CALIFORNIA COASTAL COMMISSION Case No. 5-11-125-REV Wednesday, January 8, 2014, Item 11a Presentation on behalf of Permittees Darrach McCarthy and Lucia Singer in opposition to Request for Revocation 1 Background • March 2010, Applicants McCarthy and Singer buy house. • April 4, 2011: Original plans submitted to the City for plan check. Fully approved. • August 2011: Coastal hearing scheduled in Watsonville. • Applicant agreed to move the meeting to Oceanside in November 2011 so all parties could be present. • September 2011: Story poles erected by an independent licenced story pole contractor. • November 2011: First coastal hearing. • Full presentation from both sides. • Applicant agrees to continue hearing to make changes reducing height, mass and bulk of house. • February 2012: Second coastal hearing • Applicants hired new architect and made changes to height, mass, bulk and appearance of the home. • Commissioners unanimously approve permit finding that the design complied with the Coastal Act. • CDP issued. 2 3 January 2014 Revocation Request Hearing • Now, • • • • Two years later, With the house fully framed and almost completed, The opponents claim that the September 2011 Story Poles, Erected by an independent and licensed third party story pole contractor, • Were intentionally inaccurate, and had they been accurate, a different conclusion would have been reached by the Commission. 4 The allegations are not credible for Many Reasons 1. 2. 3. 4. 5. 6. The story poles were erected by a licenced independent story pole contractor in accordance with plans emailed to him on August 16, 2011. The Permittees sole role was to ask the architect to send the plans, to sign a contract, and to pay the bill. Mr Suisman – a published, internationally acclaimed architect and urban planner – asked for, and received, full access to the property after the poles were erected to “inspect and photograph” them. Suisman did so, using his analysis in correspondence with the applicants and in his presentations to the commission, but not any photographs of the story poles. Suisman also had full access to the actual plans for the project – plans that would give him “an accurate 3-D picture”. Suisman’s staff worked for several days on the creation of a three dimension depiction of the Applicant’s design. The results of this expertise were clearly evident in the opponents presentation at the commission hearing on November 2011. A three dimensional depiction of the entire neighborhood with the applicants’ proposed design illustrated was shown. No story pole photographs were shown. During the February 2012 hearing, at which the CDP was granted, neither the applicant, nor the opponents, nor any commissioner mentioned story poles. The sole issue for the Commission was if the new design was consistent with the “community character”. Commissioners unanimously agreed that the new design was consistent and approved the CDP. 5 All Information Was Accurate & Available • The following two slides show an e-mail October 23, 2011 from Mr Suisman to the applicant requesting and receiving, complete project plans from which he and his staff “working Monday, Tuesday, and Wednesday at least” will create an “accurate 3-D picture” of the project. • The second slide shows actual screen shots of the opponents presentation to commission in November 2011 and February 2012 clearly showing that they had all the skills and all the necessary information to depict the project in full 3-D rendering and in “visual comparison with the surrounding baseline conditions”. And not “in a vacuum” as they now claim the story poles described the project. • This slide also clearly refutes the false and misleading claim that “the building silhouette and height had been substantially understated compared to what is being built now”. 6 7 Opponents Clearly had the Information and Ability to Represent the Project Fully and In Context With Surrounding Baseline Conditions Opponents’ November 2011 presentation Opponents’ February 2012 presentation 8 Furthermore… • Mr Suisman’s own analysis, emailed to the applicant September 2011, based solely on the story poles states: • “I’ve had a chance to photograph the story poles and look more closely at the impact of the current design”. • “and the effect is clear: the complete loss of the view, including canyon, greenery, whitewater and beach (visible from certain angles), ocean and coastline”. • “such a loss of view would represent a minimum loss of $100,000 on our property, with the potential loss ranging from $200,000-$400,000”. 9 10 This is the Opponents Own Photo September 2011 Depicting the Effect of the Story Poles That He Now Claims Underrepresented the Project SUISMAN PHOTOGRAPHS SENT TO MCCARTHY ON SPETEMBER 6, 2011 11 Yet Today, The Opponents Own Photos Clearly Depict a Reality Far Better Than What He Previously Claimed the Story Poles Now Underrepresented! 12 Comparing Opponents Original September 2011 Story Pole Photo, With The 2014 Revocation Request Photo That He Now Claims Underrepresented The Project! 13 As can be seen from the following photos, it is quite clear that the story poles were fair and accurate. 14 Despite the Fact That • A licensed contractor erected the story poles in accordance with the plans on file with the Commission (for a design the Commission did not approve). • No photographs of the story poles except from Ocean Drive were ever presented as evidence to the Commission. • The applicant never once mentioned the story poles at the February 2012 hearing when the CDP was granted. • The Staff Report accurately states that “the photographs of the story poles and flag lines submitted with the revocation request were not shown to the commission”. Each of the opponents September 2011 photographs is incorrectly labeled by the opponents as “shown to the commission (2011)”. • The applicant clearly stated and discussed the 33’ height of the house. • Suisman’s own presentation to the Commission showing that he clearly understood the scale of the project and was easily and expertly able to put it in visual context of the surrounding environment. 15 The Alleged “Accurate” Information would not have affected the Commission decision. • The offered comparison of the 2011 and 2013 photographs in support of revocation only go to the issue of private view blockage. • Each of the opponents’ photographs is taken from a private property deck or window. • The Commission has never considered the protection of private views to come under the Coastal Act policies. • Therefore, even if allegedly “accurate” information were provided, it would not have impacted the Commission decision which was based upon the appearance of the structure, not the impact of the structure on private views. 16 One Final Point • When granting the CDP Commissioner Mitchell specifically requested that the applicant need not go back to the city and be punished for making the very changes that the opponents requested. • In reference to the 5% resubmittal rule, she asked: • “My questions was simply, is their anything that we can do, that we can put in this motion so that the applicant doesn't have to go back to the city for another permit to make this a new application altogether?” 17 Yet… • Even with this specific request from the dais. • And the commission itself DELETING the BHO requirement from the CDP. • The opponents, and their attorney, tirelessly lobbied Los Angeles Councilman Mike Bonin to try use the very changes they themselves requested, against the applicant, and force a resubmittal of plans. • Another example of the opponents abusing every administrative procedure available to delay and add expense to this project. • On December 6, 2013, Ken Gill, Assistant Chief of the City of LA engineering bureau replied to Councilman Bonin assuring him that the project is, and always has been, conforming and vested. 18 City of LA Again Determines That the Project is Conforming & Vested 19 20 In Summation • All the information and project plans was freely and willingly made available by the applicant. • The opponents, led by Mr Suisman, with all his expertise and over a quarter century of experience as an architect and urban planner, utilized that information fully. • A comprehensive and complete 3-D presentation to the commission by the opponents – depicting the project in full rendering and context to the surrounding environment. • In fact, apart from the final exhibit, all exhibits presented here today are the opponents OWN photographs and analysis. • The CDP was issued with unanimous approval. • The City of LA also reaffirmed the projects legitimacy under local codes. • Despite this, the opponents have abused every resource at the Commission, Staff and the City of LA to try and add hardship and expense to the applicant and bully them into submission. 21