Psychophysics and Psychoacoustics 1 Yes, there is a difference • Psychophysics: The scientific study of the relation between physical events and the sensations they give rise to. • Psychoacoustics: The area of psychophysics that focus on the perception of sound. 2 Psychophysical Laws Physical quantity Perception Intensity Loudness Frequency Pitch Sensitivity (or detectability) vs. Response Proclivity The difference between what you hear and what you say you hear. 3 Background • Background – Absolute threshold or absolute limen • Smallest stimulus that a person can detect. – Difference threshold or difference limen • Smallest difference that a person can detect between two stimuli 4 Classic Measurement Methods • Method of Limits • Method of Adjustment • Method of Constant Stimuli 5 Method of Limits • The experimenter has control of the stimulus and the subject responds after each trial. • The point between the yes-no responses is known as the transition. You need to average the transitions to determine threshold. • Example on next slide is for absolute limen (threshold). 6 Method of Limits 7 Method of Limits • Method of Limits for Difference Limen. • Goal of this method is to … – match a probe or test stimulus with a reference stimulus. – Determine the least noticeable difference between a probe and a reference. 8 Method of Limits • Need to determine… – High transition point – Low transition point – Point of subjective equality • See next slide for example 9 Method of Limits 10 Modified Method of Limits • Uses bracketing (stairstep) to determine threshold. • Can be more efficient. • Numerous applications. – e.g., audiometric threshold. • See next slide for example. 11 Modified Method of Limits 12 Method of Adjustment • Similar to method of limits except that the the stimulus is constantly varied and the subject controls the stimulus. • E.g., Bekesy Audiometry 13 Method of Constant Stimuli • Stimulus level is randomized. • Psychometric function (PF) is generated based on percent of time the stimulus is correctly identified. • Threshold is A predetermined point in PF. – usually 50% or 75%. • Common Application is PI-PB function. 14 Method of Constant Stimuli 15 A Few Practice Problems 16 Problems with classical methods • Method of limits and adjustment are susceptible to yes (aggressive) or no (passive) bias. • Method of constant stimuli can identify yes bias by using catch trials, but is still susceptible to no bias. 17 Theory of Signal Detection (TSD) • Three things can affect our ability to detect a signal. – External noise – Internal noise – Internal response • Using TSD we can control for internal response (bias). 18 Theory of Signal Detection (TSD) • TSD provides a measure of detectability (d’) that is free from response bias. • d’ is the measure of strength of signal relative to noise. • Response bias (β): individual influence on response. 19 Theory of Signal Detection (TSD) QuickTime™ and a TIFF (LZW) decompressor are needed to see this picture. 20 Theory of Signal Detection (TSD) • Examples on next slide… – High intensity yes bias – High intensity no bias – Low intensity yes bias – Low intensity no bias 21 22 Theory of Signal Detection (TSD) • Whenever the hits exceed the number of false alarms (FAs), the listener can theoretically detect the signal. • Threshold is the lowest intensity or level where the hits exceed the FAs. • When hits are about the same as the FAs, the person is guessing and can not detect the signal. 23 Theory of Signal Detection (TSD) QuickTime™ and a TIFF (LZW) decompressor are needed to see this picture. 24 Theory of Signal Detection (TSD) QuickTime™ and a TIFF (LZW) decompressor are needed to see this picture. 25 Theory of Signal Detection (TSD) 26 Theory of Signal Detection (TSD) 27 Other Measurement Methods • Magnitude Estimation – Subject estimates magnitude of the stimulus • Ratio Comparison – Subject perceives a ratio between two stimuli • Cross-modality matching – Matches magnitude between two stimuli. e.g., visual, auditory, somatosensory, olfactory, or shock. • Both magnitude estimation and ratio comparison have been used to measure the growth of loudness and pitch. 28 Summary 29