Wallace Stevens (1879-1955)
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
Elsie and Wallace
Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
Wallace Stevens
and Holly
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens:
The Hartford Insurance
Company
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens--House on Westerly Terrace
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
The acute intelligence of the imagination,
the illimitable resources of its memory, its
power to possess the moment it
perceives--if we were speaking of light
itself, and thinking of the relationship
between objects and light, no further
demonstration would be necessary. Like
light, it adds nothing, except itself.
Wallace Stevens, The Necessary Angel
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
ENGL 6330/7330
Major American Writers:
Wallace Stevens
Genius at Work
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens, “The Snow Man”
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
ENGL 2030—Summer 2013 | Lavery
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
Wallace Stevens, “The Emperor of Ice Cream”
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal.
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
ENGL 2030—Summer 2013 | Lavery
Thirteen Ways of Looking at a Blackbird
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
ENGL 2030—Summer 2013
| Lavery
Hartford, CT’s
“Blackbird Walk”
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
Wallace Stevens
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Thirteen Ways of Looking at a Blackbird
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
Thirteen Ways of Looking at a
Blackbird
ENGL 2030—Summer 2013 | Lavery
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
Wallace Stevens
Thirteen Ways of Looking at a Blackbird
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
Wallace Stevens
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens
Thirteen Ways of Looking at a Blackbird
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens, “A Quiet Normal Life”
His place, as he sat and as he thought, was not
In anything that he constructed, so frail,
So barely lit, so shadowed over and naught ,
ENGL 2030—Summer
2013 | Lavery
As, for example, a world in which, like snow,
He became an inhabitant, obedient
To gallant notions on the part of cold.
It was here. This was the setting and the time
Of year. Here in his house and in his room,
In his chair, the most tranquil thought grew peaked
And the oldest and the warmest heart was cut
By gallant notions on the part of night—
Both late and alone, above the crickets’ chords,
Babbling, each one, the uniqueness of its sound.
There was no fury in transcendent forms.
But his actual candle blazed with artifice.
“Portrait of the Artist as an Old
Man”
Wallace Stevens, “Final Soliloquy of the Interior Paramour”
Light the first light of evening
In which we rest and, for small reason, think
The world imagined is the ultimate good.
This is, therefore, the intensest rendezvous.
It is in that thought that we collect ourselves,
Out of all the indifferences, into one thing:
Within a single thing, a single shawl
Wrapped tightly round us, since we are poor, a warmth,
A light, a power, the miraculous influence.
Here, now, we forget each other and ourselves.
We feel the obscurity of an order, a whole,
A knowledge, that which arranged the rendezvous.
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens, “Final Soliloquy of the Interior Paramour”
Within its vital boundary, in the mind.
We say God and the imagination are one...
How high that highest candle lights the dark.
Out of this same light, out of the central mind,
We make a dwelling in the evening air,
In which being there together is enough.
ENGL 2030—Summer 2013 | Lavery
Wallace Stevens, “The Planet on the Table”
Ariel was glad he had written his poems.
They were of a remembered time
Or of something seen that he liked.
Other makings of the sun
Were waste and welter
And the ripe shrub writhed.
His self and the sun were one
And his poems, although makings of his
self,
Were no less makings of the sun.
It was not important that they survive.
What mattered was that they should bear
Some lineament or character,
Some affluence, if only half-perceived,
In the poverty of their words,
Of the planet of which they were part.
ENGL 2030—Summer 2013 |
Lavery