Capture & Edit Live Digital Video for Educational Bitmapped Graphics Know Your Film Terminology http://www.filmsite.org/filmterms12.html http://www.imdb.com/Glossary/ 5 Phases of Film Creation 1. Development • • • • • • • Brainstorming (Inspiration) Writing/Rewriting the Script Financing Sources 2. Pre-production Storyboards Breakdown of Requirements Locations Materials People Schedule Budget Props, Costumes, Sets Schedules & Budget Needs Analysis Define your audience Goals of the instruction 3. Production Submit Call Sheets Equipment Checkout: A Good Camera An external directional microphone Use Effective shooting techniques 4. Post-Production Equipment: High-end Computer The right software Effective editing skills to tell a story visually. Test Screening Revisions Submit Production Report 5. Distribution - delivery and exhibition of your final product to your audience in a proper and efficient format • Video? DVD? Interactive CD-ROM? Web? Development & Pre-Production • Inspiration Concept Map (Brainstorming) • Storyboards Filming Production Phase Phase #3: Production A good Camera is Half the Battle If you can, avoid the older analog video cameras; Go Digital Avoid Automatic Settings; Use Manual Instead: Focus Ring Zoom Ring Aperture, Shutter Speed, Gain Adjust Color Balance (Very Important) Sound - Never trust the on-camera Microphone Always use an external boom mic, or Use a clip mic on your talent Phase #3: Production Digital Video Cameras (Camcorders) Camera takes care of the digital process; not as much of a processing burden to the computer. Store images on Tape A few burn directly to DVD Requires Firewire connection so computer can “download” the video. Focus Camcorder Tips on pg. 319 Canon GL-1 Sony HandyCam Digital 8 Camera Techniques Can Save Your Production… Always use a tripod! Don’t zoom while recording. Avoid jerky camera movements; limit your use of pan and tilt. Production Rules: Shooting Techniques The rule of thirds Depth of Field Vertical Angle Bird’s Eye, Normal, Worm’s Eye Telling the story visually: LS - Long Shot MS - Middle Shot CU - Close Up MS - Middle Shot LS - Long Shot The Rule of Thirds The Rule of Thirds Broken “Non-Example” Subject is Dead in the Center Depth of Field Shallow Depth of Field Deep Depth of Field •Use of a telephoto (zoomed-in) lens •Use of a wide-Angle lens •Wider Aperture (smaller f•stop) •Use in scenes of confusion/isolation. •Smaller Aperture (larger f•stop) •Use in scenes where surroundings are important. Vertical Angle of View… Bird’s Eye View Depicts Inferiority Eye-line View Normal Worm’s Eye View Depicts Superiority Camera Distance… Long Shot (LS) Medium Shot (MS) Close-up (CU) Extreme Close-up (ECU) Telling a Story Through Camera Distance… (LS) Establishing Shot (ECU) (CU) (MS) (CU) (LS) Concluding Shot Phase #4: Post-Production Phase #4: Post-Production High-end computer Mac G3, G4, or G5 Pentium 4 or AMD Athlon XP Large amount of RAM - no less than 256 MB I recommend at least 512MB Large storage capacity - no less than 60 GB A way to get video into your computer: Firewire ports A digitizing card or box iMovie editing software or equivalent The New Digital Setup: For Older Analog Cameras/VCRs… Video Digitizers To connect Analog Camcorders and VCRs to a computer Converts old analog signal to a digital signal As a card in your computer or As an external box Video Editing Demo: iMovie Editing Techniques: Always conduct editing in this order: 1. Arrange clips in a proper sequence 2. Apply Visual Effects to desired clips 3. Create your Titles - make sure they don’t blend into the background 4. Apply Transitions - don’t get too fancy 5. Insert sound effects and background music 6. Make Chapter Markings for iDVD Editing Tips: Remember: Sometimes a cut is more effective than a transition Always keep Timing in mind Do the math between shots: a 1-second transition between two 3-second clips creates a 5-second sequence. A cut between two 3-second clips creates a 6-second sequence. One second can take an eternity Try to Match-Action between shots - Avoid “Jumpcuts” where action repeats itself unnaturally. If using still photos, apply the Ken Burns Effect: don’t zoom in too tight Make the motion slow The Quicktime Movie Format: Why export to Quicktime? Place a Movie Clip on a PowerPoint slide Place a Movie Clip on a Web Page Quicktime is a Library of software CODECs: For Video Sorenson 3, Motion JPEG, & MPEG-4 are lossless (the best) DV should only be used for full-motion, full-sized video. For Sound - IMA 4:1 and AAC is Lossless For MIDI (computerized “sheet music”) Quicktime has built-in instrument “voices” WARNING - Not an actual sound file! DO NOT import into PowerPoint - IT WON’T WORK! For VR - (QTVR was discussed in previous chapter lectures) Exporting to Quicktime from iMovie the Easy Way: Quick Time™a nd a TIFF ( Uncomp res sed) deco mpre ssor are n eede d to s ee this picture . QuickTime™ and a TIFF (Uncomp resse d) de com press or are nee ded to s ee this picture. QuickTime™ and a TIFF (Uncomp resse d) de com press or are nee ded to s ee this picture. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture. Source: http://ed.stanford.edu/ATS/iMovie_tmp/exportQuicktime.html Exporting to Quicktime from iMovie the Better Way: Quick Time™a nd a TIFF ( Uncomp res sed) deco mpre ssor are n eede d to s ee this picture . QuickTime™ and a TIFF (Uncomp resse d) de com press or are nee ded to s ee this picture. Choose this instead, then see me for further instructions… or QuickTime™ and a TIFF (Uncomp resse d) de com press or are nee ded to s ee this picture. If you can see past the German, follow the graphics on this web site… http://www.acnantes.fr/peda/disc/scphy/dochtml/general/mecamac/macmeca.htm The Distribution Phase: File>Share E-Mail Homepage Videocamera VHS Tape iDVD QuickTime CD ROM Bluetooth Course Assignments Saved as MPEG4 The End