A study In an AP rhetorical category:
Sentence structure, conventions, and language
(pg 20)
Diction (modifiers)
Formal, didactic, slang, colloquial, academic, abstract
Syntax
(parallel structure, coordination, loose/periodic…)
Figurative Language
(simile, metaphor, motif, symbol)
Point of View
Organization
Details
!
Understanding the author’s meaning/purpose is ESSENTIAL and the fundamental goal!
Who cares if you can find rhetorical
“stuff” but do not know how it contributes to the meaning of the piece?
If you are talking about what the text says, you are summarizing .
If you are talking about how the text makes meaning, you are analyzing .
Why does this writer choose this particular strategy to create his or her message?
How does the writer use this strategy to make meaning?
Why does the writer use this particular strategy and this particular example?
Because the writer used this rhetorical strategy, how/why does the use influence one or more of the following:
Speaker
Reader
Message
Tone
Purpose
Page 71
You will need several sticky notes
The way words & clauses are arranged to form sentences.
The arrangement contributes to, and enhances, meaning and effect.
The way author’s put words & phrases together.
Helps author’s make their point more effectively.
Now:
4 basic sentence types
Coordination
Subordination
Loose & Periodic Sentences
Parallel structure
Inverted syntax
Repetition
Rhetorical questions
Persuasion:
Anaphora
Antithesis
Inductive and Deductive logic and organization
RQ & Simple Sentences
Understatement
Restatement
When analyzing SYNTAX, consider first:
Position – Where the author puts something in the sentence
Isolation – Setting x off by itself (dash, quotation marks, parenthesis, etc.)
Repetition – The number of times something is repeated
Proportion – The size of the idea and how much of the piece the idea takes up
Length of sentences
Unconventional punctuation
Interrogative
Sentence
Question
Imperative
Sentence
Command
Declarative
Sentence
Statement
Exclamatory
Sentence
Exclaim/excitement
Binder (notes) Page 73
independent clause, contains a subject and a verb (for us, a DO, too!)
expresses a complete thought
PURPOSES
Consider: How does this sentence compare to others by which it is surrounded?
EFFECTS
Why does this subject or clause need to be emphasized?
Disrupts pace and rhythm
Creates a sense of unbalance
Why does balance need to be broken?
Reflects rapid movements; reader feels tension of narrator
Emphasizes the main clause
(simple sentence subject)
Indication of power (stops momentum) – now, consider what is more powerful than the surrounding subjects
Answer a rhetorical question
(which cannot be answered)
Ethos appeal – when answering a rhetorical question; how and why?
Two independent clauses joined by a coordinator and/or coordinating conjunction (and a comma)
The first letter of each of the coordinators spells FANBOYS
for, and, nor, but, or, yet, so
put a comma before the coordinating conjunction because there are 2 independent clauses being combined
•
Use coordinating conjunctions: and
, but
, for
, or
, nor
, yet
, and so
. white hair on Marvin’s black suit.
, and the cat
Both clauses could stand alone
. When joined with and
, they get equal attention
.
You can also coordinate with a semicolon .
M a i n c l a u s e +
;
+ m a i n c l a u s e .
M a i n c l a u s e
+
;
+ t r a n s i t i o n +
,
+ m a i n c l a u s e .
The interviewer had seven Persian result, she cats; as a would understand Marvin’s predicament.
Still balanced
.
Diagramming Compound Sentences
Compound
Purpose/Effect of Coordinated Sentences
PURPOSES
Give equal attention to 2 items or subjects
Creates balance and unity
One idea is not emphasized over another
Provides increased momentum in the text (no choppy sentences)
Can also slow down the pace
EFFECTS
Consider why are x and y made equal?
What does the rhythmic pattern (momentum) parallel, mirror, create or support?
independent clause joined by one or more dependent clauses
always has a subordinator such as
because, since, after, although, or when
or a relative pronoun such as that,
who, or which
after
although
as
because
before
even though
if, even if
in order that
once
provided that
since
so [ that implied], so that
than
that
though
unless
when, whenever
where, wherever, whereas
whether
while
•
Subordination gives less attention to one idea so that the other has emphasis.
•
Use subordinate conjunctions, such as because
, even though
, and when
.
Since
Marvin tried to clean his suit
, he was late to
I’m sorry
.
Use a comma if you subordinate the first of the two clauses.
S u b o r d i n a t e c l a u s e
+
,
+ m a i n c l a u s e .
Even though cat hair clung to Marvin’s pant legs, he still got the job.
The first clause is less important.
The second clause has more emphasis because its thought is complete
.
Use no punctuation if you subordinate the second of the two clauses.
