VISUALIZING Prepared By: Ralph Hofmann, Durham College Chapter 4: Sensation and Perception Media Enhanced PowerPoint Presentation Copyright © 2013 John Wiley & Sons, Canada Ltd 2 Lecture Overview • • • • What is Sensation? How We See and Hear The Other Senses The Magic of Perception Copyright © 2013 John Wiley & Sons, Canada Ltd 3 W h a t i s S e n s a t i o n ? LEARNING OBJECTIVES: 1. Describe how raw sensory stimuli are translated and conveyed to the brain. 2. Explain how the study of thresholds helps to explain sensation. 3. Describe why adapting to sensory stimuli provides an evolutionary advantage. 4. Identify the factors that govern pain perception. Copyright © 2013 John Wiley & Sons, Canada Ltd 4 What is Sensation • Sensation – Process of receiving, translating, and transmitting raw sensory information from the external and internal environments to the brain Copyright © 2013 John Wiley & Sons, Canada Ltd 5 Detecting and Translating Information • Sense organs contain receptors which receive and process sensory information from the environment • Each respond to a distinct stimulus • Species evolve a range of sensory receptors uniquely adapted to their environment Copyright © 2013 John Wiley & Sons, Canada Ltd 6 Detecting and Translating Information • Sensory transduction – The process by which a physical stimulus is converted to a neural impulse • Labelled lines – The way that the brain interprets the type of sensory information based on its neural origin in the body and its destination in the brain Copyright © 2013 John Wiley & Sons, Canada Ltd 7 Sensory Processing within the Brain • Neural impulses gained through the senses are sent to various parts of the brain Copyright © 2013 John Wiley & Sons, Canada Ltd 8 Adaptation • Sensory adaptation – Repeated or constant stimulation decreases the number of sensory messages sent to the brain from sense receptors • Evolutionary perspective – Helps brain cope with an overwhelming amount of sensory information – Allows brain time to pay attention to change Copyright © 2013 John Wiley & Sons, Canada Ltd 9 Measuring the Senses • Psychophysics – Study of the relationship between real world events and our psychological experiences of them – Study how the strength or intensity of stimulation affect us Copyright © 2013 John Wiley & Sons, Canada Ltd 10 Measuring the Senses • Testing for hearing loss – Tone generator produces sounds of differing pitches/intensities – Subject indicates the earliest point at which they hear the tone (absolute threshold) – Gradually change volume until subject notices a difference (difference threshold) – Compare thresholds to normal hearing Copyright © 2013 John Wiley & Sons, Canada Ltd 11 Adaptation • Some senses like smell and touch adapt quickly • We never really adapt to visual or extremely intense stimuli – e.g. odour of ammonia or pain of a bad burn • Facilitates learned avoidance and encourages protective self-care Copyright © 2013 John Wiley & Sons, Canada Ltd 12 Measuring the Senses • Absolute threshold – Smallest amount of a stimulus we can detect • Difference threshold – Minimal difference needed to detect a stimulus change; also called the just noticeable difference (JND) Copyright © 2013 John Wiley & Sons, Canada Ltd 13 Pain • Initially detected by noniceptors – Information sent via two different paths, signaling two types of pain • Sharp, localized pain – Travels via myelinated fibres to spinal cord andf then to thalamus and cortex – Allows organism to respond rapidly and reflexively • Dull, throbbing or burning pain – Slower unmyelinated travels via spinal cord to brain and interacts with limbic system Copyright © 2013 John Wiley & Sons, Canada Ltd 14 Pain • Significant psychological component to pain – Perception and reaction to pain influenced by age, sex, fatigue and emotions • Pituitary and hypothalamus produce endorphins – Natural pain killers Copyright © 2013 John Wiley & Sons, Canada Ltd 15 Gate – Control Theory • Experience of pain depends partly on whether the neural message can get past the “gatekeeper” in the spinal cord • When injury occurs: – Neural message travels via both pathways through open gate to brain – Result is the subjective experience of pain Copyright © 2013 John Wiley & Sons, Canada Ltd 16 Gate – Control Theory • Messages from the brain can close the gate • Prevents subjective experience of pain • Triggered by psychological factors • Allows athletes, soldiers to perform in spite of injury and pain Copyright © 2013 John Wiley & Sons, Canada Ltd 17 Gate – Control Theory • Research shows that the pain gate may be chemically controlled – Opened by substance P – Closed by endorphins • When sensory pain is interrupted – Brain can generate pain and other sensation – e.g. Phantom limb pain Copyright © 2013 John Wiley & Sons, Canada Ltd 18 Mirror Therapy Copyright © 2013 John Wiley & Sons, Canada Ltd 19 H o w W e S e e a n d H e a r LEARNING OBJECTIVES: 1. 