PERFORMANCE ART CONTEXT
Performative Approaches in Art and Science Using the Example of "Performance Art"
Version 02 - Mainz
PERFORMANCE ARRANGEMENTS
Performance as a LIMES–IDEA of art
(Border Machine Performance)
History of performance as the history of transgressing borders (M.-L. Lange)
Art as border crossing (P. Bianchi)
Off limits (hors limites) (Maribel Königer)
Counter to abbreviating and excluding discourses (with M. Foucault)
32/64 Views of the "Performative Turn"
Article in Kunstforum vol.152 Kunst ohne Werk (Dirmoser, Nieslony)
A cluster model revealing performance (and theater) to us as a system of possibilities,
in which relations in the in-between result as though by themselves. ... (P. Bianchi)
Performative Procedures in Art, Science and Education (*1)
Performative procedures (for a transitional period)
Literature:
Literature:
Literature: (... continued)
Literature:
Literature: (... continued)
E. Jappe / Performance Ritual Prozeß
On Ritual (Performance Research)
Richard Schechner / Future of Ritual
Kunstforum Bd. 34 / Plastik als
Handlungsform
Victor Turner / The ritual process (book)
Victor Turner / The Anthropology of
Performance (book)
Richard Schechner / Between Theatre
and Anthropology (book)
Marvin Carlson / Performance – a critical
introduction (book) !! chap. Performance
and the social sciences
Conquergood Dwight / Poetics Play,
Process and Power – The performative
turn in anthropology
Janelle G. Reinelt, et al. / Critical Theory
and Performance (book)
A.David Napier / Foreign Bodies –
Performance Art and Symbolic
Anthropology
A. Artaud (ethnological studies)
W. Pfaff u.a. / Der sprechende Körper
Sylvia Sasse / Zur Anatomie kollektiver
Körper in der russischen Performance
Theatre for Social Change (PSi7)
Walking through society (yearbook) !
Eugenio Barber (anthropological view)
Camille Camillieri (athropolog. view;
important for Patrice Pavis)
James Clifford (ethno-historian)
Roger Caillois (athropological theorist)
Erving Goffman
P. Bourdieu (Hexis- u. Habitus-Konzept)
Victoria Best & Peter Collier (Ed.) /
Powerful Bodies – Performance in
French Cultural Studies
Milton Singer (ethnologist) / cultural
performance (developed as concept)
A. Nebelung / Zwischenräume (Methode
u. Ästhetik einer ökologischen Soziologie
Herbert Mead => J. Butler
Prof. Christoph Wulf <= P. Bourdieu
C. Wulf (article) / Die Familie als
performative Gemeinschaft
C. Wulf (projects): Die Hervorbringung
des Sozialen in Ritualen ... / FamilienRituale / Rituale in der Schule /
Geschlecht und Rituale
U. Wuggenig -> Pierangelo Maset
David Frankel / Workshop in Performance
Studies Ethnography (PSi7 Mainz)
Magic Maori, Artificial Savages and Martians:
(De)constructing Indigenous Identity
Judith Butler !! / Bodies That Matter
Performative Acts and Gender Constitution
(article 1988!) / Judith Butler
Performativity and Performance (book) !
Andrew Parker & Eve Kosofsky Sedgwick
Symposium: Cross Gender/Cross Genre
Performance and Performativity Graz 99
Geraldine Harris / Staging Feminities.
Performance and Performativity (article)
David E.R. George !! / Performance
Epistomology (in: Performance Research)
Dwight Conquergood / article:
The Performative Turn in Anthropology
Victor Turner / The Anthropology of
Performance
Elisabeth List / article: Leiblichkeit,
performatives Selbst u. Geschlecht
article: Kultur als Handlung
Gertrude Koch (C.S. Peirce)
Homi Bhabha / article: Of Mimicry and Man
Marvin Carlson / Performance – a critical
introduction (book) !!
Michael Issacharoff & Robin F. Jones /
Discourse as Performance (book)
Victoria Best & Peter Collier (Ed.) /
Powerful Bodies – Performance in French
Cultural Studies !!
