Ó
œ
<
time,
Œ
œ œ
to
the
œ œ
to
the
œ #œ
in
a
F
œ œ
Keep - ing
œ œ œ œ œ œ œ œ
tin - tin - nab - u - la - tion to
the
œ œ œ œ œ œ œ œ
tin - tin - nab - u - la - tion to
œ œ œ #œ œ
sort of run - ic rhyme,
¯
œ
time,
¯
œ
time,
¯
œ
time,
the
œ œ
in
a
œ œ
keep - ing
∑
P
y y y y y y y y
y y y y y y y y
∑
P
y
y
∑
P
y
y
∑
tongue clicks
tongue clicks
tongue clicks
&
Ó
y
y
y
y
y
y
y
y
y
y
y
y
œ̄
f
œ̄
Œ
Œ
œ̄
Œ
solo whistle
23
& œ œ œ œ œ œ œ œ
35
S. 1
tin - tin - nab - u - la - tion that
S. 2
& œ œ œ œ œ œ œ œ
tin - tin - nab - u - la - tion that
A. 1
& œ œ œ #œ œ
sort
A. 2
¯
& œ
time,
T. 1
T. 2
Bar.
so
of
run - ic rhyme,
¯
œ
time,
¯
œ
time,
so
œ
œ œ œ ˙
œ
œ œ œ ˙
mu - sic - al - ly
mu - sic - al - ly
from the jing - ling and the
œ œ
#˙
œ œ œ œ
œ
that
so
mu - sic - al - ly
V y
∑
? y
wells
mu - sic - al - ly
so
œ œ œ œ œ
œ
œ
œ
∑
y
from the jing - ling and the
œ œ œ œ ˙
V y y y y y y y y
y
wells
œ œ
that
œ œ œ œ œ
œ
œ
wells
wells
œ œ œ œ œ
œ
from the jing - ling and the
œ œ
œ œ œ œ
from the jing - ling and the
Í>
œ œ.
J
˙
Boh - m,
y
Í>
œ œ.
J
˙
Í>
œ œ.
J
˙
Í
j
œ> œ .
˙
Boh - m,
y
y
∑
y
Boh - m,
B.
& œ̄
Œ
Œ
œ̄
œ̄
Œ
Ó
?
Boh - m,
24
38
S. 1
& #œ œ œ œ œ
tink-ling of the bells.
S. 2
& #œ œ œ œ œ
tink-ling of the bells.
A. 1
& #œ œ œ œ œ
tink-ling of the bells.
A. 2
& #œ œ œ œ œ
tink-ling of the bells.
T. 1
T. 2
Bar.
V
w
œ
œ
œ
œ
∏
˙.
∏
˙.
∏
˙.
∏
˙.
Íj
œ œ. ˙
>
∑
43
Boh-m,
Œ
Œ
Í
j
œ> œ . ˙
Œ
Í
j
œ> œ . ˙
Boh-m,
f Í
>œ ˙
‰ J
Œ
Boh - m,
Í
>œ œ ˙
Œ
? w
Í
>
‰ œJ œ
w
3
4
Boh-m,
Boh - m,
Íj
œ œ.
>
Boh - m.
Œ
Í
‰ œj œ
>
˙
Boh-m,
˙
Í
j
œ> œ . ˙
Boh-m.
˙
∑
Boh-m,
Í
œ> œ . ˙
J
Boh - m,
Boh - m,
Í
œ> œ . ˙
J
Í
>
œ œ. ˙
J
f Í
‰ œj b ˙
>
Œ
Í
>
bœ œ ˙
Boh-m,
Boh - m,
B.
∑
Boh-m,
V w
?
Œ
Í>
œ œ. ˙
J
Boh - m,
Boh -m.
43
3
4
43
3
4
∑
Í
j
b œ> œ .
43
˙
43
B
F
6
4 œ œ ˙
3
&4
∑
S. 1
& 43
∑
64
S. 2
3
&4
∑
6
4
A. 1
F p
3
&4 œ œ ˙
>
Boh - m.
6
4 w.
A. 2
3
&4
∑
6
4
T. 1
V 43
∑
64
42
S.
solo
42
T. 2
Hear the mel
-
low
wed - ding
w
∏
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
F
˙
œ œ
œ œ
Hear the mel
∑
∑
F p
? 3 œ> œ ˙
4
6 w.
4
∑
∑
F p
?3
4 œ œ ˙
>
6
4 w.
∑
∑
Boh - m.
Œ Œ
bells.
64 w .
Boh - m.
B.
œ œ
P
w
œ œ
F> p
3
V4 œ œ ˙
Boh - m.
Bar.
25
Reverently q = 112
-
low
F
& œ œ ˙
œ œ
46
S. 1
Hear the
mel
-
low
œ
wed
P
œ w
-
ding
π
3 ˙.
4
bells.
26
4
4
S. 2
&
∑
∑
43
∑
44
A. 1
&
∑
∑
43
∑
44
∑
F
˙.
œ œ
A. 2
T. 1
&
Hear the
V œ
P
œ w
wed - ding
T. 2
Bar.
V
?
Ó
.
43 ˙
bells.
w.
3 ˙.
4
bells.
∑
Œ
Œ
Œ
Œ
F
Œ
Œ
˙.
43
Œ
F œ œ
œ
˙.
Hear
∑
Œ
Œ
Œ
Hear the
B.
?
∑
F
w
œ œ
Hear the
bells.
bells.
œ
43
.
34 ˙
π
44
π
π
π
π
4
4
44
44
44
27
4
&4
49
S.
solo
S. 1
Í
49
b œ> œ .
& 44 J
∑
∑
˙
Bah - m,
S. 2
Í>
4
& 4 œJ œ .
˙
4
&4 Ó
Œ
Bah - m,
49
A.
solo
A. 1
Í>
4
& 4 b œJ œ .
Í
4 b œj œ .
&4 >
Gold - en
˙
Bah - m,
A. 2
Bah - m,
T. 1
Í
b
4 >œ œ .
V4 J
T. 2
˙
˙
Bar.
? 44
49
B.
solo
B.
Bah - m,
Í
? 44 œj œ .
>
Bah - m,
p
>œ œ . ˙
J
Í>
œ œ.
J
Bah - m,
bw
p
>
bœ œ . ˙
J
bells!
pj
bœ œ . ˙
>
Bah - m,
p
b >œ œ . ˙
J
p
b >œ œ . ˙
J
Bah - m,
˙
Bah - m,
Í>
.
? 4 œJ œ
4
Í
b >œ œ .
J
Bah - m,
Bah - m,
Í
b
4 >œ œ .
V4 J
F
bœ bœ
Bah - m,
˙
∑
˙
Ó
p
bœ œ . ˙
J
Bah - m,
˙
˙
Íj
bœ œ .
>
Bah - m,
˙
Í
b >œ œ .
J
˙
Í
b >œ œ .
J
Bah - m,
p
>œ œ .
J
˙
p
>
bœ œ .
J
pj
bœ œ .
>
∑
˙
Bah - m,
p
b >œ œ .
J
p
b >œ œ .
J
˙
˙
Bah - m,
˙
Bah - m,
Bah - m,
˙
Bah - m,
Bah - m,
Í
j
œ œ.
>
p
b >œ œ .
J
bells!
Bah - m,
Í
>
bœ œ .
J
Bah - m,
w
Bah - m,
œ Œ Ó
Bah - m,
Bah - m,
˙
Bah - m,
p>
œ œ. ˙
J
p
j
œ œ. ˙
>
Gold-en
Bah - m,
Í
>œ œ .
J
∑
P
Œ œ œ
˙
Bah - m,
˙
p
>œ œ .
J
Bah - m,
∑
Ó
˙
p
j
œ œ.
>
Bah - m,
˙
F
Œ œ œ
Gold-en
˙
28
& Ó
Œ
53
S.
solo
Gold - en
∑
53
S. 1
S. 2
&
∑
&
F
bœ
& Œ œ bœ
Gold - en
A. 1
A. 2
T. 1
T. 2
Bar.
B.
solo
B.
p
œ
p
nœ
>
bells!
F
bœ bœ
Gold - en
Ó
∑
>œ
bœ
>
Œ
Ó
bohm.
>œ
>œ
Œ
Ó
Bohm, bahm,
˙
bœ
bells!
bohm.
Ó
p
>œ
Ó
∑
>œ
Bohm, bahm,
p
˙
∑
V
p
œ
>
bells!
solo
& Ó
p
>œ b >œ
# >œ
∑
#œ #œ #œ
œ œ
bohm. Gold - en bells!
tutti
Bohm, bahm,
P
b >œ
bohm.
Œ
Œ
Gold - en
P
œ œ #œ
Gold - en bells!
P
‰ # œj œ # œ
J
Gold - en bells!
V
∑
?
∑
F bœ bœ
Œ
bœ
solo
Gold - en bells!
? bœ
?
Ó
Ó
∑
&
53
b˙
Bohm, bahm,
53
A.
solo
F
bœ bœ
p
˙.
be - ll!
∑
˙
∑
Ó
Gold -
P
‰ œ œ œ
tutti
Gold - en
∑
Ó
∑
Œ
j
œ
∑
∑
bells!
29
f
œ.
& Ó
56
S. 1
S. 2
A. 1
T. 1
T. 2
π
#œ #œ
Gold - en
#œ
œ œ
Gold - en
bells!
bells!
V œ œ
œ
bells!
π
œ
B.
Gold - en
œ œ
œ
J
œ
œ
bells!
œ
f
œ.
What
? Ó
#œ
œ
Gold - en
Gold - en
Bar.
œ œ
a
Gold - en
π
j
#œ
V œJ # œ
? Ó
œ
What
& #œ
en
j
œ
a
f
œ.
& Ó
&
œ
What
bells!
A. 2
j
œ
bells!
bells!
π
of
hap - pi
#œ
œ
œ œ
world
of
hap - pi
#œ #œ
œ
œ œ
Gold - en
Gold - en
j
œ
Gold
-
en
œ
œ
J
œ
œ
J
œ
bells!
fœ .
a
What
a
bells!
œ
bells!
œ œ
j
#œ
œ
J
œ
œ
œ
Gold - en
Gold - en
œ
Gold - en
bells!
-
-
Gold - en
œ
bells!
œ #œ
J
œ
œ œ
Gold - en
world
#œ
œ œ
bells!
œ œ
œ
#œ
bells!
j
œ
bells!
Gold -
œ
œ œ
Gold - en
bells!
#œ
œ
œ œ
world
of
hap - pi
#œ
œ
œ œ
-
world
of
hap - pi
-
30
58
S. 1
S. 2
&
œ
œ
har
#œ
œ
œ
#œ #œ
œ
their
& œ
œ
ness
A. 1
their
& #œ
bells!
A. 2
T. 1
&
#œ
œ œ
bells!
œ
œ
œ
œ
œ
Gold - en
Bar.
B.
?
ness
ness
œ
J
œ
œ
œ
Gold - en
V œ œ
?
j
#œ
Gold - en
bells!
#œ
their
#œ
their
œ
˙
#œ #œ
œ
mo - ny
#œ
bells!
fore - tells!
Gold - en
#œ
œ œ
Gold - en
j
œ
Gold
-
œ
œ œ
Gold - en
œ
-
bells!
bells!
j
œ
fore - tells!
j
œ œ
Gold - en
œ œ
˙
mo - ny
œ œ
bells!
j
œ
j
œ œ
-
har
œ
bells!
V œJ # œ
en
T. 2
Gold - en
Gold - en
œ
œ
ness
#œ
en
œ
bells!
œ
bells!
œ
œ
j
#œ
œ
J
œ
œ
œ
Gold - en
bells!
œ
J
˙
œ
J
˙
-
mo - ny
fore - tells!
har
-
mo - ny
fore - tells!
œ œ
J
bells!
bells!
j
œ
Gold -
œ
œ œ
Gold - en
har
œ
Gold - en
œ œ
Gold - en
Gold - en
œ œ
J
bells!
œ
bells!