2. 3. 4. Identify the three major characteristics of light and sound waves. Explain how the eye captures and focuses light energy and how the eye converts light energy into neural signals. Describe the path that sound waves take in the ear. Summarize the two theories that explain how distinguish among different pitches. Copyright © 2013 John Wiley & Sons, Canada Ltd 20 Waves of Light and Sound • Light waves – Packets of electromagnetic energy – Different waves on the electromagnetic spectrum have different wavelengths • Sound waves – Caused by air molecules moving in a particular wave pattern – Vibrating object (vocal cords, etc)compress then decompress air molecules Copyright © 2013 John Wiley & Sons, Canada Ltd 21 Properties of Vision and Hearing • Both light and sound waves vary in – Wavelength – Amplitude (height) – Frequency – Range • Each has a distinct effect on vision and hearing Copyright © 2013 John Wiley & Sons, Canada Ltd 22 Properties of Vision and Hearing Copyright © 2013 John Wiley & Sons, Canada Ltd 23 Light Waves • Wavelength – Determines frequency (hue and colour) • Amplitude – Determines brightness and intensity • Complexity – Determines saturation Copyright © 2013 John Wiley & Sons, Canada Ltd 24 The Electromagnetic Spectrum Copyright © 2013 John Wiley & Sons, Canada Ltd 25 Vision • Most structures of the eye involved in – Capturing and focusing light – Converts it to neural signals • Small abnormalities in the eye alterations in focus – Focus in front of retina • Myopia or near sightedness – Focus behind retina • Hyperopia or farsightedness Copyright © 2013 John Wiley & Sons, Canada Ltd 26 How The Eye Sees • Light is captured and focused through the cornea, lens and pupils onto the retina • In the retina, light waves are changed into neural signals Copyright © 2013 John Wiley & Sons, Canada Ltd 27 How the Eye Sees • Receptors for vision (rods and cones) are located in the retina • The fovea, a pit filled with cones, is responsible for our sharpest vision • The blind spot, near the fovea, has no visual receptors Copyright © 2013 John Wiley & Sons, Canada Ltd 28 Hearing • Mechanisms to distinguish sounds vary with pitch • Place theory – High frequency sound waves maximally stimulate hair cells along the basilar membrane • Frequency theory – Low pitched sounds cause hair cells to fire neural messages at the same frequency as the sound Copyright © 2013 John Wiley & Sons, Canada Ltd 29 Sound Waves • Wavelength – Determines pitch (highness or lowness) • Amplitude – Determines loudness (intensity of the sound) • Complexity (range) – Determines timbre Copyright © 2013 John Wiley & Sons, Canada Ltd 30 Hearing Copyright © 2013 John Wiley & Sons, Canada Ltd 31 How The Ear Hears • Structures of the outer and middle ear gather/focus sound waves • Conducting to the cochlea • Receptors for hearing are hair cells in the cochlea Copyright © 2013 John Wiley & Sons, Canada Ltd 32 Hearing Loss • Conduction/middle ear deafness – Deafness that results from problems with the mechanical system that conducts sound waves to the inner ear – Most is temporary • Nerve/inner ear deafness – Results from damage to the cochlea, hair cells or auditory nerve – Almost always irreversible Copyright © 2013 John Wiley & Sons, Canada Ltd 33 Hearing Loss • The loudness of a sound is measured in decibels • Hearing loss can be avoided by: – Avoiding loud noise – Wearing earplugs when it is unavoidable Copyright © 2013 John Wiley & Sons, Canada Ltd 34 O u r O t h e r S e n s e s LEARNING OBJECTIVES: 1. Explain the importance of smell and taste to survival. 2. Describe how the information contained in odour molecules reaches the brain. 3. Identify the locations for the body senses. 4. Explain the role of our vestibular and kinesthetic senses. Copyright © 2013 John Wiley & Sons, Canada Ltd 35 Smell and Taste • • • • Sometimes referred to as chemical senses Both involve chemoreceptors Located near each other and often interact Sometimes difficult to differentiate between the senses Copyright © 2013 John Wiley & Sons, Canada Ltd 36 Smell • Oldest and most universal sense • More than 1000 types of olfactory receptors • Tends to be less sensitive • Utilized to detect food and communication Copyright © 2013 John Wiley & Sons, Canada Ltd 37 How The Nose Smells Copyright © 2013 John Wiley & Sons, Canada Ltd 38 Smell • Gustation might be the least critical sense • Likely contributed the most to our evolutionary survival • Most food and taste preferences are learned – Childhood experiences – Cultural influences Copyright © 2013 John Wiley & Sons, Canada Ltd 39 Taste • Food and liquid dissolved in saliva • Flows over papillae and into pores • Taste buds contain receptors to