M a i n c l a u s e + Ø + s u b o r d i n a t e c l a u s e .
success as cat hair wafted
Now the first clause is the most important
.
The second clause has less emphasis because its thought is in complete.
Subordinating the with first effective at
B since
B
, or clause subordination
C
?
is correct.
A
, does,
Purpose/Effect of Complex Sentences
PURPOSES
Emphasizes one idea and subordinates another idea
The clause following the subordinator will be less important
Used in argument
Tone academic or pretentious, sarcastic
Can show train of thought or existential thinking
Show high emotion or lack of emotion
EFFECTS
Increase ethos appeal
Showing awareness of the opposition
Discuss why subject being emphasized appeals to audience
How emphasis supports the claim of text
subject verb
Subordinating conjunction
Coordination & Subordination
versus
writer places concepts or people or objects on an equal level and joins them with conjunctions
The writer states the more important idea in an independent clause
(a group of words with a subject and a verb that express a complete idea) and the less important idea in a dependent clause
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Pacing change (speed up/slow down)
Emphasize a main clause
Emphasize the details connected to a main clause
Create sense of balance
Show equal relationship b/w ideas
Show unequal relationship b/w ideas
Create a sense of unbalance/chaos
Coordination and Subordination in Early American Writing
But that which was most sad and lamentable was, that in two or three months’ time half of their company died, especially in January and February, being in the depth of winter, and wanting houses and other comforts; being infected with the scurvy and other diseases which this long voyage and their inaccomadate position had brought upon them. So as their died sometimes two or three a day in the foresaid time, that of 100 and odd persons, scarcely fifty remained. And of these, in the time of most distress, there was but six or seven sound persons who to their great commendations, be it spoken, spared no pains night nor day, but with abundance of toil and hazard of their own health, fetched them wood, made them fires, dressed them meat, made their beds, washed their loathsome clothes, clothed and unclothed them.
Syntactical
Element
Coordination/
Coordinated Sent.
Structure
Coordination/
Coordinated Sent.
Structure
Textual Example Purpose of
Device
(effect?)
Example 1 (prior to shift, first part of shift/contrast)
Example 2 (after shift, 2 nd part of shift/contrast)
Effect of Device
Connection to
UT
Loose and Periodic Sentence Structures
To Come: Inductive and Deductive Logic & Organization
General Purpose/Effects of
“Longer” Sentences
Increased number of words necessary to provide definitions and context
Legal and political subjects
Jargon (diction)
Depends on modification for accuracy
Ethos appeal
Narrowing of audience or increasing audience
Tone: pretentious, stream of consciousness
Fiction/narrative: increase description of subject
Effect: consider why this subject is emphasized or described in a particular way
Increase suspense
Type of sentence in which the main idea
(independent clause) comes at the beginning of the sentence
The main idea (clause) is followed by successive addition of details via a coordinate or subordinate phrase/clause
Basic statement: Bells rang.
Loose sentence : Bells rang , filling the air with their clangor, startling pigeons into flight from every belfry, bringing people into the streets to hear the news.
Basic statement: The teacher considered him a good student.
Loose sentence: The teacher considered him a good student , steady if not inspired, willing if not eager, responsive to instruction and conscientious about his work.
The sentence is not complete until the final phrase/clause.
“suspended syntax”
Usually has an emphatic climax
The main clause/subject is placed at the very end of the sentence.
In this sentence, additional details are placed before the basic statement. Delay, of course, is the secret weapon of the periodic sentence.
Basic statement: John gave his mother flowers.
Periodic sentence: John, the tough one, the sullen kid who scoffed at any show of sentiment , gave his mother flowers .
Basic statement: The cat scratched Sally.
Periodic sentence: Suddenly, for no apparent reason , the loveable cat scratched Sally.
Basic statement: Love is blind.
Periodic sentence: Love , as everyone knows except those who happen to be afflicted with it , is blind .
Loose Sentences
Structure is easier, simpler, more natural
& direct
Emphasis on the subject of the main clause
Periodic Sentences
More complex, emphatic, formal or literary
Emphasis can be on details or main clause at the end of the sentence
Builds suspense
Grammatical/structural similarity between sentences or parts of a sentence.
Balanced arrangement of words, phrases, sentences, and/or paragraphs
Simple Parallel: She looked tired, frustrated, and disgusted.
The three underlined words are arranged in a series of coordinated elements.
These elements all have the same form and the same grammatical function (adjectives which in the sentence serve as complements).
Because of this similarity of form and function, they are said to be parallel.
Purpose: to show that the girl is equally showing all 3 qualities.
Why is this stronger than demonstrating one quality?)
