Adam Himes
“Growing up with
you”
for Clarinet in Bb and Piano
Transposed Score
"Growing up with you"
Performance Notes:
1.
2.
= short fermata; = meduim fermata; = long fermata.
= quarter (50 cents) sharp; = quarter (50 cents) flat; = three-quarter (150 cents) sharp; = three-quarter (150 cents) flat.
3. Do not use pedal unless pedal markings are specifically notated.
This is a transposing score (clarinet sounds a major
2nd lower than written).
Music composed by
Adam Himes
Anxious and aggressive.
e=108
Clarinet in Bb

    

3
ff p
Cl.
Pno.
f
p



fff
  




    

 
f
mf

3



      
 



3



    



 
3


   

f
p
 
3

ff mf
ff mf


  
(f)
 
p
3

 

  
3
  






ff mf
ff
      


   

3
3
f
pp

 
  
3
  
     


3
3
3
molto rit.
    
3

 



3
mp poss.
(f)
f
  
  
f

 



3
 
    

3
f
p
ff
  


 
  
3
3

3
f



4

  


5
e=80 molto accel.

   
3
A tempo (e=108)
 

 










 
ff ppp
ff









Piano
 
p
 

3
3
     
  
  


      

   
  
f
f


mp
    
       
   






 


3
3
p
Lake Dunmore, VT; Brooklyn, NY; Oberlin, OH.
Copyright © 2013, Adam Himes.
A
Relaxed, soulful.
e=60
molto accel.
8

 
        



Pno.


      


3
mp
  
  


 
     
     
3
 
 




   
5:4


ff
3
 


     
     
  


  
    
3

3
f
p
fff
3









3
ff
3


5


 
3


  
3

         

 
 
3
 


         
ff

  
mp
3
  
   

3
 
  





 
f
(two quarter-note triplets)
 



3
3

      
3


 
p
mp

 
          



 




3
3

  

ff
3

 


 
mf
    

3
3
  
  
3



mf
 


  
  

mp

 






Cl.
3



(together)
5:4

 

14
3
p
ff


f
 


 

  


5:4




       
 
ff p


p

 

 


f


 
Pno.
mf p
A

 

11
Cl.
mp




3


A tempo (e=108)

Pno.
  

           

Cl.

3

2
(bend pitch about a
quarter-tone flat)



Pno.

B


 
/  0
fff
mf
 

3
  

3
p
ff
 

3


mp
3

  
 



ff
Pno.

pp


      
27
Cl.
  

pp

  

 

Pno.
 

  
p
fff

ppp
    
    

 
3
    

       

3
p
f
ppp


    
   3

    

    



(ff)


  

          
  

 



p
f
   

    

  
 





  
 
 

  
3
3


p
f
  



 


 
 



6
3
(fff)
ff
  


3
3

   /  0   /  0      
    

 






(ff)
f
3
 


 
          
   

 

 




   

3
p
mp

 
 
3
  
3
3

 




 


 

3
p
3
mp
f
3
    

  
   


22
Cl.
3
f
       
    

ff


Cl.
 

18



B


fp
    
3
mf


p
    
   
           
               






mf


3

 

3
mf

 
3

3
p
3
    
p
    

3
3
mp


3
3
        
3
3
3
3


3
     
3
3


4
Cl.





31

  






3
p
mf
f



  
     

     

Pno.
3
3
   
 
3


3
       
 
  



(2+2+3)
fff

ff


      


 
 



 XX




  

mp fp
ff p
Cl.

fff
  



fff
X
38


    




X
X
p



 


 
fp
ff pp
as fast as possible
C
XX


molto rubato
37
Pno.
 
