AFNOR (France)
COMPILATIONS OF WORKS: A
PROPOSED APPROACH
Reference documents:
RDA Toolkit [abridged: RDA]
FRBR Review Group. Final Report of the Working Group on Aggregates. 2011 [abridged: Aggregates]
COMPILATIONS OF WORKS: RDA’S APPROACH
1.1 Manifestations embodying a limited number of works
When a manifestation embodies a limited number of works, RDA describes each work
separately, if they are works by one person, family, or corporate body (see RDA 6.2.2.10.3 and
6.14.2.8.6).
See RDA 6.2.2.10.3
IDENTIFYING WORKS AND EXPRESSIONS > Title of the Work > Preferred Title for the Work > Recording the
Preferred Title for a Compilation of Works of One Person, Family, or Corporate Body> Other Compilations of Two or
More Works
For a compilation consisting of:
a) two or more but not all the works of one person, family, or corporate body, in a particular form
or
b) two or more but not all the works of one person, family, or corporate body, in various forms
record the preferred title for each of the works in the compilation applying the basic instructions on recording
titles of works given under 6.2.1
.
EXAMPLE
Dirk Gently’s Holistic Detective Agency
First work in a compilation also containing Douglas Adams’s Long dark tea-time of the soul
Long dark tea-time of the soul
Second work by Douglas Adams in the same compilation
Alternative
Instead of (or in addition to) recording the preferred title for each of the works in the compilation, record a
conventional collective title as instructed under 6.2.2.10.1
or 6.2.2.10.2
, as applicable, followed by
Selections.
EXAMPLE
Novels. Selections
See also RDA 6.14.2.8.6
IDENTIFYING WORKS AND EXPRESSIONS > Title of a Musical Work > Preferred Title for a Musical Work >
Compilations of Musical Works> Incomplete Compilations
For compilations corresponding to the categories covered under 6.14.2.8.2–6.14.2.8.5
that are incomplete,
identify each of the works in the compilation separately applying the instructions given under 6.14.2.4–
6.14.2.7
.
EURIG Meeting on Aggregates, Helsinki 2012
EXAMPLE
Renaissance concerto
Salomon Rossi suite
Orpheus and Euridice
Resource described: Orchestral works / by Lukas Foss
Alternative
Instead of (or in addition to) recording the preferred title for each of the works in the compilation, record a
conventional collective title as instructed under 6.14.2.8.2–6.14.2.8.5
, as applicable, followed by Selections.
EXAMPLE
Orchestra music. Selections
Resource described: Orchestral works / by Lukas Foss
RDA applies the same treatment to works by different persons, families, or corporate bodies,
only if there is no collective title (see RDA 6.27.1.4).
See RDA 6.27.1.4
IDENTIFYING WORKS AND EXPRESSIONS > Constructing Access Points to Represent Works and Expressions >
Authorized Access Point Representing a Work > Compilations of Works by Different Persons, Families, or Corporate
Bodies
If the compilation lacks a collective title, construct separate access points for each of the works in the compilation.
EXAMPLE
Baden, Conrad. Symphonies, no. 6
First work in a compilation without a collective title also containing Symphony no. 3 by Hallvard Johnsen and
Symphony no. 2 by Bjarne Brustad
Johnsen, Hallvard. Symphonies, no. 3, op. 26
Second work in the same compilation
Brustad, Bjarne. Symphonies, no. 2
Third work in the same compilation
1.2 Manifestations embodying compilations of many works
For compilations with many works, RDA considers that there is an aggregating work which
corresponds to the compilation. But this not made explicit and the rules are scattered and not
always consistent.
1.2.1 Compilations of works by one person, family, or corporate body
RDA provides rules for compilations of works by one person, family, or corporate body, through
the rules on the preferred title (see RDA 6.2.2.10 and 6.14.2.8).
The aggregating work is identified, either by the title used in resources embodying that
compilation or in reference sources, or by a conventional collective title. (See RDA 6.2.2.10 and
6.14.2.8).
See RDA 6.2.2.10
IDENTIFYING WORKS AND EXPRESSIONS > Title of the Work > Preferred Title for the Work > Recording the
Preferred Title for a Compilation of Works of One Person, Family, or Corporate Body
If a compilation of works has become known by a title through use in resources embodying that compilation or in
reference sources, apply the instructions given under 6.2.2.4–6.2.2.5
. For other compilations, record the
preferred title for a compilation of works applying the instructions given under 6.2.2.10.1–6.2.2.10.3
, as
applicable.
6.2.2.10.1 Complete Works
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Record the conventional collective title Works as the preferred title for a compilation of works that consists of, or
purports to be, the complete works of a person, family, or corporate body, including those that are complete at the
time of publication.
6.2.2.10.2 Complete Works in a Single Form
Record one of the following conventional collective titles as the preferred title for a compilation of works (other
than music, see 6.14.2.8
) that consists of, or purports to be, the complete works of a person, family, or
corporate body, in one particular form.
Correspondence
Essays
Novels
Plays
Poems
Prose works
Short stories
Speeches
If none of the above is appropriate, record an appropriate specific collective title (e.g., Posters, Fragments,
Encyclicals).
If the compilation consists of two or more but not all the works of one person, family, or corporate body in a
particular form, apply the instructions given under 6.2.2.10.3
See also RDA 6.14.2.8
IDENTIFYING WORKS AND EXPRESSIONS > Title of a Musical Work > Preferred Title for a Musical Work >
Compilations of Musical Works
6.14.2.8.1 Recording the Preferred Title for Compilations of Musical Works
If a compilation of musical works has become known by a title through use in resources embodying that
compilation or in reference sources, apply the instructions given under 6.2.2.4–6.2.2.5
. For other
compilations, record the preferred title for a compilation of musical works applying the instructions given under
6.14.2.8.2–6.14.2.8.6
, as applicable.
6.14.2.8.2 Complete Works
For a compilation that consists of, or purports to be, the complete musical works of a composer, including those
that are complete at the time of publication, record the conventional collective title Works.
6.14.2.8.3 Works of Various Types for One Broad Medium
For a compilation that consists of, or purports to be, all the works in one broad medium by a composer, record the
designation of that medium as the conventional collective title.
EXAMPLE
Chamber music
EXAMPLE
Choral music
Use Choral music also for compilations of various types of works originally for one choral medium, with or
without accompaniment
Instrumental music
Keyboard music
Vocal music
Use Vocal music also for compilations of various types of works originally for one solo voice or one combination of
solo voices, with or without accompaniment
6.14.2.8.4 Works of Various Types for One Specific Medium
For a compilation that consists of, or purports to be, all the works for one specific medium by a composer, record a
conventional collective title generally descriptive of that medium.