Geoffrey Leech / Principles of Pragmatics
K. Marcia Moen / Peirce´s Pragmatism as a
Resource for Feminism (article)
Jean-Francois Lyotard / The postmodern
Condition: A Report on Knowledge (book)
T. Sarbin & V. Allen / Role Theory (book)
Michel de Certeau / The Practice of
Everyday Life
Kate Ince / Between the Acts: Orlan,
Performance and Performativity (in:
Powerful Bodies) !!!
J.-F. Lyotard / Das postmoderne Wissen
Nietzsche
Performance Research Vol.1 No.1 1996
D.George / Performance Epistemology
Pierangelo Maset, Hubert Sowa (Ed.) /
Ästhetisches Dasein. Perspektiven einer
performativen und pragmatischen Kultur
im öffentlichen Raum
D. Böhler et al.(Ed.) Die pragmatische Wende
Rorty, de Certeau, ...
Liturgie und Ästhetik (event Münster)
Performance is not so much a new art form as a new paradigm,
it stands less for a new phenomenon than for a new observation
of familiar phenomena. (David E.R. George 1996)
Literature: (... continued)
Literature:
R. Shusterman / Kunst leben – Die Ästhetik
des Pragmatismus
Mieke Bal (lecture) / Performance and
performativity
M. Foucault: Wissensarchäologische
Diskursanalyse
W. Hempfer / Performativität u. episteme
anders Denken – M. Focaults
>performativer< Diskurs (article)
M. Foucault / Archäologie des Wissens
M. Foucault / Die Ordnung des Diskurses
M. Foucault / ... Reader Diskurs u. Medien
Sybille Peters / (PSi7) Towards a Theory of
Fake / Towards a Fake of Theory
Theorising the Performative (PSi7)
Anja Musiat, Dorita Hannah / (PSi7) Writing
Gesture: Performing Words, or, "How to dance
with words“
Jackie Smart / (PSi7) Processing Language
in Physical Theatre
Ola Johansson / (PSi7) From Stage to Page
Stephen di Benedetto / (PSi7) Mutable Modes
of Perception: Approaching Performance
as Visual Art
article: Kultur als Handlung
Gertrude Koch
Mary Ann Doane / Film and the
Masquerade: Theorizing the Female
Spectator (article)
Valie Export
Peter Weibel
Philip Auslander / Liveness (book)
Ihab Hassan / process/performance/
happening (Essay)
Victoria Best & Peter Collier (Ed.) /
Powerful Bodies (book)
Claudia Liebrand / Kinematographische
Gender-Performanzen (lecture)
P. Dubois / Der fotografische Akt (book)
Thomas Dreher / Aktionstheater und
Intermedia (article)
Paolo Bianchi (Video lounge at O.K.) /
Die Transformation der Kunst zum
"Performative Turn“
Max Schumacher / (PSi7) Grotesque Food -
Kunstf. Bd.137 / Atlas der Künstlerreisen
Kunstf. Bd.136 / Ästhetik des Reisens
Zeit – Die vierte Dimension in der
bildenden Kunst
Kunstf. Bd.150 / Zeit – Existenz – Kunst
Kunstf. Bd.151 /Dauer/Simultaneität/Echtzeit
Matthias Schäfer / Mediennutzung und
Zeitfaktor in der Aktionskunst (Bd.151)
Daniel Charles / Zeitspielräume –
Performance, Musik, Ästhetik
John Cage / Für die Vögel – Gespräch
mit Daniel Charles (book) !
U. Krasberg / (PSi7) Ekstastetanz und
Performance ... (Sufi rituals)
Kinetographien (project) / Inke Arns, Mirjam
Goller, Susanne Strätling, Georg Witte
From Film to Stage
On representation:
A "net" without edges (in other words a cluster) – contents are placed in spatial proximity.
Semantic routes are to be set by the readers (in reading) themselves.
A Poster Group by Gerhard Dirmoser and Boris Nieslony
Version 01u.02 / 08/1999 – 04.03/2001 Linz/Cologne / A-4020 Linz Waltherstr. 2/2/5 G. Dirmoser
gerhard.dirmoser@energieag.at / asabank@asa.de
Translated from German by Aileen Derieg 11/2002, a.derieg@site38.ping.at
All rights are retained by the authors (print-outs for private use are desired)
performativity thrust
These aspects used to be
treated under the theme of
communication concepts
(see below) criticism: communication
and information theory have forgotten
performance
performativity discourse
28 performativity as view
Literature: (... continued)
Audrey Colby / (PSi7) Acts Apart
Carol Fischer-Sorgenfrei / (PSi7) / AnimalHuman Transformation in Japanese Perf.
