Matakuliah
Tahun
: UO656 / DKV IV
: 2009
Production pipeline
Pertemuan 02
Production pipeline
Bina Nusantara
Production pipeline
development
Initial planning stages, story development,
character design, art directing, storyboards
pre production
Production planning, dialogue, 3d modeling,
texturing, character setup
production
post production
Production stage, animation, lighting,
rendering, FX
Music & audio, final editing, titling,
marketing
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story
character
production pipeline
Art direction
storyboards
Production
planning
Sound Effects
& Music
Story reel
Vocal tracks
Titles &
Credits
3d animatic
Layout
Marketing &
Distributing
Animation
Lighting n Rendering
FX
Compositing
development
pre production
Modelling
Bina Nusantara
Texture
Mapping
Character
Setup
production
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post production
our production schedule
01
02
03
04
development
05
06
07
08
pre production
15% P1
09
10
11
production
15% P2
20% P3
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13
postpro
45%
FP
story
storyboard
reel
char design
envi design
modelling
texture
rig+skin
morph
3Danimatic
animation
light setup
rendering
audio
Bina Nusantara
video editing
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Day 01 assignment
• Create a short story idea !
• Title, Synopsis of your story
• Character, character description (simple sketch,
many alternatives)
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assignment sample
•
Silhouette by Amber Rudolph and Tonya Noerr
•
Musical animation inspired by Beethoven’s Sixth Symphony in Allegro.
•
The story takes place at night. There is a music box on top of a dresser in a young
woman’s room. As the music box opens, the tune of Beethoven’s Sixth Symphony in
Allegro is heard. The ballerina comes to live and dances to the music. As the music
intensifies, her shadow on the wall begins to take on its own personality. The shadow
continues to grow larger and frightening until its finally pops out on the wall and takes on
three-dimensional form. The ballerina backs up in fear, but the shadow continues to toward
to her in a similar style of movement. When the ballerina finally reaches the point of being
trapped by her shadow, she realizes that the shadow is not really attacking her, but
mimicking her movement. At this point of realization, she begins moving toward the shadow
and overcoming her fear by taking control. As she takes control of the shadow, the shadow
begins to shrank and eventually fades away, an her fear is conquered.
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assignment sample
• Character design study : ballerina
Bina Nusantara
assignment sample
• Character design
study : villain: the
shadow
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day 02
Breakdown your story!
Character development & design
Environment design, Art directing & visual style
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Breakdown your story!
• Script breakdown :
– Scene : sets or location where the action occurs
– Shoot : camera sets for your scene
• Character, environment & properties breakdown
• Shoot list & storyboard
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Script elements
•Titles
•Set (EXT, INT, DAY, NIGHT, etc)
•Setting description
•Editing instruction (cut to, dissolve to, etc)
•Camera/scene type/cinematography (LS, CU, MCU, etc)
•Character
•Dialogue (or OS)
•Character’s expression
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Script
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script
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shoot list
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character style
• Realistic, semi realistic, cartoon, abstract ?
• Human, semi human, animals, plants, vegetable,
monsters, robots, inanimate objects, abstracts ?
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character style samples
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character style samples
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character style samples
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character types
1.
2.
Protagonist main character, not always hero, not always perfect (believable)
Partner, antagonist, object of desire
Partner  shrek & donkey, spongebob & pattrick, lilo & stitch
Antagonist  villain, lex luthor, big AL (toy story), dr.Evil (austin powers)
Object of desire  kidnapped princes, rescuing people in fire, etc
3.
4.
Supporting roles supporting character for protagonist or antagonist
Minor characters additional characters, don’t have direct contact with main
characters
5.
Extra minor obstacles, crowds, etc
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character development & design
• Build your character resume (biography)
–
–
Important elements for audience connection and to get audience attention to whole of
your short movie
Name? Age? Size? Where did he come from? Favorite food? Favorite hobby? Biggest
fear? etc
• Simple & exaggerate
– Simplify your character in design and personality.
– Let the audience know your character’s personality from its visual design.
– Do not shows the details of your character when you don’t need it on your
story.
– Exaggerate to clarity its characterization.
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Character biography
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Character biography
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Character biography
LULU
LULU adalah putri tunggal dalam keluarganya. Ia dan
ibunya adalah pendatang di desa pahlawan. Ibunya
seorang penari dan ayahnya adalah seorang koki
kapal pesiar jadi jarang pulang ke rumah. LULU
cantik seperti ibunya, berkulit putih pucat dan
berwarna dominan merah (pakaian dan bandonya),
rambut model Bob, memakai stoking putih dan
bersepatu coklat. Ia memiliki asesori bel kecil di
kakinya, membuat suara denting apabila sedang
mendekati kita. Memiliki peliharaan landak betina
bernama JING. LULU selalu penuh rasa ingin tahu
sehingga menyebabkan ia banyak bertanya dan lebih
jauhnya ia selalu ingin tahu urusan orang. Kreatif dan
inovatif. Penuh Energi, selalu dalam keadaan gerak,
sikap diam membuatnya mengantuk. Antusias tapi
kadang tidak logis. Sifat lugu dan polos membuatnya
tak mampu berbohong tapi LULU cukup mahir dalam
berakting. Spontan dan ekspresif. Moodnya cepat
sekali berubah, selalu berhati riang. Ceroboh dalam
bertindak dan berbicara. Berteman dengan siapa
saja. Suka beramai-ramai dan juga suka menikmati
kesendiriannya. lemah pujian. Selalu menjadi diri
sendiri.
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character development tools
• Names descriptive, indicate species, profession, personality, nationality roger
rabbit, luxo jr, mr.potato head, martin the martian, etc
• Words (text, narration, speech) supporting character behavior, for
introduction or end of film
• Design give the audience visual clues of your character
• Behavior give it exaggerated mannerism
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sliding scale of your character
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