“Robert E. Lee was a foe without hate , a friend without treachery , a soldier without cruelty …” (Canton)
This sentence goes beyond simple combining and achieves rhythm and cadence through the deliberate repetition of parallel elements .
Extend: what is the effect of creating cadence?
Purpose/Effect of Parallel Structure
Purpose
Creates balance or unity
Creates a rhythm
equally developed importance and similarity within/among phrased context
Effects
Balance between what subjects? Consider connect to subject, message, purpose/UT
Rhythm – connect to medium; paralleling the subject?
Next morning when the first light came into the sky and the sparrows stirred in the trees, when the cows rattled their chains and the rooster crowed and the early automobiles went whispering along the road, Wilbur awoke and looked for Charlotte.
“I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal." I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at a table of brotherhood. I have a dream that one day even the state of Mississippi, a desert state, sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today.”
(King)
“The manor — designed for beauty and grace, built for durability and strength, and located for privacy and safety – was the ideal home for those three children.”
Purpose?
Cadence and rhythm
Balance and unity (of?)
Effect:
Tone of harmony
Do the characteristics reflect children of the house?
#3 – holiness?
“…they had now no friends to
Purpose?
welcome them nor Effect?
inns to entertain or refresh their weather-beaten bodies; no houses or much less towns to repair, to seek for succor.”
Syntactical
Element
Syntactical
Element
Syntactical
Element
Effect of Device
Connection to UT
Textual Example Purpose of
Device
(effect?)
Example 1 (prior to shift, first part of shift/contrast)
Example 2 (after shift, 2 nd part of shift/contrast)
placing close together or side by side, especially for comparison or contrast
Let's take a situation from any generic film. A very poor woman gives birth to twins and dies immediately after. The sons get separated at birth. While one son finds himself adopted into a wealthy factory owner's house, the other is a street child who turns into a petty thief. The film story traces their journey through life. At a crucial moment, the son who is a petty thief corners the other son in a dark alley and mugs him.
Thus a juxtaposition is drawn here which shows the contrast that both sons, born of the same mother and identical to look at, are yet so much different in their motives, lifestyles and characters.
Thus the literary device of juxtaposition is used to draw a contrast between the two, but it is still connected somewhere and it is possible to place them side by side to draw a contrast.
"Sliding Doors" trailer
There are varied examples that one can go on to explain the concept of juxtaposition like Christina
Aguilera's video 'Beautiful' which shows an anorexic girl or Louis Armstrong's song 'What a Wonderful World' which has images of violence and war running throughout the length of the video.
This was the culture from which I sprang. This was the terror from which I fled. (Black Boy)
He slouched gracefully.
Emphasize the subject
Emphasize the predicate
Conform to literary conventions
Style marker for Puritan style (plain style)
Why would the speaker want
subject x or subject y emphasized?
Why would the speaker want
predicate x or predicate y emphasized?
Consider how the emphasize supports the author’s message or UT.
How does this subject resonate with an intended audience?
…and their rhetorical effects
Interrogative Sentence
Asks a question that expects or requires an answer from the audience
Rhetorical Question
Makes a questioning statement that does not expect an answer
Put this in commentary!
Purpose/Effect of
Rhetorical Questions
Purpose
Question intended to make a point – consider subject of the question
Reflection
Contemplation
Existential thinking
Confusion
Effects
How does subject identify the intended audience?
How does the common tones connect to subject?
When followed with a simple sentence, speaker creates ethos appeal
The nature of a RQ is that it cannot be answered
But the speaker is able to answer this question
Tone – knowledgeable and credible, fearless leader
Definition
the simple repeating of a word, within a sentence or a poetical line, with no particular placement of the words
Purpose/Effect
Emphasis of ideas
Building of momentum
Refocusing of reader to subsequent important ideas
Adds conviction to what is being said; is really effective in speeches
desperation
Passive Voice
The subject does not act
The subject is acted upon
Always uses an is verb & a past participle
Active Voice
A sentence is in the active voice when the subject does the acting instead of being the recipient of the acting
Passive
The portfolio piece was prepared by the student.
There was also found two of their [the Indians’] houses covered with mats, and sundry of their implements in then, but the people were run away and could not be seen.
Active
The student prepared the portfolio piece.
How would you rewrite the second example using active voice?
Passive Voice Active Voice
Often used in bureaucratic or political prose – why?
Gentler, more diplomatic approach, cowardly?
Emphasizes what was found, not who did the finding
Can be pedantic and wordy sounding – confusing to audience? (speech)
Hides who was responsible for the action
Strengthens the degree of objectivity
Natural diction
The subject is front and center, as is what its doing
Often uses stronger verbs because emphasis is on verbs
Clearly defined actor and action
More forceful, greater clarity