Renaissance 1300-1600 “rebirth” of classical learning, art, and creativity. The Renaissance has its birth in Florence, Italy Brunelleschi’s dome Renaissance Renaissance is a: French word meaning rebirth Dates: 1300 - 1600 The Renaissance is a period of great intellectual & artistic creativity which included the revival of interest: in the great Classical culture of ancient Greece & Rome The Renaissance grew out of: the new ideas combine with classical ideas The people of the Renaissance had a new view of: themselves and their world The Renaissance began about 1300 in Northern Italy because of the following advantages: a. Large urban centers b. Merchants acquired great wealth from trade c. Merchants were also patrons: sponsors of art, artists, writers, by hiring them d. Italy was not unified politically, many individual city-states Florence, Italy:City of Flowers Birthplace of the Renaissance a. Led the Renaissance in: artistic excellence b. Became the financial capital of Europe: the Florin was used throughout Europe c. Florentine economic activities: textiles (manufacturing and trading cloth) and banking (finance) d. Florentines developed a republican form of government but: only guild members (3%) could hold government office Florentine cloth Florin Values that shaped the Renaissance a. Celebration of the individual: Artists and writers wanted to be known b. Love of Classical learning: Greece & Rome Humanists: scholars who studied the classical texts Petrarch – Father of humanism who coined the phrase: “Dark Ages” to sum up the Middle Ages c. Enjoyment of worldly pleasures – The ideal for the renaissance man was to be: successful in many fields (versatile) Medieval Man a. Very religious b. Greatly influenced by the church c. Accepted ideas on authority (did not question) d. Felt wealth and pleasure were sinful Renaissance Man a. Religious, but not obsessed by religion b. Involved in worldly affairs c. Questioned traditional attitudes d. Enjoyed the pleasures of living Art and Patronage Italians were willing to spend a lot of money on art. / / Art communicated social, political, and spiritual values. Italian banking & international trade interests had the money. Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status! Quattrocentro: Italian name for the 15th century Florence’s Golden Age which saw the powerful de Medici family come to power in Florence Cosimo de Medici Rule of Cosimo de Medici a. Controlled the government of Florence for 30 years without holding political office b. Beautified Florence with his own money c. Collected books and provided Florence with the first free public library Cosimo’s library Rule of Lorenzo de Medici (the Magnificent): grandson of Cosimo de Medici a. Ruled with absolute power but kept up the appearance of the republican gov’t b. Sponsored balls & celebrations in Florence to gain support of the people c. Michelangelo studies at the school of sculpture which was housed at Lorenzo’s home d. Avoided assassination e. Quattrocentro (Golden Age) ends: two years after his death Isabella d’Este – da Vinci, 1499 1474-1539 “First Lady of the Italian Renaissance.” Great patroness of the arts in Mantua. Known during her time as “First Lady of the World!” Florence is invaded by France and then Spain after Lorenzo’s death The Renaissance spreads to Rome and Northern Europe Pope Julius II – famous papal patron who commissioned Michelangelo to paint the ceiling of the: Sistine Chapel in Rome The Renaissance belief in the worth of the individual played a key role in the: rise of democratic ideas Francesco Petrarch 1304-1374, Italian, humanist. Considered the first modern poet. Perfection of the sonnet influences English poets. Key figure hunting down classical manuscripts. Francesco Petrarch Wrote some of the greatest love poems ever. Created abba, cdcdcd meter sonnet – Shakespeare based work off him. ( iambic pentameter = Petrarchan) His sonnets devoted to Laura. His main influence was his interest in classical writers. Studied the writings of ancient Greeks and Romans. Made Poet Laureate of the Senate of Rome in 1341. Giovanni Boccaccio 1313-1375. The Decameron, which both Chaucer and Shakespeare borrowed from. Comprised of 100 short novellas told by ten people outside city of Florence, which is ravaged by Plague Celebrates love/lust and attacks church, medieval society. Il Decameron Most important work. Began in 1348 and completed in 1353. It was first translated into English, as The Decameron, in 1620. Decameron Niccolo Machiavelli: 1469-1527, born in Florence. Father of Modern Political Science. Wrote His most famous essay The Prince which describes government not in terms of ideals but how he thought government worked. “ends justify the means” The Prince Machiavelli starts The Prince describing two different types of government; Monarchies and republics. Machiavelli, in The Prince, uses the Cesare Borgia as an example of achieving political power through cruel and ruthless means. Discusses power and he insists that one must instill fear in their subjects. From the: Museum of Political Art Machiavelli “It is safer to be feared than it is to be loved.” On the Art of War:1521, describes the advantages of conscripted military troops. The Mandragola: “The Mandrake” a satire on the corruption of contemporary Italian society. Baldassare Castiglione by Raphael, 1514-1515 Castiglione represented the humanist “gentleman” as a man of refinement and self-control. Baldassare Castiglione Wrote famous book, The Courtier, which defines role of refined courtier against rude and coarse knight. Reflects how gentlemen and ladies should act in polite society. Proper manners and behavior stressed. 