EXAMPLE
Brass music
Orchestra music
Piano music
Piano music, 4 hands
Piano music, pianos (2)
String quartet music
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Violin, piano music
A title is artificially provided for a consecutively numbered group of works (see RDA 6.12.2.8.5).
See RDA 6.14.2.8.5
IDENTIFYING WORKS AND EXPRESSIONS > Title of a Musical Work > Preferred Title for a Musical Work >
Compilations of Musical Works
6.14.2.8.5 Works of One Type for One Specific Medium or Various Media
For a compilation that consists of, or purports to be, all the works of one type by a composer, record the name of
that type as the conventional collective title.
EXAMPLE
Concertos
Motion picture music
Musicals
Operas
Polonaises
Quartets
Sonatas
Songs
If the compilation consists of a consecutively numbered group, record the inclusive numbering following the name
of the type.
EXAMPLE
Sonatas, piano, no. 6–10
Resource described: Sonates pour piano 6 à 10 / Alexandre Scriabine
Symphonies, no. 1–3
Resource described: First, Second, and Third symphonies / Ludwig van Beethoven
RDA regards the titles proper of the manifestations that embody the compilation as variant
access points for that aggregating work, when its preferred title is a conventional collective title
(see RDA 6.2.3 and 6.27.4.4, 6.14.3 and 6.28.4.4).
See RDA 6.2.3
IDENTIFYING WORKS AND EXPRESSIONS > Title of the Work > Variant Title for the Work
6.2.3.1 Scope
A variant title for the work▼is a title or form of title by which a work is known that differs from the title or form of
title chosen as the preferred title for the work.
6.2.3.2 Sources of Information
Take variant titles for a work from any source.
6.2.3.3 General Guidelines on Recording Variant Titles for Works
Record variant titles for works applying the basic instructions on recording titles of works given under 6.2.1
.
Record as a variant title for the work a title or form of title under which the work has been issued or cited in
reference sources, or resulting from a different transliteration of the title, if it is different from the title recorded as
the preferred title for that work.
Exception
Record a title appearing on a manifestation of the work as a variant title for the work only if it differs significantly
from the preferred title and the work itself might reasonably be sought under that title. For instructions on
recording the title proper and other titles appearing on the manifestation see 2.3
.
Apply the additional specific instructions given under 6.2.3.4–6.2.3.5
of this chapter, as applicable.
and those given in preceding sections
For instructions on using a variant title for the work to construct a variant access point representing a work, see
6.27.4
.
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6.2.3.4 Alternative Linguistic Form of Title for the Work
[...]
6.2.3.5 Other Variant Title for the Work
Record other variants and variant forms of the title recorded as the preferred title not covered under 6.2.3.4
as required.
EXAMPLE
Personal history of David Copperfield
Preferred title recorded as: David Copperfield
Encyclopædia Britannica Films presents Historical America in song
Preferred title recorded as: Historical America in song
2 towers
Lord of the rings. Two towers
Preferred title recorded as: Two towers
Three men and a baby
Preferred title recorded as: 3 men and a baby
Book of Mac Carthy Reagh
Book of Mac Cárthaigh Riabhach
Lismore, Book of
Preferred title recorded as: Book of Lismore
Dead Sea scrolls. 11QT
Dead Sea scrolls. Temple scroll
Preferred title recorded as: Temple scroll
Codex Egerton 2895
Codex Sánchez Solís
Codex Waecker Götter
Codice Zapoteco
Preferred title recorded as: Manuscript. Egerton 2895. A manuscript in the collection of the British Library
Cronycles of the londe of Englōd
Cronycles of the londe of Englond
Preferred title recorded as: Chronicles of England
Here begynneth a lytell treatyse for to lerne Englysshe and Frensshe
Here is a good boke to lerne to speke French
Preferred title recorded as: Lytell treatyse for to lerne Englysshe and Frensshe
Collected papers of Albert Einstein
Gesammelte Schriften Albert Einstein
Preferred title recorded as: Works
Selected plays of Lady Gregory
Short plays of Lady Gregory
Seven short plays
Preferred title recorded as: Plays. Selections
See also RDA 6.27.4.4
IDENTIFYING WORKS AND EXPRESSIONS > Constructing Access Points to Represent Works and Expressions >
Variant Access Point Representing a Work > Variant Access Point Representing a Compilation of Works
If the authorized access point representing a compilation of a person’s works has been constructed using the
authorized access point representing that person followed by a conventional collective title (see 6.2.2.10
),
construct a variant access point representing the compilation using the authorized access point representing the
person followed by the title proper of the resource being described or the title found in a reference source, unless
the title proper (excluding any alternative title) of the resource being described or the title found in a reference
source is the same as, or very similar to, the collective title.
EXAMPLE
Andersen, H. C. (Hans Christian), 1805–1875. Eventyr
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Title proper of the resource being described. Authorized access point recorded as: Andersen, H. C. (Hans
Christian), 1805–1875. Tales
Andersen, H. C. (Hans Christian), 1805–1875. Samlede eventyr og historier
Title proper of the resource being described. Authorized access point recorded as: Andersen, H. C. (Hans
Christian), 1805–1875. Tales
Make additions to the access point, if considered to be important for identification, applying the instructions given
under 6.27.1.9
, as applicable.
EXAMPLE
Dante Alighieri, 1265–1321. Tutte le opere di Dante (1966)
Title proper of the resource being described. Authorized access point recorded as: Dante Alighieri, 1265–1321.
Works (1966)
Construct additional variant access points if considered important for access.
See also RDA 6.14.3
IDENTIFYING WORKS AND EXPRESSIONS > Title of a Musical Work > Variant Title for a Musical Work
6.14.3.1 Scope
A variant title for a musical work is a title or form of title by which a musical work is known that differs from the
title or form of title chosen as the preferred title for the work.
6.14.3.2 Sources of information
Take variant titles from resources embodying the work and/or from reference sources.
6.14.3.3 General Guidelines on Recording Variant Titles for Musical Works
Record variant titles for musical works applying the general guidelines on recording titles for works given under
6.2.1
.
Record as a variant title a title or form of title under which the work has been issued or cited in reference sources,
or resulting from a different transliteration of the title, if it is different from the title recorded as the preferred title
for that work.