taste • Trigger neural impulses to cortex via thalamus Copyright © 2013 John Wiley & Sons, Canada Ltd 40 The Body Senses • Senses that tell the brain: – How the body is oriented – Where and how the body is moving – What is touched or touches the body • Includes: – Skin senses – Vestibular sense – Kinesthetic sense Copyright © 2013 John Wiley & Sons, Canada Ltd 41 Skin Senses • Skin sensitive to touch (pressure) temperature and pain • Concentration and depth of receptors for each stimuli vary – e.g. touch receptors most concentrated on the face, hands, genitals • Some receptors respond to more than one stimuli Copyright © 2013 John Wiley & Sons, Canada Ltd 42 Vestibular Sense • Responsible for balance • When the head moves: – Liquid in the semicircular canals move bending hair receptors – Vestibular sacs at the end of the canals reorient – Information then converted to neural impulses to the brain • Motion sickness occurs when the vestibular sense becomes confused Copyright © 2013 John Wiley & Sons, Canada Ltd 43 Kinesthesia • Provides the brain with information about body posture, orientation and movement • Receptors found in muscles, joints and tendons – Informs brain of which muscles are contracted/relaxed, weight distribution, etc Copyright © 2013 John Wiley & Sons, Canada Ltd 44 T h e M a g i c o f P e r c e p t i o n LEARNING OBJECTIVES: 1. Describe the relationship among selective attention, feature detectors, and habituation. 2. Summarize the factors involved in perceptual interpretation. 3. Describe the limitations of subliminal perception. Copyright © 2013 John Wiley & Sons, Canada Ltd 45 Perception • The process of selecting, organizing and interpreting sensory data • Three basic perceptual processes: – Selection: attending to some sensory stimuli while ignoring others – Organization: assembling information into patterns that help us understand the world – Interpretation: how the brain explains sensations Copyright © 2013 John Wiley & Sons, Canada Ltd 46 Optical Illusions • Optical illusion – False or misleading perceptions – Produced by either interpretation error or physical distortion • Help scientists study normal perception Copyright © 2013 John Wiley & Sons, Canada Ltd 47 Selecting and Extracting Information • Three major factors help us select and focus on specific stimuli and ignore others – Selective attention – Feature detectors – Habituation Copyright © 2013 John Wiley & Sons, Canada Ltd 48 Selective Attention • The ability to filter out distractions and attending only to important sensory information – Brain picks out information that is important and relevant and ignores the rest Copyright © 2013 John Wiley & Sons, Canada Ltd 49 Feature Detectors • Specialized cells in the brain that respond only to certain sensory stimuli – There are feature detectors for all sorts of visual stimuli – Lines, edges, shapes and movement Copyright © 2013 John Wiley & Sons, Canada Ltd 50 Habituation • Tendency to ignore environmental factors that remain constant – Brain is prewired to pay more attention to changes in the environment than to stimuli that remain constant Copyright © 2013 John Wiley & Sons, Canada Ltd 51 Organization • Raw sensory information must be organized in a meaningful way to be functional and useful • We organize sensory information in terms of: – Form – Constancy – Depth – Colour Copyright © 2013 John Wiley & Sons, Canada Ltd 52 Form Perception • Gestalt psychologists were the first to study how the brain organizes information into gestalt (form or whole) – Figure and ground – Proximity – Continuity – Closure – Similarity – Contiguity Copyright © 2013 John Wiley & Sons, Canada Ltd 53 Gestalt Laws of Organization Copyright © 2013 John Wiley & Sons, Canada Ltd 54 Reversible and Impossible Figures Copyright © 2013 John Wiley & Sons, Canada Ltd 55 Perceptual Constancy • Perceiving the environment as remaining the same even with changes in sensory input • Four constancies: – – – – Size Shape Colour Brightness Copyright © 2013 John Wiley & Sons, Canada Ltd 56 Perceptual Constancy Copyright © 2013 John Wiley & Sons, Canada Ltd 57 Depth Perception • Ability to perceive three dimensional space and accurately judge distance – Primarily relies on experience – Relies on monocular and binocular cues Copyright © 2013 John Wiley & Sons, Canada Ltd 58 Binocular Depth Cues • Relies on having two forward facing eyes • Inadequate in judging distances longer than a football field • Retinal disparity – Different images fall on each retina – Brain fuses multiple images into one stereoscopic vision • Convergence – The closer an object looks the more our eyes turn inward Copyright © 2013 John Wiley & Sons, Canada Ltd 59 Binocular Depth Cues Copyright © 2013 John Wiley & Sons, Canada Ltd 60 Monocular Depth Cues • Available separately to each eye • Linear perspective – As they recede in distance, parallel lines converge on each other • Interposition – Objects that obscure or overlap each other are perceived as closer • Relative size – Close objects cast a larger retinal image Copyright © 2013 John Wiley & Sons, Canada Ltd 61 Monocular Depth Cues • Texture gradient – Nearer objects have a coarser and more distinct texture • Aerial perspective – Distant object appear hazy and blurred because of intervening atmospheric dust or haze • Light and shadow – Brighter objects are percieved as closer Copyright © 2013 John Wiley & Sons, Canada Ltd 62 Monocular Depth Cues • Relative height – Objects positioned higher in our field of vision are perceived as farther away • Accommodation of the lens – Muscles adjust the shape of the lens as objects move closer • Motion parallax – When we are moving, close object appear to whiz by whereas farther objects appear to move more slowly Copyright © 2013 John Wiley & Sons, Canada Ltd 63 Monocular Depth Cues Copyright © 2013 John Wiley & Sons, Canada Ltd 64 Colour Perception Theories • Trichromatic theory – Colour perception results from mixing three distinct colour systems – Red, green, blue • Opponent process theory – Colour perception results from three systems of colour opposites – Blue-yellow, red-green, black-white Copyright © 2013 John Wiley & Sons, Canada Ltd 65 Colour After - Effects • Explainable by the opponent process theory Copyright © 2013 John Wiley & Sons, Canada Ltd 66 Colour – Deficient Vision • Most people perceive three colours • A small proportion can only perceive two • People with a red-green colour-deficiency cannot see the green number in the diagram Copyright © 2013 John Wiley & Sons, Canada Ltd 67 Interpretation • Final stage in perception • Interpretation involves four major factors: – Perceptual adaptation – Perceptual set – Frame of reference – Bottom-up versus top-down processing Copyright © 2013 John Wiley & Sons, Canada Ltd 68 Interpretation • Perceptual adaptation – Ability to adapt to new stimuli and create coherence • Perceptual set – Readiness to perceive things a certain way • Frame of reference – Perceptions depend on the context of the situation Copyright © 2013 John Wiley & Sons, Canada Ltd 69 Perceptual Set Copyright © 2013 John Wiley & Sons, Canada Ltd 70 Interpretation • Bottom-up processing – Receive information that works its way up to the top levels of perceptual processing • Top-down processing – Previous experience, thoughts, expectations, etc. begins with higher level processing and works down to sensory Copyright © 2013 John Wiley & Sons, Canada Ltd 71 Science and ESP • Extrasensory perception – The concept that some people can perceive things that cannot be perceived by normal senses • Scientific and causal explanations lack stability and replication • May be just an example of motivation and interests affecting perception Copyright © 2013 John Wiley & Sons, Canada Ltd 72 Subliminal Perception • Perception without conscious awareness • Little or no evidence that it leads to subliminal persuasion Copyright © 2013 John Wiley & Sons, Canada Ltd 73 Multimedia Web Links Science: Human Body & Mind Nervous System Brain Controls Pain Scientists are finding that it truly is the brain that decides what is or is not painful. As this ScienCentral News video explains, scientists are also finding that there may be a way to teach people to train their brain to better handle pain. Science: Human Body & Mind Nervous System – Sight Exploratorium Cow’s Eye Dissection Eye Institution Welcome to the University of Ottawa Eye Institute of The Ottawa Hospital. We are a world class facility recognized internationally for excellence in patient eye care, research and teaching in the field of ophthalmology. Seeing more than your eye does Most people (even many who work on the brain) assume that what you see is pretty much what your eye sees and reports to your brain. In fact, your brain adds very substantially to the report it gets from your eye, so that a lot of what you see is actually "made up" by the brain. Artificial Eye A camera that transmits pictures into the brain, as this ScienCentral News video explains, is giving some people suffering from blindness the chance at partial eyesight again. Exploratorium This dynamic presentation digitally recreates three auditory illusions found at the Exploratorium Science Museum in San Francisco, California. Copyright © 2013 John Wiley & Sons, Canada Ltd 74 Multimedia Web Links Anatomy of the ear Sound is produced when an object vibrates. These vibrations, in turn, cause the surrounding air molecules to vibrate. The vibration spreads out from the object in waves, much like ripples in a pond after a stone has been thrown in. Science: Human Body & Mind Nervous System – Hearing How Hearing Works Your