œ #œ
J
œ œ
bells!
31
& Œ
60
S. 1
S. 2
A. 1
& Œ
& #œ
bells!
A. 2
p
Bohm,
œ
>
Bohm,
p
>œ
Bohm,
p
&
œ
œ œ >
Gold - en
T. 1
p
œ
>
Bohm,
p
>œ
#
œ
œ
V
en bells! Bohm,
T. 2
Bar.
B.
V œJ ‰
? Œ
? Œ
>œ
bœ
>
Bahm, Bohm.
>œ
>œ
Bahm, Bohm.
3 >œ
4
Bohm,
>
43 œ
Bohm,
>œ
43 >œ
b >œ
b >œ
43 >œ
n >œ
b >œ
b >œ
Bahm, Bohm.
Bahm, Bohm.
Bahm, Bohm.
Bohm,
Bohm,
3 >œ
4
Bohm,
œ
>
>œ
Bahm, Bohm.
œ
>
>œ
Bahm, Bohm.
>œ
>œ
Bahm, Bohm.
>œ
>œ
>œ
>œ
Bahm, Bohm.
Bahm, Bohm.
4
4
∑
44
∑
p
44
œ œ œ
j
œ œ.
Gold - en bells
bells
p
œ œ ˙
44 Œ
Gold - en bells!
4 ‰ œ
4
Bells,
j j
œ œ œ
gold - en bells,
Í
œ œ ˙
>
44
∑
Boh - m,
Í
34 œ œ ˙
>
Í
œ œ ˙
>
Í
34 œ œ ˙
>
44
∑
44
∑
Í
>œ œ ˙
Boh - m,
Boh - m,
Boh - m,
Boh - m,
Í
34
>œ œ ˙
Boh - m,
j
œ
gold -
32
&
∑
&
∑
63
S. 1
S. 2
A. 1
A. 2
T. 1
& Œ
j
V œ œ
en bells,
T. 2
Bar.
B.
j
œ œ.
& œ œ œ
Gold - en
V
?
?
6
4
bells
bells
p
œ œ ˙
j j
œ œ œ
gold - en bells,
∑
∑
∑
Through
the
64
œ œ œ
-
64
bœ
balm
-
œ
y
œ
air
Í
œ> œ ˙ .
Ó
j
œ 64
gold
œ.
64
64
Gold - en bells!
f
œ.
Boh - m,
Gold - en
Œ
j
œ œ.
bells
˙
bells
bells!
p
œ œ ˙
œ œ œ
Gold - en bells!
j
œ œ
en bells,
fœ .
Through
64
Ó
64
Ó
Gold - en
j
œ œj œ
j j
œ œ bœ
gold - en bells,
bœ
the
balm
Í>
œ œ ˙.
Í
œ> œ ˙ .
Bah - m,
j
nœ
gold - en bells,
œ.
Bah - m,
bells!
-
gold -
bœ
œ
y
air
33
65
S. 1
& œ
œ
of
S. 2
A. 1
night,
& ˙
T. 1
bells
of
Bar.
B.
? ˙
?
˙
bells
bells!
Gold - en
gold - en bells,
˙
bells!
j
œ œj œ
j j
œ œ œ
gold - en bells,
œ
night,
œ œ œ
Œ
Œ
Bah - m,
œ.
out
their
j
œ
œ œ
J
Í
œ œ ˙
>
˙
œ œ œ
j
œ œ.
œ
Boh - m,
bells
Gold - en bells!
j j
œ œ œ
gold - en bells,
œ
œ
out
their
˙
bells
œ œ ˙
j
œ œ
˙
˙
de - light!
Œ
gold - en bells,
how they ring
Í
œ œ ˙
>
Bah - m,
Í
œ> œ ˙
œ
Gold - en
œ œ œ
Gold - en bells!
j
V œ œ
V œ
˙
œ œ ˙
en bells,
T. 2
Í
œ œ ˙.
>
j
œ œ.
& œ œ œ
& œ
how they ring
Boh - m,
Gold - en
A. 2
œ
œ œ
˙
œ œ.
J
de - light!
Í>
œ œ ˙.
Í
œ> œ ˙ .
Bah - m,
Bah - m,
˙
bells!
œ œ œ
Gold - en
j j
œ œ œ
gold - en bells,
˙
bells!
j
œ
gold -
34
67
S. 1
& œ.
From
S. 2
A. 1
bœ .
bœ œ
œ
the
molt - en
gold
& ˙
j
œ œ.
& œ œœ
T. 1
& œ
From
Bar.
B.
? ˙
?
bells!
Gold en bells!
j j
œ œ œ
gold-en bells,
œ.
œ #œ
œ
the
molt - en
gold
œ
œ œ œ
b œ> œ ˙ .
˙
Í
Bah - m,
bells
tune,
44
notes,
bells!
œ
j j
œ œ œ
gold-en bells,
Gold en bells!
j j
œ œ œ
gold - en bells,
and all
Í
œ œ ˙.
>
Í
œ> œ ˙ .
Bah - m,
44
œ œœ
œ œ œ
Bah - m,
44
˙
bells
Gold en bells!
œ œ.
J
˙
Bah - m,
˙
œ
Í
b œ> œ ˙ .
Í
œ> œ ˙
j
œ œ.
œ œ
en
in
Boh-m,
gold - en bells,
-
4
4
nœ œ .
J
and all
Œ
j j
œ œ œ
j j
œ œ œ
gold - en bells,
notes,
Gold - en
œ œœ
Gold en bells!
j
V œ œ
V œ.
bells
en
œ œ œ
œ
˙
˙
œ œ b˙
en bells,
T. 2
-
Boh - m,
Gold - en bells
A. 2
Í
œ> œ ˙ .
bœ œ
nœ œ .
J
in
tune,
j 4
œ 4
gold -
44
44
44
35
4
&4 œ
œ
69
S. 1
S. 2
Í
4
& 4 œ> œ
Boh - m,
A. 1
A. 2
T. 1
Bar.
tune,
˙.
p
3
4 >œ
Bahm,
Bohm,
>œ
Bohm,
b >œ
>œ
p
34 œ
>
Bohm,
& 44 œ
Gold
4
V4 œ œ
Í
˙.
p
34
œ
œ œ ˙
bells.
œ
V 44
Í
? 44 >œ œ
Í
? 44
œ> œ
œ
all
˙.
Bah - m,
en bells!
Bohm,
p
3 >œ
4
Bohm,
œ œ.
J
in
tune,
>œ
Í
34 œ
>
Bahm,
Bahm,
bœ
Bahm,
>œ
Bahm,
Í
34
>œ
>œ
Bohm,
Bohm,
>
bœ
Bohm,
Bahm,
P
œ
>
Bohm,
b >œ
P>
œ
bœ
œ
45
>œ
5
4
Bahm,
˙
Boh
-
m.
Boh
-
m.
˙
Boh, - m,
Í
>œ
Bohm.
45
Bohm.
b >œ
-
>œ
45
Í
œ
>
Boh
Bohm.
5
4
œ
>
Bahm,
Bohm,
b >œ
b >œ
Bahm,
P
œ
Bohm,
Bohm,
Bahm,
P
>œ
bœ
Bohm,
>
bœ
˙
Boh, - m,
Í
34 œ
>
Bohm,
P>
œ
Í
œ
>
Boh, - m,
˙.
bœ
>
Bohm,
p
34
>œ
Bah - m,
B.
in
Í
4
& 4 w>
en
T. 2
all
j
œ œ.
Bohm.
Bohm.
˙
45
˙
45
˙
45
m.
36
S. 1
S. 2
A. 1
5
&4
∑
& 45
∑
P
5
& 4 œ.
j
œ œ
P
5
& 4 œ.
j
œ œ
a
What
T. 1
p
5 œ
V4
What
T. 2
V 45
Bar.
? 45
B.
? 45
∑
What
What
A. 2
F
4
4 œ
C
72
a
œ
˙
a
liq
œ
liq - uid
œ
œ.
dit
œ.
-
liq - uid
dit
œ
œ
uid
dit - ty
-
-
-
liq
-
j
œ ˙.
44 Ó
p
˙
j
œ ˙.
44 Ó
˙.
4 Ó
4
ty floats,
œ
floats.
∑
44 Ó
∑
∑
44 Ó
∑
∑
44 Ó
∑
liq
p
˙
ty floats,
œ
a
˙
44 Ó
∑
œ
œ
liq
-
liq
-
p
˙
p
Πy
in ;
[s]
p
Πy
in ;
[s]
Œ
p
y
in ;
[s]
p
Πy
in ;
[s]
75
S. 1
S. 2
&
˙
œ œ
w
uid
dit - ty
floats,
& w
uid
A. 1
& w
uid
A. 2
& w
uid
T. 1
T. 2
Bar.
B.
V Y
V Y
divisi
ww
P
œ œ œ
œ œ œ œ
to the tur - tle dove that
œœ Œ
floats
to
œ Œ
w
œ œ œ œ
tur - tle dove that
Œ
floats
bw
floats
π
Y
ex
ah
π
Y
ex
ah
? Y
π
Y
? Y
π
Y
ex
ah
ex
ah
:
:
:
:
œ œ
to
œ
Œ
the
37
œ
œ
while
œ œ œ
while
list
list
-
-
ens
ens
œ
œ
œ
she
œ
she
œ œ œ œ œ œ œ œ
tur - tle dove that list - ens while she
Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
38
& w
∑
& œ
∑
79
S. 1
F
˙
Œ
#
œ
œ
gloats
S. 2
gloats
A. 1
On the moon!
˙.
p>
œ
˙
Bohm, Bahm,
F
#œ Ó
#œ œ
∑
On the moon!
∑
& w
∑
Ó
gloats
A. 2
T. 1
T. 2
Bar.
B.
p>
œ
œ
>
Bohm, Bahm,
&
∑
V Ó
F #œ w
Œ œ
∑
Ó
F
œ
œ œ
p
>œ
˙
On the moon!
On the
V
∑
?
∑
?
>œ
œ
J‰Œ
∑
Ó
Œ
∑
F
œ
#œ
On the
∑
∑
Ó
F
Œ œ #œ w
On the
moon!
Bohm, Bahm,
Ó
moon!
>œ
#˙
Ó
moon!
∑
∑
œ
Œ
Ó
39
83
S. 1
S. 2
A. 1
&
b >œ
Œ
Ó
∑
∑
∑
∑
∑
∑
Bohm.
∑
&
>
& bœ
Œ
Ó
∑
∑
∑
& b >œ
Œ
Ó
∑
∑
∑
Bohm.
A. 2
Bohm.
T. 1
F
V Œ œ
what
T. 2
F
Œ
œ
V
B.
?
?
w
œ œ œ
œ œ œ
#œ œ
w
a
what
Bar.
œ œ œ
œ œ œ
#œ œ
a
∑
gush
gush
of
of
eu - pho - ny,
eu-pho-ny,
f>
œ œ ˙.
eu - pho - ny
∑
eu-pho-ny,
F
œ. œ œ œ
J
What
∑
f
œ œ >˙ .
∑
a
gush
∑
œ
f
œ œ œ
of
eu - pho - ny,
∑
40
87
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
&
&
∑
∑
∑
&
∑
œ œ >˙ .
∑
∑
F
œ #œ œ œ œ œ
vo-lu - mi-nous
œ
œ
#œ œ œ œ
vo-lu - mi-nous
F
f
? œ œœ œ œ œ
Gush of eu - pho - ny
f
œ œ ˙.
-
F
fœ
F
œ
œ
œ
œ
œœ œœ œ
?
‰ J
gush of eu - pho - ny
B.
∑
∑
eu - pho-ny
œ œ >˙ .
V
∑
∑
eu - pho-ny
Bar.
∑
How
&
V
∑
f
#˙
3
4 œ œ
vo-lu - mi-nous
œ œ
œ
ly wells!
f
œ
œ ˙.
-
ly wells!
f
œ œ ˙.
-
ly wells!
œ
vo - lu - mi - nous - ly
f
˙.
wells!
it
43
43
swells!