Exception
Record a title appearing on a manifestation of the work as a variant title for the work only if it differs significantly
from the preferred title and the work itself might reasonably be sought under that title. For instructions on
recording the title proper and other titles appearing on the manifestation see 2.3
.
Apply the additional specific instructions given under 6.14.3.4–6.14.3.5
and those given in preceding
sections of this chapter, as applicable.
6.14.3.4 Recording Alternative Linguistic Forms as Variant Titles for Musical Works
[...]
6.14.3.5 Recording Other Variant Titles for Musical Works
Record other variants and variant forms of the title recorded as the preferred title for a musical work not covered
under 6.14.3.4
, as required.
EXAMPLE
Songs, airs, duets, and choruses in the masque of King Arthur
Preferred title recorded as: King Arthur
Salzburg sonata
Preferred title recorded as: Sonatas
Forellen-Quintett
Quintette de la truite
Trout quintet
Forellenquintett
Trucha
Forellen-kvintet
Quintette “La truite”
Forelių kvintetas
Grand quintuor
Preferred title recorded as: Quintets
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Cinq mélodies populaires grecques
5 mélodies populaires grecques
Preferred title recorded as: Mélodies populaires grecques
Complete organ works
Œuvres complètes pour orgue
Sämtliche Orgelwerke
Preferred title recorded as: Organ music
Complete Takemitsu edition
Takemitsu Tōru zenshū
武満徹全集
Preferred title recorded as: Works
Best of Bach
Preferred title recorded as: Works. Selections
Selected works for piano
Preferred title recorded as: Piano music. Selections
See also RDA 6.28.4.4
IDENTIFYING WORKS AND EXPRESSIONS > Constructing Access Points to Represent Musical Works and Expressions
> Variant Access Point Representing a Musical Work or Expression > Variant Access Point Representing a
Compilation of Musical Works
If the authorized access point representing a compilation of a person’s musical works has been constructed using
the authorized access point representing that person followed by a conventional collective title (see 6.14.2.8
), construct a variant access point representing the compilation using the authorized access point representing the
person followed by the title proper of the resource being described or the title found in a reference source, unless
the title proper (excluding any alternative title) of the resource being described or the title found in a reference
source is the same as, or very similar to, the conventional collective title.
EXAMPLE
Vierne, Louis, 1870–1937. Complete organ works
Vierne, Louis, 1870–1937. Œuvres complètes pour orgue
Vierne, Louis, 1870–1937. Sämtliche Orgelwerke
Authorized access point for the compilation: Vierne, Louis, 1870–1937. Organ music
Takemitsu, Tōru. Complete Takemitsu edition
Takemitsu, Tōru. Takemitsu Tōru zenshū
Takemitsu, Tōru. 武満徹全集
Authorized access point for the compilation: Takemitsu, Tōru. Works
Bach, Johann Sebastian, 1685–1750. Best of Bach
Authorized access point for the compilation: Bach, Johann Sebastian, 1685–1750. Works. Selections
Bartók, Béla, 1881–1945. Selected works for piano
Authorized access point for the compilation: Bartók, Béla, 1881–1945. Piano music. Selections
Make additions to the variant access point, if considered to be important for identification, applying the
instructions given under 6.28.1.9–6.28.1.11
, as applicable.
EXAMPLE
Beethoven, Ludwig van, 1770–1827. Ludwig van Beethoven’s Werke (1862)
Authorized access point for the compilation: Beethoven, Ludwig van, 1770–1827. Works (1862)
Beethoven, Ludwig van, 1770–1827. Ludwig van Beethoven’s Werke (1949)
Authorized access point for the compilation: Beethoven, Ludwig van, 1770–1827. Works (1949)
Glazunov, Aleksandr Konstantinovich, 1865–1936. Orchestral works (Naxos (Sound recording label))
Authorized access point for the compilation: Glazunov, Aleksandr Konstantinovich, 1865–1936. Orchestra music
(Naxos (Sound recording label))
Hindemith, Paul, 1895–1963. Pieces, double bass
Hindemith, Paul, 1895–1963. Stücke, double bass
Authorized access point for the compilation: Hindemith, Paul, 1895–1963. Double bass music
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Construct additional variant access points if considered important for access.
EXAMPLE
Cimarosa, Domenico, 1749–1801. Sonatas, harpsichord
Cimarosa, Domenico, 1749–1801. Sonatas, piano
Authorized access point for the compilation: Cimarosa, Domenico, 1749–1801. Sonatas, keyboard instrument
1.2.2 Compilations of works by different persons, families, or corporate bodies
RDA provides rules for compilations of works by different persons, families, or corporate bodies,
through the rules on the structure of an authorized access point (see RDA 6.27.1.4). The
aggregating work is identified by the title proper of the Manifestation that embodies the
compilation.
If the Manifestation lacks a collective title, there is an alternative to construct an authorized
access point based on a title devised by the cataloguer.
See RDA 6.27.1.4
IDENTIFYING WORKS AND EXPRESSIONS > Constructing Access Points to Represent Works and Expressions >
Authorized Access Point Representing a Work > Compilations of Works by Different Persons, Families, or Corporate
Bodies
If the work is a compilation of works by different persons, families, or corporate bodies, construct the authorized
access point representing the work using the preferred title for the compilation, formulated according to the
instructions given under 6.2.2
.
EXAMPLE
Anthologie de la poésie baroque française
Resource described: Anthologie de la poésie baroque française / textes choisis et présentés par Jean Rousset
Exploring the Olympic Mountains
Resource described: Exploring the Olympic Mountains : accounts of the earliest expeditions, 1878–1890 /
compiled by Carsten Lien
Music in the classic period
Resource described: Music in the classic period : essays in honor of Barry S. Brook / [edited by] Allan W. Atlas
Tutti i libretti di Bellini
Resource described: Tutti i libretti di Bellini / a cura di Olimpio Cescatti ; con una prefazione di Marzio Pieri.
Librettos for Bellini operas by various librettists
Treaties and alliances of the world
Resource described: Treaties and alliances of the world / [compiled by] N.J. Rengger with John Campbell
Lesbian history sourcebook
Resource described: The lesbian history sourcebook : love and sex between women in Britain from 1780 to 1970 /
[compiled by] Alison Oram and Annmarie Turnbull
U.S. Marines in Iraq, 2003
Resource described: U.S. Marines in Iraq, 2003 : anthology and annotated bibliography / compiled by Christopher
M. Kennedy, Wanda J. Renfrow, Evelyn A. Englander, and Nathan S. Lowrey. An anthology of personal narratives
by various authors, originally published in other resources
Best of Broadway
Resource described: The best of Broadway. A set of five CDs with selections from original cast recordings of
various musicals by various composers
If the compilation lacks a collective title, construct separate access points for each of the works in the compilation.
