Medieval music

The Magnus Liber or Magnus Liber Organi (Latin for "Great Book of Organum") is a compilation of the medieval music known as organum.

Bogurodzica (Polish pronunciation: [bɔɡurɔˈd͡ʑit͡sa]; English: Mother of God/Theotokos) is the oldest Polish hymn.

A chanson (French pronunciation: ​[ʃɑ̃sɔ̃], "song", from Latin cantio, gen. cantionis) is in general any lyric-driven French song, usually polyphonic and secular.

The Llibre Vermell de Montserrat (Catalan pronunciation: [ˈʎiβɾə βərˈmɛʎ ðə munsəˈrat], "Red Book of Montserrat") is a manuscript collection of devotional texts containing, amongst others, some late medieval songs.

The Roman de Fauvel is a 14th-century French allegorical verse romance of satirical bent, generally attributed to Gervais de Bus, a clerk at the French royal chancery.

In medieval music, conductus (plural: conductus) is a type of sacred, but non-liturgical vocal composition for one or more voices.

The Mass (Latin: Missa), a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music.

A Meistersinger (German for "master singer") was a member of a German guild for lyric poetry, composition and unaccompanied art song of the 14th, 15th and 16th centuries.

A neume (/ˈnjuːm/; sometimes spelled neum) is the basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation.

The Notre Dame school or the Notre Dame school of polyphony refers to the group of composers working at or near the Notre Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced.

A sequence (Latin: sequentia) is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel.

A trope or tropus may be a variety of different things in medieval, 20th-, and 21st-century music.

The Improperia are a series of antiphons and responses, expressing the remonstrance of Jesus Christ with His people.

Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music.

Veni, Creator Spiritus ("Come Creator Spirit") is a hymn believed to have been written by Rabanus Maurus in the 9th century.

The lauda (Italian pl. laude) or lauda spirituale was the most important form of vernacular sacred song in Italy in the late medieval era and Renaissance.

A rondeau (plural rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form.

The ballata (plural: ballate) is an Italian poetic and musical form in use from the late 13th to the 15th century.

Organum (/ˈɔːrɡənəm/) is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages.

The tourdion (or tordion) (from the French verb "tordre" / to twist) is a lively dance, similar in nature to the galliard, and popular from the mid-15th to the late-16th centuries, first in the Burgundian court and then all over the French Kingdom.

The estampie (French: estampie, Occitan and Catalan: estampida, Italian: istampitte) is a medieval dance and musical form which was a popular instrumental and vocal form in the 13th and 14th centuries.

Veni Sancte Spiritus, sometimes called the "Golden Sequence," is a sequence prescribed in the Roman Liturgy for the Masses of Pentecost and its octave, exclusive of the following Sunday.

In medieval and early Renaissance English polyphonic music, gymel (also gimel or gemell) is the technique of temporarily dividing up one voice part, usually an upper one, into two parts of equal range, but singing different music.

Ordo Virtutum (Latin for Order of the Virtues) is an allegorical morality play, or liturgical drama, by Hildegard of Bingen, composed c.

Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377).

A ballade (from French ballade, French pronunciation: ​[baˈlad], and German Ballade, German pronunciation: [baˈlaːdə], both being words for "ballad"), in classical music since the late 18th century, refers to a setting of a literary ballad, a narrative poem, in the musical tradition of the Lied, or to a one-movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballad.

The Chantilly Codex (Chantilly, Musée Condé MS 564) is a manuscript of medieval music containing pieces from the style known as the Ars subtilior.

The Dufay Collective is an early-music ensemble from the United Kingdom, specializing in Medieval and Renaissance music.

The Trecento was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music.

Discant or descant (Latin: discantus, meaning "singing apart") originated as a style of liturgical setting in the Middle Ages, associated with the development of the Notre Dame school of polyphony.

Music in Medieval Scotland includes all forms of musical production in what is now Scotland between the fifth century and the adoption of the Renaissance in the early sixteenth century.

The Trinity Carol Roll is a 15th-century manuscript of thirteen English carols held by the Wren Library at Trinity College, Cambridge (MS O.3.58).