∑
Í>
œ œ ˙
Bah - m,
f
œ
How
#œ #˙
it
43
˙.
swells!
Í
∑
# >œ œ ˙
Bah - m,
f
#˙
34
œ
œ
How
it
43
˙.
swells!
∑
Í
# >œ œ ˙
Bah - m,
f
#˙
34 œ # œ
How
43
˙.
it
swells!
∑
˙.
Í
>œ œ ˙
Bah - m,
41
ƒ
#˙
#
œ
& #œ
92
S. 1
How
S. 2
A. 1
&
T. 1
Bar.
ƒ
& #œ #œ #˙
it
dwells!
& ˙.
ƒ
V #œ
Í
Boh - m.
#œ #˙
it
dwells!
˙.
Í
#œ œ ˙
>
Boh - m.
ƒ
#˙
? #œ #œ
? ˙.
˙.
# >œ œ ˙
V ˙.
How
B.
Í
# >œ œ ˙
Boh - m.
How
T. 2
dwells!
˙.
How
A. 2
it
˙.
it
dwells!
˙.
Í>
#œ œ ˙
Boh - m.
F
2 œ
œ œ
4
œ
p
˙
∑
On the fut - ure!
24 ˙
∑
F
24 œ
œ œ
œ
On the fut - ure!
24
˙
24
24 ˙
p
˙
F
œ œ
œ œ
∑
p
˙
On the fut - ure!
∑
∑
P
œ
œ.
œ œ
On the
24 ˙
2
4
∑
∑
fut -
∑
∑
∑
∑
∑
∑
42
F
& œ œ
œ
F
& œ œ
œ
97
S. 1
how it
S. 2
F
& œ œ
T. 1
T. 2
V
B.
œ
p
˙
∑
œ
the
œ
the
p
fut
p
œ
? Œ
On
∑
∑
œ œ
∑
∑
œ œ
œ œ
∑
œ œ
∑
rap - ture
∑
p
˙
P
œ. œ œ œ
how it
œ œ. œ
˙
the
Œ
p
how it
p
œ
fut
On
œ
-
ure!
œ
the
Œ
Œ
œ
fut
œ
-
rap - ture
rap - ture
˙
rap
œ. œ œ œ
∑
œ
∑
tells
ure!
œ
œ œ
Of the
∑
-
∑
tells
ure!
the
∑
Of the
F
œ œ œ
œ
œ œ
rap - ture
tells
œœ.
-
∑
Of
œ
P
V œ. œ œ œ
?
p
how it
On
Bar.
Of
˙
∑
&
œ
tells
how it
A. 2
∑
tells
how it
A. 1
p
˙
ure!
œ Œ
tells
-
˙
rap
œ
œ œ
how
it tells
Œ
Œ œ
how
-
˙
ture,
˙
ture,
∑
∑
œ œ
∑
it tells
43
& bœ œ b˙
∑
& bœ œ b˙
∑
104
S. 1
∑
that im - pells
S. 2
To
∑
that im - pells
A. 1
A. 2
T. 1
T. 2
Bar.
&
∑
&
∑
∑
bœ œ b˙
∑
∑
∑
V
∑
b˙
im
? b˙
? b˙
rap
˙
-
ture,
-
˙
ture,
-
-
b˙
im
b˙
im
˙
pells
˙
pells
˙
-
pells
-
˙
pells
j
œ œ.
the
swing-ing
œ
j
œ œ.
the
swing-ing
Fp
P
œ> œ œ >œ œ œ
Boh - m,
P
Fp
œ œ œ
>œ œ œ >
Bah - m,
b˙
im
œ
Bah - m,
that im - pells
rap
B.
bœ œ b˙
∑
F
œ
To
that im - pells
V
F
œ
Boh - m,
Fp
P
œ œ œ
>œ œ œ >
Bah - m,
P
œ œ œ
>
Boh - m,
∑
and the
j
œ œ.
ring-ing.
œ
j
œ œ.
∑
œ
œ
œ
and the
˙
ring-ing.
Fp
œ œ œ ˙
>
Boh - m.
˙
Fp
>œ œ œ ˙
˙
Fp
>œ œ œ ˙
∑
Boh - m.
Boh - m.
∑
∑
Bah - m,
P
>œ œ œ
œ œ
To the
∑
∑
Bah - m,
Fp
P
œ œ œ
>œ œ œ >
Bah - m,
F
Boh - m,
∑
F
œ œ
To the
˙
F> p
œ œ œ ˙
Boh - m.
44
F- p
& >˙
113
S. 1
Swing!
S. 2
F- p
& >˙
Swing!
A. 1
F- p
& >˙
Swing!
A. 2
F- p
& ˙
>
Swing!
T. 1
F- p
V >˙
Swing!
T. 2
j
V œ œ.
swing - ing
Bar.
?
j
œ œ.
swing - ing
B.
?
F- p
>˙
Swing!
˙
Í>
˙
Ring!
Ring!
˙
∑
Ring!
Ring!
Í
˙
>
Í
˙
>
Ring!
Í
>œ
˙
˙
Í
Œ œ
>
Swing!
Swing!
Í
˙
œ
œ œ.
J
Í
˙
ring - ing.
Í>
Œ œ
Swing!
p
F
œ œœ ˙
∑
∑
F
œ œœ
Of the be -
Í
œ œ œ
>
Ring!
˙
∑
Œ
œ œ œ
>Swing!
ring - ing.
and the
˙
Of the be - ll,
Í
and the
œ
F
p
œ œœ ˙
Of the be - ll,
∑
j
œ œ.
œ
˙
Ring!
Œ
œ
˙
Of the be - ll,
Í>
˙
Í
˙
>
˙
Fœ œ p˙
œ
Í>
˙
Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Swing!
Ring!
Í
œ œ œ
>
Swing!
Œ
45
121
S. 1
S. 2
&
F
œ œ œ
Of the
p
˙
˙
˙
be - ll,
Fp
& œ œ œ
A. 2
˙
˙
˙
T. 1
& ˙
p
& ˙
Fp
#œ œ œ
Of the
T. 2
Bar.
B.
Boh - m,
V
∑
V
∑
?
?
∑
˙
be - ll,
∑
f
44 œ
œ œ
∑
œ œ
∑
Bells,
˙
˙
p
F
œ œ œ ˙
Of the
∑
be - ll.
Fp
œ œ œ
˙
Boh - m,
∑
Í
44 œ œ ˙ .
Boh-m.
F
p
œ œ œ ˙
ll,
∑
Boh-m.
Boh - m,
A. 1
Í
4 œ œ ˙.
4
∑
∑
f
44 œ
Bells,
3
bells, bells,
3
bells, bells,
4
4
∑
44
∑
Fœ
œ œ 4
4
Fp
œ œ œ 4
4
Boh-m.
∑
∑
Boh - m,
Í
œ œ ˙.
Boh-m.
∑
Of the bells.
∑
Í
œ œ ˙.
fœ
f
œ
bells, bells,
Bells,
bells, bells,
Bells,
∑
3
œ œ
3
œ œ
46
S. 1
&
∑
∑
∑
∑
∑
S. 2
&
∑
∑
∑
∑
∑
A. 1
&
∑
∑
∑
∑
∑
A. 2
&
∑
∑
∑
∑
∑
T. 1
V
∑
∑
∑
∑
∑
T. 2
V
∑
∑
∑
∑
127
Bar.
B.
œ
œ
œ
3
bells, bells, bells,
?
p
? ˙
bells,
∑
∑
˙
bells,
œ
œ
3
œ
bells, bells, bells,
p
˙
˙
bells,
bells,
˙
˙
bells,
bells,
œ
œ
˙
˙
bells, bells, bells,
bells,
bells,
œ
˙
˙
bells,
bells,
3
œ
3
œ
œ
bells, bells, bells,
47
S. 1
&
∑
∑
∑
S. 2
&
∑
∑
∑
132
A. 1
A. 2
T. 1
T. 2
∑
&
V
p
œ
œ
˙
bells,
bells,
bells,
œ
˙
bells,
bells,
V œ
? ˙
bells,
B.
? ˙
bells,
To
P
œ œ ˙.
Of
bells,
Bar.
∑
∑
&
P
œ œ œ œ œ œ œ
˙
bells,
˙
bells,
bells,
P
œ
bells,
P
˙
bells,
P
˙
bells,
of
˙
˙
the bells,
P
˙
the rhym - ing
bells,
bells.
˙
œ
œ
˙
bells,
bells,
bells,
bells,
œ
œ
œ
˙
bells,
bells,
bells,
bells,
œ
3
bells,
˙
˙
˙
bells,
bells,
bells,
˙
˙
˙
bells,
bells,
bells,
the bells,
48
&
∑
&
∑
135
S. 1
S. 2
A. 1
F
˙
Bells,
F
˙
Bells,
& œ œ œ œ œ œ œ
and the chim -ing of the bells,
A. 2
& œ œ ˙.
T. 1
V ˙
bells,
T. 2
V œ
bells,
Bar.
? ˙
bells,
B.
? ˙
bells,
F
F
œ
bells,
œ
3
bells,
bells,
˙
bells,
˙
bells,
bells,
bells,
bells,
˙
˙
˙
bells,
bells,
bells,
˙
bells.
œ œ œ œ œ œ œ
and the chim- ing of the bells!
œ œ ˙.
Of the bells,
œ
˙
F
œ
bells,
bells,
œ
˙
bells,
bells,
bells,
bells,
˙
˙
˙
bells,
bells,
bells.
˙
˙
˙
bells,
œ
˙
To the rhym-ing of the bells,
bells,
˙
˙
F
œ œ œ œ œ œ œ
˙
Of the bells,
˙
F
˙
F
˙
bells,
bells,
bells,
˙
˙
bells,
œ
bells,
bells.
œ
œ
3
bells,
bells,
bells.
49
f
œ œ œ œ œ
&
œ #œ œ œ œ œ
138
S. 1
To the rhym - ing
S. 2
T. 2
Bar.
B.
and the
chim - ing
of the bells!
and the
chim - ing
of the bells!
f
œ
& œ œ œ œ œ #œ œ œ œ œ
To the rhym - ing
T. 1
of the bells!
f
œ
& œ œ œ œ œ #œ œ œ œ œ
To the rhym - ing
A. 2
chim - ing
f
œ
& œ œ œ œ œ #œ œ œ œ œ
To the rhym - ing
A. 1
and the
V
∑
V
∑
?
?
and the
chim - ing
of the bells!
∑
w
∑
w
∑
Í
j
œ> œ . ˙
w
Bah-m,
Í
j
œ œ. ˙
>
w
Bah-m,
f> >Í
‰ œJ b ˙
Œ
Bah - m,
∑
Œ
Í
>œ œ ˙
Bah - m,
∑
∑
Í
>
‰ œJ œ
Í
j
œ œ.
>
∑
Bah - m,
Bah-m,
Í
>
bœ œ . ˙
J
Bah-m,
˙
Bah - m,
∑
Í
œ> œ . ˙
J
Í
œ> œ . ˙
J
Í
j
œ> œ . ˙
Bah-m,
˙
Bah-m,
50
S. 1
&
∑
S. 2
&
∑
A. 1
Í
‰
& œj œ
>
∑
∑
∑
∑
∑
∑
∑
˙ bœ œ ˙ .
>
∑
∑
∑
j bœ
œ . bœ œ
œ œ bœ bœ ˙
∑
∑
∑
Í
Í
>
V Œ bœ œ ˙ œ œ ˙ .
>
∑
∑
∑
?
∑
∑
∑
Bah - m,
A. 2
T. 1
D Franticallyq = 140
∑
142
Í
Bah-m.
f Í Í
‰ j
œ b˙
.
> > >œ œ ˙
Bah - m,
Bah - m.
& Œ
T. 2
B.
Hear the
Í
? j .
bœ œ
>
Bah-m.
loud
a - lar - um bells.
Bah - m.
Bah-m,
Bar.