Ulrike Krasberg / (PSi7) Ekstasetanz und
Performance ... (Sufi-Ritual)
Silke Wolf / (PSi7) Transformation ritueller
Performanzen
Petra Kuppers / (PSi7) Mapping Physicality:
Translating Difference
Callie Sandahl / (PSi7) Speaking Communities
into Existence: One Person at a time
Richard W. Mitchell / (PSi7) Laughing like
Crazy: Performing Comedy with/for
the ´Insane´
Kanta Kochhar-Lindgren / (PSi7) Earth Arts:
Performance, Landscape and the Voices
of Difference
Ivy I-Chu Chang / (PSi7) Theatre as Therapy,
Therapy as Theatre
performance as
mental model
Performance is less a new form of art than a new paradigm,
it stands less for a new phenomenon than for a new consideration of
familiar phenomena (David E.R. George 1996)
(Lit.: Georg F. Schwarzbauer)
Performativity as new perspective /
the dominance of textuality is penetrated
magic ritual (BN)
actions with job-seekers, unemployed
persons, homeless, prisoners (STWST)
social researcher
(Pino Poggi)
(Karin Meiner &
Manfred Hammes)
Performative Transformation (PSi7)
From action
to transformation
See also:
view of transformation
Theological View
30 magical view
Ritual (2)
Literature:
Birth
(Fumiko Takahashi)
(Kain Karawahn, Otto Piene, Stadtwerkstatt, Young-Chul Shim))
(Holger G. Hermann, Thomas Ruller, Lukas Berchtold)
Panic in burning paper tent (Igor Sacharow-Ross)
Fire circles (Zorka Ságlová) flame thrower (Just Merrit)
Fire & water (János Szirtes) , (SRL), (L. Berchthold)
Fire theater, live flame (A. Heller)
Incinerating rare plants (Terry Fox) Fire Table(s) (Ric Allsopp)
In a burning tank under water (Harrie de Kroon)
Recipient in a burning gyrator (times up/Just Merrit)
Burning clothing piece by piece (Barbara Sturm)
View of the elements
(fire, earth, water, air, ...)
(Hanka Lee) (Katharina Trost)
(Aktion im Moor – J.Beuys)
Cf. identity view
Machine: stream of fire/stream of water
(Ping Chong)
(Erik Hobijn)
Aboriginal myths
(Kevin Mortensen)
Rooted in old myths
Mythic rituals
(Günter Brus)
mythological structures
ritualized and
myth-related performance
Media shamans (Jürgen Fritz)
Alchemistic theater
(Antonin Artaud) (Kees Mol)
Aesthetic alchemy (Rimbaud, Mallarmé)
kinetic
environments
(2) kinetic
sculpture
Alchemy
Smeared with earth
(Dieter Appelt)
(Dieter Appelt)
Creation myth
(Jürgen Raap)
Close to nature
Bodies connected to trees with
hoses (Enikö Szücs)
Prerational logic of
mythical image worlds
seance
(Judith Lorena Mendez Barrios)
Lying under stones
(Yin Xia-Feng)
Temple sacrifice and fire rituals
(Siglinde Kallnbach)
(minus delta t)
Galvanized into
the symbolic
Like a stone-age man
Death and the
beautiful shaman
(M. Abramovic)
(Lygia Clark)
Ritual
sculpture
(Rolf Langebartels,
Vollrad Kutscher)
Fear-angst system
you need a role
to become yourself
(Cf. G. Brus)
Performances of Death in America
(Andy Warhol)
memento mori
(event or object reminiscent
of death) / memorial rite
(James Lee Byaars: performed his death)
(A. Heller: laying out of self)
Death Meditations (Nina Wise)
Political remembrance of the dead (Balint)
Made up like a corpse (Shaun Caton)
(Ron Athey)
(cf. Mishima)
cf. Fakirs
mudman's
seminars
simulation
artist as (participating)
behavior researcher
direct recourse to shamans
(Schmutz)
Body dismemberment & violence /
body fragmentation in
performance
Forms of therapy that
make use of
performance techniques
Forms of therapy as analytical "session"
Therapeutic action
(intention of body art)
See: psychoanalytical view
Butoh therapy
performance "like anthropological studies"
