記錄 編號 4623 狀態 NC091FJU00493001 助教 查核 索書 號 學校 名稱 輔仁大學 系所 名稱 歷史學系 舊系 所名 稱 學號 486026011 研究 楊淳嫻 生(中) 研究 Yang, Chun-Hsien 生(英) 論文 名稱 (中) 論文 名稱 (英) 解讀台夫特的司芬克斯─論十七世紀荷蘭畫家維梅爾對當時社會的觀察 A Reinterpretation of "The Sphinx of Delft": Seventeenth-Century Dutch Society in the Eyes of Johannes Vermeer 其他 題名 指導 教授 (中) 張淑勤 指導 教授 (英) Chang, Su-Chin 校內 全文 開放 日期 不公開 校外 全文 不公開 開放 日期 全文 不開 放理 由 電子 全文 同意 送交 國圖. 國圖 全文 2003.07.14 開放 日期. 檔案 說明 電子全文 電子 全文 01 學位 類別 碩士 畢業 學年 度 91 出版 年 語文 別 中文 關鍵 維梅爾 十七世紀荷蘭繪畫 風俗畫 荷蘭共和國 歷史感覺 視覺文化 陰性 字(中) 氣質 關鍵 Johannes Vermeer 17th-Century Dutch Painting Genre Painting Dutch Republic 字(英) Historical Sensation Visual Culture Femininity 摘要 (中) 新史學多元化的研究趨勢,使得與過去溝通的管道不再侷限於純文字紀 錄,如何運用鮮明的視覺圖像去刺激想像、詮釋歷史,也逐漸為近來的 研究者所重視。雖然在實際運用上,仍然面臨許多因為跨學科所造成的 困難,然而也極具挑戰性。 在這篇論文裡,我嘗試從分析十七世紀荷蘭 畫家維梅爾(Johannes Vermeer, 1632-1675)的繪畫作品,進而瞭解畫家 是如何理解並詮釋他眼中的真實。在歷經數百年後,畫面本身已成為 「歷史文件」,其中匯聚了畫家、當時與後來的觀看者、以及來自不同 領域研究者的多重目光,因此,這篇論文的首要之務,便在於釐清來自 四面八方的錯綜視線,將焦點重新凝聚在十七世紀荷蘭社會,針對畫家 最關切的繪畫主題,女性,與當時社會上的看法作出比對,進而瞭解個 人是如何去面對、適應於來自於日常生活的種種複雜瑣碎,以及社會抱 持的固有傳統,以畫筆對他所身處的世界作出獨一無二的精緻詮釋。 我 所面對的,是對於有心從事歷史研究者都曾遭遇的基本問題:如何處理 自己的歷史感覺,以及回應來自過去的召喚。作為對於歷史寫作的初步 嘗試,這篇論文當中概略涉及了十七世紀荷蘭政治歷史、社會背景、當 時的文藝創作、畫家生活與藝術市場的實際運行,並援用十九、二十世 紀以來的哲學觀點、性別論述、藝術史各方面的研究成果,作為重新解 讀維梅爾的方法依據。 摘要 (英) 論文 目次 參考 文獻 目錄 致謝 凡例 論文提要 插圖目錄 第一章、 視覺經驗與歷史感覺的交 換 1.1. 展覽會 1.2. 畫家生平 1.3. 從視覺到歷史 第二章、 繪與畫:重構十 七世紀荷蘭圖像 2.1. 共和國的光與影 2.2. 畫家、公會、消費者 2.3. 道德 第三章、 解讀司芬克斯的謎題 3.1. 刺點 3.2. 相似性 3.3. 陰性氣質 第四 章、 結論:維梅爾眼中的真實世界 參考書目 附圖 西文書目 I. Books Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth century. Chicago: University of Chicago Press, 1983. -------------------. Rembrandt's Enterprise: The Studio and the Market. Chicago: University of Chicago Press, 1988. Arasse, Daniel. Vermeer: Faith in Painting. Translated by Terry Grabar. Princeton: Princeton University Press, 1994. Bailey, Anthony. A View of Delft: Vermeer Then and Now. London: Pimlico, 2001. Blokland, Hans Theodorus. Freedom and Culture in Western Society. New York: Routledge, 1997. Brown, Christopher. Dutch Paintings. London: National Gallery in association with W. Collins, 1983. -----------------------. Images of a Golden Past: Dutch Genre Painting of the 17th Century. New York: Abbeville Press, c1984. Chevalier, Tracy. Girl With a Pearl Earring. New York: Dutton, 2000. Cieraad, Irene ed. At home: An Anthropology of Domestic Space. With a foreword by John Rennie Short. Syracuse: Syracuse University Press, 1999. Clark, Kenneth. Landscape into Art. Boston: Beacon Press, 1961. Davids, Karel and Lucassen, Jan eds. A Miracle Mirrored: The Dutch Republic in European Perspective. Cambridge: Cambridge University Press, 1995. De Vries, Jan and Van der Woude, Ad eds. The First Modern Economy: Success, Failure, and Perseverance of the Dutch Economy, 1500-1815. Cambridge: Cambridge University Press, 1997. De Vries, Jan. The Dutch Rural Economy in the Golden Age, 1500-1700. New Haven: Yale University Press, 1974. DuPlessis, Robert S. Lille and the Dutch Revolt: Urban Stability in an Era of Revolution, 1500-1582. Cambridge: Cambridge University Press, 1991. Foucault, Michel. The Order of Things: An Archaeology of the Human Science. London: Tavistock, 1974. Franits, Wayne E. ed. The Cambridge Companion to Vermeer. Cambridge: Cambridge University Press, 2001. --------------------. Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art. Cambridge: Cambridge University Press, 1993. Eugene Fromentin. The Masters of Past Time: Dutch and Flemish Painting from Van Eyck to Rembrandt. Landmarks in Art History. ed. H. Gerson. Translated by Andrew Boyle. Oxford: Phaidon Press, 2nd ed., 1981. Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. New York: Pantheon Books, 1960. Gowing, Lawrence. Jan Vermeer. New York: Barnes & Noble, 1962, c1961. Grijzenhout, Frans and Van Veen, Henk eds. The Golden Age of Dutch Painting in Historical Perspective. Translated by Andrew McCormick. Cambridge: Cambridge University Press, 1999. Haak, Bob. The Golden Age: Dutch Painters of the Seventeenth Century. Translated and Edited by. Elizabeth Willems-Treeman. New York: Abrams, 1984. Haskell, Francis. History and its Images: Art and the Interpretation of the Past. New Haven: Yale Universoty Press, 1993. Hertel, Christiane. Vermeer: Reception and Interpretation. Cambridge: Cambridge University Press, 1996. Hsia, Po-chia and Van Nierop, Henk eds. Calvinism and Religious Toleration in the Dutch Golden Age. Cambridge: Cambridge University Press, 2002. Huizinga, J. H. Dutch Civilisation in the Seventeenth Century and Other Essays. New York: Harper Torchbooks, 1969. Israel, Jonathan I. Dutch Primacy in World Trade, 1585-1740. Oxford: Oxford University Press, 1990. --------------------. The Dutch Republic: Its Rise, Greatness, and Fall, 1477-1806. New York: Oxford, 1998. --------------------. The Dutch Republic and the Hispanic World 1606-1661. Oxford: Clarendon, 1982. Ivan Gaskell. Seventeenth-century Dutch and Flemish Painting. London: Philip Wilson Publishers for Sotheby's Publications, 1990, c1989. Keyes, George S. Mirror of Empire: Dutch Marine Art of Seventeenth Century. Cambridge: Cambridge University Press, 1990. Lacroix, Paul. The Arts in the Middle Ages and the Renaissance: with Over 400 Wood Engravings. New York: Ungar, 1964. Lambert, Audrey M. The Making of the Dutch Landscape: A Historical Geography of the Netherlands. New York: Seminar Press Ltd, 1971. Limm, Peter. The Dutch Revolt, 1559-1648. New York: Longman, 1989. Lucas, Edward Verrall. A Wanderer in Holland. London : Methuen, 1914. Kofuku, Akira and Terakado, Rintaro eds. Dutch Art in the Age of Rembrandt and Vermeer. Tyoko: The National Museum of Western Art, 2000. Koningsberger, Hans and the editors of Time-Life Books. The World of Vermeer, 1632-1675. New York: Time, Inc., 1967. Meijer, Reinder P. Literature of the Low Countries: A Short History of Dutch Literature in the Netherlands and Belgium. Boston: Nijhoff, 1978. Mitchell, W. J. T. Landscape and