∑
Í
Í
>
V Œ bœ œ ˙ œ œ ˙ .
>
Bah-m,
f
Bah - m.
∑
˙
F
∑
bœ
œ . b œJ œ
Hear
the
loud
œ œ bœ bœ
˙
bœ
œ . b œJ œ
a - lar - um bells. Hear the
loud
œ œ bœ bœ
˙
a - lar - um bells.
51
S. 1
S. 2
&
Bra - zen
Bra - zen
& œ œ œ
> >
Bra - zen bells!
A. 2
T. 1
T. 2
Bar.
&
V
V
˙
ƒ
œ ˙
>œ œ >
Bra - zen bells!
∑
Bra - zen
ƒ >
? >œ œ œ
˙
ƒ
? œ œ œ
> >
Bra - zen bells!
∑
˙
p>
bœ œ ˙ .
œ
> b œ >œ
˙
ƒ
>œ œ >œ
˙
F
y.
Bra - zen
bells!
bells!
Bra - zen
bells!
b >œ
>œ
bœ
Bra - zen
bells!
What
What
˙
∑
Ó
˙
What
˙
a
tale of
ter-ror now their tur - bu-len -
- y y
y y y y y y y y y
J
a
tale of
ter-ror now their tur - bu-len -
Ó
F
b œ- œ œ
tur - bu-len -
- y y
y y y y y y y y y
J
a
p
n >œ œ ˙ .
Boo - m
œ- œ œ
- y y
y y y y y y y y y
J
p>
nœ œ ˙ .
F
y.
F
tur - bu-len -
Boo - m
bells!
>œ b œ b >œ
∑
Boo - m
F
y.
Bra - zen
˙
˙
bells!
ƒ
>œ b œ >œ
∑
p
n >œ œ ˙ .
Boo - m
bells!
œ
bœ >
Bra - zen
Bra - zen bells!
B.
>
bœ
˙
bells!
ƒ
>œ b œ >œ
∑
&
ƒ
A. 1
ƒ>
œ œ >œ
∑
147
tale of
ter-ror now their tur - bu-len -
Ó
Fœ œœ
tur - bu-len -
∑
151
S. 1
S. 2
A. 1
&
& œ œ œ
-
A. 2
T. 1
T. 2
&
V
-
B.
cy tells!
V œ bœ œ
cy tells,
?y y y
-
cy tells!
?œ œ œ
-
tur - bu - len
œ œ
ƒ
œ œ œ œ-
tur - bu - len
-
œ-
œ œ œ
f
œ œ
œ œ
tur - bu - len
-
cy tells,
cy tells,
œ œ
œ œ œ
-
cy tells!
œ œ œ
tur - bu - len
-
œ-
œ œ œ
ƒ
œ œ
tur - bu - len
-
y
y
Night,
night,
Ó
cy tells!
Ó
cy tells!
Ó
∑
∑
Ó
∑
∑
cy tells!
y y y
-
Bar.
cy tells,
y y y
-
Ó
f
œ-
& Ó
ƒ
œ-
52
cy tells,
f
œ-
œ œ
tur - bu - len
Ó
f
œ-
ƒ
œ b œ œ œ-
cy tells,
œ œ
tur - bu - len
∑
œ œ
tur - bu - len
ƒ
œ œ œ œ-
cy tells,
œ bœ œ
-
cy tells!
Ó
œ œ
tur - bu - len
œ œ œ
-
cy tells!
f
œ œ œ œ
In
the
star - tled
In
the
star - tled
f
œ bœ œ œ
Ó
53
154
S. 1
& y
night,
S. 2
F
& y
Night,
A. 1
A. 2
y
y
f
y
night,
night,
night!
y
y
f
y
night,
night,
night!
F
y
& Ó
Night,
y
f
night!
∑
&
bœ
œ
œ
∑
2
4
∑
3
4
∑
2
4
∑
3
4
∑
24
∑
43
œ bœ
How they scream out
T. 1
T. 2
∑
V
V œ
œ œ
of night
œ
œ
? œ
œ œ
œ
œ
ear
Bar.
B.
P
?
ear
y
y
y
Fright,
fright,
fright,
F
P
y
Ó
Fright,
∑
of night
∑
their
∑
œ œ
24
œ bœ
y
fright,
2 y
4
af - fright!
y
fright,
f
y
fright, fright!
f
y
24 y
fright, fright!
2
4
F
2 y
4
43
3
4
43
3
4
∑
y
Fright, fright!
3
4
54
3
&4
157
S. 1
S. 2
f
œ œ
bœ œ œ bœ
Too much hor - ri - fied
f
3
& 4 œ œ bœ œ œ bœ
Too much hor - ri - fied
A. 1
A. 2
T. 1
to
& 43
∑
& 43
∑
3
V4
to
˙.
˙.
b˙ .
speak,
they
can
˙.
˙.
b˙ .
speak,
they
can
Œ
F
˙
Speak,
F
Ó
bœ
Speak,
∑
F
Œ ˙
Speak,
F
œ b˙
on - ly
bœ . œ .
on - ly
œ ˙
they
bœ œ œ
can,
bœ
˙
bœ . bœ .
they
œ b˙
˙
can on - ly
œ
can,
œ ˙
they
œ œ œ
can on - ly
bœ œ œ
can,
can on - ly
V 43
∑
Bar.
?3
4
∑
∑
∑
∑
∑
B.
?3
4
∑
∑
∑
∑
∑
T. 2
Ó
bœ
Speak,
bœ
˙
they
˙
œ
can,
œ œ œ
can on - ly
55
162
S. 1
S. 2
A. 1
A. 2
&
&
F
˙.
f
˙.
ƒ
˙.
shriek,
shriek,
shriek,
F
˙.
f
˙.
shriek,
shriek,
shriek,
f
˙.
F
& ˙.
ƒ
& y
shriek,
p
y
P
y
shriek, shriek, shriek,
T. 1
T. 2
Bar.
B.
F
V ˙.
V
p
y
f
#œ .
shriek,
˙.
ƒ
y
P
y
shriek, shriek, shriek,
shriek,
F
y
Hear
ƒ
f
y
shriek,
shriek,
ƒ
y
j
#œ œ
the
∑
˙.
b˙ .
n˙ .
∑
ƒ
shriek,
the
∑
ƒ
˙.
f
bœ œ
J
shriek, shriek, shriek,
shriek,
shriek,
Hear
ƒ
˙.
f
˙.
F
f
œ.
∑
shriek,
shriek, shriek, shriek,
shriek, shriek, shriek,
shriek, shriek, shriek,
Í
b
Œ œJ œ .
shriek, shriek, shriek,
shriek, shriek, shriek,
shriek, shriek, shriek,
Boh - m,
F
? y
p
? y
ƒ
y
F
y
P
y
ƒ
y
f
y
P
y
P
y
p
y
p
y
f
y
ƒ
y
p
y
p
y
F
y
ƒ
y
ƒ
y
Boh - m,
Í
Πj .
œ œ
56
166
S. 1
S. 2
&
œ œ œ bœ
bœ
loud
a - lar - um
œ #œ #œ œ
& œ
loud
A. 1
F
& bœ
>
a - lar - um
œ
2
Boh - m,
A. 2
&
F
>œ
T. 2
Bar.
B.
œ
Œ
∑
∑
∑
9
8
n˙
Œ
∑
∑
∑
9
8
∑
∑
∑
98
∑
∑
∑
98
bells.
bells.
2
b >œ œ >œ œ
Boh - m, Boh - m.
2
>œ
œ
Boh - m,
∑
V
>œ œ >œ œ
Boh - m, Boh - m.
∑
∑
Œ
Œ
F
#œ
‰ J œ œ #˙
Œ
∑
9
8
F
‰ œJ œ b œ
n˙
Œ
∑
98
a - lar - um
a - lar - um
? ˙.
?
Boh - m,
∑
V
œ
2
Boh - m,
T. 1
>œ
˙
Í
b
Œ œJ œ .
Í
Œ œj œ .
˙.
Boh-m,
˙.
Boh-m,
bells.
bells.
Í
Œ œ œ.
J
Í
Πj
#œ œ .
U̇
.
Boh-m.
˙.
Boh-m.
u̇.
9
8
9
8
57
S.
solo
Suddenly Slowerq. = 40
9
& 8 Œ.
171
9
&8
Œ b œj œj
œ
of
S. 2
9
&8
& 98
171
A.
solo
of
∑
171
S. 1
tune,
j ‰ ‰ Œ b œj œj
œ
œ
Out
of tune,
˙.
∑
∑
œ . bœ . œ .
tune,
Œ.
∑
∑
œ.
œ.
out
bœ . œ .
of tune,
∑
œ.
Œ.
˙.
Franticallyq = 140
4
4
∑
4 Ó
4
π
Πyy
4
4
∑
44
∑
In a
A. 1
& 98
∑
∑
∑
44
∑
A. 2
& 98
∑
∑
∑
44
∑
T. 1
9
V8
∑
∑
∑
4
4
∑
T. 2
V 98
∑
∑
∑
44
∑
Bar.
?9
8
∑
∑
∑
4
4
∑
?9
8
∑
∑
4
4
∑
?9
8
∑
4
4
∑
171
B.
solo
B.
bœ œ
J
of
∑
˙.
tune,
∑
58
>
& y y y y y y y y
175
S. 1
clam - or - ous ap - peal - ing to the
>y y y y >y
mer - cy of the fire,
y y
in
a
>y y y y y y y y
mad ex - pos - tu - la - tion with the
S. 2
&
∑
∑
∑
A. 1
&
∑
∑
∑
A. 2
&
∑
∑
∑
T. 1
V
∑
∑
∑
T. 2
V
∑
∑
∑
?
∑
∑
∑
?
∑
∑
∑
Bar.
B.
59
,
>
>
& y y y y y y y
178
S. 1
deaf and fran - tic fire,
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
&
∑
&
∑
&
∑
V
in
a
>y y y y y y y y
clam - or - ous ap - peal - ing to
F p
œ œ.
J
˙
the
>y y y y >y
mer - cy
of the fire,
Bah - m,
Fp
bœ œ .
J
∑
˙
Boh - m,
F p
j
œ œ.
˙
Bah - m,
∑
∑
w
Fj p
œ œ.
Boh - m,
V
∑
?
∑
?
in
w
∑
Ó
˙
Fj p
œ œ.
Boo - m,
∑
Ó
F p
œ œ.
J
Boo - m,
B.
y y
∑
∑
Ó
F
j
œ œ.
Boo - m,
a
60
>
& y y y y y y y y
181
S. 1
mad ex - pos - tu - la - tion with the
S. 2
>y y >y y y
Œ
∑
deaf and fran - tic fire,
F p
œ œ.
& J
˙
#˙
F p
.
& # œJ œ
˙
F p.
nœ œ
J
˙
∑
Bah - m,
A. 1
Bah - m,
A. 2
F p
j
& #œ œ .
Bah - m,
T. 1
Boo - m,
˙
F p
œ œ.
V J
˙
F p
V # œJ œ .
˙
F p
? #œ œ .
J
˙
Bah - m,
T. 2
Bar.
F p
? # œj œ .
Bah - m,
B.
Bah - m,
Boh - m.
∑
F p.
œ œ
J
Fœ œp .
J
∑
F p
œ œ.
J
∑
Boo - m,
F p
#œ œ .
J
F p.
#œ œ
J
F p.
œ œ
J
Boo - m,
F p
j
œ œ.
Boo - m,
˙
∑
F p
j
œ œ.
F p
j
#œ œ .
Boo - m,
Bah - m,
F p
#œ œ .
J
Boo - m,
Boh - m.
Boh - m.
Boh - m.
F p
j
#œ œ .
Boh - m.
Boh - m.
f>
>
œ œ œ ˙
f
>œ
Clam - or - ous
œ >œ ˙
Clam - or - ous
61
f>
& œ
184
S. 1
fran
S. 2
f
& >œ
fran
A. 1
f
& œ
>
fran
A. 2
f
& œ
>
fran
T. 1
f>
V œ
fran
T. 2
f
V œ
>
fran
Bar.