 


(ff)
"mini-cadenza" - connect each gesture as much as possible
molto rubato
Cl.
X
X
3


     

  

X
X
  
        
   
(ff)



(fff)

   


(ff)
3
 
 
(fff)


(2+2+1)
3
3
3
C

       

(2+1+2)

start incredibly fast, accel. to as fast as possible
ffff




 
  




(fff)



X

(as fast as possible)



G








sim. (start incredibly fast, accel. to as fast as possible)

(ffff)







G


[esp ]=es
D


ff

   









ff
3
f




   



     
 


3
3
p



3
   

  

 





43
Cl.


mp

   

Pno.
 / 0
ff
3



 
 
mp
ff

46
Cl.



 

 
Pno.
E

 




  
mf
  
 
ff
 



      
p
E

 
 
f

 
 
3

 
ff
  
3
mp
f

 
       





3
ff
pp
f

  


     


 




A tempo
5



 



(piano
  
 
  chord

5
fits here) 







     







  
5
5
3
5
ff

    
  
    
poco rit.

A tempo


      
 
 



   
 
poco rit.
f p

Pno.
pp
ff
 



ppp
3
5
f p
fp



              



ppp
3

poco accel.




p
5
D
  
           


  





  



6

 
 
poco accel.
3
mp
(one triplet 16th = one straight 16th)
(e=81)

Cl.
 / 0

39

molto rubato
p
f


f

 


ff
fp
(p)

      


   
3
   
 
3


  

3
 
     



  










mf
mp
ff
3
3
mp
 
 

3



5


       





mp
mf
ff





 

57
Cl.
mf


   





(mf)
 


 

 3
 





Pno.
f p
3

     




   

 
3
1/2 corda
ff

mp



tre corde

3



    

3
5




p
3



  

p
mf
 
3

p
ff
 


 

 










5

  


una corda

f
mp
3


5
3
  
f
(four 32nd-note
quintuplets)



       

f
 3 
    
 



pp
molto rit.
ff


 






    
  








5
ff mp
f
F



 
 


mf

    


  






p
mp
F (five 16th-note triplets)
f
5
(p)
6
     



3

p
f
mf
p
f
f mp
3









   
  
A tempo
      
      




3

      
 


   
mf
5

Pno.

  
   
mp
rit.
accel.
53
Cl.


mp
  


5
pp






f


Pno.

3
    

 


Cl.
50
A tempo

6
rit.

   
accel.

 


6
6
6
6





   



6
6
G
61
Cl.
e=45
 


(2+2+1)



ff


 


5

 

6


 
      




       
 
(fff)
  
 



Pno.


 









(fff)




  
  
      


 
  
  
 
     

3
    
   


(p)
pp

  

  
  
       





 


    

11
3
  
11

 



 


3
pp
e=40
ppp

11

 

 
(p)
  

11
p
molto rit.



11

 
 



Pno.
pp
 

  
  






  



65
Cl.
 


5
fff


7
(ff)
64
Cl.
 


 G
 

  
 

  



ppp
6
 
  
(ff)
(non-rolled)
(non-rolled)




 


 
  
Pno.
A tempo
 (e=81)


 









 
  
 

H
Cl.
68
Mysterious.
q=60;q..=45
   
 

ppp
p
pp mf
mp
  
    

Cl.

pp


pp

 



Pno.

 
  








mf
mp
mp
6
 

 






 
3
p
 
  
 
 
mp

     

   
mf


3
   


  
 
   
    





  



mf
ff

             
"
5

5


3

3
  

 
 
 

  
mp

  


5




mf
f


  

   

p
mf mp
3

p
               
     

ff
pp
(non-vibrato)
mp
pp
 
  



     

A tempo
(q=60) molto vibrato
ff
 

    
  
77
Cl.

5



n
    
     
   




 
     



  
  


mf
 

p
(Does not to be strictly in tempo)
ff 5
ff

  






  
  


Pno.

Fast! Intense, like beginning of piece!
73
ff ppp


 

 

      
   

      
5
(ppp)



 
mp
ff
 
   
(ppp)

 


 
H
   




   
Pno.

   
p
 


8




  

I
Cl.
 


 
p


Cl.

mp
   

86
q=60
(4+5)

 


mf
3




p


 (2+2+2+1)
 
 
  
 


 



(p)

 





 
 


mf






    
3


      



p
f
4:5x
n
mp


  
pp
 

3
pp
ff


   

         

   

5
p

 
 
mf




mp
 
 









           


3
p


f p
       
4:5x

9
3 mp

  
           




mp
 
 



(pp)
89
Cl.

poco accel.
p


   
Pno.

