ART HISTORY 2051
Midterm Review:
Gothic to Mannerism
Midterm: Review
• Gothic (c. 1300 AD)
– principal artists:
• Cimabue
• Duccio
• Giotto
Midterm: Review
• Early Renaissance (c. 1425-1485)
– sculpture
• comparison between Donatello & Ghiberti
• comparison between early & late Donatello
Midterm: Review
• Early Renaissance
– painting:
• Masaccio - c. 1425
• Fra Angelico - 1450
• Domenico - c. 1450
• Francesca - c. 1450
• Uccello - c. 1450
• Uccello - c. 1450
• Castagno - c. 1450
• Mantegna - c. 1450
• Early Renaissance
– painting: (cont.)
• Perugino - c. 1475
• Bellini - c. 1475
• Botticelli - c. 1475
• di Cosimo - c. 1475
Midterm: Review
• High Renaissance (c. 1485-1520)
– sculpture
• Michelangelo
– Donatello vs. Michelangelo’s David
– Classicizing vs. Hellenistic tendencies
– Classicizing vs. Mannerist tendencies
Midterm: Review
• High Renaissance (c. 1500)
– painting:
• Leonardo
• Michelangelo
• Raphael
Midterm: Review
• Venetian Renaissance (c. 1525-50)
– painting:
• Giorgione
• Titian
– themes:
» religious
» reclining nude (re: Giorgione)
» mythological/Humanist
– compositions: dynamic
– application of paint: painterly
Midterm: Review
• Mannerism (c. 1525-1600)
– principal artists:
• Fiorentino - c. 1525
• Pontormo - c. 1525
• Corregio - c. 1525
• Bronzino - c. 1550
• Tintoretto - c. 1575
• El Greco - c. 1600
IMAGE INDEX
• Slide 3:
•
•
•
•
•
(Left) CIMABUE’s Madonna Enthroned (c.
1300 AD); and (right) Late Byzantine
Madonna Enthroned (late 13th century AD).
Slide 4:
DUCCIO. Madonna Enthroned, (c. 1300 AD).
Slide 5:
GIOTTO. Madonna Enthroned (c. 1300 AD).
Slide 6:
GIOTTO. The Lamentation (c. 1300 AD).
Slide 8:
(Left) DONATELLO’s St. Mark (c. 1400);
and (right) GHIBERTI’s St. John the Baptist
(1400).
Slide 9:
(Left) DONATELLO’s David (c. 1425); and
(right) DONATELLO’s Mary Magdalen (c.
1450).
IMAGE INDEX
• Slide 11:
• Slide 12:
• Slide 13:
• Slide 14:
• Slide 15:
• Slide 16:
• Slide 17:
MASACCIO. The Holy Trinity (c. 1425).
MASACCIO. The Tribute Money (c. 1425),
in the Brancacci Chapel.
MASACCIO. Madonna Enthroned (c. 1425).
FRA ANGELICO. Descent from the Cross (c.
1450).
DOMENICO. Madonna and Child with Saints
(c. 1450).
FRANCESCA. The Resurrection (c. 1450).
UCCELLO. Battle of San Romano (c. 1450).
IMAGE INDEX
•
•
•
•
•
•
•
Slide 18:
Slide 19:
Slide 20:
Slide 21:
Slide 22:
Slide 23:
Slide 25:
• Slide 26:
CASTAGNO. The Last Supper (c. 1450).
MANTEGNA. St. Sebestain (c. 1450).
PERUGINO. Delivery of the Keys (c. 1475).
BELLINI. St. Francis in Ecstasy (c. 1475).
BOTTICELLI. The Birth of Venus (c. 1475).
DI COSIMO. Discovery of Honey (c. 1500).
(Left) MICHELANGELO’s David (c. 1500);
and (right) DONATELLO’s David (c. 1425).
(Left) MICHELANGELO’s classicizing styled
David (c. 1500); and (right) Hellenistic
tendencies in The Rebellious Slave (c. 1515).
IMAGE INDEX
• Slide 27:
• Slide 29:
• Slide 30:
• Slide 31:
• Slide 32:
• Slide 33:
• Slide 34:
(Left) MICHELANGELO’s classicizing
tendencies in Pieta (c. 1500); and (right)
Mannerist tendencies in Pieta (c. 1550).
LEONARDO. The Last Supper (c.1500).
LEONARDO. Mona Lisa (c. 1500).
Detail of MICHELANGELO’s Creation of
Adam (c. 1500).
MICHELANGELO. Fall of Man (c. 1500).
MICHELANGELO. The Last Judgment
(c. 1535-40).
RAPHAEL. Marriage of the Virgin (c. 1500).
IMAGE INDEX
• Slide 35:
• Slide 36:
• Slide 37:
• Slide 39:
• Slide 40:
• Slide 41:
• Slide 42:
RAPHAEL. Madonna of the Meadow
(c. 1500).
RAPHAEL. The School of Athens (c. 1500).
RAPHAEL. Transfiguration of Christ (c.
1520).
GIORGIONE. Sleeping Venus (c. 1500),
TITIAN. Assumption of the Virgin (c. 1525).
TITIAN. Madonna of the House of Pesaro (c.
1525).
TITIAN. Bacchanal (c. 1525).
IMAGE INDEX
• Slide 43:
• Slide 44:
•
•
•
•
TITIAN. The Venus of Urbino (c. 1550).
TITIAN. Pope Paul III and His Grandsons
(c. 1550).
Slide 45: TITIAN. Christ Crowned with Thorns (c.
1575).
Slide 47: (Left) FIORENTINO’s Descent from the
Cross (c. 1525); and (right) PONTORMO’s
Descent from the Cross (c. 1525).
Slide 48: CORREGGIO. Assumption of the Virgin (c.
1525).
Slide 49: PARMIGIANINO. Madonna with the Long
Neck (c. 1525).
IMAGE INDEX
• Slide 50:
• Slide 51:
• Slide 52:
• Slide 53:
(Left) TINTORETTO’s Last Supper (c. 1600);
and (right) LEONARDO’s Last Supper (c.
1500).
EL GRECO. Burial of Count Orgaz (c. 1600).
(Left) TITIAN’s Man with Gloves (c. 1525);
and EL GRECO’s Portrait of a Cardinal (c.
1600).
EL GRECO. View of Toledo (c. 1600).