-
-
-
-
-
? >œ
fran
B.
-
? >œ
fran
-
-
œ
>œ
bœ
>
œ
tic
tic
˙
˙
bœ
œ
>œ
bœ
>
œ
tic
bœ
tic
œ
œ
fire,
fire,
F
œ
∑
∑
F
œ
œ
bœ œ
⋲ œ œ
⋲ œ œ
leap - ing
high - er,
high - er,
high - er
nœ œ
⋲ œ œ
⋲ œ œ
high - er,
high - er,
high - er
F
œ #œ
leap - ing
˙
∑
˙
∑
fire,
bœ bœ
>
tic
Œ
˙
fire,
>œ
#œ
#œ
leap - ing
>œfire, ˙
tic
Ó
fire,
fire,
œ
leap - ing
bœ
tic
Œ
fire,
œ
>
tic
Ó
F
⋲ Œ
⋲ Œ
62
& œ œ ⋲ œ œ ⋲ œ œ ⋲ bœ bœ
bœ bœ œ bœ œ bœ œ bœ œ bœ œ bœ œ bœ
& œ œ ⋲ œ œ ⋲ œ œ ⋲ bœ bœ
bœ bœ œ bœ œ Œ
186
S. 1
high-er,
S. 2
high-er,
high-er,
A. 1
high-er,
T. 2
Bar.
high-er
& bœ œ
high-er,
⋲
high-er,
T. 1
with
with
a
a
Í
& bœ œ ⋲ œ œ ⋲ œ œ ⋲ bœ œ
high-er,
A. 2
high-er
œ œ
high-er,
high-er,
⋲
⋲
high-er,
V Œ
V Œ
Í
‰ bœ ˙
J
Í
? œj œ .
Í
œ œ bœ œ
Í
bœ ˙
‰ J
Í
? œ œ.
J
boh - m.
boh - m.
des - per-ate
des - per-ate
de - sire, and a
de-sire,
Ó
˙
Ó
˙
Í
j
bœ œ .
Boh - m.
o
-
∑
lute en-deav
Í
j
bœ œ .
Boh-m.
˙
Í
j
bœ œ .
˙
Í
Œ bœ
œ œ
Í
œœ
Í
Œ œ
œ œ
bœ œ
Bah - m,
∑
Boh - m.
Bah - m,
∑
Ó
∑
Ó
Í
Boh-m,
Í
j
œ œ.
Í
j
bœ œ .
Bah - m,
˙
-
˙
Boh-m.
Boh - m.
B.
-
Boh-m.
Boh - m.
˙
res
Bah - m,
Boh-m,
63
œ œ ˙.
189
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
B.
&
-
or.
∑
& œ
Í
nœ œ ˙
Í
j
œ œ.
& œ
Í
œ œ ˙
Í
j
œ œ.
Bah - m,
Bah - m,
Í
Boh - m.
Boh - m.
Í
∑
Í
œ b˙ .
˙
Now
Í
˙
Bah - m,
w
V œ
Í
nœ œ ˙
Í
Í
Œ œ œ œ œ œ
V œ
Í
œ œ ˙
? œ
?
œ
Í
œ œ ˙
Í
œ œ ˙
Í
Í
Œ #œ œ œ œ œ
Bah - m,
boh - m.
boh - m.
Now
to sit,
or nev - er,
F
œ bœ œ ‰ ‰ œ bœ œ
œ #˙ .
œ b˙ .
Ó
Í
œ b˙ .
Boh - m.
Now.
Boh - m.
œ #˙ .
Í
bœ œ .
J
Í
j
œ œ.
Bah - m.
Ó
or nev - er
Bah - m.
Í
Í
œ ˙.
Ó
Í
œ œ.
J
Bah - m,
Ó
Í
j
œ œ.
Bah - m,
Ó
Now.
Now,
Í
j
œ œ.
Bah - m,
Now.
Í
œ b˙ .
Í
j
œ œ.
Bah - m,
Now
Bah - m,
Ó
to sit,
Ó
Í
nœ œ ˙
Bah - m,
Now
Now
& œ
Bah - m,
F
œ bœ œ ‰ ‰ œ bœ œ
Ó
Í
œ œ.
J
Bah - m,
Í
j
bœ œ .
Bah - m,
64
& bœ bœ bœ
193
S. 1
by
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
B.
the
side
& Ó
œ œ. œ œ
of
Œ
the pale
Í
œ œ
Bah - m,
& Ó
Œ
Í
bœ œ
Bah - m,
& Ó
Œ
Í
bœ œ
Bah - m,
V Ó
Í
j
bœ œ .
V Ó
Í
j
œ œ.
? Œ
? Œ
Bah - m,
Bah - m,
Í
œ œ ˙
Í
bœ œ ˙
Boh - m.
Boh - m.
bœ
fac'd
œœ
moon.
˙
F
3 œ bœ œ
4
Oh, the
be
p
˙.
-
ll.
F
œ bœ œ
˙
Í
œ œ.
J
3
4
∑
˙
Í
j
#œ œ .
43
∑
∑
˙
Í
j
nœ œ .
43
∑
∑
Í
œ œ.
J
3
4
∑
∑
43
∑
∑
3
4
∑
∑
3
4
∑
∑
Í
œ œ.
J
Í
j
bœ œ .
Boh - m,
Boh - m,
˙
˙
Bah - m.
Bah - m.
Bah - m.
Í
j
œ œ.
Bah - m.
Bah - m.
Í
œ œ.
J
Í
j
œ œ.
Bah - m,
Bah - m,
Oh, the
be -
65
197
S. 1
S. 2
&
˙.
˙.
p
& ˙.
T. 1
T. 2
Bar.
B.
&
∑
V
∑
?
?
F
œ œ œ
Oh, the be
V
the be
-
˙.
˙.
˙.
˙.
p
˙.
˙.
ll.
˙.
F
bœ
˙.
Oh, the be - ll.
A. 2
Oh,
p
˙.
Boh-m,
F
p
& œ œ œ ˙.
∑
œ œ
Fp
bœ œ ˙
˙.
ll.
A. 1
F
bœ
∑
Oh,
p
-
œ œ
the be - ll.
Fp
œ œ ˙
˙.
ll.
Boh-m,
∑
∑
˙.
˙.
F
œ
p
˙.
bœ œ
Oh,
∑
∑
∑
the be - ll.
Fp
œ œ ˙
Boh-m,
∑
∑
∑
∑
∑
˙.
F
œ
Fp
œ œ ˙
Oh,
∑
∑
∑
∑
∑
bœ œ
Boh-m,
the bells.
66
203
S. 1
S. 2
A. 1
&
&
Í
œ œ ˙
Í
œ œ ˙
F
& ˙
bœ
a
Bar.
B.
b˙
∑
2
4
∑
∑
24
∑
∑
24
∑
œ
b˙
V Œ
Í
Œ bœ œ
˙.
V Œ
? Œ
? Œ
a
Œ
tale,
& ˙
What
T. 2
œ Œ Œ
Œ
tale,
∑
Boh - m.
Í
Œ œ œ
˙.
∑
Boh - m.
Œ
F
bœ
FTheir
Œ œ
Their
œ bœ œ
ter - ror
œ bœ œ
ter - ror
Little Slowerq = 120
2
4
∑
Boh - m,
F
T. 1
Œ Œ
Boh - m,
What
A. 2
œ
œ ˙
tells
œ ˙
tells
∑
Œ
P
bœ
∑
˙
∑
∑
∑
∑
∑
∑
de - spair
∑
P
œ bœ ˙
of
de - spair
∑
∑
˙
P
œ bœ
of
de -
2
4
∑
24
∑
2
4
∑
∑
∑
∑
∑
2
4
∑
∑
∑
∑
∑
∑
∑
∑
Œ
∑
P
bœ
˙
∑
∑
de - spair
P
& Œ bœ
211
S. 1
S. 2
A. 1
A. 2
π
4 Y
4
ex |
Y
f
∑
π
4 Y
4
ex |
∑
∑
π
4 Y
4
ex |
Y.
huh!
Y
f
&˙
∑
˙
Y.
huh!
f
Y.
Y
∑
Y
f
∑
∑
Y
f
Y.
T. 2
V
∑
∑
∑
Y.
Y
f
Y.
Y
f
Y.
ah
Bar.
?
∑
∑
∑
π
4 Y
4
ex |
ah
B.
?
∑
Œ
œ
de
P
-
˙
spair
π
4 Y
4
ex |
ah
ƒ
> 6
y 4
in \
huh!
voiced gasp
ƒ
>
y
in \
huh!
ƒ
>
y
in \
huh!
ƒ
>
y
in \
huh!
f
Y.
6
4
voiced gasp
ƒ
6
4
voiced gasp
>y
in \
huh!
Y
6
4
voiced gasp
ah
π
4 Y
4
ex |
6
4
voiced gasp
ah
π
4 Y
4
ex |
ƒ
>y
in \
6
4
voiced gasp
ah
π
4 Y
4
ex |
ƒ
>y
in \
voiced gasp
ah
∑
∑
&
V
E
ah
spair
T. 1
∑
˙
∑
&
67
Franticallyq = 140
ƒ
voiced gasp
>y
in \
huh!
6
4
6
4
68
F
f
6 y y >y y >y y
&4
J
J >Y
5
4
∑
4
4
∑
6
4
f
f
6 y y >y y >y y
&4
J
J >Y
5
4
∑
4
4
∑
6
4
& 64 Œ
45
∑
44
∑
64
∑
4
4
∑
6
4
217
S. 1
How they clang, and clash and roar!
S. 2
How they clang, and clash and roar!
A. 1
A. 2
T. 1
T. 2
Bar.
B.
f >
Πy y y Y
J
J >
and clash and roar!
6
&4 Œ
f >
Πy y y Y
J
J >
5
4
6
V4 Œ
f >
Πy y y Y
J
J >
F
F
5 y y y- y y y y y 4 y y >y y
6
4
4
y y 4
and clash and roar!
and clash and roar!
What a hor - ror they
out-pour
On the bos- om of the
What a hor - ror they
out-pour
On the bos- om of the
V 64 Œ
f >
Πy y y Y
J
J >
F
F
>
45 y y y y y y y y 44 y y y y y y 64
? 64 Œ
f >
Πy y y Y
J
J >
45
∑
5
4
∑
?6 Œ
4
and clash and roar!
and clash and roar!
f >
Πy y y Y
J
J >
and clash and roar!
F
44 y y >y y y y 64
On the bos- om of the
F
4 y y >y y
6
4
y y 4
On the bos- om of the
69
6
&4
S. 1
S. 2
A. 1
A. 2
T. 1
Yet
6
&4
Yet
& 64
∑
& 64
Ó
∑
ear,
y ‰ ‰ y y y y
J
J
4
4
the
F
y y y y y y y
44
it
it
Ó
f
6 >y
V4
>
y y y y y
>
f
>
6
V4 y
f
? 6 >y
4
f
? 6 >y
4
the
ear,
it
ful - ly knows,
ful - ly knows,
ful - ly knows,
F
y y y y y y y
Yet
the
ear,
it
ful - ly knows,
44
Y
∑
4
4
>
y y y y y
>
Y
∑
44
>
y y y y y
>
Y
∑
4
4
Y
∑
4
4
pal - pi - tat
B.
ear,
4
4
Yet
pal - pi - tat
Bar.
the
y ‰ ‰ y y y y
J
J
F
y y y
∑
pal - pi - tat
T. 2
F
y y y
∑
220
-
-
-
ing air!
ing air!
ing air!
>
y y y y y
>
pal - pi - tat
-
ing air!
