Welcome to the Wonderful World of Poetry… an alliteration!) We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. Medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. ~Dead Poet's Society (that’s What is Poetry? According to poet Marianne Moore, poems are “imaginary gardens with real toads in them.” •An “imaginary garden” because it is the creation of the poet’s imagination, •It has “real toads” too because it also comes from the poet’s experiences in real life. What is Poetry? Poetry is a genre (type/form) of literature. – Poetry is a very expressive type of literature – Every word is important and full of meaning – Poetry is written in a specific form - lines and stanzas. Other genres are not. – Other genres like fiction, nonfiction and drama (plays) are written in prose form (sentences and paragraphs) Poetry is All Around Us • It’s the jingles of jump-rope chants, television commercials and the words of songs you like. • Poetry can: – tell a story, present a picture, reflect on life, or express an emotional experience. • No matter what the purpose -poetry is the most musical of all literary forms. – Note that rhyme is not necessary (more on that later). Introduction To Poetry by Billy Collins I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author's name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means. Poetry is very Personal You and I will often interpret the same poem a differently. So, how do I figure out what the poem means to me? Word choice is a key.. every word is significant Connotation: Denotation: The way a word makes us feel. The actual dictionary definition of the word. Words can give us different feelings when we hear them…some positive, some negative, and everything in between! See the example below The following words and phrases all refer to "a young person," but their connotations may be quite different depending, in part, on the context in which they appear: youngster, child, kid, little one, small fry, brat, urchin, juvenile, minor. Some of these words tend to carry favorable connotations (little one), others unfavorable (brat), and still others fairly neutral connotations (child). Calling a young person a brat lets our readers know at once how we feel about the rotten kid. …But does poetry have to be so serious to be good? • No, poetry can take on any mood or tone –serious, funny, etc. and still be powerful. • Poems have – Theme: the insight into life of central idea provided in a poem. – Tone: the attitude the writer takes toward the subject of the poem or the audience. – Mood: the feeling the poem creates in the reader when it is read. – There are NO rules about what the theme, tone or mood have to be like. • For example, read /listen to the poems • “Maybe Dat's Your Pwoblem Too” and • “Annabel Lee” http://www.youtube.com/watch?v=C4bb_6MmgZo • Can you identify the theme, tone or mood of each? Consider word choice to help. POINT OF VIEW IN POETRY POET • The poet is the author of the poem. SPEAKER • The speaker of the poem is the “narrator” of the poem. POETRY FORM • FORM - the appearance of the words on the page • LINE - a group of words together on one line of the poem • STANZA - a group of lines arranged together A word is dead When it is said, Some say. I say it just Begins to live That day. Emily Dickinson KINDS OF STANZAS Couplet Triplet (Tercet) Quatrain Quintet Sestet (Sextet) Septet Octave = = = = = = = a two line stanza a three line stanza a four line stanza a five line stanza a six line stanza a seven line stanza an eight line stanza How to Read a Poem 1. Read a poem slowly and more than once. 2. Remember that every word in a good poem is significant to the poem’s effect. Use a dictionary to look up unfamiliar words. 3. Use punctuation as a guide to the meaning of the poem. Read the poem as you would prose, with words grouped into thoughts instead of line by line. 4. Notice the title. How to Eat a Poem Don’t be polite. ́ ́ Bite in. Pick it up with your fingers and lick the juice that may run down your chin. It is ready and ripe now, whenever you are. a line of a poem does not have to be a sentence a line of a poem can be a fragment of a sentence Lines of a Poem with or without punctuation With or without capital letters it can spread itself out taking time as it floats down the page. Lines of a Poem a line of a poem can go anywhere you want it to. but if you want to emphasize a word put it all alone like a star or a bird or a crab. Poetry Practice Using the book at your table, select one poem from the book to represent the group. Divide up the duties below and prepare to present your poem to the class: 1. Snap a picture & upload to my wiki (share with me for display when your group presents.) 