1. Realism & Expression Expulsion from the Garden Masaccio 1427 First nudes since classical times. 2. Perspective The Trinity Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! Masaccio 1427 Perspective! First use of linear perspective! What you are, I once was; what I am, you will become. 3. Classicism Greco-Roman influence. Secularism. Humanism. Individualism free standing figures. Symmetry/Balance The “Classical Pose” Medici “Venus” (1c) 4. Emphasis on Individualism Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca, 1465-1466. 5. Geometrical Arrangement of Figures The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture! 6. Light & Shadowing/Softening Edges Sfumato Chiaroscuro 7. Artists as Personalities/Celebrities Lives of the Most Excellent Painters, Sculptors, and Architects Giorgio Vasari 1550 Giotto Florentine who is considered the first Italian Renaissance painter He started a revolution in painting by giving a sense of depth and roundness in his paintings He used naturalism in his frescoes His figures interacted with each other Their faces showed realistic emotion Giotto’s Madonna's “St. Francis feeds the birds” “Slaughter of the Innocents” 1. Self-Portrait -- da Vinci, 1512 Artist Sculptor Architect Scientist Engineer Inventor 1452 - 1519 Leonardo da Vinci A true renaissance man who was skilled in many areas Kept “Notebooks” filled with his ideas Met Machiavelli while he was Cesare Borgia’s military engineer Francis I invited him to live in France. Francis said, “no other man had been born who knew as much as Leonardo” Vitruvian Man Leonardo da Vinci 1492 The L’uomo universale Leonardo, the Artist The Virgin of the Rocks Leonardo da Vinci 1483-1486 Leonardo, the Artist: From hisNotebooks of over 5000 pages (1508-1519) Mona Lisa – da Vinci, 1503-4 A Macaroni Mona A Picasso Mona An Andy Warhol Mona A “Mona”ca Lewinsky Mona Lisa OR da Vinci?? The Last Supper - da Vinci, 1498 & Geometry Refractory Convent of Santa Maria delle Grazie Milan vertical The Last Supper - da Vinci, 1498 horizontal Perspective! Deterioration Detail of Jesus The Last Supper Leonardo da Vinci 1498 A Da Vinci “Code”: St. John or Mary Magdalene? Leonardo, the Sculptor An Equestrian Statue 1516-1518 Leonardo, the Architect: Pages from his Notebook Study of a central church. 1488 Leonardo, the Architect: Pages from his Notebook Plan of the city of Imola, 1502. Leonardo, the Scientist (Biology): Pages from his Notebook An example of the humanist desire to unlock the secrets of nature. Leonardo, the Scientist (Anatomy): Pages from his Notebook Leonardo, the Inventor: Pages from his Notebook Man Can Fly? Leonardo, the Engineer: A study of siege defenses. Pages from his Notebook Studies of water-lifting devices. Inventions Michelangelo Painter, sculptor, architect, musician Studied sculpture at Lorenzo de Medici’s home Moved to Rome where the “Pieta” was completed in 1497 “David” completed in 1504 Pope Julius II commissions the “Sistine Ceiling” (150811) “Last Judgment” completed in the Sistine Chapel 1534 2. Michelangelo Buonorrati 1475 – 1564 He represented the body in three dimensions of sculpture. The Popes as Patrons of the Arts The Pieta Michelangelo Buonarroti 1499 marble David Michelangelo Buonarotti 1504 Marble The Sistine Chapel Michelangelo Buonarroti 1508 - 1512 The Sistine Chapel’s Ceiling The Sistine Chapel Details The Creation of the Heavens The Sistine Chapel Details Creation of Man A Modern “Adaptation” Joe Gallo in the New York Daily News, 2004 The Sistine Chapel Details The Last Judgment 15c What a difference a century makes! 16c Comparing Domes Raphael He painted many frescoes in the Vatican for pope Julius II His “School of Athens” portrays Socrates, Plato, & Aristotle This piece glorifies philosophy & represents human reason Famous for his paintings of Madonna's and the Christ child 3. Raffaello Sanzio (1483-1520) Self-Portrait, 1506 Portrait of the Artist with a Friend, 1518 Perspective! Betrothal of the Virgin Raphael 1504 Raphael’s Canagiani Madonna, 1507 Raphael’s Madonnas (1) Sistine Madonna Cowpepper Madonna Raphael’s Madonnas (2) Madonna della Sedia Alba Madonna The School of Athens – Raphael, 1510 -11 One point perspective. All of the important Greek philosophers and thinkers are included all of the great personalities of the Seven Liberal Arts! A great variety of poses. Located in the papal apartments library. Raphael worked on this commission simultaneously as Michelangelo was doing the Sistine Chapel. No Christian themes here. The School of Athens–Raphael, 1510 -11 Da Vinci Raphael Michelangelo The School of Athens – Raphael, details Plato: looks to the heavens [or the IDEAL realm]. Aristotle: looks to this earth [the here and now]. Hypatia Pythagoras Zoroaster Ptolemy Euclid The Liberation of St. Peter by Raphael, 1514 Portrait of Pope Julius II by Raphael, 1511-1512 More concerned with politics than with theology. The “Warrior Pope.” Great patron of Renaissance artists, especially Raphael & Michelangelo. Died in 1513 Titain -Activism Figures in motion Groups of figures in paintings seem to interact and combine to give the illusion of movement. Figures are active they are not posed Action is frozen in time Titian - Bacchus & Adriadne Titan - A master of Color The Assumption and Coronation of the Virgin Complex double twist of the Virgin is the 1st of its type in Venetian art Color Triangle and careful balance of contrasting patches of color sweep the eye to the top of the picture