70
4
&4 y
222
S. 1
by
S. 2
4
&4 y
by
A. 1
& 44 y
by
A. 2
& 44 y
by
y
y
the
twang
y
y
the
twang
y
y
the
twang
y
y
the
twang
y
-
y
-
y
-
y
-
y
y
y
ing,
y
-
and
ing,
y
-
-
ing,
y
-
y
ing,
F
y
F
y
the
and
the
F
y
and
y
y
y
y
F
y
the
and
the
y
y
clang -
y
-
y
clang -
clang -
-
clang -
-
y
y
6
4
y
y
64
y
64
- ing,
y
-
6
4
- ing,
y
y
y
- ing,
y
y
y
y
- ing,
T. 1
4
V4
∑
∑
6
4
T. 2
V 44
∑
∑
64
Bar.
?4
4
∑
∑
6
4
B.
?4
4
∑
∑
6
4
71
F
6 y y y&4
224
S. 1
y y
How the dan - ger
S. 2
F
6 y y y&4
y y
& 64 Œ
F
‰ y
J
How the dan - ger
A. 1
A. 2
T. 1
& 64 Œ
Œ
Œ
F
‰ y
J
ebbs
F
6
V4 y y y
y y
B.
ebbs
F
6 y y yV4
y y
?6 Œ
4
F
‰ y
J
How the dan - ger
Bar.
ebbs
ebbs
How the dan - ger
T. 2
ebbs
?6 Œ
4
Œ
ebbs
ebbs
Œ
F
‰ y
J
ebbs
y y
and
y y
and
y y
and
y y
and
y y
and
y y
and
y y
and
y y
and
f
y y
y
5
4
∑
4
4
y
5
4
∑
4
4
y
45
∑
44
y
45
∑
44
y
F
54 y y y
flows;
f
y y
flows;
f
y
y
flows;
f
y y
flows;
f
y y
flows;
f
y y
yet the ear
y
flows;
f
y y
yet the ear
y
flows;
f
y y
flows;
F
5 y y y
4
Fy
y y
5
4
yet the ear
y
F
y
5 y y
4
yet the ear
y y y y y
>
44
y y y y y
>
4
4
dis - tinct
dis - tinct
-
-
ly tells,
ly tells,
y >y y y y
dis - tinct
-
ly tells,
y >y y y y
dis - tinct
-
ly tells,
4
4
4
4
72
4
&4 y
226
S. 1
in
S. 2
4
&4 y
in
A. 1
& 44 y
in
A. 2
& 44 y
in
y
y
the
jan
y
y
the
jan
y
y
the
jan
y
y
the
jan
y
y
-
-
-
-
-
-
-
y
y
gling,
y
y
gling,
F
y
y
y
F
y
the
wran
y
y
and
the
wran
y
y
F
y
the
wran
y
y
and
the
wran
and
gling,
y
y
-
gling,
y
y
y
F
y
and
y
y
-
-
-
-
-
y
y
6
4
y
y
64
y
64
- gling,
y
-
6
4
- gling,
y
-
y
- gling,
y
-
y
y
- gling,
T. 1
4
V4
∑
∑
6
4
T. 2
V 44
∑
∑
64
Bar.
?4
4
∑
∑
6
4
B.
?4
4
∑
∑
6
4
73
S. 1
6
&4
∑
4
4
∑
S. 2
6
&4
∑
4
4
∑
y
44
∑
y
44
∑
y
4
4
∑
y
44
∑
228
A. 1
F
6
&4 y y y
How
A. 2
B.
the
the
y
sinks
y y
>
dan - ger
y
sinks
y
y
and
y
swells,
y
and
y y
y
y y
>
y
y
dan - ger
sinks
and
y
sinks
?6
4
∑
?6
4
∑
and
ƒ
>y
swells,
y y
>
dan - ger
F
6
V4 y y y
How
Bar.
the
F
6
y
V4 y y
How
T. 2
dan - ger
F
6
&4 y y y
How
T. 1
the
y y
>
ƒ
>y
ƒ
>y
swells,
ƒ>
y
swells,
F
4 y y
4
y
>
by
the sink
F
4 y y
4
y
>
by
the sink
y y y
-
ing
y y y
-
ing
74
S. 1
S. 2
A. 1
A. 2
T. 1
&
in the an
in the an
&
in the an
f
y y y
∑
&
in the an
F
>y
y
y
V
the swell
F
>y
Vy y
the swell
F
? y y >y
or
B.
f
y y y
∑
or
Bar.
f
y y y
∑
&
or
T. 2
f
y y y
∑
230
the swell
F
? y y >y
or
the swell
y y
-
ing
y y
-
-
y
ing
f
y y y
in the an
y
ing
y y
f
y y y
in the an
ing
y y
-
y
f
y y y
in the an
y
f
y y y
in the an
y y y
-
ger
y y y
-
ger
y y y
-
ger
y y y
-
ger
y y y
-
ger
y y y
-
ger
y y y
-
ger
y y y
-
ger
ƒ
2 y y >y
4
∑
4
4
ƒ
2 y y >y
4
∑
4
4
of
of
the bells.
the bells.
ƒ
24 y y >y
P
>
y y y
ƒ
24 y y >y
P
>
y y y
of
of
the bells.
the bells.
of
of
the bells.
the bells.
44
44
ƒ
24 y y >y
∑
44
ƒ
24 y y >y
∑
44
ƒ
2 y y >y
4
∑
4
4
ƒ
2 y y >y
4
∑
4
4
of
of
of
of
the bells.
the bells.
the bells.
the bells.
75
P
4 y y
&4
y y
> >
234
S. 1
y
of the bells. bells, bells,
S. 2
P
4
& 4 y y >y >y
y
of the bells. bells, bells,
A. 1
P
4
&4 y y y y
> >
y
of the bells. bells, bells,
A. 2
P
4
&4 y y y y
> >
y
of the bells. bells, bells,
T. 1
P
4
V4 y y y y
> >
y
of the bells. bells, bells,
T. 2
P
4
V4 y y y y
> >
y
of the bells. bells, bells,
Bar.
P
?4 y y
4
y y
> >
y
P
? 44 y y y y
> >
y
of the bells. bells, bells,
B.
of the bells. bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
y
y
ƒ
y y
bells, bells, bells, bells,
F
3 >y
4
Clang, clash, roar,
hor - ror they out - pour,
Clang, clash, roar,
hor - ror they out - pour,
F
3 >
4 y
43
f F
>y >y >y y
y y y
f F
>y >y >y y
y y y
∑
F
>
y y
y y >y y
Pal - pi - tat - ing, twang-ing
F
>
y y
43
∑
3
4
∑
∑
3
4
∑
∑
3
4
∑
∑
43
∑
∑
y y >y y
Pal - pi - tat - ing, twang-ing
76
f
>
& y
238
S. 1
night,
S. 2
f
>
& y
night,
A. 1
>y
ƒ
>y
f
>y
fright,
shriek,
>y
ƒ
>y
speak,
fright,
shriek,
speak,
& y y y y
>
>
>
y y
clan-ging, jan-gling, wran-gling,
A. 2
& y y y y
>
>
>
y y
clan-ging, jan-gling, wran-gling,
T. 1
T. 2
Bar.
B.
p
? œ
>
Bells,
œ
>
bells,
bells,
Bells,
œ
>
œ
>
p
? œ
>
bells,
œ
>
bells,
F
>
y
bells
tells,
bells
>y
sink-ing, swell-ing.
f
>y y >y y
Œ
sink-ing, swell-ing.
>œ
Bells,
bells,
Bells,
>œ
P
# >œ
∑
V
tells,
>y
f
>y y >y y
Œ
P
# >œ
∑
V
f
>y
F
>
y
P
œ
>
bells,
œ
>
bells,
bells,
bells,
œ
>
P
œ
>
bells,
f
>
>y y >y y
y y ⋲
⋲
⋲ œ œ œ
> > >
high-er,
>
>
y y ⋲ y y⋲
high-er,
F
b >œ
>œ
⋲ œ œ œ
> > >
bells, bells, bells,
f
b >œ >œ >œ
F
bells, bells, bells,
b >œ
bells,
>œ
bells,
>œ
b >œ >œ >œ
bells,
f
bells, bells, bells,
bells,
>œ
bells,
>œ
bells,
f
# >œ >œ >œ
bells,
>œ
>œ
bells,
f
# >œ >œ >œ
bells, bells, bells,
f
œ œ œ
> > >
bells,
bells, bells, bells,
bells,
œ
>
bells,
œ
>
bells,
bells, bells, bells,
bells,
œ
>
œ
>
bells, bells, bells,
F
œ œ
> >
bells,
high-er,
f
bells,
F
œ œ
> >
bells,
>œ
>y y
bells, bells, bells,
bells,
F
>œ # >œ
bells,
high-er
high-er,
bells,
F
>œ # >œ
bells,
high-er
bells,
bells,
f
œ œ œ
> > >
S. 1
ƒ
>œ >œ >œ
242
& œ œ œ
A. 1
T. 1
T. 2
Bar.
B.
>œ >œ >œ
œ œ œ
bells, bells, bells,
bells, bells, bells,
bells, bells, bells,
œ œ œ
> > >
bells, bells, bells,
œ œ œ
> > >
& >œ >œ >œ
ƒ
& bœ œ œ
> > >
bells, bells, bells,
A. 2
>œ >œ >œ
œ œ œ
ƒ
bells, bells, bells,
S. 2
77
b >œ >œ >œ
ƒ
bells, bells, bells,
bells, bells, bells,
bells, bells, bells,
& bœ œ œ
> > >
ƒ
V #œ œ œ
> > >
b >œ >œ >œ
bells, bells, bells,
b >œ >œ >œ
bells, bells, bells,
b >œ >œ >œ
bells, bells, bells,
>
y y y y y y
in the clam-or and the
>
y y y y y y
in the clam-or and the
>
y y y y y y
in the clam-or and the
>
y y y y y y
in the clam-or and the
>
y y y y y y
bells, bells, bells,
# >œ >œ >œ
bells, bells, bells,
# >œ >œ >œ
in the clam-or and the
bells, bells, bells,
# >œ >œ >œ
# >œ >œ >œ
in the clam-or and the
bells, bells, bells,
œ œ œ
> > >
bells, bells, bells,
œ œ œ
> > >
bells, bells, bells,
bells, bells, bells,
œ œ œ
> > >
œ œ œ
> > >
ƒ
V #œ œ œ
> > >
ƒ
? œ œ œ
> > >
ƒ
? œ œ œ
> > >
bells, bells, bells,
bells, bells, bells,
bells, bells, bells,
bells, bells, bells,
bells, bells, bells,
>
y y y y y y
>
y y y y y y
in the clam-or and the
>
y y y y y y
in the clam-or and the
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
>
>y
y y y y 44
clan-ging of the bells!
78
S. 1
S. 2
A. 1
A. 2
T. 1
Suspiciouslyq = 116
4
&4 Ó
247
Œ
Ó
F> p
œ œ
Œ
& 44 Œ
Fp
Fp
>œ œ œ b >œ œ
Boh - m,
w
Ó
Fp
œ œ
>
Œ
Boh - m,
Boh - m,
& 44 Œ
‰
Bah - m,
F p
j j
b >œ œ œ
Boh - m,
Fp
4 ‰ j
V4
œ œ
>
Fp
j
4
V4 ‰ œ œ
>
F p
? 4 œj œ .
4
>
Boh - m,
B.
F> p
œ œ
4
&4 Ó
Boh - m,
Bar.
w
Boh - m,
Boh - m,
T. 2
F> p
œ œ
Œ
F p
? 4 œj œ .
4
>
Boh - m,
˙
˙
˙
˙
Boh - m,
FpFp
œ b >œ œ >œ ˙
F p
j
œ> b œ .
Bah
- m,
w
w
w
w
Fp
Fp
>œ œ œ b >œ œ
Œ
Boh- m, Bah - m,
Fp
j
œ> ˙
Boh - m,
Œ
‰
Boh - m,
Bah - m,
F p
j j
b >œ œ œ
Boh - m,
Fp
‰ œj œ
>
Boh - m,
Fp
‰ œj œ
>
Boh - m,
Fj p
œ œ.
>
Boh - m,
Fj p
œ œ.