2. Identify the number of lines and stanzas in your poem. Notice anything unique about the form. 3. Identify the poet and speaker 4. Read the poem aloud Poetic Elements • The following slides review elements of poetry • You should be able to label these in poems later in the PowerPoint • These elements fall into two categories – Rhythmic/Sound Devices – Figurative Language Rhyme & Rhythm • You have probably seen more traditional poetry than any other kind. – Unlike most modern poetry, traditional poetry follows certain strict patterns of rhyme and rhythm. • Whether it is traditional poetry or modern, rhyming and sound devices create the rhythmic quality we see in poetry. RHYME • Words sound alike because they share the same ending vowel and consonant sounds. • (A word always rhymes with itself.) LAMP STAMP Share the short “a” vowel sound Share the combined “mp” consonant sound END RHYME • A word at the end of one line rhymes with a word at the end of another line Hector the Collector Collected bits of string. Collected dolls with broken heads And rusty bells that would not ring. INTERNAL RHYME • A word inside a line rhymes with another word on the same line. Once upon a midnight dreary, while I pondered weak and weary. From “The Raven” by Edgar Allan Poe NEAR/SLANT RHYME • a.k.a imperfect rhyme, close rhyme ROSE LOSE • The words share EITHER the same vowel or consonant sound BUT NOT BOTH Different vowel sounds (long “o” and “oo” sound) Share the same consonant sound RHYME SCHEME • A rhyme scheme is a pattern of rhyme (usually end rhyme, but not always). • Use the letters of the alphabet to represent sounds to be able to visually “see” the pattern. (See next slide for an example.) SAMPLE RHYME SCHEME The Germ by Ogden Nash A mighty creature is the germ, Though smaller than the pachyderm. His customary dwelling place Is deep within the human race. His childish pride he often pleases By giving people strange diseases. Do you, my poppet, feel infirm? You probably contain a germ. a a b b c c a a Rhyme Scheme • Can you complete the rhyme scheme of this poem by Lewis Carroll? • Start with “A” and mark the lines that rhyme with the same letter. How Doth the Little Crocodile How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale! How cheerfully he seems to grin, How neatly spreads his claws, And welcomes little fishes in, With gently smiling jaws. a b a b c d c d FREE VERSE POETRY • Unlike metered poetry, free verse poetry does NOT have any repeating patterns of stressed and unstressed syllables. • Does NOT have rhyme. • Free verse poetry is very conversational sounds like someone talking with you. • Considered a more modern type of poetry. Free Verse Fog The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on. -Carl Sandburg Free Verse Miracles By Walt Whitman Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim--the rocks--the motion of the waves--the ships with men in them, What stranger miracles are there? Lyric Poetry (Describing a scene) Oranges By Gary Soto The first time I walked With a girl, I was twelve, Cold, and weighted down With two oranges in my jacket. December. Frost cracking Beneath my steps, my breath Before me, then gone, As I walked toward Her house, the one whose Porch light burned yellow Night and day, in any weather. A dog barked at me, until She came out pulling At her gloves, face bright With rouge. I smiled, Touched her shoulder, and led Her down the street, across A used car lot and a line Of newly planted trees, Until we were breathing Before a drugstore. We Entered, the tiny bell Bringing a saleslady Down a narrow aisle of goods. I turned to the candies Tiered like bleachers, And asked what she wanted Light in her eyes, a smile Starting at the corners Of her mouth. I fingered A nickle in my pocket, And when she lifted a chocolate That cost a dime, I didn’t say anything. I took the nickle from My pocket, then an orange, And set them quietly on The counter. When I looked up, The lady’s eyes met mine, And held them, knowing Very well what it was all About. Outside, A