EXAMPLE
Baden, Conrad. Symphonies, no. 6
First work in a compilation without a collective title also containing Symphony no. 3 by Hallvard Johnsen and
Symphony no. 2 by Bjarne Brustad
Johnsen, Hallvard. Symphonies, no. 3, op. 26
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Second work in the same compilation
Brustad, Bjarne. Symphonies, no. 2
Third work in the same compilation
Alternative
Instead of (or in addition to) constructing access points for each of the works in the compilation, construct an
authorized access point representing the compilation using a devised title formulated according to the
instructions given under 2.3.2.11
.
EXAMPLE
Three Norwegian symphonies
1.3 Status of the compiler
Compilers are regarded as related to the Expression (see RDA 20.2.1.3). There is no example for
a compiler of works by one person, family, or corporate body, but it can be assumed that the
same treatment applies.
See RDA 20.2.1.3
PERSONS, FAMILIES, AND CORPORATE BODIES ASSOCIATED WITH AN EXPRESSION > Contributor
20.2.1 Basic Instructions on Recording Contributors
20.2.1.1 Scope
A contributor▼is a person, family, or corporate body contributing to the realization of a work through an
expression.
Contributors include editors, translators, arrangers of music, performers, etc.
For expressions consisting of a primary work accompanied by commentary, etc., illustrations, additional musical
parts, etc., the writers of commentary, etc., illustrators, composers of additional parts, etc., are considered to be
contributors.
20.2.1.2 Sources of Information
Take information on contributors from the sources specified under 20.1.1
20.2.1.3 Recording Contributors
Record a contributor applying the general guidelines on recording relationships to persons, families, and
corporate bodies associated with a resource given under 18.4
.
EXAMPLE
Editor, Compiler, Etc.
Borchardt, Julian, 1868–1932
Authorized access point representing the editor for: The people's Marx : abridged popular edition of the three
volumes of Capital / edited by Julian Borchardt ; translated by Stephen L. Trask
Blackwell, David D.
Richards, Maria C.
Authorized access points representing the editors for: Geothermal map of North America / North American map
editors, David D. Blackwell and Maria C. Richards ; map production by the Kansas Geological Survey
Goss, Charles Mayo, born 1899
Authorized access point representing the editor for: Anatomy of the human body / by Henry Gray. — 25th edition
/ edited by Charles Mayo Goss
Committee on Women's Studies in Asia
Authorized access point representing the editor for: Changing lives : life stories of Asian pioneers in women's
studies / edited by the Committee on Women's Studies in Asia ; foreword by Florence Howe
Arneil, Barbara
Deveaux, Monique
Dhamoon, Rita, 1970–
Eisenberg, Avigail I., 1962–
Authorized access points representing the editors for: Sexual justice/cultural justice : critical perspectives in
political theory and practice / edited by Barbara Arneil, Monique Deveaux, Rita Dhamoon and Avigail Eisenberg
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Jonas, Wayne B.
Authorized access point representing the editor for: Mosby's dictionary of complementary and alternative
medicine / editorial consultant, Wayne B. Jonas
Atlas, Allan W.
Authorized access point representing the editor for: Music in the classic period : essays in honor of Barry S. Brook
/ [edited by] Allan W. Atlas
Payne, Claire
Bowker, James M.
Reed, Patrick C.
Authorized access points representing the editors of compilation for: The economic value of wilderness :
proceedings of the conference, Jackson, Wyoming, May 8–11, 1991 / compilers, Claire Payne, J.M. Bowker, Patrick
C. Reed
Dionne, René, 1929–
Authorized access point representing the editor of compilation for: Anthologie de la littérature franco-ontarienne
des origines à nos jours / [compilé par] René Dionne
Rousset, Jean
Authorized access point representing the editor of compilation for: Anthologie de la poésie baroque française /
textes choisis et présentés par Jean Rousset
Perigault de Ortíz, Tilsia
Authorized access point representing the editor of compilation for: Colección de rimas infantiles / [seleccionada
por] Tilsia Perigault
Richardson, James D. (James Daniel), 1843–1914
Authorized access point representing the editor of compilation for: A compilation of the messages and papers of
the Presidents, 1789–1902 / by James D. Richardson
Momigliano, Eucardio, born 1888
Authorized access point representing the editor of compilation for: Tutte le encicliche dei sommi pontefici /
raccolte e annotate da Eucardio Momigliano
1.4 Whole/part relationships
Finally, RDA enables one to record the whole /part relationship between works (see RDA J.2),
Expressions (see RDA J.3), and Manifestations (see RDA J.4).
According to the examples, the relationship between a compilation and the compiled works is at
the Work level (see RDA 25.1), but it can also be recorded at the Manifestation level (see RDA
27.1).
See RDA 25
RELATED WORKS
25.0 Purpose and Scope
This chapter provides general guidelines and instructions on recording relationships between works.
25.1 Related Work
25.1.1 Basic Instructions on Referencing Related Works
25.1.1.1 Scope
A related work▼is a work related to the resource being described (e.g., an adaptation, commentary, supplement,
sequel, part of a larger work).
25.1.1.2 Sources of Information
Take information on related works from any source.
25.1.1.3 Referencing Related Works
Reference a related work applying the general guidelines on referencing related works, expressions,
manifestations, and items given under 24.4
.
