Creativity, ISP 5660 Class 2 2/6/06 Class: http://www.is.wayne.edu/drbowen/crtvyw06 Moodle: http://techtools.culma.wayne.edu/moodle 2/6/06 Creativity, second class 1 Agenda 1. 2. 3. 4. 5. 6. 2/6/06 Initial the signin sheet Issues for online students Review of assignments Initial ideas about creativity Writing for the creativity course And… Creativity, second class 2 Issues for online students • Technical o Keep email inbox open • WSU Webmail shows % of capacity o o o 2/6/06 Call Instructor if her/his email inbox is full Watch your file sizes (graphics) Understand the methods of contacting Instructor (face time, telephone, email, conference) Creativity, second class 3 Issues for online students • Non-technical o o o o o 2/6/06 You are not out there on your own Ask for help early (don’t let a problem build up) Don’t let backlog build up – it’ll bite ya! To get the most out of course, jump in to messaging Have opinions! Express yourself! Creativity, second class 4 Review of Assignments • Where we are in the course • What you should do • How I grade messages o o o 2/6/06 Substantive Related to course content Satisfactory / Unsatisfactory (does not count) Creativity, second class 5 Hey folks! Semester is 25% over and some people haven’t gotten started yet • • • • 2/6/06 Sherman Gray Gregory Jones Kyle Mack Sherrie Robinson Creativity, second class 6 Hey folks! Some people are off to a slow start, at least in postings • • • • • Dana Brazelton Ana Ross Kay Russell Tiffany Russell Monique Williams The Assignment Schedule (in the Syllabus on the course web site) 2/6/06 Creativity, second class 7 Every Week • Reading (carry a book with you!) • Messages to conference. Comments on your reading make good comments. Read actively! • Thinking about the essay for that book 2/6/06 Creativity, second class 8 Every Week • Check email • Check Forums o 2/6/06 Subscribing to a Forum does give you a lot of email, but has clickable links to the Forum Creativity, second class 9 Once only but past due: • First three messages (intro, creative person, What about creativity is interesting) • Choice of topic for Essay 1 o o Not yet: Beall, Brazelton, Chevalier, Bacher, Kuffa, Landrum, Russell (both), Wilburn, Williams Essay topics on course web site • “Essay Topics for ISP 5660” • Four-credits? Choice of fourth book next week (Williams) Draft essay topic for fourth book as a Forum 2/6/06 message Creativity, second class 10 Posting in Forums • Relevant to course (loosely interpreted, but comments on reading are good) • If content is a reply, then o o 2/6/06 Message should be a reply Use Reply to establish a context Creativity, second class 11 Using Moodle • Subscribing: signed up for email messages o Unsubscribing – two steps • “Edit profile,” change “Forum auto-subscribe” to “No: don’t automatically subscribe me…” • Click on “Forums,” then on all “Yes” in the “Subscribed” column • “Grades” o Number of “Satisfactory” posts • Apparently cannot see this post-by-post o 2/6/06 Grades on other assignments Creativity, second class 12 Using Moodle (cont’d) • To see only your own posts: o “Activity report” then “Forum posts” • To see everything o 2/6/06 “Activity report” then “Complete report” Creativity, second class 13 Initial Ideas About Creativity 1. 2. 3. 4. 5. Definitions and related concepts Creativity and (children, ADD / ADHD / mental illness, popularity) What’s inside Conflicting characteristics Corporate Creativity a. Compare to Csikszentmihalyi 2/6/06 Creativity, second class 14 Creativity and Friends #1 • Creativity – something new that meets a need or solves a problem(in the symbolic culture) o o Big C Vs little c Creative product? • Innovation - something new that meets a need or solves a problem (in the material culture) 2/6/06 Creativity, second class 15 Creativity and Friends #2 • Novelty – something that is new, without solving a problem or meeting a need (e.g. a fad like the hula hoop) • Problem-solving – meeting the problems of everyday life • Performance • Flow – internal state 2/6/06 Creativity, second class 16 Creativity Process 1. 2. 3. 4. Preparation Block Inspiration (aha) Finishing (assessing, revising) Your creativity requires autonomy, can be cut off but not steered or directed 2/6/06 Creativity, second class 17 Creativity and Children • Often have novel and appealing ideas • Not so good at: o o Choosing a significant problem Assessing and revising • Few famous children go on to remain so as adults 2/6/06 Creativity, second class 18 Creativity and mental illness • Similar to children – novel ideas but significance and follow-through are difficult to manage 2/6/06 Creativity, second class 19 Creativity and Popularity (alignment) Non-aligned domain Aligned Domain The arrows are the same length 1. Helps to be out on the edge if you are going to move the domain. 2. Easier to see the change in an aligned domain 2/6/06 Creativity, second class 20 Conditions for Creativity • Autonomy, Free Time and Focus o Letting your unconscious do its thing • Support from and connection to the field o Example: poetry (not so popular in US). How would you learn what a poem is? You need the field. • Some early success • “Weak links” o 2/6/06 Strong (e.g. family) Vs weak (e.g. via email) links – you get nothing new from your strong links – you know them too well Creativity, second class 21 What’s Inside Me as an example 2/6/06 Creativity, second class 22 Conflicting traits • Creativity, The Creative Personality Chapter Three o o o o 2/6/06 extroversion Vs introversion (both) traditional and conservative Vs rebellious and iconoclastic humble Vs proud I believe these arise because creative projects require contradictory traits at different times – e.g. proud enough to propose something new, humble enough to seek advice Creativity, second class 23 Corporate Creativity • Many people think that business is the opposite of creative – manipulative, controlling, resistant to change, but all of the business world that we see is the result of creativity and innovation • Business has some advantages, even o o 2/6/06 Good at bringing in extra people and resources, otherwise available only to the famous One way to get the opposed personalities without the inner conflict Creativity, second class 24 Corporate Creativity compared with others Corp. Creativity (Pg 12) Csikszentmihalyi etc. 1. Alignment Structured (pg 39) 2. Self-initiated activity Autonomy 3. Unofficial activity Idea before refinement 4. Serendipity Luck in problem choice 5. Diverse stimuli Know the field, domain 6. Communication Weak links (elsewhere) 2/6/06 Creativity, second class 25 Writing for Creativity • Content, Form, Mechanics o o o 2/6/06 CONTENT: Part of my purpose is to see that you have read and understood the texts FORM: Title, Intro, Body, Conclusion, consistent voice (I, you, one, etc.), changes in opinion, tense etc. are under control and not accidental (transitions) MECHANICS: Use spell-check and grammarcheck (but ~ 1/3 passive tense is OK), needed sometimes, e.g. when you don’t know the actor Creativity, second class 26 Writing for Creativity • CONCLUSION: No new information, else thinking is not done. (exception – to open subject up to show its larger significance) • TITLE: Describe essay, can have fun with this • Include your own opinions, feelings, comments, experiences, reactions • Cover sheet: your name, which question (you don’t really want me to guess, do you?) 2/6/06 Creativity, second class 27 Some new Architecture • Architects (and sculptors and composers) clearly require a field • Architects want to design creatively • They also want people to be innovative and creative within their buildings 2/6/06 Creativity, second class 28 2/6/06 Creativity, second class 29 2/6/06 Creativity, second class 30 2/6/06 Creativity, second class 31 2/6/06 Creativity, second class 32 2/6/06 Creativity, second class 33 2/6/06 Creativity, second class 34 2/6/06 Creativity, second class 35