few cars hissing past, Fog hanging like old Coats between the trees. I took my girl’s hand In mine for two blocks, Then released it to let Her unwrap the chocolate. I peeled my orange That was so bright against The gray of December That, from some distance, Someone might have thought I was making a fire in my hands Meter • Meter – a pattern of stressed and unstressed syllables in a line of poetry. Meter is the rhythm you hear when a poem is read aloud. ´ ˘ Peter, ´ ˘ pumpkin ´ ˘ eater, ´ ˘ Peter, ˘ couldn’t ˘ keep ˘ ´ a˘ wife ´ and ´ ´ her; Had ˘ in ˘ shell ´ her ´ a˘ pumpkin ´ ´ Put ˘ there ˘ very ´ ˘ well. ´ And ´ he˘ kept ´ her Clap on the accented/stressed syllables ´ and don’t clap on the unaccented/unstressed syllables ˘. K. Doolin Revised 11/2012 28 ONOMATOPOEIA • Words that imitate the sound they are naming BUZZ • OR sounds that imitate another sound “The silken, sad, uncertain, rustling of each purple curtain . . .” Refrain Repetition Refrain is when a poem repeats entire lines or more several times throughout. Repetition is when a word or phrase is repeated just once or in one specific area of the poem. Like the chorus of a song ALLITERATION • Consonant sounds repeated at the beginnings of words If Peter Piper picked a peck of pickled peppers, how many pickled peppers did Peter Piper pick? CONSONANCE • Similar to alliteration EXCEPT . . . • The repeated consonant sounds can be anywhere in the words “silken, sad, uncertain, rustling . . “ ASSONANCE • Repeated VOWEL sounds in a line or lines of poetry. (Often creates near rhyme.) Lake Fate Base Fade (All share the long “a” sound.) Can you find sound devices??? • Read “Jabberwocky” and locate sound devices as instructed on your handout. Figurative Language •Authors say things sometimes that they do not mean literally. Hurry! Time is about to run out! •This is commonly called using a “figure of speech”. •There are several types of figurative language. METAPHOR • A direct comparison of two unlike things -with out using “like” or “as”. • Examples: – Oh bright angel, speak again!” It is the East, and Juliet is the sun!” - William Shakespeare – “All the world’s a stage, and we are merely players.” - William Shakespeare EXTENDED METAPHOR • A metaphor that goes several lines or possible the entire length of a work. • Read “Mother to Son” by Langston Hughes on the next slide to see how Hughes extends the metaphor EXTENDED METAPHOR Mother to Son by Langston Hughes Well, son, I'll tell you: Life for me ain't been no crystal stair. It's had tacks in it, And splinters, And boards torn up, And places with no carpet on the floorBare. But all the time I'se been a-climbin' on, And reachin‘ landin's, And turnin'corners, And sometimes goin' in the dark where there ain't been no light. So boy, don't you turn back. Don't you set down on the steps 'Cause you finds it's kinder hard. Don't you fall now-For I'se still goin', honey, I'se still climbin', And life for me ain't been no crystal stair. SIMILE • A comparison of two things using “like” or “as”. • Examples: – “She is as beautiful as a sunrise.” – “The river is peaceful, like a new baby sleeping.” Allusion • Allusion comes from the verb “allude” which means “to refer to” • An allusion is a reference to something famous. A tunnel walled and overlaid With dazzling crystal: we had read Of rare Aladdin’s wondrous cave, And to our own his name we gave. From “Snowbound” John Greenleaf Whittier Personification •When human like qualities are given to an animal or object. •Examples: •The video camera observed the whole scene. •The strawberries seemed to sing, "Eat me first!" Hyperbole • Big exaggeration, usually with humor and often used for emphasis. • Examples: – She ordered a mile high ice cream cone. – My parents are going to kill me if I fail math! Imagery •Language that appeals to the senses. •Most images are visual, but they can also appeal to the senses of sound, touch, taste, or smell. from "I Wandered Lonely as a Cloud" by William Wordsworth. I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Idiom • An expression where the literal meaning of the words is not the meaning of the expression. It means something other than what it actually says. • Ex. He let the cat out of the bag. Can you identify figurative language?? • Read “The Highwayman” and locate examples of both sound devices and figurative language as instructed on your