EXAMPLE
Authorized Access Point Representing the Related Work
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Contains: Davis, Jack, 1917–2000. Dreamers
Contains: Johnson, Eva. Murras
Contains: Walley, Richard. Coordah
Contains: Maza, Bob, 1939–2000. Keepers
Resource described: Plays from Black Australia / Jack Davis, Eva Johnson, Richard Walley, Bob Maza ; with an
introduction by Justine Saunders. An anthology of four plays
Contains: Bax, Arnold, 1883–1953. Sketches. Dance of wild Irravel
Contains: Bax, Arnold, 1883–1953. Paean; arranged
Contains: Bax, Arnold, 1883–1953. Symphonies, no. 3
Resource described: Dance of wild Irravel ; Paean ; Symphony no. 3 / Sir Arnold Bax. An audio CD containing
performances of three works by Bax
Contains: Wizard of Oz (Motion picture : 1910)
Contains: Magic cloak of Oz
Contains: His majesty, the Scarecrow of Oz
Contains: Wizard of Oz (Motion picture : 1925)
Contains: Wizard of Oz (Motion picture : 1933)
Contains: Wizard of Oz (Motion picture : 1939)
Resource described: The Wizard of Oz / a Metro-Goldwyn-Mayer picture ; produced by Loew's Incorporated ;
screen play by Noel Langley, Florence Ryerson and Edgar Allan Woolf ; produced by Mervyn LeRoy ; directed by
Victor Fleming. — Three-disc collector's edition. A three-disc DVD set of the 1939 motion picture that also
includes earlier short and feature-length motion pictures based on the same characters
EXAMPLE
Structured Description of the Related Work
Contained in: Acadia early music facsimile archive / Gordon J. Callon (editor). —
http://ace.acadiau.ca/score/archive/facsim.htm
Resource described: Louis Moreau Gottschalk / site designed by Michelle E. Keddy. A Web site that includes a
biography of Gottschalk, a facsimile reproduction of the 1881 Lippincott edition of his journal, and links to other
sites of interest to Gottschalk scholars. The site is part of the Web site Acadia early music facsimile archive.
Resource identifier provided in conjunction with a partial description of the related work
Contains: 'Til death do us plots / by Julianne Bernstein — Class act / by Michael Elkin — Where's your stuff? / by
Daniel Brenner — Foot peddler / by Vivian Green — Smoke / by Louis Greenstein — Single Jewish female / by
Julianne Bernstein — In spite of everything / by Hindi Brooks — Ger (the convert) / by Leslie B. Gold and Louis
Greenstein — Golden opportunity / by Julianne Bernstein — Interview with a scapegoat / by Louis Greenstein
Resource described: Voices from Ariel : ten-minute plays reflecting the Jewish experience : a collection of ten short
plays / compiled and edited by Julianne Bernstein and Deborah Baer Mozes. An anthology of ten-minute plays
EXAMPLE
Unstructured Description of the Related Work
Also contains two short prose pieces dated 1937
Contains letters to Mrs. Wells and Gabrielle Gissing
Includes “Travel connections” map of air, rail, bus, and ferry routes, insets of “Ryukyu Islands, 1:2,000,000” and
“Okinawa, 1:1,000,000,” and 5 city map insets showing places of interest: Sapporo — Kyōto — Tōkyō — Ōsaka —
Kōbe
Resource described: Japan. — London : Published by Collins, an imprint of HarperCollins Publishers, ©2001. A
tourist map
Includes: Bibliography of Northwest materials
See also RDA 27
RELATED MANIFESTATIONS
27.0 Purpose and Scope
This chapter provides general guidelines and instructions on recording relationships between manifestations.
27.1 Related Manifestation
27.1.1 Basic Instructions on Referencing Related Manifestations
27.1.1.1 Scope
A related manifestation▼is a manifestation related to the resource being described (e.g., a manifestation in a
different format).
27.1.1.2 Sources of Information
11
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
Take information on related manifestations from any source.
27.1.1.3 Referencing Related Manifestations
Reference a related manifestation applying the general guidelines on referencing related works, expressions,
manifestations, and items given under 24.4
.
EXAMPLE
Structured Description of the Related Manifestation
Contained in: Understanding our environment / NSTA. — Arlington, VA : National Science Teachers Association,
©1995
Resource described: The Earth's fractured surface ; Living on the edge : [West Coast of U.S.] / produced by the
Cartographic Division, National Geographic Society ; John F. Shupe, chief cartographer. — Washington, D.C. :
National Geographic Society, 1995 Two maps on one sheet
Contains: Map of area with highlighted street. — NYDA.1933.010.00130
Contains: View of Mill Brooks Houses from one of the houses, 89/05. — NYDA.1993.010.00131
Contains: View SE from Mill Brook House on rooftop on Cypress Ave. between 136th St. and 137th St., 93/05. —
NYDA.1933.010.00132
Contains: View N from 136th St. rooftop of area between Bruckner Expressway and Cypress Ave., 93/06. —
NYDA.1933.010.00133
Contains: View E from rooftop of garden bounded by Bruckner Expressway, 136th St. and 135th St., 93/06. —
NYDA.1933.010.00134
Resource described: 136th Street, southeastern section of the Bronx. Set of 11 slides
Contains: v. 1. Status, distribution, and taxonomy (xvii, 848 pages : 1 map) — v. 2. Field guide (xvii, 740 pages, 96
leaves of plates : illustrations (some coloured), maps (1 coloured))
Resource described: The birds of Ecuador / by Robert S. Ridgely and Paul J. Greenfield ; with the collaboration of
Mark B. Robbins and Paul Coopmans ; in association with the Academy of Natural Sciences. — Ithaca, NY :
Comstock Publishing, 2001. A two-volume set
Contained in: The New Yorker. — Volume 73, number 31 (October 13, 1997)
Resource described: Brokeback Mountain / by Annie Proulx. — pages 74–80, 82–85
EXAMPLE
Unstructured Description of the Related Manifestation
Compilation of essays, interviews, and discussions previously published in the webzine Library juice between
1998 and 2005
Includes petition to the King from the citizens of London, 1783, in scroll form
The reporter contains binders: Current developments; Monographs; State solid waste — Land use; Federal laws;
Federal regulations; State water laws; State air laws; Mining; Decisions (later published in bound volumes as
Environment reporter. Cases)
Filmed with five other titles
Reports for 2000/01 and 2001/02 issued together
Disc 1 includes feature length commentary by the director, Julia Stiles, and cinematographer, and theatrical trailer;
disc 2 includes comprehensive analysis of key basketball scenes, deleted scenes with commentary, and the
restored 1922 film: Othello (80 min.) / National Film Museum Incorporated ; Ben Blumenthal presents ; directed
by Dimitri Buchowetzki
Resource described: “O” / a Chickie the Cop production in association with Daniel Fried Productions and Rhulen
Entertainment ; a film by Tim Blake Nelson ; producers, Eric Gitter, Daniel L. Fried, Anthony Rhulen ; screenplay
writer, Brad Kaaya ; director, Tim Blake Nelson. — Deluxe edition. — [United States] : Trimark Home Video : Lions
Gate Home Entertainment, [2002]. Two videodiscs
Shots: LS through heat haze of jet landing towards camera (20 ft.). CU front view of jet as it taxis towards camera
(40 ft.). CU fuselage turning right to left through picture (30 ft.). CU braking parachute as it is discarded (52 ft.). CU
nose and engines (57 ft.)
