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•- 0
INTRO-:)UCTTOllT
T'hroughout the course of each of Cha:v-l.otte
Pront;~
novels, the protagon ls'; encounters many cU fferert
of charc;.cters,
and Paul
Emanuel, Frances Henri and M. Pelet are all
way~
a unique
;':;'
contrib~tes
,.~~iticized
tl: .. t
co~nected,
Miss Brontt! has,
ir~
for her loose nlct construction,
minor character3..
W'ny, for
;;;'u
'
".rt
~v";e,"::;:1ingly
0xn'~:,,1.e,
the remainder of
t~e
:.~> ,TO" .JrJ
plot.
71 ' 1:; sd er: ::laKe s se'loral fra Gmen tary a:nd a. pparer t 1J
Lunc t i
fac:,
and her presence does not seem to nrofo~~al~
~~fluence
r"CG1)Ci".
i~d
if connected ci.t
criticism deals with the inclusioYJ of
~T2-reous
Lo~ood,
to the novel in
the protagonist and another person is brief
:rain plot of the r.ovel.
'\(;(~,~
0 .....'
e~ch
Often, however, the relatiOlJ.ship es"tal'lished
appears to be 100301y
·t~':.c
t~rfies
Mr. Rochester and Mrs. Reed, John Bretton,
very diverse types and
~etween
's
of a fertIle h'J.t ;.md.1.scirlir.ed
~.lnaJ
'_:Y~,J ~_ " O'!'l
.irnat:i.~::-rj.·.,-;
".
t ial
J
value.
these characters are included not
8.S
a whim
of~.h.e
writer's
un fet +:sred
hec~use
or
j:r:C:2(J..S1
:;~:
they
cnntri~~te
the
"his
SOIrt€
therefore
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,
a Lood
~rajesmaL;
th~t Tay," sa~s
~y
t~8te,
~n
William
~y
his
a~bi~ion
.
0.082 not lie in
i~Lroduct0ry
letter.
1
Edward's
ambit ion prove Uu t ViiI} iam' s ovm IT,ild chnT:=tcte:::- is unsuited
for trade and the
From the
corditio~s
be[i~'~j.llC
under which he
h~s
to
~or~.
of his en:ployrr.ent he l'i::"lJs his life
increasingly di sgus't ing,
~li
lettern "dry ann t~di:)ustl
s
t~L
sk of translating
(r. 24).
'Nsr=~ing
'us~r.e
ss
at a desk
all day is extl'er::eJy stt:lillC; "'te Gays th,;:;,t :mc1er tte
dema:1.d~;
of businoss he feel;:')
desperatic~,
In his
he
C0~
1I~,he
rust and CL'a::-,-
:res his restricted
busine:::s ,dth the life of a slave who 'Tlust
T;'d',':c~rd'
able"
~or
r-!..f.:;~ord
l~~e
in
pe-~~:f'cr:':!
':i8
His ~usiness relationship with ~is ~~~ther
stjfling life in business, a life which would never
im the op')ortunity of any self-expre;,osio:'l.
state:nent that he cou] d ht',"e borne 'ds
been .ror the "ant i
two men
:~.y
s busine ss force s him to see hL3 1 ife a,s "ir: toler-
(p. 25).
~he
c>,~
CP.
24).
pa~y
wo~::
'r,ad
t ,,"ot
,vhich had sprung up" bel ':'C(;2: 11:?
The sectio~ of the no\el dca~ing wi~h
r:;
./
the TElationshiI) cetweGn Williarr.
in
i]lu~inating
si~ply
s a foil to
are atle to see the protagonist
Willja~
2~dwa:,d
several facets of William's
because 2dwall serves
co~tr~sted
~md
cle~rly
is successful
ch~r~c~er
Willia~.
hi~solf
to
~dward
on
is
Yoreover,
severa~
a!ld wakes several judgr:lents on his brother's
~e
~e
hecaus€
with a radically different person.
compares
.
CCC~810~S
c~c',racter,
inciicating, perhaps, an increased :lI'iareness of his c,',vn
character.
From the very
personality and
~anner
inte:r'lie'vv with hiJT;.
ind.ica'~ive
be£in~inG
of the novel TIe see 2dward
are revealed in
Willia~'s
first
Eis actions d:1d maYl:::crisms alone are
of hi;:; char::tcte . c.
He
Spe,l~{S
\7ith "a.. -:
bru,::,t
accent" (p .. f;); ~:,ises "shrpl:r" fro;n his ch:~ir (P. 7);
has a uiS~:ltuituous mena.cei1: ~:is eye" (p. 7); a,TId speaks
ha at i 1:: or not at all. a s the !'lood. str ike s
';.'Cii-l:i.::g
11as
~;.t
broker.
i~t01eratle
~,is
off.ice, he qu1ckJ.y
'01 ,
tles
u.~~
to
Uillia~.
1-J.j ;C;.
His
ascer~aL~;s~h,:.t
'llLI.liar:l
F.
'''''
..L.a.;
the
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, ,lI!+j-
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~ill1d~
sses what he is
YIn
of
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11) •
(:0T: tr~tdj_C::OT'J<r
~ot.
::;ter
st uder.t i:;.
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f.i~ally
j'
He is never
~~rries
oh~E2sed
Frances,
with the desjre to
of the fact
1:e
SJrD.e degree of Cl.utono:ny.
cont~ol.
She
d~3ires
to aS8ert her
irmly •
8.
~ndepend.ence
through teach inc; ',; ill ian; real.':.. e 8 that he
cannot deprive her of
life.
If William is an
~egin~irL
independence by rulirg her
tha~
i~c0mrlete
personality at the
of the novel as we a'e led to believe, then
his cYaracter.