>
Boh - m,
˙
˙
˙
˙
F
j
œ>
Bah -
& w
Ó
250
S. 1
S. 2
A. 1
& w
Ó
Fp Fp
& œb œ œ œ ˙
> >
Œ
T. 1
T. 2
Bar.
B.
V w
V w
? w
? w
w
Œ
F p F> p
œ œ bœ œ .
J
>
Bohm,
-
p
& bœ .
m,
Í
3 b >œ œ ˙
4
Boh-m,
Boh-m, Bah-m,
A. 2
Œ
F p
>œ œ
rit.
Fp
j
œ> ˙
Fp
Fp
bœ œ
>œ œ œ >
Boh-m,
Bah-m,
Boh - m,
Boh-m,
Boh - m,
Fp
‰ œj œ
>
Bah - m,
Boh-m,
˙
w
Boh-m,
˙
w
Fp
‰ œj œ
>
Fj p
œ œ.
>
Boh-m,
Fj p
œ œ.
>
Boh-m,
˙
˙
Boh-m,
Bah - m,
Fp Fp
3 Í
4
œ b >œ œ >œ ˙
b >œ œ ˙
F p
F p
j
‰ j j
b >œ œ œ >œ b œ .
Œ
Boh-m,
Í
œ œ ˙
>
Í
˙ 43 œ œ ˙
>
Boh-m, Bah-m,
w
w
79
Boh-m,
Fp
Í
j 43
>œ ˙
>œ œ ˙
Boh-m,
Boh-m,
Í
3
4 œœ ˙
>
Boh-m,
Í
34 œ œ ˙
>
Boh-m,
Í
3 œœ ˙
4
>
Bah - m,
Í
>œ œ ˙
Í
>œ œ ˙
Bah - m,
Í
>œ œ ˙
Bah - m,
Í
œ œ ˙
>
Bah - m,
Í
œ œ ˙
>
Bah - m,
Boh-m,
Í
œ œ ˙
>
Boh-m,
Bah - m,
Í
3 œœ ˙
4
>
Bah - m,
Í
œ œ ˙
>
80
q = 100
Fp
>
& œ œ ˙
5
4 w
œ
& >œ œ ˙
5
4 w
œ
255
S. 1
Boh-m,
Fp
S. 2
Boh-m,
A. 1
I - ron bells,
& bœ œ ˙
>
œ
5
4 w
œ
∑
∑
∑
V œ œ ˙
>
45 w
œ
∑
∑
∑
? œ œ ˙
>
Boh
F -pm,
? œ œ ˙
>
5
4 w
œ
∑
∑
∑
5
4 w
œ
∑
∑
∑
V œ œ ˙
>
Boh-m,
Fp
Boh-m.
Hear the toll - ing
#œ œ ˙ .
of the bells,
∑
P
i - ron bells!
45 w
Fp
Fp
B.
œ œ #˙ .
œ
Boh-m,
Bar.
#œ œ ˙ .
p
45 w
Fp
Fp
T. 2
i - ron bells!
& #œ œ ˙
>
∑
Boh-m,
T. 1
I - ron bells,
œ
&
Boh-m,
A. 2
∑
œ œ b˙ .
F
54 b œ œ
b˙
255
A.
solo
∑
p
œ œ b˙ .
bœ œ ˙ .
i - ron bells!
p
œ œ ˙.
œ œ #˙ .
bœ œ ˙ .
œ œ #˙ .
i - ron bells!
∑
P
i - ron bells!
i - ron bells!
œ œ ˙.
i - ron bells!
i - ron bells!
81
&
∑
& Ó
Œ œ œ
>
260
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
B.
&
P
& Ó
V
p
Bah - m,
œ œ ˙.
What
Ó
a world
Œ
p
œ œ
>
Bah - m,
P
œ œ ˙.
What
a world
V Ó
p
>
Œ œ œ
? Ó
p
>œ œ
Œ
? Ó
Doo
˙
œ
of
˙
œ
of
˙
Bah - m,
p
Œ œ œ
>
>œ ˙
Boh - m,
œ œ ˙
sol - emn
thought
œ ˙
>
Boh - m,
œ œ ˙
sol - emn
thought
œ ˙
>
Boh - m,
˙
Bah - m,
Bah - m,
p>
bœ
Ó
>œ ˙
Boh - m,
˙
œ ˙
>
Boh - m,
>
Œ œ
b˙ .
-
m,
˙.
Doo - m,
œ #œ ˙ .
>
Boo - m,
.
>œ ˙
Bah - m,
com - pels!
œ >œ ˙ .
b >œ ˙ .
Boo - m,
œ #œ bœ œ œ
their mon - o - dy
>
œ bœ ˙ .
Boo - m,
œ # >œ ˙ .
Boo - m,
œ œ ˙.
>
Boo - m,
Doo -
>œ
Boh -
œ w
œ #œ bœ œ œ
their mon - o - dy
>
Œ œ
Bah - m,
œ
>
Boh -
œ w
com - pels!
œ ˙.
>
Bah - m,
>œ ˙ .
Bah - m,
œ ˙.
>
Bah - m,
œ
>
Boh -
>œ
Boh -
>œ
Boh -
82
264
S. 1
S. 2
&
>
Œ œ
˙.
m,
Doo - m,
& ˙.
>œ œ
m,
A. 1
A. 2
Boh - m,
& œ bœ ˙
In
the
si
& .
˙
T. 2
V ˙.
m,
Bar.
B.
? ˙.
?
m,
˙.
m,
lence
Boh - m,
V œ bœ ˙
In
-
œ
>œ œ
m,
T. 1
>
Œ b œ 64 b ˙ .
˙.
the
si
-
œ
lence
œ œ
>
Boh - m,
>œ œ
˙
Bah - m,
b >œ ˙
Boh - m,
œ œ
#˙ .
of
˙
the night,
b >œ ˙
Boh - m,
œ œ
#˙ .
of
the night,
-
m,.
Doo
6
4 œ bœ ˙ .
>
Œ
Boh - m.
64
˙
œ œ
how we shiv
64
-
er
6
4 œ œ ˙
how we shiv
˙
-
er
˙
Œ
6
4 œ œ ˙.
>
Œ
Boh - m,
45 Ó
with
6 œ b >œ ˙ .
4
bœ ˙
>
Œ
Boh - m.
Boh - m.
Boh - m.
>œ ˙
Boh - m.
af - fright,
Í
>œ ˙
f
5 œ bœ ˙ .
4
b >œ ˙
˙
Í
Boh - m.
64 œ œ ˙ .
>
Boh - m,
5
4 Ó
Boh - m.
bœ ˙
>
Boh - m,
m.
with
Œ
œ >œ ˙ .
-
Ó
f
54 œ b œ ˙ .
˙
˙
Boh - m,
>œ œ
Doo
Œ Œ œ 45 ˙ .
>
45 Ó
5
4 Ó
5
4 Ó
Í
af - fright,
œ ˙
>
Boh - m.
Í
>œ ˙
Í
>œ ˙
Boh - m.
Boh - m.
83
F
& bœ œ ˙
268
S. 1
œ
6
œ œ bœ œ œ œ œ #œ 4 ˙ .
at the mel - an - chol - y men-ace
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
B.
&
∑
&
∑
&
∑
V Ó
Í
>
bœ ˙
V Ó
?
?
Ó
Í
b >œ
Bah - m,
∑
∑
˙
m.
˙
Í
>œ
Í
-
Boh
-
Boh
˙
˙
œ
>
∑
∑
m.
˙
m,
∑
tone!
∑
∑
P
64
>œ œ w
Boh - m.
64
∑
Bah - m,
œ ˙
>
-
their
6
4
∑
Boh
Í
of
Œ Œ Œ
˙
˙
sound that floats
∑
∑
P
#˙ ˙ b˙
6 >œ œ w
4
Boh - m.
64 œ œ w
>
˙
sound that floats
∑
Boh - m.
6 Ó
4
6 Ó
4
F
b˙
Œ œ œ œ #˙
˙
F
b˙
Œ œ œ œ #˙
˙
For eve - ry
sound that floats
For eve - ry
sound that floats
84
S. 1
&
∑
∑
∑
∑
3
4
S. 2
&
∑
∑
∑
∑
3
4
272
A. 1
& Œ ˙
˙.
rust
A. 2
T. 1
T. 2
Bar.
& Ó
Œ
∑
bw .
∑
P
Ó . bœ bœ œ
throats
is
is
˙.
œ bœ œ
is
Í
bw .
œ bœ œ
P
throats
rust
a
groan,
a groan,
œ œ
œ œœœ œ
œ œ
with - in their
œ œœœ œ
from the rust
with - in their
a groan,
43
43
3
4
w.
Í
w.
∑
∑
43
Í
bw .
∑
∑
43
throats
from the rust
B.
˙.
˙
V
?
Í
P
Ó.
∑
throats
rust
V ∑
?
Í
bw .
throats
Í P
b˙ . ˙ œ w .
throats
is
a
groan.
w.
3
4
85
3
&4
∑
3
&4
∑
276
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
Bar.
B.
F
4 Œ œ œ œ œ Œ
4
q = 80
And the peo- ple,
4
4
44
∑
& 43
44
∑
3
V 4 ˙.
V 43
?3
4
? 3 ˙.
4
∑
∑
ah,
∑
& 43 ˙ .
˙.
œ . œ bœ œ
J
∑
44
∑
F
j
œ. œ œ œ
∑
4
4
∑
they that dwell up in the
the peo - ple,
∑
œ
Œ œ œ œ œ œ œ
they that dwell up in the
∑
F
œ . œ bœ œ
J
ah,
4
4
the peo - ple,
Œ œ œ œ œ œ œ
∑
ah,
4
4
œ
∑
œ
Œ bœ œ œ œ œ œ
the peo - ple,
they that dwell up in the
∑
F
œ. œ œ œ
J
ah,
the peo - ple,
∑
∑
œ
Œ
œ œ œ œ œ œ
they that dwell up in the
∑
86
œ œ œ
& œ œ Œ
280
S. 1
stee-ple,
all
∑
œ
a - lone,
Ó
S. 2
&
A. 1
& œ œ Œ bœ œ œ bœ
stee-ple,
A. 2
T. 1
T. 2
Bar.
∑
&
V
all
bœ œ Œ bœ œ œ nœ
stee-ple,
all
∑
Œ
nœ œ œ œ
and who toll - ing,
Œ
a - lone,
Ó
œ œ œ œ
and who toll - ing,
Œ
? œ œ Œ
œ œ œ #œ
all
∑
a - lone,
Ó
œ œ œ œ
and who toll - ing,
Œ
Œ
œ
-
œ
œ
Œ
tolling,
œ œ bœ
toll
- ing
F- p F- p
œ
œ
Œ
F- p
œ
œ
Toll
-
œ
F- p
œ
œ
œ
F- p
œ
-
bœ
œ œ œ
œ
œ
ing,
toll
toll - ing,
toll
ing,
toll
- ing
F- p F- p
F- p
bœ
œ
œ œ
-
œ
F- p F- p
œ
bœ
toll - ing,
F- p
bœ
œ œ œ
toll - ing,
F- p
œ
œ
Toll
stee-ple,
B.
Ó
and who toll - ing,
Œ
œ
Toll
V
?
a - lone,
œ œ œ œ
œ œ œ
toll - ing,
toll
ing,
toll
-
œ
- ing
F- p F- p
œ
œ
-
ing.
F- p
bœ
ing.
œ
F- p
bœ
ing.
87
P
& Œ œ œ œ
283
S. 1
in that muff
S. 2
A. 1
& œ Œ
P
& Œ bœ œ œ
T. 1
T. 2
Bar.
B.
&
œ
Œ
led
mo
-
Ó
no - tone,
∑
œ œ bœ œ œ ˙
-
led
mo
-
f
œ œ œ œœ œ
feel a glo - ry
Ó
Œ
f
∑
œ
no - tone,
∑
Ó
feel a glo - ry
Œ
in so
œ Œ
roll - ing,
Œ
Boh - m,
œ bœ œ nœ œ œ
Í
œ
∑
f
œ #œ œ œ œ
in so
œ
Œ
roll - ing
Œ
V œ Œ
?