(Kurt Fulton) Ethnolog. research into social
conditions (Kurt Fulton & Richard Schachter)
forms of culture
(forms of expression)
Work with HIV patients
(Jordan McKenzie)
Theater in
therapeutic
pedagogy
Embalming of a chicken
Performance of Healing
Performance and Disability (PSi7)
medical
performance
performance as mimesis (see below)
ritual presentation
of objects
purification ritual (Hansjörg Marti)
(Emil Gropoz)
pain &
catharsis
Performance as catharsis (cf.. below)
cultic purification
(Alastair MacLennan)
self-purification
ceremony / processions
blessings
ceremony art
cult action
cultural pattern ritual
performance ritual
(Karin Bille, Jürgen
Fritz, Thilo Hain,
Walter Renner)
rituals
(De Chirico &
Angelika Thomas)
(Ralf Vormbusch)
cf. identity view
primary
demonstrations
(cf. Gestures, Attitudes)
Group and family myths
(highly emotionally charged)
Ancestor cult
reminiscent of
archaic roots
Archaic forms of expression
(G. Bruckschweiger)
mental derangement
Retro-performance
(Krüppelschlag/Just Merrit)
Sex in a wheelchair (Bilderwerfer:
Conny Scheuer, Elisabeth Löffler)
praxis paradigm
(cf. praxeology
on Wittgenstein)
interactive processuality
of cultural actions
the moment of the living process
(vs. reproduced process)
staged
events (2)
mudmans
Seminars (2)
(Matthias Jakisch)
Performance as Process
in imitation of
mudmans
Performance as act of positing meaning
+Performance as interpretation (BN)
31 content view
+Performance as socially marked role play
Performance as social practice
+Performance as ritual
+Performance as mimesis
+Performance as ritual
+Performance as catharsis
Performance as drive analysis
Performance as form of action in therapeutic praxis
art studies view
32 theater studies view
theater view
theater
+Performance as memory theater
Performance as a representation of circumstances
+Performance as theater
01 culture theory view
01 contextual view
Performance as situative production
Performance as situative experiment
+Performance as culture-forming presentation
Performance as a border, a margin
remaining in the present
Fluxus (2)
the Fluxus movement emanated from
music, among other things
Musique sonore
string installations
(Joachim Montessuis)
(Paul Panhuysen)
taking care of the right atmosphere and
thus also for the right thinking
trance as script
acoustic design as
rhythmization of the event
(Jacques van Poppel)
(GANG ART)
the incredible power of
music and rhythm
the "omitted" staging (LE)
repeatability of staged
performances (Lili Fischer, Laurie Anderson)
performing
art (2)
rhythmic performance
(Esther Hiepler)
music and video art
(Les Reines Prochaines:
M. Fuchs, Fränzl, Madörin,
Muda Mathis, S. Zwick)
(James Lee Byars)
(Roman Signer)
(Renee Kolla)
probing the truth of the soul
through action - catharsis of action
Theater as
process (LE)
noise music
(H. Mucken –
M. Vorfeld,
Rolf Langhans)
theory of the moment
(Moreno)
32 philosophical view
performativity discourse
theater theory
theater studies
dramatic discourse
art theory
philosophy
postmodern discourse
nomadology discourse
deconstructivism discourse
performance studies
performance theory
staging (2)
action music
acoustic environment
(latitude, lacunas)
being in the process
Buddha States (Chen Chieh-Jen)
(Maria Fisahn)
course of events
Acting out (process and not just analysis)
theater is
at heart a
death mass (LE)
Sacrificial rituals (Max Dean) ritual performance (M. Abramovic):
(Rolf Hinterecker)
goes directly back to
rituals on Hawaii
crucifixion scenes
"The
lips
of
St.