"
201'8. ide ;{el..lter 113 another
~"zzling
char:.ete:c '1;11ose
fU:'lCtl()[i
in the nO',Te.1 is not entirely clear.
is first
introd~ced
candjd~te
~o
WillIam, she seems to
for the novel's love interest.
that Charlotte
Bront~
;}an for the novel; France3
Hovvever,
][\:;1'
de::ep:.ive
Ml~e.
~e
~fter
abruptly set aside in favor of Frances, the
suspe:~t[;.
W'ner she
the likely
s~e
re~der
whiLlsical}y c};/-i.ngcd
3ec~ed
l~ke
u
be~~er
is
perhaps
hel~
hereine,
3euter might be seen to
personal~.t.Y
William is led to a r:;a2.L'cc:ion
i~
Frances Henri.
r:'B
k::er,' ver:/ lit-:le ;'.tcout the fe;r;ale
he
kno~s
cha,r,:'c~e~.
little about women he is initially
!'~~;,clNhat
ir~rc~cG~
8=' ) •
knows little about women, he
k~ows
that he can only marry
9.
a 'Wor..an of some capabilit.y.
t~le:r0fore
?1!'e
eLough to recomrrend her to .:-:rif:'. i:n the
Tn addition to
begin~ine.
Her i:1tellectual abilities
~er
intelligence, srie
?OS3GS3eS
a charminc and tranquj] personality, a personality in
oet-t:e:r', subtle rli:::ts tell ci.bou"t l'er true c'liJ:racter.
He
comes to suspect. ths.t st1e, like T:d,vard, has a 80mpl)lstve
desir
to control 8verY0ne she associates
enjoys the feeling of superiority Ghe has in
obvio~31y
rela t ion :0 ter stUQ<"rl t3 and instructors
that superiority she
"t, .... ,
......
...... el..· •
which she can dominate
-~.r.em.
CO;ltrol
~jm.
~y
beccl.1~.:;e
~ith
flattery,
:-:;a'':aGernent of tCDlper she keeps everyone in
~i
her other
;il~iaffi
~ill
She
w:~h.
u~derli~Ls.
feels that
e~able
her
3~e
ta~e
of her
aac~
fli~tation,
~\:;;e
or
of Lor.
:1er
Or: his second rr.eetin£,,-H-;'" >.Jr,
is probing his
~old
thr:i'_,gh
nat~r2
i~
o~~e~
~o
of him 2nd lead.
perceivec. 800[[ t!lat she was fee~_i. uL.,:c:-c
real char~~.cter; she W~~~) s0~.rc'-';nc fo"~
salient points, anti weak polnt8, and
eccentric point3; she w~s applyiri£ nc~
rLy
tl1is teDt, _',lOttl tr~(::. c, 1:'Opi118 111 t:~H:; l;.tlU
fil:d s():ne cfltnk', sorae rl.iche, \rV}JC:-C G"~:?
2oul,d P-.lt 5_n hc~ l:~ti:le flrm foot a:-:d
stand u-on ;"y :1eck--:-:1istress of ;;:;;
:
D
nature (p. 81).
Her
d~3j~e
as their
tn castor his rersona11ty becnmcs
re~atjo::;shj
p pr0::-;reGSes.
~sre
ol~iJUS
Throueh Sd'.vard, Wil:;'i:"%
10.
had found that he is not nne wno can be controlled by
another.
Wa~1 t
Yihe" 1"e finall~' reali.zes that Zora!de :c.erely
shim lU1der her in fluen :?e, 116 re bels Bgahlst }-ler ar:..i
relatio~ship
ceases the pleasant
A~o~her
~hey
once had.
of ~J'e. Reuter's charncteristics which
who harsh]; u~d nper!y t2k0~ co~trol, Zora!de is subtle
l~
~ttempts
her
~aster.
to
of her personality ra~her cRrly l~ their friendship.
T~e e~-."·8?,~
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+
12.
whose funci tn::-: ';} l'at"':1E.l' perplexl.Lg.
interrupt the
i~terestL1g
first
Yet he is a
~:ot.
c0~~lex char~cter,
Co~vE~5a~ion,
~ilJiam
desc~ihes
"not c)dd--no quiz--ye t he re se:-r:b:: e1
lt
ever Geen "e.('ore
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have
After tr:e:r
"because he is 3C enier.;atic.
::-10
t:i~
as
bej~c
"ne e Ise Thad
23) •
(..-,
1- •
the per;Jo:1 ftc; ':.'as pa:rtLllly because of
~:,ec0::,,:e
'funsden's influence.
J.--:-luaJ.ntance v.ith
t c =- e .C an t
0
E'mscle:r~,
'Hillb.r:i is
':iiSC(Hltc~-:t
his j 0 h •
f
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aays
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t
n 1 S l'' re 7" It (p.
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a
,"t
13.
will turn up for
William oi a jot
i~
Europe.
is ft::lally 2."(;1e to clt+a.LYl the 1it's::-ty for which he
longed.
Li.~-:a:nci~l
Ii i.s 1 ife.
Hu~sde::
}1:~:S
furnishes the fra:::e 0-::: :-r'ind and the
sec-urit,,/
vil1:je~1
enable
71ilJ~am
:0
ijsentanc1e
Vj2.1ette
Villette, 8harlotte Bront@ts last novel,
be very loosely,
rIot relies
j f ~ot
he~vily
0~
carelessly, constructed.
coincidence and
~!as
a
or advance
~lirc~~ont,
clo~e
a~y
t~e~e
i~
~he
se~i-develoned
never satisfactorily developed, nor do they
su~?ort
see~
to
the nevel.
yet the relationship le?ds nowhere; i t
look at Miss
~archmont's
account of
~er
li~e
_•• J....
",'..
...
Tn ad:liU.O"
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i~~luence
O~
Lucy's development.
,
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to
apre~rs
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