Cluster: Relationships SONNET 116 – William Shakespeare Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. Task One: Read the poem and get a general sense of Shakespeare’s general theme. Write a summary in the box below: Task Two Study Shakespeare’s imagery and complete comment boxes for each example you find. How do these images contribute to his overall theme? Cluster: Relationships Task Three Complete the metre table by marking each syllable as stressed (/) or unstressed (-). The first line has been done for you. NB: Some words were traditionally foreshortened in typical Elizabethan English: the syllable divisions here reflect the most likely contemporary pronunciations. Let / me not / to the / marr iage / of two / minds Ad mit im ped im ents. Love is not love Which al ters when it al ter a tion finds, Or bends with the re mov er to re move: O no! it is an ev er fix ed mark That looks on tem pests and is ne ver sha It is the star to ev ery wand ering bark Whose worth’s un known al though his height be ta Love’s not Time’s fool, though ro sy lips and cheeks With in his ben ding si ckle’s com pass come Love al ters not with his brief hours and weeks But bears it out even to the edge of doom If this be er ror and up on me proved I nev er writ no no man ev er loved ken ken What do you notice about the underlying metrical pattern of the poem? Highlight in yellow any instances where the underlying metrical pattern does not quite seem to fit. List these syllables or words here: Cluster: Relationships Paragraph for exam: How does Shakespeare manipulate the traditional metrical conventions of the sonnet form in support of his exploration of the theme?