12
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
AFNOR’S PROPOSAL
We agree with RDA’s treatment when a manifestation embodies a small number of works.
We wish the treatment were consistent for compilations of many works, regardless of whether
they are by the same person, family, or corporate body, or not.
We agree that an aggregating Work should be recorded every time an aggregating Manifestation
has a collective title. But we do not favour the proposal to record artificial aggregating works,
most notably for consecutively numbered groups of musical works (see RDA 614.2.8.5), for
these are merely editorial groupings which lead to record a great number of aggregating Works
which are of no interest for end-users. We recommend in such cases that direct access points
should be made to each single work embodied in the Manifestation.
We agree with the RDA rules as to the choice of a preferred title for the aggregating Work:
 if it is a compilation of works by one person, family, or corporate body, the preferred title will
be
- either the title usually found in sources and publications to refer to that compilation,
- or a conventional collective title constructed according to the RDA rules. If the
compilation is not complete, specify: “Selections”.
 if it is a compilation of works by different persons, families, or corporate bodies, the preferred
title will be the title of the first Manifestation that embodies that compilation.
However we think that this aggregating Work is a Work in its own right and should be identified
just like any other Work. It must not be a “pseudo-Work” that would only serve to collocate all
sorts of publications which do not contain the same selections, but distinct aggregating
Expressions.
Consequently, we disagree with the RDA rule which regards Manifestation titles as variant titles
for the aggregating Work, most notably when the compilation is not complete (see RDA
6.27.4.4).
The rationale for our disagreement is twofold.
Firstly, the various Manifestations the titles of which are gathered as variant access points under
the same authorized access point can embody very different aggregations, when the compilation
described does not consist of complete works or complete works in a single form. If the
alternative for RDA 6.2.2.10.3 (“Instead of (or in addition to) recording the preferred title for each
of the works in the compilation, record a conventional collective title (…), followed by Selections.”)
is applied, any title of any Manifestation used as the basis for a variant access point eventually
points to all other Manifestations that embody different selections.
Secondly, this does not seem particularly useful, since Manifestation titles can be retrieved
otherwise. There is no reason to record Manifestation titles twice: once at the Manifestation
level, and once again at the Work level.
It is even misleading, in the context of a catalogue where bibliographic records are linked to
authority records, because when a user makes queries on the title proper of a Manifestation, the
system will return not just this Manifestation, but all other Manifestations collocated by the
record for the aggregating Work, regardless of what their own title proper is.
Also, we tend to disagree with the RDA rule that regards compilers as contributors (see RDA
20.2.1.3).
According to this rule, such aggregating Works have no creator; the person, family, or corporate
body responsible for the compilation is only mentioned at the Expression level.
13
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
We do support FRBR Review Group's approach about the “the creative effort of the aggregator or
editor” (in the Final Report of the Working Group on Aggregates). Within that framework,
The process of aggregating the expressions itself is an intellectual or artistic effort and therefore
meets the criteria for a work. In the process of creating the aggregate manifestation, the
aggregator produces an aggregating work.
The aggregator of an aggregating Work should be recorded at the level of the aggregating Work.
Besides, it is unclear at which level the whole/part relationship between an aggregating Work
and the aggregated Works should be recorded according to RDA. RDA seems to allow
cataloguers to record such relationships indifferently at the Work, Expression, or Manifestation
level, which may result in inconsistencies. But perhaps this could be addressed in an Application
Profile.
The report of the WG on Aggregates reads as follows:
However, modeling an aggregate simply as an embodiment of discrete
expressions may fail to recognize the creative effort of the aggregator or
editor. The process of aggregating the expressions itself is an intellectual or
artistic effort and therefore meets the criteria for a work. In the process of
creating the aggregate manifestation, the aggregator produces an
aggregating work. This type of work has also been referred to as the glue,
binding, or the mortar that transforms a set of individual expressions into an
aggregation. This effort may be relatively minor—two existing novels
published together—or it may represent a major effort resulting in an
aggregate that is significantly more that a sum of its parts (for example an
anthology). An aggregating work is not a discrete section or even
necessarily an identifiable part of the resulting manifestation and does not
contain the aggregated works themselves.
[...]
The general model for aggregates is shown in figure 3. A new entity is
created for the aggregate manifestation which embodies n individual
expressions. Any of these expressions may also be embodied individually in a
non-aggregate manifestation.
Aggregating Work
Works
The Works
is realized through
is realized through
Aggregating
Expression
Embodied Expressions
is embodied in
is embodied in
Aggregate
Manifestation
FIGURE 3. GENERAL MODEL FOR AGGREGATES.
14
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
The AFNOR group thinks it would be more economical to provide the links to the aggregated
Expressions at the level of the aggregating Expression, as the same aggregating Expression can
be embodied in more than one Manifestation, especially when it comes to audiovisual resources.
This point has been forwarded to the FRBR Review Group.
Consequently, this is AFNOR’s proposal:
1. For a compilation consisting of two or more but not all the works of one person, family,
or corporate body,
or for a compilation of works by different persons, families, or corporate bodies lacking
a collective title,
do not describe the aggregating Work, but construct separate access points for each of
the works in the compilation (as advised in RDA).
2. In all other cases (i.e., compilations of numerous Works by one author or by different
authors), describe the aggregating Work.
Do not create “artificial” aggregating Works devising a title (for consecutively numbered
group of musical Works of the same type or for compilations lacking a collective title)
2.1 Apply RDA rules for constructing the authorized access points representing the
aggregating work.
If the access point of the aggregating Work is the same as or similar to an access
point representing a different aggregating Work, add, as appropriate the date of
the aggregating Work, and/or a term indicating another distinguishing
characteristic of the aggregating Work (e.g. the name of the compiler; the name of
the performer; the form of content of the aggregated Expressions, etc.), according
to the instructions given under RDA 6.27.1.9.
Example:
Rossini, Gioachino, 1792-1868. Operas. Selections (Bartoli)
Rossini, Gioachino, 1792-1868. Operas. Selections (Di Donato ; 1995)
Rimbaud, Arthur, 1854-1891. Correspondence. Selections (Carré)
2.2 The author of the aggregation is to be recorded at the Work level since he or she
is the originator of the concepts that underpin the aggregating Work
2.3 The aggregation is at the level of the aggregating Expression, not at the
Manifestation level.