ears are extraordinary organs. They pick up all the sounds around you and then translate this information into a form your brain can understand. One of the most remarkable things about this process is that it is completely mechanical. Your sense of smell, taste and vision all involve chemical reactions, but your hearing system is based solely on physical movement. Super Snout Dogs are naturally nosy creatures, so chemists have been trying to find a way to create a device as sensitive as their snouts. As this ScienCentral News video reports, they're coming close. Science: Human Body & Mind Nervous System – Smell How does the sense of smell work? Smell is a very direct sense. In order for you to smell something, molecules from that thing have to make it to your nose. Everything you smell, therefore, is giving off molecules -- whether it is bread in the bakery, onions, perfume, a piece of fruit or whatever. Those molecules are generally light, volatile (easy to evaporate) chemicals that float through the air into your nose. A piece of steel has no smell because nothing evaporates from it -- steel is a non-volatile solid. Copyright © 2013 John Wiley & Sons, Canada Ltd 75 Multimedia Web Links ‘Supertasters’ diet raises cancer risk People whose genes have given them a super-sharp sense of taste are more susceptible to colon cancer than those with duller palates, suggests new research. Science: Human Body & Mind Nervous System – Taste Science: Human Body & Mind Nervous System – Touch Discovery Fit & Health Homepage Science: Human Body & Mind Nervous System - Balance MindBluff.com The Necker Cube 101 Visual Phenomena & Optical Illusions These pages demonstrate visual phenomena and »optical« or »visual illusions«. Gallery of Visual Illusions Homepage Colorcube Optical Illusions presented by COLORCUBE.com! Gestalt Principles of Perception Gestalt theory first arose in 1890 as a reaction to the prevalent psychological theory of the time atomism. Jumping to Conclusions We've carefully covered these words so you can only see part of each letter. But try to read them anyway. What do you think they say? Visual Illusions – Monocular Cues Follow the links in the table below to view graphical images demonstrating an example or an illusion of each monocular cue. Interposition Textbooks use simple images to illustrate many of the perceptual cues that give rise to the impression of depth. Copyright © 2013 John Wiley & Sons, Canada Ltd 76 Multimedia Web Links After Images Stare at the plus sign on the left for about 30 seconds. As you do this you probably will see some colors around the blue and green circles. After about 30 seconds, shift your gaze to the plus sign on the right. What did you see? Bird in a Cage Getting used to looking at one color can lead you to perceive an entirely different color. Mindbluff.com Subliminal Words Mindbluff.com Subliminal Sentence Copyright © 2013 John Wiley & Sons, Canada Ltd 77 Multimedia Videos Virtual Reality and Vision (2:03) Its a problem most of us never think about, but scientists have long wanted to know how we manage to walk around without running into things. Hearing Screenings (1:47) As many as one in one thousand babies born completely deaf every year. Another two or three per thousand have some hearing loss. As this ScienCentral News video reports, one researcher is calling for hearing screenings for newborns because the earlier hearing loss is discovered, the better. Super Smellers (1:18) Why do nearly half of all people over age 65 experience some deree of smell loss? As this ScienCentral News video reports, some supersmelling mice might hold the answer. Smart Nose (1:33) Do you smell with your nose or your brain? The Nose Knows (2:10) If you’re like most people, you’re probably looking forward to the tastes of special foods that this time of year brings. But how much of that eggnog or roast turkey flavor actually comes from taste? It may not be as much as we think. Copyright © 2013 John Wiley & Sons, Canada Ltd 78 Multimedia Animations How We See and Hear How do our bodies know where to move when something is coming at us? Copyright © 2013 John Wiley & Sons, Canada Ltd 79 Copyright Copyright © 2013 John Wiley & Sons Canada, Ltd. All rights reserved. Reproduction or translation of this work beyond that permitted by Access Copyright (The Canadian Copyright Licensing Agency) is unlawful. Requests for further information should be addressed to the Permissions Department, John Wiley & Sons Canada, Ltd. The purchaser may make back-up copies for his or her own use only and not for distribution or resale. The author and the publisher assume no responsibility for errors, omissions, or damages caused by the use of these programs or from the use of the information contained herein. Copyright © 2013 John Wiley & Sons, Canada Ltd 80