Thomas"
carving,
shamans
(dirt)
(Grahame Davis)
As
a
mummy
in
natural
location
(Liu Cheng Ying)
(Charlemagne
Palestine)
(Arnulf Rainer)
fertility rituals
(J.Lothar Schröder)
whipped, naked on cross of ice blocks
(Kim Jones)
Personal mythologies
Cover performances
Sale of Roman Catholic pictures of saints
(Hermann Nitsch)
ceremony
(religious)
(she stages herself as sacrifice)
(Ronaldo Ruiz)
Performance as
(Verena Kraft & Kurt Petz)
(Rosa Galindo, Pedro Garhel)
Bedded on archaic
Archaically poetic
art-therapy
cultic actions
(Richard Schachter) gay perspective
ceremonies
Far Eastern myths
(Lee Wen)
(Paisan Plienbangchang) form of action in
(Mike Kelly / Paul McCarthy)
Distribution of holy pictures as thanks
frameworks
(Dieter Appelt)
artistic
Everyday stories
Christian liturgy
of the Indians
(R. Schwarzkogler)
Sex with the Dead (John Duncan)
Dionysus – paradigm for a
Easter piece (crucifixion situations)
therapeutic praxis
for donations (Renate Bertlmann)
rite
(Wolfgang Duck)
(Joan Jonas,
mass
Maim dancer (Krüppel)
new myth of destruction
(Cheri Gaulke) religious attitudes
mythic material
naked in church against
Tina Girouard,
Mythologization
of
the
self
(Jerzy
Berés)
Mourning
depression
system
(Nonko
Ono)
Theme
of
death
(in part, cf. Ortiz, Nitsch, Lebel,
aesthetic way
story(Rachel Rosenthal, Meredith Monk)
James
Luna,
the rite (Mette Aare)
(Colette)
Ultimate
performance:
(Markus Schwaighofer)
Mühl, Kaprow, Knizak, ...)
fear of abandonment system
Standing on hammered in
Postmodern: (Hassan, Lyotard)
Artist as "sacrifice"
of praying
Semantic, philological and
Yolanda Segura)
(e.g. Catholic liturgy)
(Gianfranco
Baruchello)
(lethal
performance
as
model)
telling
(2)
Mysticism and mythologies (are
(Nitsch)
Individual
nails
process / performance / happening
etymological instruments
(Mary Noéle Dupuis)
Myths of the world
(Marco Ivaristtis kills animals
not accepted in performances:
Performance as drive analysis
Performances of TV-preachers
(P. Kochsomrong)
Performing Trauma
mythologies
(Luca Patella)
work-in-progress, incomplete, fluid
(Jill
Orr)
objects from the Catholic
A´battery A“)
(cf.: Schlingensief)
to provoke reactions from
(PSi7)
(and art analysis) (Via Lewandowsky)
(Jonathan Meese)
Mythical
open, playful, optative, disjunctive, displaced, a discourse of fragments
liturgy (H. Nitsch)
religious ecstasy
the
audience)
Cf..:
contemplation
/vs/
ecstasy
mystical
Modern:
(cult of the new eve)
Performance =
(Unio mystica)
Media, myths, fairy tales
religious
religious
Content aspects
Poetic performance
dance play
performative quality
art object / finished work
Performance as
(BBB Johannes Deimling)
(Jan Swiedzinski)
acts
(Ruth
Knecht)
consciously
dreaming
feelings
of
performance
(arrangement)
Who still deals with
of postmodern work
Virtual suicide
Catholic mass as model
fundamental characteristic
"major" themes?
Wilson's theater is neomythical
(Cuco Suarez)
Deconstruction performances
Role of the clown (BN)
of the theater
of postmodernism (Chantal Pontbriand)
Giving what may be
religious rituals as material
Performance appears today as a
(Category 11 according to M.-L. Lange or
Performer as clown
Dissolution of the semantic
found in madness
procession as performance
Inge Baxmann respectively)
Content-based methods
Revealing
evil
and
exorcising
it.
Reaching
the
density
of
the
(cf.. Black Market)
possible philosophical paradigm;
obligation, honest performance! (BN)
P.M.: play, game, contradiction, process,
Naked, all hair shaved off
(Artaud)
(Giuseppe Desiato)
(Cf.. Stadtwerkstatt-TV study)
This performances are targeted to:
(Bruce Nauman)
Total possession (in the performance)
mythical
(Wilson)
a radical alternative to the modernist
(Nitsch OM Theater)
performance (D. George)
in a tree – no story, no plot
The performative as primary characteristic of
(Karen Finley)
confrontation, irritation of sense,
text paradigm. (George)
In postmodern times "performance" is
(end of time)
procession (aspects)
contemporary, but especially "postmodern"
Against religious
disjunction, interruption and dismantling
Performer are
Practical character of carrying
Sense & madness
(Heinz Cibulka)
(Oszeus Labyrint: Mark Steger &
(Cf. performative turn)
the ideal medium and model (D. George)
art production
symbols
(Ulrike
of familiar semantic contexts.
