Chapter 12 Producing Ads for Print, Electronic, and Digital Media McGraw-Hill/Irwin Copyright © 2011 by The McGraw-Hill Companies, Inc. All rights reserved. Chapter Overview Overview of how ads and commercials are produced for print, electronic, and digital media 12-2 Chapter Objectives Discuss the role of computers in print production Explain the development process for ads and brochures Explain the development process for ads and brochures Explain the development process for radio and TV Discuss how print ads are prepared for the press Understand how to save money in radio and TV production Explain uses for digital media 12-3 Ad Production A 15-second ad can take a month to create 12-4 Production Manager’s Role Planning Organizing Directing Controlling 12-5 Managing Production Costs Overall Budget Busters Inadequate planning Production luxuries Overtime Special equipment Hierarchy Chosen techniques Pre-press services Paper costs Size of print run Print Production Electronic Production Radio (least expensive) Television (very expensive) Digital media (larger distribution) 12-6 Average Cost of a TV Commercial 12-7 Preproduction Project Planning Typography Job Planning Log in Emphasis Color palette Job jacket Readability Paper Schedule Appearance Production methods Appropriate Harmony 12-8 Preproduction: Basic Choices Fast Cheap Good Choose two 12-9 Production Creating the Visual Photos or illustrations Stock or original Adjustments Preparing Mechanicals Layout & mandatories Base art Overlays Camera-Ready Art & Halftones Line art Halftone screens 12-10 Prepress Stripping Color Separation Printing & Finishing Film Negatives Cyan Press Run Flats Yellow Magenta Binding Print Plates Black Shipping 12-11 Production Quality Control Production Phase Quality Issues Misspellings Mismeasured lines Image size Crop marks Bad line and page breaks Missing or wrong punctuation 12-12 Production Quality Control Print Production Proofing Blueline proof Analog proof (Chromalin) Color key Digital proof (Iris) Press proof 12-13 Production Quality Control Traps and Bleeds 12-14 Radio Commercial Production 12-15 Radio Commercial Production Preproduction Production Postproduction Assign producer Sound studio Master tape Select studio Control room Dubs Select director Audio console Determine talent Estimate costs Prepare budget 12-16 TV Commercial Production 12-17 TV Commercial Production Preproduction Study the script Study the storyboard Analyze required production techniques Choose location Live action Animation Special effects 12-18 TV Commercial Storyboard 12-19 TV Commercial Production The Shoot Sound Lighting Camera Staging Talent 12-20 TV Commercial Production Postproduction Film editor Editing Sound mixer Mixing Director Print 12-21 TV Commercial Postproduction The director and editor select and splice scenes 12-22 Digital Media Production Sound + Music + Motion = Multimedia 12-23 Digital Media Production Multimedia + Computer Technology = Digital Media 12-24 Venues for Digital Media Mass audience Academy Awards Private audience Meetings, conferences, seminars Personal audience One person using a kiosk, computer, TV 12-25 Digital Media in Advertising Uses for Digital Media Multimedia sales presentation Dedicated kiosk Electronic billboard Web site 12-26 Digital Media in Advertising Career Opportunities Production manager Multimedia producer Director Engineer Interactive planner Copywriter System designer Creative director 12-27 Digital Media Production Preproduction Planning Hiring Costing Production Artwork created Video/Audio recorded Computer program developed Postproduction Editing Distribution Duplicating 12-28