Theatre

Apotheosis (from Greek ἀποθέωσις from ἀποθεοῦν, apotheoun "to deify"; in Latin deificatio "making divine"; also called divinization and deification) is the glorification of a subject to divine level.

Puppetry is a form of theatre or performance that involves the manipulation of puppets—inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer.

Liturgical drama or religious drama, in its various Christian contexts, originates from the Mass itself, and usually presents a relatively complex ritual that includes theatrical elements.

Epic theatre (German: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of a new political theatre.

A protagonist (from Ancient Greek πρωταγωνιστής (protagonistes), meaning "player of the first part, chief actor") is the main character in any story, such as a literary work or drama.

An audition is a sample performance by an actor, singer, musician, dancer or other performer.

A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical.

Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage.

An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or academics in any medium.

In theatre or performance arts, the stage (sometimes referred to as the deck in stagecraft) is a designated space for the performance of productions.

A sylvan theater—sometimes called a greenery theater (French: théâtre de verdure) (also spelt theatre, see spelling differences)—is a type of outdoor theater situated in a wooded (sylvan) setting.

An act is a division or unit of a theatre work, including a play, film, opera, and musical theatre.

A peanut gallery was, in the days of vaudeville, a nickname for the cheapest (and ostensibly rowdiest) seats in the theater, the occupants of which were often known to heckle.

Method acting refers to a range of training and rehearsal techniques that seek to encourage sincere and emotionally expressive performances, as formulated by a number of different practitioners, principally in the United States, where it is among the most popular—and controversial—approaches to acting.

Toy theater, also called paper theater and model theater (also spelt theatre, see spelling differences), is a form of miniature theater dating back to the early 19th century in Europe.

A puppet is an inanimate object, often resembling some type of human, animal or mythical figure, that is animated or manipulated by a human called a puppeteer.

A supporting character is a character in a narrative that is not focused on by the primary storyline, but appears or is mentioned in the story enough to be more than just a minor character or a cameo appearance.

A puppeteer is a person who manipulates an inanimate object that is typically shaped like a human, animal or mythical creature, such as a puppet, in real time to create the illusion that the puppet is "alive".

Street performance or busking is the act of performing in public places for gratuities.

Strictly, digital theatre is a hybrid art form, gaining strength from theatre’s ability to facilitate the imagination and create human connections and digital technology’s ability to extend the reach of communication and visualization.