Power. Chicago: the University of Chicago Press, 1994. Montias, John Michael. Vermeer and His Milieu: A Web of Social History. Princeton: Princeton U. Pr., 1989. North, Michael. Art and Commerce in the Dutch Golden Age. Translated by Catherine Hill. New Haven: Yale University Press, 1997. Price, J. L. Holland and the Dutch Republic in the Seventeenth Century: The Politics of Particularism. Oxford: Clarendon Press, 1994. ------------. Culture and Society in the Dutch Republic during the 17th Century. New York: Scribner, c1974. Phagan, Patricia ed. Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant. Georgia: Georgia Musuem of Art, .1996. Rady, Martyn C. From Revolt to Independence: The Netherlands, 1550-1650. London: Hodder & Stoughton, 1990. Renier, G. J. The Dutch Nation: A Historical Study. London: the Netherlands government information bureau by G. Allen & Unwin ltd., 1944. Rodriguez-Salgado, M. J. The Changing Face of Empire : Charles V, Philip II, and Habsburg Authority, 1551-1559. Cambridge : Cambridge University Press, 1988. Rosenberg, Jakob; Slive, Seymour; and Ter Kuile, E. H. Dutch Art and Architecture 1600-1800. London: Penguin Books, 1989. Rosenberg, Jakob. Rembrandt, Life and Work. Oxford: Phaidon, 1980. Rowen, Herbert Harvey. The Princes of Orange: The Stadholders in the Dutch Republic. Cambridge: Cambridge University Press, 1988. Schama, Simon. The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age. New York: Vintage Books, 1997. Schilling, Heinz. Religion, Political Culture and the Emergence of Early Modern Society: Essays in German and Dutch History. Leiden: E. J. Brill, 1992. Schenkeveld, Maria A. Dutch literature in the age of Rembrandt : Themes and Ideas. Philadelphia: J. Benjamins, 1991. Silve, Seymour. Dutch Painting, 1600-1800. New Haven: Yale University Press, 1995. Slatkes, Leonard J. Vermeer and His Contemporaries. New York: Abbeville, 1981. Snow, Edward. A Study of Vermeer. Los Angeles: University of California Press, 1994. Sonnino, Paul. Louis XIV and the Origins of the Dutch War. Cambridge: Cambridge University Press, 1988. Steadman, Philip. Vermeer's Camera: Uncovering the Truth Behind the Masterpieces. Oxford: Oxford University Press, 2001. Stechow, Wolfgang. Dutch Landscape Painting of the Seventeenth Century. Oxford: Phaidon, 1981. Tracy, James D. Holland under Habsurg Rule, 1506-1566: The Formation of a Body Politic. Berkeley: University of California Press, c1990. Van der Wee, Herman. The Low Countries in the Early Modern World. Translated by Lizabeth Fackelman. Brookfield, Vt.: Variorum, c1993. Van Deursen, A. T. Plain Lives in a Golden Age: Popular Culture, Religion and Society in Seventeenth-Century Holland. Translated by Maarten Ultee. Cambridge: Cambridge University Press, 1991. Van Nierop, H.F.K. The Nobility of Holland: from Knights to Regents, 1500-1650. Translated by Maarten Ultee. Cambridge: Cambridge University Press, 1993. Westermann, Mariet. A Worldly Art: The Dutch