Mary Oliver Ana Berthel, Carrie Speicher, Natalie Miseo Early Life oMary Oliver was born in Ohio near Cleveland on September 10, 1935. oHer mother was named Helen Vlassak, and her father, who was a teacher, was Edward William. oShe was around nature often as a child. oShe attended Ohio State University for a year, then went to Vassar College; however, she never earned a degree. Later Life Edna St. Vincent Millay influenced mary Oliver’s style because Oliver would occasionally stay at Millay’s farmhouse and help Millay’s sister She moved to Provincetown, Massachusetts later in life. In 1981, Bucknell University appointed her poet in residence. In 1991, she became Margaret Banner Writer in Residence at Sweet Briar College. Interesting Facts When Mary Oliver writes her poetry, she often has to go through 50 or 60 rough drafts before she finds a draft that works for her. She does not like for fans of her poetry to know too much about her because she believes it is invasive of her work. She has won many different awards, including the Pulitzer Prize. She had a dog named Percy, who she wrote many poems about. Style: Content The wonders of nature Life and death Seeing ordinary as extraordinary Straight Talk From Fox Listen says fox it is music to run over the hills to lick dew from the leaves to nose along the edges of the ponds to smell the fat ducks in their bright feathers but far out, safe in their rafts of sleep. It is like music to visit the orchard, to find the vole sucking the sweet of the apple, or the rabbit with his fast-beating heart. Death itself is a music. Nobody has ever come close to writing it down, awake or in a dream. It cannot be told. It is flesh and bones changing shape and with good cause, mercy is a little child beside such an invention. It is music to wander the black back roads outside of town no one awake or wondering if anything miraculous is ever going to happen, totally dumb to the fact of every moment's miracle. Don't think I haven't peeked into windows. I see you in all your seasons making love, arguing, talking about God as if he were an idea instead of the grass, instead of the stars, the rabbit caught in one good teeth-whacking hit and brought home to the den. What I am, and I know it, is responsible, joyful, thankful. I would not give my life for a thousand of yours. Style: Structure Many small stanzas or one large stanza Mostly first person, occasionally second person Enjambment The Sun by Mary Oliver Have you ever seen anything in your life more wonderful than the way the sun, every evening, relaxed and easy, floats toward the horizon and into the clouds or the hills, or the rumpled sea, and is gone-and how it slides again out of the blackness, every morning, on the other side of the world, like a red flower streaming upward on its heavenly oils, say, on a morning in early summer, at its perfect imperial distance-and have you ever felt for anything such wild love-do you think there is anywhere, in any language, a word billowing enough for the pleasure that fills you, as the sun reaches out, as it warms you as you stand there, empty-handed-or have you too turned from this world-or have you too gone crazy for power, for things? Style: Literary Devices Personification Similes Imagery- Visual and Auditory Repetition The Swan Did you too see it, drifting, all night, on the black river? Did you see it in the morning, rising into the silvery air An armful of white blossoms, A perfect commotion of silk and linen as it leaned into the bondage of its wings; a snowbank, a bank of lilies, Biting the air with its black beak? Did you hear it, fluting and whistling A shrill dark music - like the rain pelting the trees - like a waterfall Knifing down the black ledges? And did you see it, finally, just under the clouds A white cross Streaming across the sky, its feet Like black leaves, its wings Like the stretching light of the river? And did you feel it, in your heart, how it pertained to everything? And have you too finally figured out what beauty is for? And have you changed your life? Criticism “Unwillingness to be like other poets in her generation” “gave women a real voice in poetry” “visionary nature poetry” Criticism “language is not artificial, but is a natural bodily, and material thing” “Oliver’s poem are thoroughly convincing-as genuine, moving and implausible as the first caressing, breeze of spring”- New York Times The music in Oliver’s writing is unmistakable. Her poetry can be read as the best of the lyrics we have these days, and its no surprise that she’s already won a Pulitzer Prize for it, as well as many other honors.” –Los Angeles Times And when I began the journey Of my life, I never thought I would find someone who so beautifully expressed the wonders of life: the plants and animals, the ordinary things that are really so amazing, And even the end of life: death itself. I never thought someone Could say what I felt. But Mary Oliver did.