Location, Location, Location
Gabriel Gadfly
I could have kissed you
under cherry blossoms,
pale petals drifting down
like the trees wanted to
pretend they could be
snowclouds.
I could have kissed you
in the rain, drenched to
our bones and not even
caring that the skies
opened up above us
and tried to wash us out.
I could have kissed you
in a clearing in the most
secluded woods, with
just the sound of wind
rustling through the leaves
and a few voyeuristic
finches peeping at us.
Instead, I kissed you
in the parking lot of a
Waffle House, just shy
of 2 a.m. in the middle
of a hectic week, with
our waitress grinning
at us from the other
side of the window,
because, honestly,
how could I not?
air and light and time and space
Charles Bukowski
"–you know, I’ve either had a family, a job,
something has always been in the
way
but now
I’ve sold my house, I’ve found this
place, a large studio, you should see the space and
the light.
for the first time in my life I’m going to have
a place and the time to
create."
no baby, if you’re going to create
you’re going to create whether you work
16 hours a day in a coal mine
or
you’re going to create in a small room with 3 children
while you’re on
welfare,
you’re going to create with part of your mind and your body blown
away,
you’re going to create blind
crippled
demented,
you’re going to create with a cat crawling up your
back while
the whole city trembles in earthquake, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don’t create anything
except maybe a longer life to find
new excuses
for.
The Facebook Sonnet
Sherman Alexie
Welcome to the endless high-school
Reunion. Welcome to past friends
And lovers, however kind or cruel.
Let’s undervalue and unmend
The present. Why can’t we pretend
Every stage of life is the same?
Let’s exhume, resume, and extend
Childhood. Let’s play all the games
That occupy the young. Let fame
And shame intertwine. Let one’s search
For God become public domain.
Let church.com become our church
Let’s sign up, sign in, and confess
Here at the altar of loneliness.
i carry your heart with me
e.e cummings
i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
i carry your heart(i carry it in my heart)
The Woman Who Could Not Live With Her Faulty Heart
Margaret Atwood
I do not mean the symbol
of love, a candy shape
to decorate cakes with,
the heart that is supposed
to belong or break;
I mean this lump of muscle
that contracts like a flayed biceps,
purple-blue, with its skin of suet,
its skin of gristle, this isolate,
this caved hermit, unshelled
turtle, this one lungful of blood,
no happy plateful.
All hearts float in their own
deep oceans of no light,
wetblack and glimmering,
their four mouths gulping like fish.
Hearts are said to pound:
this is to be expected, the heart’s
regular struggle against being drowned.
But most hearts say, I want, I want,
I want, I want. My heart
is more duplicitous,
though no twin as I once thought.
It says, I want, I don’t want, I
want, and then a pause.
It forces me to listen,
And at night it is the infra-red
third eye that remains open
while the other two are sleeping
but refuses to say what it has seen.
It is a constant pestering
in my ears, a caught moth, limping drum
a child’s first beating
itself against the bedsprings:
I want, I don’t want.
How can one live with such a heart?
Long ago I gave up singing
to it, it will never be satisfied or lulled.
One night I will say to it:
Heart, be still,
and it will.
In Flanders Field
John McCrae
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders Fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders Fields.
Dulce et Decorum Est
Wilfrid Owen
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
Another Reason Why I Don’t Keep a Gun in the House
Billy Collins
The neighbors' dog will not stop barking.
He is barking the same high, rhythmic bark
that he barks every time they leave the house.
They must switch him on on their way out.
The neighbors' dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking,
and now I can see him sitting in the orchestra,
his head raised confidently as if Beethoven
had included a part for barking dog.
When the record finally ends he is still barking,
sitting there in the oboe section barking,
his eyes fixed on the conductor who is
entreating him with his baton
while the other musicians listen in respectful
silence to the famous barking dog solo,
that endless coda that first established
Beethoven as an innovative genius.
Lies I’ve Told My Therapist, in Reverse Chronological Order
Miles Walser
On my days off I leave my apartment
explore the city or grab coffee with a friend.
The grocery stores here don’t make my hands sweat.
I haven’t had the urge since I moved.
I know who to call if I’m feeling sad.
No, I haven’t even thought of it.
I hurt myself once in high school, but not since.
I have enough money to make it.
I’m not nervous about moving.
Yes, I ate dinner.
I run five miles because I like it.
I only hurt myself the one time
in middle school, but that’s it.
No, sex never scares me.
I can tell my mom anything.
I don’t really feel sad, I guess.
I don’t care.
I don’t need her.
I never fight with my girlfriend.
Yeah, I must’ve been.
It was kind of an accident.
Everyone in seventh grade.
I’m friends with everyone.
I know what that means.
No, I didn’t read that in a book.
I like having two bedrooms cause I have lots of toys.
Yes, I understand why I’m here.