2017-07-29T17:47:14+03:00[Europe/Moscow] en true La gazza ladra, Edgar (opera), Giovanna d'Arco, La Wally, Un giorno di regno, Dialogues of the Carmelites, Oberto (opera), Nabucco, Otello, Turandot, Madama Butterfly, La Gioconda (opera), Il turco in Italia, I Lombardi alla prima crociata, Andrea Chénier, Falstaff (opera), Lucrezia Borgia (opera), Maria Stuarda, Simon Boccanegra, Europa riconosciuta, Il pirata, Parisina (Mascagni), Licht, Mefistofele, Ugo, conte di Parigi, La straniera, Gemma di Vergy, Il giuramento, Gianni di Parigi, Maria Padilla flashcards
Opera world premieres at La Scala

Opera world premieres at La Scala

  • La gazza ladra
    La gazza ladra (Italian pronunciation: [la ˈɡaddza ˈlaːdra], The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez.
  • Edgar (opera)
    Edgar is an operatic dramma lirico in three acts (originally four acts) by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, freely based on the play in verse La Coupe et les lèvres (The Cup and the Lips) by Alfred de Musset.
  • Giovanna d'Arco
    Giovanna d'Arco (Joan of Arc) is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi set to an Italian libretto by Temistocle Solera, who had prepared the libretti for both Nabucco and I Lombardi.
  • La Wally
    La Wally is an opera in four acts by composer Alfredo Catalani, to a libretto by Luigi Illica, first performed at La Scala, Milan, on 20 January 1892.
  • Un giorno di regno
    Un giorno di regno, ossia il finto Stanislao (A One-Day Reign, or The Pretend Stanislaus, but often translated into English as King for a Day) is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani.
  • Dialogues of the Carmelites
    Dialogues des Carmélites (Dialogues of the Carmelites) is a 1956 French-language opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc.
  • Oberto (opera)
    Oberto, Conte di San Bonifacio is an opera in two acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an existing libretto by Antonio Piazza probably called Rocester.
  • Nabucco
    Nabucco (Italian pronunciation: [naˈbukko]; short for Nabucodonosor [naˌbukoˈdɔːnozor]~[naˌbukodonoˈzɔr], English Nebuchadnezzar) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera.
  • Otello
    Otello (Italian pronunciation: [oˈtɛllo]) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello.
  • Turandot
    Turandot (UK /ˈtjʊər.ən.dɒt/ or US /ˈtʊr.ən.dɑːt/; Italian pronunciation: [turanˈdɔt]; see ) is an opera in three acts by Giacomo Puccini, completed by Franco Alfano, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni.
  • Madama Butterfly
    Madama Butterfly (IPA: [maˈdaːma ˈbatterflai]; Madame Butterfly) is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa.
  • La Gioconda (opera)
    La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on Angelo, Tyrant of Padua, a play in prose by Victor Hugo, dating from 1835.
  • Il turco in Italia
    An opera buffa, it was influenced by Mozart's Così fan tutte, which was performed at the same theatre shortly before Rossini's work.
  • I Lombardi alla prima crociata
    I Lombardi alla Prima Crociata (The Lombards on the First Crusade) is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epic poem by Tommaso Grossi, which was "very much a child of its age; a grand historical novel with a patriotic slant".
  • Andrea Chénier
    Andrea Chénier is a verismo opera in four acts by the composer Umberto Giordano, set to an Italian libretto by Luigi Illica.
  • Falstaff (opera)
    Falstaff (Italian pronunciation: [ˈfalstaf]) is an opera in three acts by the Italian composer Giuseppe Verdi (1813–1901).
  • Lucrezia Borgia (opera)
    Lucrezia Borgia is a melodramatic opera in a prologue and two acts by Gaetano Donizetti.
  • Maria Stuarda
    Maria Stuarda (Mary Stuart) is a tragic opera (tragedia lirica), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play Maria Stuart.
  • Simon Boccanegra
    Simon Boccanegra (Italian: [siˈmom ˌbokkaˈneːɡra]) is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Simón Bocanegra (1843) by Antonio García Gutiérrez, whose play El trovador had been the basis for Verdi's 1853 opera, Il trovatore.
  • Europa riconosciuta
    The opera takes place in Tyre in Phoenicia and tells a story of love, violence and political discord in ancient times.
  • Il pirata
    Il pirata (The Pirate) is an opera in two acts by Vincenzo Bellini to an Italian libretto by Felice Romani which was based on a three-act mélodrame from 1826, Bertram, ou le Pirate (Bertram, or The Pirate) by Charles Nodier and "Raimonde" (actually Isidore Justin Séverin Taylor).
  • Parisina (Mascagni)
    Parisina is a tragedia lirica, or opera, in four acts by Pietro Mascagni.
  • Licht
    Licht (Light), subtitled "The Seven Days of the Week," is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003.
  • Mefistofele
    Mefistofele (Italian pronunciation: [mefiˈstɔːfele]) is an opera in a prologue, four acts and an epilogue, the only completed opera with music by the Italian composer-librettist Arrigo Boito (there are several completed operas for which he was librettist only).
  • Ugo, conte di Parigi
    See synopsis on opera-rara.
  • La straniera
    La straniera (The Stranger Woman) is an opera in two acts with music by Vincenzo Bellini to an Italian libretto by Felice Romani, based on the novel L'étrangère (Il solitario) of 1825 by Charles-Victor Prévot, vicomte d'Arlincourt, although writer Herbert Weinstock also adds that it is "more likely [based on] a dramatization of [that novel] in Italian by Giovan Carlo, barone di Cosenza" since he then quotes a letter from Bellini to his friend Francesco Florimo in which he says that Romani "certainly will not follow the play" [suggesting then that they were aware of its existence.
  • Gemma di Vergy
    The heroine is the childless wife of the Count of Vergy, and the plot deals with her jealousy and grief as her husband arranges an annulment of their marriage in preparation for the arrival of his new bride, Ida, and her despair following the murder of her husband by a slave, Tamas, who is secretly in love with her.
  • Il giuramento
    The opera was first performed at La Scala, Milan on 11 March 1837 and was "quickly taken up by other theatres throughout Italy".
  • Gianni di Parigi
    It is derived from Jean de Paris, an 1812 opera by François-Adrien Boïeldieu with a libretto by Claude Godard d'Aucourt de Saint-Just, which had been performed in Naples in 1816.
  • Maria Padilla
    The American premiere took place in 1990 when the young Renée Fleming made her major debut with Opera Omaha.