Republic 1581-1718. New York: Harry N. Abrams, 1996. Wheelock, Arthur K. ed. Johannes Vermeer. New Haven: Yale University Press, 1995. ----------------------------. The Public and the Private in the Age of Vermeer. New York: Philip Wilson Publishers, 2000. ---------------------------. Vermeer: The Complete Works. New Haven: Harry N. Abrams Inc. Press, 1995. Wilson, Charles. The Dutch Republic and the Civilisation of the Seventeenth Century. New York: McGraw-Hill, 1968. II. Articles Anchor, Robert. "History and Play: Johan Huizinga and His Critics." History and Theory, Volume 17, Issue 1 (Febuary, 1978): 63-93. Benedict, Philip. "Towards the Comparative Study of Popular Market for Art: The ownership of Paintings in SeventeenthCentury Metz." Past and Present, Volume 0, Issue 109 (November, 1985): 100117. Grafton, Anthony and Kaufmann, T. D., "Holland without Huizinga: Dutch Visual Culture in the Seventeenth Century." Journal of Interdisciplinary History, Volume 16, Issue 2 (Autumn, 1985): 255-265. Dekker, Jeroen J. H. "A Republic of Educators: Educational Messages in Seventeenth-Century Dutch Genre Painting." History of Education Quarterly, Volume 36, Issue 2 (Summer, 1996), 155-182. Kooij, Pim. "Peripheral Cities and Their Regins in the Dutch Urban System until 1900." The Journal of Economic History, Volume 48, Issue 2 (June, 1988): 357-371. Menashe, Louis. "Historians Define the Baroque: Notes on a Problem of Art and Social History." Comparative Studies in Society and History, Volume 7, Issue 3 (April, 1965): 333-342. Miedema, Hessel. "Foundations of the Noble and Free Art of Painting." Journal of the History of Ideas, Volume 34, Issue 4 (October-December, 1973): 653-668. Rabb, Theodore K. "The Historian and the Art Historian Revisited." Journal of Interdisciplinary History, Volume 14, Issue 3 (Winter, 1984): 647-655. Slive, Seymour. "Rembrandt and His Contemporary Critics." Journal of the History of Ideas, Volume 14, Issue 2 (April, 1953): 203220. III. Reviews Alpers, Svetlana. 1983. Review of The Art of Describing: Dutch Art in the Seventeenth Century, by Peter Burke, The Journal of Modern History, Volume 55, Issue 4 (December, 1983): 684-686. Boxer, C. R. 1965. The Dutch Seaborne Empire: 1600-1800, by Charles E. Nowell, The Hispanic American Historical Review, Volume 48, Issue 2 (May, 1968): 283-284. Arasse, Daniel. 1994. Review of Vermeer: Faith in Painting, by Linda K. Varkonda, Sixteenth Century Journal, Volume 26, Issue 3 (Autumn, 1995): 696-697. Montias, John Michael. 1982. Review of Artists and Artisans in Delft: A Socio-Economic Study of the Seventeenth Century, by David W. Galenson, The Journal of Economic History, Volume 42, Issue 4 (December, 1982): 936-937. Schama, Simon. 1987. The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, by Francis Haskell, Past and Present, Volume 0, Issue 120 (August, 1988): 216-226. Slive, Seymour. 1995. Dutch Painting: 1600-1800, by Mariet Westermann, Renaissance Quarterly, Volume 51, Issue 1 (Spring, 1998): 277-278. 