handout. Consider sound devices, figurative language and word choice in the poems we read as we look at examples of several types of poetry. Forms of Traditional Poetry The Ballad The earliest forms of poetry were often passed down through music. A ballad is a poem that tells a story. Ballads are usually written in quatrains (stanzas with four lines). They are generally quite lengthy, with many stanzas. Ballad of Birmingham Ballads Follow on your copy of each Ballad as we listen. Mark on your paper to note things you notice about each poem. https://youtu.be/EPdbHfgM0h0 Barbara Allen Narrative Poetry A Poem that tells a story, and has the elements of a story. Often Narrative poems have a rhyme scheme. Examples: “The Highwayman” “The Cremation of Sam McGee” by Robert Service YouTube - The Cremation of Sam McGee LYRIC • Generally a short poem • Usually written in first person point of view • Expresses – an emotion – an idea or – describes a scene or person • Does not tell a story • Are often very musical/rhythmic Lyric Poetry VI (If I Can Stop One Heart From Breaking) If I can stop one heart from breaking, I shall not live in vain; If I can ease one life the aching, Or cool one pain, Or help one fainting robin Unto his nest again, I shall not live in vain. Emily Dickinson Lyric Poetry Which Lunch Table? Kristina George Where do I sit? All my friends from last year have changed; my world is fractured lopsided rearranged Where do I fit? Nothing is clear. Can already tell this will be a jigsaw year. Be Glad Your Nose is on Your Face by Jack Prelutsky Be glad your nose is on your face, not pasted on some other place, for if it were where it is not, you might dislike your nose a lot. Imagine if your precious nose were sandwiched in between your toes, that clearly would not be a treat, for you'd be forced to smell your feet. Your nose would be a source of dread were it attached atop your head, it soon would drive you to despair, forever tickled by your hair. Within your ear, your nose would be an absolute catastrophe, for when you were obliged to sneeze, your brain would rattle from the breeze. Your nose, instead, through thick and thin, remains between your eyes and chin, not pasted on some other place-be glad your nose is on your face! Lyric Poetry Mirror By Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish. Lyric Poetry Nothing Gold Can Stay Robert Frost Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay. UNFOLDING BUD Naoshi Koriyama One is amazed By a water-lily bud Unfolding With each passing day, Taking on a richer color And new dimensions. One is not amazed, At first glance, By a poem, Which is tight-closed As a tiny bud. Yet one is surprised To see the poem Gradually unfolding, Revealing its rich inner self As one reads it Again And over again. Sonnet A sonnet is a poem with fourteen lines written in a specific rhyme scheme. The best form of poetry for expressing romantic or deep feelings. The poet best known for writing sonnets is Shakespeare, and the form most often used is known as the Shakespearian Sonnet. Sonnet 116 Quatrain Quatrain Quatrain Couplet Let me not to the marriage of true minds a Admit impediments. Love is not love b Which alters when it alterations finds, a Or bends with the remover to remove. b Oh no! it is an ever-fixed mark c That looks on tempests and is never shaken. d It is the star to every wandering bark, c Whose worth’s unknown, although his height be taken. d Love’s not Time’s fool, those rosy lips and cheeks e Within his bending sickle’s compass come. f Love alters not with his brief hours and weeks, e But bears it out even to the edge of doom. f If this be error and upon me proved, g I never write, nor no man ever loved. g -William Shakespeare (setting up the problem) (beginning to answer the problem) (problem solved) HAIKU A Japanese poem written in three lines Five Syllables Seven Syllables Five Syllables An old silent pond . . . A frog jumps into the pond. Splash! Silence again. CONCRETE POEMS • In concrete poems, the words are arranged to create a picture that relates to the content of the poem. Poetry Is like Flames, Which are Swift and elusive Dodging realization Sparks, like words on the Paper, leap and dance in the Flickering firelight. The fiery Tongues, formless and shifting Shapes, tease the imiagination. Yet for those who see, Through their mind’s Eye, they burn Up the page.