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It all started in1832 when Joseph
Plateau invented the
“Fantascope,” also called the
“Phenakistiscope,” or “Spindle
Viewer,” that simulated motion.
He was also a Belgian inventor.
http://jlbmedia.com/videoproduction-historyr.
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John Wesley Hyatt developed
“celluloid,” it was patented in
1870 and trademarked in 1873.
Then later used as the base for
photographic film.
It was patented in 1870 and
trademarked in 1873 then later
used as the base for
photographic film.
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Edward Muybridge successfully
captured a picture galloping
horse.
It proved that all four of the horses
feet were off the ground at the
same time.
He did that by setting up a series
of cameras along the horses
projected path.
He published his work in 1882.
He called it “Horse in Motion.”
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French innovator and physiologist
Etienne jules Marey
He developed the “Photographic
Gun.”
It could take multiple photographs
per second.
The term shooting a film was most
likely derived from Marey’s
invention.
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William Dickson
He filmed Monkeyshines No.1.
It was the first motion picture ever
produced on photographic film in
the United States.
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Thomas Edison and William
Dickson constructed a device for
recording movement on film, and
another device for viewing film.
The “Kinetograph” used film which
was 35mm wide and had sprocket
holes to advance the film.
The sprocket system would
momentarily pause the film role
before the camera’s shutter to
create a photographic frame.
The formal introduction of the
kinetograph in October of 1892
set the standard for theoretical
motion picture camera’s still used
today.
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The world’s first film production
studio “The Black Maria” was built
on the grounds od Edison’s
laboratories in West Orange, New
Jersey.
Construction was completed by
February 1, 1893.
It made film stripes for the
Kinetoscope.
It cost $637.67.
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William K.L Dickson titled
Carmencita featured the first
female in a U.S. motion picture.
Spanish dancer Carmencita
revealed her legs and
undergarments as she twirled and
danced.
That was leading to one of the
earliest instances of censorship in
the industry.
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The word Cinema was born on
December 28, 1895.
The name came from Paris, France.
They presented the first commercial
and public exhibition of a projected
motion picture using their combo
camera and projector device.
It was called the Cinematograph.
It combined a camera , printer, and
projecting capabilities all in the
same housing.
They used a film width of 35mm, and
a speed of 16 frames per second.
By the advent of sound film in the
late 1920’s, 24 fps became the
standard.
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It started in 1903.
His name was Edwin S. Porter.
He developed of the film editing
for his film The Great Train.
It was the first real motion picture
smash hit.
It established the notion that was
commercially viable medium.
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Kelly Gang was the first
feature length film.
It had a running time
between 60-70
minutes.
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Segundo de Chomon invented
the camera dolly.
It was another 7 years before the
first tracking shot was used in the
Italian feature film Cabiria (1914).
It was directed by Giovanne
Pastrone.
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The 35mm width with 4
perforations per frame
became accepted as
the international
standard film gauge.
This all happened in
1909.
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D . Griffith was known as the
Father of Film.
He experimented with early
lighting and camera techniques
that revolutionized the way we
see film today.
This all happened in the 1910’s.
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The first two-color Technicolor
production was The Gulf Between.
The jazz singer was the first
feature-length talkie and first
musical.
The first speaking cartoon with
synchronized sound was Walt
Disney’s Steamboat Willie,
debuting the character of Mickey
Mouse.
The first Academy Awards were
presented.
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Rouben Mamoulian was a
successful Broadway director.
It was introduced a revolutionary
sound technique.
It was a double-channel
soundtrack with overlapping
dialogue in his film Applause.
It was the first threestrip.
 It had regular
exposure.
 Technicolor film was
Rueben Mamoulian’s
“Becky Sharp”.
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T.V. broadcasting began with the
BBC.
There was an “Opening
Ceremony, some news”.
Then the first thing that seems to
be a show.
It was called “Television Comes to
London”.
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Director George
Lucas’s Star Wars:
Episode 2 – Attack of
the Clones was the first
major motion picture
to be shot entirely with
a digital camera.
This happened in 2002.
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