2.4 The relationships between the aggregating Expression and each Expression
contained in it may be described or not, depending on the anticipated needs of
the users.
15
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
EXAMPLES
Notes on examples :
In all examples, the records for the Manifestations come from BnF’s General Catalogue and
follow current French cataloguing rules for the bibliographic description.
For clarity, the language of the Expression is systematically recorded, including for Expressions
in the original language (against RDA practice), in order to make clear that we are at the
Expression level.
A dotted line in the figures indicates that the relationship is optional.
16
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
MANIFESTATIONS EMBODYING A LIMITED NUMBER OF WORKS
WORKS OF ONE PERSON
1. Manifestations embodying a limited
number of works
Three works by the same author, Paul Verlaine
with notes and a preface
Fêtes galantes ; Romances sans paroles
; précédé de Poèmes saturniens / Paul
Verlaine ; préface et notes de Jacques
Borel. - Paris : Gallimard, 1991. - 1 vol.
(189 p.) ; 18 cm. - (Collection Poésie).
Bibliographie p. 185.
ISBN 2-07-032053-7
1.Manifestations embodying a limited
number of works
Verlaine, Paul, 1844-1896
author
W
E
author
W
Fêtes galantes
Fêtes galantes. French
E
Romances sans paroles
author
Poèmes saturniens
Romances sans paroles. French
Poèmes saturniens. French
AFNOR
proposal
Borel, Jacques, 1925-2002
author of preface
editor
17
W
Aggregate Manifestation
Gallimard, 1991
AFNOR – Compilations of Works
M
E
EURIG Meeting on Aggregates, Helsinki 2012
MANIFESTATIONS EMBODYING A LIMITED NUMBER OF WORKS
WORKS BY DIFFERENT PERSONS
1.Manifestations embodying a limited
number of works
Two works by different authors
Les forestiers / Thomas Hardy ; traduit
par Antoinette Six. Précédé de Pièges
/ par Diane de Margerie. - Paris : POL,
1992. - 470 p. : couv. ill. ; 18 cm. - (La
collection).
Trad. de : The woodlanders.
ISBN 2-86744-225-7
1.Manifestations embodying a limited
number of works
Hardy, Thomas (1840-1928)
Margerie, Diane de (1927-....)
author
author
The woodlanders
W
Pièges
W
Six, Antoinette
translator
The woodlanders. French (Six)
E
Pièges. French
E
RDA
M
18
Aggregate Manifestation
POL, 1992
AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
MANIFESTATIONS EMBODYING COMPILATIONS OF MANY WORKS
COMPILATION OF WORKS OF ONE PERSON
– COMPILATION OF WORKS KNOWN BY A TITLE –
through use in reference sources
1.Compilations of Works of one Person
Aggregative work known under a title
A bilingual edition of the last poems of Yeats, with notes and a
preface by the translator, published first in 1994, and then in 2008
by the same publisher.
The aggregative Work is known as « Last poems and two plays »,
but the publication includes only the poems.
Derniers poèmes : 1936-1939 / William Butler Yeats ;
présenté, annoté et traduit de l'anglais par Jean-Yves
Masson. – Édition bilingue. - Lagrasse : Verdier,
impr. 2008. - 1 vol. (189 p.) ; 18 cm. - (Verdier poche.
Littérature anglaise).
Traduit de : Last poems. - Texte anglais et traduction
française en regard.
ISBN 978-2-86432-558-1
Yeats, William Butler, 1865-1939
2. Compilations of Works of one Person
Aggregative work known under a title
Masson, Jean-Yves, 1962-....
compiler
author
author
W
Aggregating Work
Last poems and two plays. Selections
(Masson)
Poem 1
Poem 2
AFNOR
Proposal
Poem n
E
Aggregating Expression
Last poems and two plays. Selections (Masson).
English
E
Poem 1. English
Poem 2. English
Poem n. English
E
Aggregating Expression
Last poems and two plays. Selections (Masson).
French (Masson)
translator
translator
Masson, Jean-Yves, 1962-....
E
Poem 1. French (Masson)
Poem 2. French (Masson)
Poem n. French (Masson)
editor
Same selection of Expressions
M
19
Aggregate Manifestation
Verdier, 1994
AFNOR – Compilations of Works
W
Aggregate Manifestation
Verdier, 2008
M
EURIG Meeting on Aggregates, Helsinki 2012
MANIFESTATIONS EMBODYING COMPILATIONS OF MANY WORKS
COMPILATION OF WORKS OF ONE PERSON
– CONVENTIONAL COLLECTIVE TITLE –
2. Compilations of Works of one Person
Conventional collective title
A selection of Rimbaud’s letters by Jean-Marie Carré, which
was published first alone, and then with the addition of
Rimbaud’s letter describing his journey in Abyssinia
Lettres de la vie littéraire d'Arthur Rimbaud (1870-1875) / réunies et annotées par
Jean-Marie Carré. - 6e éd.. - Paris : Gallimard, 1931. - 236 p. ; in-16.
Lettres de la vie littéraire d'Arthur Rimbaud (1870-1875) / réunies et annotées par
Jean-Marie Carré. - Paris : Gallimard, 1932. - 237 p. ; in-16.
Suivi de la Relation du voyage au Harrar et au Choa adressée au directeur du
"Bosphore Égyptien" en 1886.
Lettres de la vie littéraire d'Arthur Rimbaud / réunies et annotées par Jean-Marie
Carré. - Paris : Gallimard, 1991. - 1 vol. (123 p.) ; 20 cm. - (Collection l'Imaginaire
; 238).
Contient : "Lettre de Rimbaud sur son voyage en Abyssinie".
ISBN 2-07-072009-8.
2. Compilations of Works of one Person
Conventional collective title
A selection of Rimbaud’s letters by Jean-Marie Carré,
which was published first alone, and then with the
addition of Rimbaud’s letter describing his journey
in Abyssinia
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AFNOR – Compilations of Works
EURIG Meeting on Aggregates, Helsinki 2012
Rimbaud, Arthur, 1854-1891
2. Compilations of Works of one Person
Conventional collective title
Carré, Jean-Marie, 1887-1958
compiler
author
author
Aggregating Work
Rimbaud, Arthur, 1854-1891.