Scope of action
tricksters and
(Wolfgang Duck)
Hannah Sim)
out
acts
of
meaning:
Performance
as
Exorcism
academic performance (Marvin Carlson)
(D. Mersch) (action, performance,
Rosenbach)
Philosophy
It is a matter of "an upsetting of order",
in between terms (BN)
Non-theatricality
clowns
installation,
environment
and
event
art,
meaning is acting/doing (Sowa)
Performance mental model (Lit.: Georg F. Schwarzbauer)
in "action" (G. Raunig)
of the destruction of traditional rhythms and
but also gestural painting)
Exorcism – liberation from personal grief/suffering
Performance and Philosophy (PSi7)
Performance
as
theater
of
memory
(see
below)
flows of meaning.
(Linda Montano "Mitchell´s Death")
Cruel healing
Philosophical terminal (as service)
Performer with
Semantic shifts due to
Theater as memory space
Legitimization (of research)
Philosophy of the act (Hagakure)
(Cf.. also: Rainer Ganahl - education complex)
"Theatron" was originally the
through theater
Montage performance
education
in
philosophy
(Cf..
essay
by
Dan
Graham
the confrontation of concepts
Cf. service view
through its performativity (Lit.: Lyotard)
audience space (LE)
(montage techniques)
(Odradek Siblings:
on Giulio Camillos)
Rituals as a means for dealing with crises (A. Artaud)
(Marlene Madison Plimley)
Theatron x 2 = design of the poster series
Eva Blut – Upper Austrian
Academic Performances (PSi7)
Hedonism:
Cabaret as performance?
memoria theater
Philosophical database
Design for V. Westwood)
As a principle, B.M. is an exploration a philosophy of
Cf.. (Lili Fischer, Franz Prieler)
(Mike Hentz)
Experimentally assembling
Allegorical processions
Kneipp cure & Performance
(Lygia Pape)
Computer as
(Donna Lewis) (Diva – Cabaret:
of attention (3)
Performative science
Avoidance of
Performativity as the operationality
performance art
(Lili Fischer)
circumstances (BN)
(celebration art)
Marlene
Madison
Plimley,
Mernie
Le
Plested,
theater
of
memory
Attention as accuracy
narrative structures Turn to the performative
of information (Lit.: Lyotard)
(Antoni Miralda)
Alvin Erasgo Tolentino, Lori Weidenhammer)
Professor of philosophy as performer
(Billedstofteater)
(research project)
act (instead of the well formed
Performance as representation of facts (s.r.)
(Adrian Piper)
cabaret performance
Narratively structured performance
message)
Philosophy lecturer
cf.. (art) historical view
lectures (2)
(Category 12 according to M.-L. Lange)
Performance as presentation
Philosophical terminal (2)
Three-dimensional narrations
Philosophies and sciences
(Nick Land)
Lecture performance
Gray ascribes a coding effect and integrative
These
forms
of
action
tell
stories
and
Theater
without
(Xavier Le Roy, Mike Hentz)
of becoming (Proj.: Kinetographien)
function to all emotions for cognitive
the intentional view
are based on a clear concept of staging.
theater (Mark Boyle)
Choreography as
One-Woman-Theater
Semantic routes
contents
Kinetographic
(Renate
Bertlmann)
(Brian
Catling)
"presentation" (BN)
danced theory (Jerome Bel)
Lecture as performance
Practical
(Margaret Dragu)
Performance lecture
on the Net
theory
development
Symposia
Performance
(Thomas Huber, Andrea Fraser)
Dress
as
information
carrier
(PSi7: Hanne Sitz, Marie Luise Lange)
performative
Theater of perception
Cognitions with the same or similar
(John Bock) (Bazon Brock)
performing arts
(Regina Frank)
hermeneutic
Methods of Using New Media in performance Studies
Narrative Performance
conferences
Theater WuWei
(Adriana Zamboni)
(Ruth Geiersberg,
(LE) A theatricalization may be
emotional hue tend to conjoin
The council
body inscriptions
(PSi7 see articles: Maria Beatriz de Medeiros, Carol Burbank,
(Vito Acconci)
(Also see: networks)
deduction
Elizabeth Le Compte,
Philosophical lecture-like
observed in performance art
The reduplicated event
into emotion-specific separate worlds
Irina Khiginskaya, Diane Howard, Stan Dyer)
Jürgen Raap, Schechner: (Vasan Sitthiket)
(H.