Ó
∑
Ó
œ Œ
Œ
in so
roll - ing
Œ
Boh - m,
∑
∑
f
Œ œ œ œœ œ
feel a glo - ry
Œ
œ
Ó
∑
Ó
Œ
#œ
œ
Í
œ
Í
Œ
œ œ
in so
œ
Í
#œ
Boh -
œ œ œ #œ œ
Boh - m,
Í
Boh -
œ œ œ #œ œ
Í
œ
Boh -
Œ bœ œ œ œ œ
feel a glo - ry
œ
Í
œ œ œ œ œ
Boh - m,
V
?
-
Ó
in that muff
A. 2
œ œ
œ œœ˙
roll - ing
Œ
œ
Í
œ
Boh -
287
S. 1
S. 2
& œ
& œ
P
œ œ #œ .
on
88
meno moso
the
Œ
hu
-
j
œ
man
œ.
heart
Ó
j
œ #˙
of
stone.
œ
Œ
Ó
∑
∑
∑
∑
∑
∑
m.
A. 1
&
A. 2
&
T. 1
T. 2
∑
œ
Œ
Ó
m.
V Œ
V œ
P
œ œ œ.
on
the
Œ
hu
Ó
-
œ
J
man
œ.
heart
œ ˙
J
œ
∑
Œ
of
m.
Bar.
B.
∑
œ
m.
Œ
Ó
Ó
P
bœ œ bœ œ œ œ
They are
?
?
stone.
Œ
nie - ther man
∑
∑
∑
∑
nor
89
accel.
∑
290
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
&
& Œ
f
Œ bœ bœ b˙
∑
F
Œ
œ œ œ œ #œ œ #œ œ
They are nie-ther brute nor
&
∑
&
∑
Ó
Œ
hu-man,
F
bœ b˙
Œ
bœ
B.
Ghouls,
f
‰ b œj œ
tutti
solo
Ó
are Ghouls,
∑
Ó
Œ
‰
f
j
bœ
are
∑
F
‰ b œJ b œ
Ó
Ó
f
Œ bœ bœ b˙
tutti
solo
are Ghouls,
V œ œŒ
?
Ghouls,
bœ b˙
they are Ghouls,
V
?
bœ
they are
∑
they are
Œ
wom-an.
Bar.
f
they are
f
bœ
bœ b˙
they are
∑
∑
∑
Ó
Ó
Œ
Fj
‰ bœ bœ Œ
solo
are
Ghouls,
Ghouls,
Ghouls,
f
b
‰ œJ œ
are Ghouls,
Œ
f
‰ bœ
J
tutti
are
90
S. 1
S. 2
A. 1
A. 2
q = 92
& œ
293
& œ
& œ
F
œ
and
œ
their
Œ
œ
king
Œ
T. 2
Bar.
F
œ
and
& œ
Œ
V œ
F
œ
V œ
Œ
? œ
F
œ
? œ
Ghouls,
it
œ
œ
their
œ
king
Œ
œ
Í
and
Œ
œ
their
œ
œ
it
œ
king
Œ
œ
Í
their
œ
œ
it
œ
king
Œ
œ
Í
œ
is
œ
who
œ
tolls,
œ
is
œ
is
Í
œ
œ
and
he
œ
and
œ
he
œ
œ
tolls,
œ
who
œ
tolls,
œ
Í
˙
tolls,
œ
who
œ
tolls,
œ
Í
and
he
œ
œ
and
he
˙
˙
tolls,
œ
œ
œ
it
is
who
˙
œ
˙
˙
Tolls,
œ
œ
˙
Tolls,
and
B.
Í
œ
Tolls,
Ghouls,
T. 1
œ
œ
tolls,
œ
Í
˙
91
295
S. 1
& œ.
rolls,
S. 2
Í
& ˙
j
œ
rolls,
rolls,
A. 1
& bœ .
rolls,
A. 2
Í
& ˙
V bœ .
rolls,
T. 2
j
œ
rolls,
rolls,
B.
?
Í
˙
j
œ #œ .
rolls,
Ó
œ
œ
J
œ
rolls,
œ
rolls,
j
œ bœ .
rolls,
œ
œ œ.
J
rolls,
Í
˙
pae - an
from
the bells!
Ó
œ
Œ
rolls,
j
œ #œ .
rolls,
a
pae - an
from
Ó
Í
#œ
Œ
And his
Í
#œ
Bah
j
œ bœ œ œ . œ bœ .
a
pae - an
from
œ
Œ
a
œ
Boo - m,
And his
Í
#œ
Bah
j
œ
œ.
Ó
from
the
-
bœ œ
œ œ œ . œ bœ .
pae - an
-
nœ œ
the bells!
Ó
-
#œ œ
the bells!
Ó
œ
œ.
Í
#œ
And his
Bah
Boo - m,
œ
#œ œ
j
œ bœ œ nœ . œ œ .
œ.
Í
#œ
Ó
rolls,
rolls,
a
œ œ œ . œ bœ .
Boo - m,
rolls,
œ
Í
#œ
Í
#œ
Ó
Í
˙
j
œ
j
œ
œ.
Boo - m,
rolls,
Í
V ˙
? œ.
rolls,
Í
˙
rolls,
Bar.
Í
˙
œ
rolls,
rolls,
T. 1
œ
bells!
Œ
Í
#œ
Bah
-
92
6
4
∑
∑
6
4
∑
& b œ œ n œ . œ œ . œ œ b œ œ œ œ œ 43 b ˙ .
64
∑
∑
64
∑
œ œ œ # œ œ 43 ˙ .
6
4
∑
64
∑
& œ œ œ . œ nœ . œ œ
298
S. 1
mer-ry bos - om swells and he
S. 2
Í
& #œ
Œ
m,
A. 1
Í
nœ œ
T. 1
&
#œ
Œ
m,
Í
œ œ
V bœ œ nœ . œ œ . œ œ
V #œ
Œ
m,
Bar.
Í
œ œ
mer-ry bos - om swells and he
B.
m,
Œ
Í
œ œ
Bah - m
Í
and he
œ œ
Boh - m.
danc - es,
Ó
Í
danc - es,
œ œ
Ó
Í
yells.
3
4
and he
Boh - m.
Bah - m
? œ œ œ. œ
œ. œ œ
? #œ
Ó
Bah - m,
mer-ry bos - om swells and he
T. 2
danc - es,
Bah - m,
mer-ry bos - om swells and he
A. 2
œ œ œ œ œ 43 ˙ .
yells.
43
and he
œ œ
Boh - m.
yells.
43
∑
3
œ œ œ #œ œ 4 #˙ .
danc - es,
Ó
and he
Í
œ œ
Boh - m.
yells.
3
4
∑
6 Ó
4
Ó
p
œ œ
Boh - m,
P
6 œ œ bœ œ ˙ .
4
Keep-ing time, time, time,
93
S. 1
&
∑
∑
S. 2
&
∑
∑
302
A. 1
A. 2
T. 1
T. 2
Bar.
B.
& Ó
&
p
bœ
Ó
œ
w
Bah - m,
P
a
sort
of
∑
V
∑
in
keep - ing time,
sort
of
œ
Boh -
œ
˙.
time,
time,
œ
ru - nic rhyme,
Ó
P
œ bœ bœ œ œ œ ˙ .
To
? œ œ bœ
a
Ó
? w
p
œ
bœ œ bœ œ ˙ .
œ œ
ru - nic rhyme,
V
œ
Boh - m,
bœ œ bœ œ ˙ .
œ œ
In
œ
œ
the
pae - an
of
the bells,
w
-
œ
- m,
œ œ bœ
keep - ing time,
Boh - m,
Bah
œ
˙.
time,
time,
œ
- m,
94
P
˙
& œ œ
rall.
˙.
304
S. 1
Of
S. 2
A. 1
A. 2
T. 1
T. 2
B.
bells,
& Ó
p
œ
Ó
&
V
of
œ
˙
bells,
bells,
w
œ
œ
œ
w
Bah - m,
a
sort of
œ
bœ
œ
œ
in
œ
œ
a
sort
of
ru - nic rhyme,
w
Bah - m,
Bah
bœ œ œ œ ˙ .
V œ bœ
the
pae - an
of
? œ œ bœ
keep - ing time,
œ bœ bœ œ œ œ ˙ .
the bells,
? w
to
œ
œ
Boh
œ
˙.
time,
time,
Boh -
bœ œ bœ œ ˙ .
œ œ
ru - nic rhyme,
w
œ
Bah - m,
bœ œ bœ œ ˙ .
œ œ
in
the bells,
œ
Bah - m,
& w
to
Bar.
the
œ œ ˙
the throb - bing
of
the bells,
œ
w
-
m,
œ œ bœ
keep - ing time,
œ
Bah - m,
œ
˙.
time,
time,
-
95
˙
& œ œ
306
S. 1
as
S. 2
A. 1
he knells,
œ
˙
knells,
knells,
& w
œ
& bw
œ
T. 1
T. 2
&
V
B.
œ
Bah
bœ œ bœ œ ˙ .
œ œ
in
a
sort
of
-
-
œ bœ
m,
Boh -
w
œ
m,
of
œ
m.
w
œ œ ˙
ru - nic rhyme,
w
œ
the bells,
œ
bells,
w
the
sob - bing
of
? œ œ bœ
˙
œ
keep - ing time,
œ
the roll - ing of
the bells,
w
œ
Boh - m,
˙.
time,
time,
œ
Bah -
to
œ
œ
Boh -
œ bœ bœ œ œ œ ˙ .
the bells,
? w
œ
bells,
Boh - m,
bœ œ œ œ ˙ .
V œ bœ
to
Bar.
œ
Bah
m,
A. 2
∑
œ
Bah -
œ œ ˙
of
the bells,
œ
˙
bells,
bells,
96
q = 80
5
4
∑
∑
3
4
∑
& bw
ΠΠ45
∑
∑
3
4
∑
& w
ΠΠ45
∑
∑
43
∑
45
∑
ΠΠ45
∑
308
S. 1
&
S. 2
∑
m.
A. 1
m.
A. 2
T. 1
T. 2
∑
&
V
w
m.
bœ
V œ bœ œ œ œ ˙ .
to the toll-ing of the bells,
Bar.
B.
? w
?
∑
œ
œ œ
Bells, bells, bells.
45 Ó
ΠΠ45
m.
Ó
œ
Bells, bells,
˙
œ
Of the bells,
œ œ
bells, bells, bells, bells.
∑
5
4 œ bœ ˙
3
4
∑
Œ œ
œ
bells, bells,
˙
œ
œ œ
bells, bells, bells, bells.
˙.
∑
43 ˙ .
3
4
∑
œ
43
∑
3
4 ˙.
97
&
∑
&
∑
312
S. 1
S. 2
A. 1
A. 2
T. 1
T. 2
∑
∑
∑
∑
∑
∑
∑
∑
π
œ ˙
Bah-m.
∑
&
∑
∑
∑
∑
∑
π
œ ˙
Bah-m.
∑
&
Œ
˙
Boh
V Ó
œ
˙.
V œ bœ œ œ
˙.
? Ó
˙.
-
œ
œ
? œ
bœ œ œ
To the moan - ing
Œ Œ
m,
Œ
Œ ˙
Boh
Œ œ
˙.
bœ bœ œ œ
˙.
Bah - m,
˙.
-
œ Œ Œ
∑
m,
Œ
Œ œ
∑
∑
and the groan - ing
bœ ˙
π
œ ˙
Bah-m.
œ œ œ
˙.
˙.
of the bells.
˙.
∑
∑
Bah - m,
bœ bœ œ œ
π
Bah-m.
Bah - m,
and the groan - ing
Bah - m,
B.
∑
Bah-m.
To the moan - ing
Bar.
∑
π
œ ˙
˙.
π
œ ˙
Bah-m.
œ œ œ
of the bells.
˙.
˙.