中文書目 一、專書論著 Alexander, J. C., Seidman, Steven 編.,《文化與社 會:當代論辯》,吳潛誠總編校,台北:立緒,1997。 Argan, G. C. and Fagiolo, M.,《藝術史學的基礎》,曾堉、葉劉天增譯,台北:東大, 1992。 Benesch , Otto,《北方文藝復興藝術》,戚印平、毛羽譯,浙 江:中國美術學院出版社,2001。 Benjamin, Walter,《說故事的人》, 林志明譯,台北:台灣攝影工作室,1998。 ---------------------,《迎向靈 光消逝的年代》,許綺玲譯,台北:台灣攝影工作室,1998。 Braudel, Fernand,《十五至十八世紀的物質文明、經濟、和資本主義》,施康 強、顧良譯,台北:城邦,1999。 Chadwick, Whitney,《女性,藝術與 社會》,李美蓉譯,台北:遠流,1995。 Chalumeau , Jean-Luc,《藝術 解讀》,王玉齡、黃海鳴譯,台北:遠流,1996。 Dali, Salvador,《一 個天才的日記》,陳蒼多譯,台北:新雨,2001。 Dash, Mike,《鬱金 香熱》,李芬芳譯,台北:時報文化,2000。 Dreyfus, Hubert L. and Rabinow, Paul,《傅柯--超越結構主義與詮釋學》,台北:桂冠,1995。 Dumas, Alexandre,《黑色鬱金香》,李牧華譯,台北:文化,1972。 Foucault, Michel,《詞與物--人文科學考古學》,莫偉民譯,上海:三聯 書店,2002。 Gablick, Suzi,《現代主義失敗了嗎?》,滕立平譯,台 北:遠流,1995。 Gombrich, E. H.,《藝術的故事》,雨云譯,台北:聯 經,1997。 Harding, Jennifer,《性與身體的解構》,林秀麗譯,台北: 韋伯文化,2000。 Hauser, Arnold,《藝術社會學》,居延安譯,台北: 雅典,1988。 Meijer, R.P.,《低地國家文學史》,李路譯,廣西:廣西 師範大學出版社,1995。 Merleau-Ponty, Maurice,《知覺現象學》,姜志 輝譯,北京:商務印書館,2001。 Mullett, Michael A.,《喀爾文》,林 學儀譯,台北:麥田,1999。 Nobert Schneider 編,《揚?維梅爾:隱敝的 情感》,Tseng Chang-Sheng 譯,Germany,Taschen,1998。 Nochlin, Linda,《寫實主義》,刁筱華譯,台北:遠流,1998。 Panofsky, Erwin,《造形藝術的意義》,李元春譯,台北:遠流,1996。 Pollock, Griselda,《視線與差異:陰柔氣質、女性主義與藝術歷史》,陳香君 譯,台北:遠流,2000。 Robert Audi,《劍橋哲學辭典》,林正宏主 編,台北:貓頭鷹,2002。 Van Loon, Joannis,《林布蘭傳》,張世明 譯,台北:萬象,1993。 Voltaire,《路易十四時代》,吳模信、沈懷 潔、梁守鏘譯,台北:商務,2001。 Weber, M.,《經濟與歷史:韋伯選 集(Ⅳ)》,康樂編譯,台北:允晨,1990。 White, Hayden,《史元: 十九世紀歐洲的歷史意象》,劉世安譯,台北:麥田,1999。 Wolfflin, Heinrich,《藝術史的原則》,雨芸譯,台北:雄獅,1991。 于智奇著, 《傅柯》,傅偉勳、韋政通主編,台北:東大,1999。 何正廣主編, 《維梅爾》,台北:藝術家,1998。 何恭上編,《舊約、新約聖經名 畫》,台北:藝術圖書公司,2001。 時代-生活圖書公司編輯部編, 《歐羅巴的黃金時代:北部歐洲》,李紹明譯,濟南:山東畫報出版 社,2001。 張小虹編,《性/別研究讀本》,台北:城邦,1998。 張小 虹,《在百貨公司遇見狼》,台北:聯合文學,2002。 張豐榮編譯, 《羅浮宮美術館 V:巴洛克的光彩》,台北:福和,1994。 錢乘旦譯, 《劍橋藝術史(二):17 世紀、18 世紀》,北京:中國青年出版社, 1994。 郭繼生,《藝術史與藝術批評》,台北:書林,1995。 新形象出 版公司編輯部編,《西洋美術史》,台北:北星,1992。 楊大春,《傅 柯》,台北:生智,1995。 蔣孔陽編,《二十世紀西方美學名著選》, 上海:復旦大學出版社,1988。 鷲田清一,《梅洛-龐蒂:認識論的割 斷》,劉績生譯,河北:河北教育出版社,2001。 二、期刊論文 朱紋 皆,〈維梅爾研究〉,碩士論文,國立師範大學,1992。 張淑勤,〈比 利時的法蘭德斯運動〉,《輔仁歷史學報》7 期 1995 ,頁 57-71。 --------,〈低地國的史學發展--從文藝復興到浪漫時期〉,《輔仁歷史學報》 第 8 期,1996,頁 33-46。 ---------,〈艾格蒙序曲(Egmont Overture)Op. 84--低地國的基調〉,西洋史與國別史課程教學研討會,輔仁大學歷史 系,1997。 ---------,〈主角、配角、與跑龍套者--低地國荷語區歷史論 述的主流模式及其轉變〉,《世界史教育研討論文集》(台北:政大, 2000)頁 137-149。 插圖目錄 I. 維梅爾作品 Plate 1. Saint Pracedis. 1665. Oil on canvas, 101.6 x 82.6 cm. Private collection Plate 2. Christ in the House of Mary and Martha. c. 1655. Oil on canvas, 160 x 142 cm. National Galleries of Scotland, Edinburgh Plate 3. Diana and Her Companions. c. 1655-1656. Oil on canvas, 98.5 x 105 cm. Mauritshuis, The Hague Plate 4. The Procuress. 1656. Oil on canvas, 143 x 130 cm. Staatliche Kunstsammlungen, Gemaldegalerie, Dresden Plate 5. A Woman Asleep. c. 1657. Oil on canvas, 83 x 64.5 cm. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 Plate 6. Girl Reading a Letter at an Open Window. c. 1657. Oil on canvas, 87.6 x 76.5 cm. Staatliche Kunstsammlungen, Gemaldegalerie, Dresden Plate 7. The Little Street. c. 1657-1658. Oil on canvas, 54.3 x 44 cm. Rijksmuseum, Amsterdam Plate 8. Officer and Laughing Girl. c. 1658-1660. Oil on canvas, 50.5 x 46 cm. The Frick Collection, New York Plate 9. The Milkmaid. c. 1658-1660. Oil on canvas, 45.5 x 41 cm. Rijksmuseum, Amsterdam Plate 10. The Glass of Wine. c. 1658-1660. Oil on canvas, 65 x 77 cm. Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Gemaldegalerie Plate 11. The Girl with the Wineglass. c. 1659-1660. Oil on canvas, 78 x 67 cm. Herzog Anton Ulrich-Museum, Braunschweig Plate 12. Girl Interrupted at Her Music. c. 1660-1661. Oil on canvas, 39.3 x 44.4 cm. The Frick Collection, New York Plate 13. View of Delft. c. 1660-1661. Oil on canvas, 98.5 x 117.5 cm. Mauritshuis, The Hague Plate 14. The Music Lesson. c. 1662-1664. Oil on canvas, 73.3 x 64.5 cm. The Royal Collection c Her Majesty Queen Elizabeth II Plate 15. Woman in Blue Reading a Letter. c. 1663-1664. Oil on canvas, 46.5 x 39 cm. Rijksmuseum, Amsterdam Plate 16. Woman Holding a Balance. c. 1664. Oil on canvas, 42.5 x 38 cm. Widner Collection, c 1997 Board of Trustees, National Gallery of Art, Washington, D.C. Plate 17. Young Woman with a Water Pitcher. c. 1664-1665. Oil on canvas, 45.7 x 40.6 cm. The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1889 Plate 18. Woman with a Lute. c. 1664. Oil on canvas, 51.4 x 45.7 cm. The Metropolitan Museum of Art, New York. Bequest of Collis P. Huntington, 1925 Plate 19. Woman with a Pearl Necklace. c. 1664-1665. Oil on canvas, 55 x 45 cm. Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Gemaldegalerie Plate 20. A Lady Writing. c. 1665-1666. Oil on canvas, 45 x 39.9 cm. Gift of Harry Havemeyer and Horace Havemeyer, Jr., in memory of their father, Horace Havemeyer, c 1996 Board of Trustees, National Gallery of Art, Washington, D.C. Plate 21. Girl with a Pearl Earring. c. 16651666. Oil on canvas, 46.5 x 40 cm. Mauritshuis, The Hague Plate 22. The Concert. c. 1665-1666. Oil on canvas, 72.5 x 64.7 cm. Isabella Stewart Gardner Museum, Boston Plate 23. Girl with the Red Hat. c. 1665-1666. Oil on canvas, 23.2 x 18.1 cm. Andrew W. Mellon Collection, c 1996 Board of Trustees, National Gallery of Art, Washington, D.C. Plate 24. The Art of Painting. c. 16661667. Oil on canvas, 120 x 100 cm. Kunsthistorisches Museum, Vienna Plate 25. Mistress and Maid. c. 1667-1668. Oil on canvas, 90.2 x 78.7 cm. The Frick Collection, New York Plate 26. Portrait of a Young Woman. c. 1667-1668. Oil on canvas, 44.5 x 40 cm. The Metropolitan Museum of Art, New York. Gift of Mr. And Mrs. Charles Wrightsman, in memory of Theodore Rousseau, 1979 Plate 27. The Geographer. c. 1668-1669. Oil on canvas, 53 x 46.6 cm. Stadelsches Kunstinstitut, Frankfurt-am-Main, Germany Plate 28. The Astronomer. 1668. Oil on canvas, 50 x 45 cm. Musee du Louvre, Paris Plate 29. The Lacemaker. c. 16691670. Oil on canvas, 24.5 x 21 cm. Musee du Louvre, Paris Plate 30. The Guitar Player. 