ART HISTORY STUDY GUIDE: Chapter 20 - Northern Europe 15th C Key Ideas: • • • • • • Symbolic layers of meaning in Painting in Flanders Secular art becomes increasingly important. Capitalist society inspires cultural growth and expansion. Gothic influences and Gothic International Style dominates Introduction of oil paint Introduction of printmaking, the first mass-produced artform Historical Timeline 1460 - First stock exchange established. Prosperous commercial and mercantile interests - affluent trading - stimulates the arts. Cities in competition with one another for best cathedrals, town halls and altarpieces. Patronage and Artistic Life • • Affluent commission altarpieces including donor portraits Artists becomes “brands” - move about seeking commissions ART HISTORY STUDY GUIDE: Chapter 20 - Northern Europe 15th C Innovations in Painting • • • • • • • • • • • • Most important invention of the period is movable type by Johann Gutenberg. Cheap books. Printmaking illustrations - first woodcut, then engraving, then etching Advantage of printmaking for the artist - marketing for the artist; sell more work; Second important development - oil painting • Takes longer to dry • Colors are more rich and accurately imitate natural hues and tones • Surface finish is luminous (sheen) • Preserves well in wet climates Altarpieces - stand directly behind the altar, many are hinged and open Frames were as important as the paintings International Gothic Style - influences painting - courtly style - S-shaped curve of the bodies and thin, graceful figures; wearing the latest fashions of the period in rich fabrics; gold is used in abundance. Paintings opened walls to see into rooms Figures encased in rooms rather than proportional to surroundings Ground lines, tabletops and flat surfaces tend to tilt up Symbolism - everyday items that would be included naturally hold symbolic meaning on several levels - sacred and secular Religious figures placed in domestic settings of the region and the time ART HISTORY STUDY GUIDE: Chapter 20 - Northern Europe 15th C Major Artistic Characteristics: • Oil paint - rich colors, intricate detail, naturalism, sheen on surface • Printmaking - lines to convey form, use of cross hatching • Book making - ink on vellum; printed text with hand-drawn illustrations; mass produced printed books as well sumptuous hand painted manuscripts Innovations in Architecture • Gothic influences • Business section; chapel; living quarters • • • Innovations in Sculpture Figure now completely separate from architecture Modeled on classical sculpture with contrapposto evident again Drapery moves with the figure; cascades of folds ART HISTORY STUDY GUIDE - Chapter 20 Northern Europe 15th C Innovations in Luxury/Alternative Arts: • • • • • • • • • • • • Vocabulary Vocabulary Altarpiece Book of Hours Donor Engraving Etching Grisaille Polyptych Triptych Woodcut • • • • • • • • • • Images to Know The Very Rich Hours of the Duke of Berry.Limbourg Brothers The Merod Triptych/Campin The Ghent Altarpiece/van Eyck The Arnolfini Wedding/van Eyck Man in a Red Turban/Van Eyck Deposition/van der Weyden The Last Supper (Central Panel)/Bouts Portinari Altarpiece (Central Panel)/van der Goes St. Anthony Tormented by Demons/Schogauer The Well of Moses/Sluter