Correspondence. Selections (Carré)
author
Letter 1
Letter 2
W
W
Lettre de Rimbaud sur
son voyage en Abyssinie
W
Lettre de Rimbaud sur
son voyage en Abyssinie.
French
E
Letter n
Aggregating Expression
Rimbaud, Arthur, 1854-1891.
Correspondence. Selections (Carré).
French. 1931
E
Letter 1. French
Letter 2. French)
E
Letter n. French
Aggregating Expression
Rimbaud, Arthur, 1854-1891.
Correspondence. Selections (Carré).
French. 1932
AFNOR
Proposal
E
Same selection of Expressions
M
Aggregate Manifestation
1931
M
Aggregate Manifestation
1932
Title proper = Access point
Lettres de la vie littéraire d’Arthur Rimbaud
21
AFNOR – Compilations of Works
M
Aggregate Manifestation
1991
EURIG Meeting on Aggregates, Helsinki 2012
MANIFESTATIONS EMBODYING COMPILATIONS OF MANY WORKS
COMPILATION OF WORKS BY DIFFERENT PERSONS
3. Compilations of Works by different Persons
A compilation of 15 medieval romances or excerpts of them,
translated into French. The selection of the works and the
edition was supervised by Danielle Régnier-Bohler . Each
work has its own translator and/or editor.
La légende arthurienne : le Graal et la
Table ronde / édition établie sous la
direction de Danielle Régnier-Bohler ;
[tableaux généalogiques établis par
Michel Pastoureau] ; [avec la collaboration
d'Emmanuèle Baumgartner, Marie-Luce
Chênerie, Mireille Demaules...et al.]. –
Paris : R. Laffont, 1991. - 1 vol. (LIX-1206 p.)
: cartes ; 20 cm. - (Bouquins).
Réunit quinze romans du cycle arthurien,
la plupart inédits.
ISBN 2-221-05259-5
For the details of the contained works, see
http://catalogue.bnf.fr/ark:/12148/cb37238215t/ISBD
Robert de Boron
3. Compilations of Works by different Persons
Chrétien de Troyes, 113.-1185?
author
Régnier-Bohler, Danielle
compiler
Perceval
Aggregating Work
La légende arthurienne
editor
Régnier-Bohler, Danielle
Foulet, Lucien
E
W
author
W
Perlesvaus
Perceval. French
E
W
etc.
Variant title
Le haut livre du Graal
translator
Perlesvaus. French
Aggregating Expression
La légende arthurienne. French
E
Merlin. Selections. French
Marchello-Nizia, Christiane
translator
translator + editor
Baumgartner, Emmanuèle, 1940-2005
etc.
Same selection of Expressions
M
22
W
Merlin. Selections
Variant title
Perceval le Gallois ou Le Conte du Graal
Aggregate Manifestation
R. Laffont, 1989
M
Aggregate Manifestation
R. Laffont, 1991
AFNOR – Compilations of Works
M
E
E
AFNOR
Proposal
Aggregate Manifestation
Grand livre du mois, 1997
W
EURIG Meeting on Aggregates, Helsinki 2012
3. Compilations of Works by different Persons
A compilation of 15 lieder by two composers,
performed by the same singer.
Josef Greindl chante Schubert & Loewe / Hertha
Klust, piano. - Hamburg 36 : Deutsche Grammophon
Gesellschaft ; Antony : distributeur Polygram, Division
Polydor, 1997 (DL). - 2 disques compacts (1 h 10 min
41 s, 1 h 08 min 58 s) : ADD, Mono. - (Double 2 CD).
Distribution musicale : voix - basse , clavier - piano.
- Notice par Stéphane Friederich. - Hamburg 13 :
production Polydor international GmbH.
Deutsche Grammophon 4570182 (boîte) : PY 925.
EAN 0028945701820
For the details of the contained works, see
http://catalogue.bnf.fr/ark:/12148/cb383698207/ISBD
a) Full description of the Expressions contained in the Aggregating Expression
3. Compilations of Works by different Persons
Schubert, Franz, 1797-1828
W
E
Aggregating Work
Josef Greindl chante
Schubert & Loewe
Loewe, Carl, 1796-1869
composer
composer
W
Winterreise. D 911
W
Sehnsucht, D 636
W
An die Musik, D 547
W
Der Wanderer, D 489
Aggregating Expression
Josef Greindl chante Schubert
& Loewe. Performed music
etc.
W
Tom der Reimer. Op. 135a
W
Edward. Op. 1, no 1
W
Die Uhr. Op. 123, no 3
etc.
W
E
Winterreise. D 911.
Performed
music
(Greindl)
Sehnsucht,
D 636.
singer
Greindl, Josef, 1912-1993
singer
Klust, Hertha, 1903-1970
E
Performed music (Greindl)
instrumentalist
Aggregate Manifestation
Deutsche Grammophon, 1997
23
E
Tom der Reimer. Op. 135a.
E
Performed
Edward.music
Op. 1,(Greindl)
no 1.
E
Performed
music
(Greindl)
Die Uhr. Op. 123, no 3.
Performed music (Greindl)
E
E
Performed
An die music
Musik,(Greindl)
D 547.
Performed
music (Greindl)
Der Wanderer,
D 489.
instrumentalist
M
AFNOR – Compilations of Works
W
etc.
etc.
E
AFNOR
Proposal
E
EURIG Meeting on Aggregates, Helsinki 2012
b) Simplified description of the Expressions contained in the Aggregating Expression, by the means
of conventional collective titles established for the compilation of Works of each composer
3. Compilations of Works by different Persons
Schubert, Franz, 1797-1828
Aggregating Work
Josef Greindl chante
Schubert & Loewe
W
E
W
Aggregating Work
Schubert, Franz, 1797-1828.
Lieder. Selections (Greindl)
E
Aggregating Expression
Schubert, Franz, 1797-1828.
Lieder. Selections (Greindl).
Performed music
Aggregating Expression
Josef Greindl chante Schubert
& Loewe. Performed music
singer
instrumentalist
Greindl, Josef, 1912-1993
Klust, Hertha, 1903-1970
Aggregate Manifestation
Deutsche Grammophon, 1997
24
Loewe, Carl, 1796-1869
composer
M
AFNOR – Compilations of Works
singer
singer
composer
W
Aggregating Work
Loewe, Carl, 1796-1869.
Lieder. Selections (Greindl)
E
Aggregating Expression
Loewe, Carl, 1796-1869.
Lieder. Selections (Greindl).
Performed music
instrumentalist
AFNOR
Proposal