1670. Oil on canvas, 53 x 46.3 cm. Kenwood, English Heritage as Trustees of The Iveagh Bequest, London Plate 31. The Love Letter. c. 1669-1670. Oil on canvas, 44 x 38.5cm. Rijksmuseum, Amsterdam Plate 32. Lady Writing a Letter with Her Maid. c. 1670. Oil on canvas, 71.1 x 58.4cm. National Gallery of Ireland, Dublin Plate 33. Allegory of Faith. c. 1671-1674. Oil on canvas, 114.3.5 x 88.9 cm. The Metropolitan Museum of Art, New York. Bequest of Michael Friedsman, 1931. The Friedsman Collection Plate 34. A Lady Standing at the Virginal. c. 1672-1673. Oil on canvas, 51.7 x 45.2 cm. Reproduced by Courtesy of the Trustees, National Gallery, London Plate 35. A Lady Seated at the Virginal. c. 1675. Oil on canvas, 51.5 x 45.5 cm. Reproduced by Courtesy of the Trustees, National Gallery, London II. 各章插圖 Fig. 1. Dirk Hals, Woman Tearing Up a Letter. 1631. Panel, 45.5 x 56 cm. Mittelrheinisches Landesmuseum, Mainz Fig. 2. Gabriel Metsu, Woman Reading a Letter. 1662-1665. Oil on canvas, 52.5 x 40.2 cm. National Gallery of Ireland, Dublin Fig. 3. Adriaen van Ostade, In the Village Inn. 1660. Oil on panel, 45.5 x 39 cm. Gemaldegalerie, Dresden Fig. 4. Dirk Hals, Merry Company. Oil on panel, 45 x 67.5 cm. Private Collection Fig. 5. Dirck van Baburen, The Procuress. 1622. Oil on canvas, 101 x 107.3 cm. Purchased Maria T. B. Hopkins Fund. Courtsey Museum of Fine Arts, Boston Fig. 6. Hendrick Cornelisz. van Vliet, Interior of the Nieuwe Kerk, Delft, with the Tomb of Prince William of Orange. c. 1650. Oil on canvas, 100.5 x 91 cm. Stedelijk Museum Het Prinsenhof, Delft, on loan from the Insititut Collectie Nederland Fig. 7. Jan Steen, Prinsjesdag. 1660. Panel, 46 x 62.5 cm. Rijksmuseum, Amsterdam Fig. 8. Rembrandt, The Night Watch. 1642. Oil on canvas, 363 x 437 cm. Rijksmuseum, Amsterdam Fig. 9. Frans Hals, The Meagre Company. 1633-1637. Oil on canvas, 207.3 x 427.5 cm. Rijksmuseum, Amsterdam Fig. 10. Hendrick Vroom, The Battle of Haarlemmermeer. 1629. Canvas, 190 x 268 cm. Rijksmuseum, Amsterdam Fig. 11. Joost Droochsloot, The Battle on Vucht Heath. 1620. Canvas, 65 x 94.5 cm. Private Collection Fig. 12. Govert Flinck, Marcus Curius Dentatus Preferring Turnips to Gold. 1656. Oil on canvas, 4.8 x 3.7 m. Koninklijk Paleis, Amsterdam Fig. 13. Emanuel de Witte, Interior of the Oude Kerk, Amsterdam. c. 1660-1665. Oil on canvas, 65.4 x 73 cm. Private Collection Fig. 14. Hendrick Cornelisz. van Vliet, Interior of the Nieuwe Kerk, Delft, with the Grave and the Memorial Plaque of Adriaen Teding van Berkhout. 1661. Oil on canvas, 100 x 112 cm. Stedelijk Museum Het Prinsenhof, Delft, on loan from the Teding van Berkhout Foundation Fig. 15. Rembrandt, Portrait of a Family. c. 1668. Oil on canvas, 126 x 167 cm. HerzogAnton-Ulrich-Museum, Braunschweig Fig. 16. Emanuel De Witte, Portrait of a Family. 