  

pp
I

   
Pno.



81
Very relaxed, delicate.
q=48

f


mp


  




        









                                  




Pno.
pp
 

mp
ff pp
mp ff pp
mp ff mp
p
                              







J
Soulful, melodic.
Cl.
90
 

 
mf


Pno.
pp
 
Pno.




7











  
   
   

  
 
 
(mp)
     
  


Pno.



 



pp

 







     
fpp
n
                 
            


mp
 
 
                 

 
  


3



5


 
 






 
mfpp

 






 
   
fpp
 
   

mp
p
(pp)





    
    



mp
mp
mf

J

  

p
n
3


(pp)
   

 
 
 


    
  


 
n






p
  


 




 







 
 

100
Cl.

(pp)
   




7
7
94
Cl.


molto rubato
7



  

mf



 q=44


 
  

 


10
 


pp



 

p



 


107
Cl.
 



(pp)


     

Pno.


(p)

    

 
K
 
 


 
 


Gaining tension.
q=60





 










    

  
  












(non. dim)

   

  
 



   


molto rubato (let piano lead)
111
Cl.
   
Pno.


pp
mf

n

              


p


 
 



molto rubato (let piano lead)
  

 

  
 
mf
fpp

ff

     
















(ff)
(mf)
 
Pno.
ff
 
113
Cl.
 

(mf)
 



fpp
K

 
11

3
pp

 
  


  


mf


n

p
 
 



12
Cl.
molto rubato (let piano lead)
116
  

fpp


mp
 

Pno.


5




 
      
      
f
  
   
 


    
p
 
   



    
3
5
   
3
p
mf
f
117
Cl.
Pno.




mp
3
    
   
(f)
Cl.
     
 
L


3
119


                        

ff
mp
f

 
    

3
  
  

p

    






    



6
        






  
Incredibly agressive, anxious.
(still q=60)
L


       


Pno.
 

ff
  


f



mp
p








fff







3

                



 

fff

  
  
      

 
 

ffff poss.
mf
  



ff
(ff)

             
 
 
    
    
f
5
fff
 
   
ff

     
 
  
 
  
5




M
3

 
       

121
 M    
       



.
gliss

12
 



f
.
gliss

12
    











  


3
125
Cl.


Pno.



p
fp
 


 


pp





         
pp
3
 


          
 
   



 

f
mf
p
    






  




approx.
(molto rubato)
   






10


p
ppp





 



mf

Pno.

 
q=60
pp

 

 

Faster but still somewhat relaxed.
f


3

129
Cl.
       
       


mp
3



3
        

                
    
 
   

p

    
   
 



3
pp

 
(mp)
(f) mp
Relaxed, expressive again.
q=48
Agressive and anxious again.
q=60
   
    


ppp
fff
mp
   
    







Pno.
7
mp




   
3
 




 


3


Cl.
13


3
Relaxed, expressive.
Slower.
q=48


 

    

p
mf
f


   
         

            


Pno.

  
   
 




p
mf


p
f

    











p





 

p
 

 

  



   
mp
3
 

 
  
       


5

mf


mp pp
pp
pp
 
 
(pp)
(pp)
    

 


p

 
 






      

    
         
                

 
 
     
                 


  


p
p

f
pp
 
     





(p)


f
 

   
 
 

mf
(p)



 
              

  



f
    

3
p
3
3
mf


        




Pno.
f
3
            


 
 
 
          
 


137
Cl.
mp






       





 

              

fp
(f)
 
Very expressive. Even slower, more relaxed.
q=40
3
N
     

      
Pno.
f
pp
 
 
 


pp
mp



 

    
 

N
133
Cl.

(flz.)


Cl.
  
130


(2+2+2+1)


14
 
 