1678. Oil on canvas. Bayerische Staatgemaldesammlungen, Alte Pinakothek, Munich Fig. 17. Pieter de Hooch, The Bedroom. c. 1658-1660. Oil on canvas, 51 x 60 cm. Naional Gallery of Art, Washington, Widener Collection Fig. 18. Pieter de Hooch, The Linen Cupboard. 1663. Oil on canvas, 72 x 77.5 cm. Rijksmuseum, Amsterdam Fig. 19. Jan Steen, Celebrating the Birth. 1664. Oil on canvas, 89 x 109 cm. Wallace Collection, London, Courtsey the Bridgeman Art Library, London. Fig. 20. Adriaen van Ostade, The Family. 1647. Oil on oak panel, 43 x 36.5 cm. Hofstede de Groot, III, no. 480. Szepmuveszeti Muzeum, Budapest Fig. 21. Nicolaes Maes, The Idle Servant. 1655. Panel, 70 x 53.3 cm. Reproduced by Courtesy of the Trustees, National Gallery, London Fig. 22. Nicolaes Maes, Woman Plucking a Duck. c. 1655-1656. Oil on canvas, 59.7 x 65.4 cm. Philadelphia Museum of Art, Philadelphia, Gift of Mrs. W. Newbold Ely in memory of Mr. And Mrs. Roland L. Taylor Fig. 23. JohannesVermeer, The Glass of Wine (Detail). c. 1658-1660. Oil on canvas, 65 x 77 cm. Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Gemaldegalerie Fig. 24. Temperance, woodcut from Dirck Pietersz. Pers, Iconologia, p.317. 1644. 8.1 x 5.7 cm. Bryn Mawr College, Pennsylvania Fig. 25. Casper Netscher, The LaceMaker. 1664. 34 x 28 cm. Wallace Collection, London Fig. 26. Gerbrand van Eeckhout, A Musical Party. Oil on canvas, 50.5 x 62.5 cm. Metropolitan Museum of Art, New York. Bequest of Annie C. Kane, 1926 Fig. 27. Nicolaes Maes, The Eavesdropper. 1657. Oil on canvas, 92.5 x 122 cm. Dordrechts Museum, Dordrecht, on loan from the Collection Netherlands Institute for Cultural Heritage, Rijswijk, Amsterdam Fig. 28. Gerard Ter Borch, Lute-player and an Officer. Oil on panel, 37 x 32.5 cm. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 Fig. 29. Frans van Mieris, The Oyster Meal. 1661. Panel, 27 x 20 cm. Mauritshuiz, The Hague Fig. 30. Nicolaus Knupfer, A Brothel Scene. Panel, 50 x 60 cm. Rijksmuseum, Amsterdam Fig. 31. Gerard Ter Borch, Portrait of Wiesken Matthys Spinning. Oil on panel, 34.5 x 29.c.cm. Stichting Willem van der Vorm, Museum Boymans-Van Beuningen, Rotterdam Fig. 32. Gerard Ter Borch, Portrait of Wiesken Matthys Combing a Child's Hair. c. 1650. Oil on panel, 33.5 x 29 cm. Mauritshuiz, The Hague Fig. 33. Gerard Dou, The Cook. Louvre, Paris Fig. 34. Daniel Vosmaer, View of Delft with a Fantasy Loggia. 1663. Oil on canvas, 90.5 x 113 cm. Stedelijk Museum Het Prinsenhof, Delft, on loan from the Instituut Collectie Nederland Fig. 35. Hendrick Cornelisz. Vroom, View of Delft. 1615. Oil on canvas, 71 x 160 cm. Stedelijk Museum Het Prinsenhof, Delft Fig. 36. Hendrick Cornelisz. Vroom, View of Delft from the Northwest. c. 1634. Oil on canvas, 71 x 162 cm. Stedelijk Museum Het Prinsenhof, Delft Fig. 37. Rembrandt, Dr Faustus. c. 1652-53. Etching, 20.9 x 16.1 cm. Rijksmuseum, Amsterdam Fig. 38. Jacob Ochtervelt, Street Musicians at the Door. 1665. Oil on canvas, 68.6 x 55.9 cm. Art Museum, St. Louis 論文 頁數 附註 全文 點閱 次數 資料 建置 時間 轉檔 日期 全文 85 檔存 取記 錄 異動 記錄 M admin Y2008.M7.D3 23:17 61.59.161.35