Sowa)
Anti-mimetic theater
performance (KwieKulik)
Art jury as performance
is always a farce (Mersch)
(in the sense of the logic of anger,
The performance garage, (M. Schwaighofer)
(Prz. Kwiek & S. Kulik)
(the jury: U. Wid, Die Fabrikanten,
seminars (2)
Ron Vawter, CARKA,
Performance analysis
anxiety, mourning or joy ...)
control & mimetic distance (theatre) /vs/
G. Dirmoser, Neuner, et al.)
(Serapiostheater,
(Eva Fuhrer,
performance
Norbert Klassen,
(PSi7) performance knowledge
Plurimedia
Bak-Truppen,
Janet Haufler,
PAM: Performance
physical awareness of the performative situation
Studio Azzuro)
Performance appearance as an
Wooster Group, SRL,
Vereana Schwab,
theater (LE)
Transforming Analytical Discourse
analysis method
Translation between
(Monica Klingler,
La
Fura
dels
Baus,
Jürgen
Fritz,
to Performance (PSi7: Zoltan Imre)
Theater
of
Mistake
(Anthony Howell)
absurd act of information
(Ute Ritschel)
Performance and Performance Studies
Theater am Montag,
performance
Production of presence (LE)
ATEM Group)
Norbert Klassen,
(Ruskin Stichting, Rotraut Pape, et al.)
(PSi7 article: Deidre Mulrooney)
STOP.P.T.
Norbert
Klassen,
Stefan Kurt,
Extreme theater Viennese Actionists)
Absurd Theater
(Res Ingold, Boris Nieslony,
See also: dance performance
Performance
archive
EX!T
Elke
Schmidt,
Tilo
Schwarz,
theater
Methods
of
Performance
Analysis:
Mobile
theater
(Dorte
Holbek)
Charles Richardson,
Jürgen Fritz, Wolfgang Sautermeister)
Performance as trans-genre or
(Tadasu Takamine)
(cf.. service)
Gob Squad)
movement view
Matthew McGuire,
Cognition and Fragmentarisation
Miniature theater (Gregor Leschig)
Theater as event
anti-genre
within
Notes
as
performance
Andrea Morein)
(PSi7 articles: Zoltan Imre, T. Kubikowski, Wojciech Baluch)
Street theater performance (Hiromi Shirai)
(Karin Beck, Elsbeth Böninger &
Living room on the stage
art studies
Which recursive effects do changes in communication
poetic
"Theater" was an important
action theater
Norbert Klassen)
(Otmar Wagner, Stadtwerkstatt)
Performative theater
Aim of the performance conference:
the black drawer
Theory as/of Performance
(due to new media) have on "old media" such as
starting point for the
(BAK-Truppen (many open elements))
Performer as theater studies scholar theater, music, fine arts?
(From viewing art
promoting the formation of concepts in
Queer Theaters
(chapter in Victoria Best & Peter Collier)
theatre
non-narrative,
Viennese Actionists
(Jürgen Fritz)
Encyclopedic delusion
(Text: Rob La Frenais)
to a view of the
performance art
non-discursive,
(La
Fura
Dels
Baus,
La
Gaia
Scienza)
Programmatic texts: (BN)
Dream theater
Performance art as pre-art
(Cf.. Symp. Steir. Herbst)
Post-Dramatic Theater
(Also see: story telling)
Theater of circumstances world)
non-mimetic performance
Philosophical and
Reindeer Werk, Todays Place, Prediction,
(Z. Warpechowski)
Philosophical, religious
(book: Hans-T. Lehmann (LE))
Minus delta t, Büro Berlin, polarpuls Art d´Ameublement,
With the means of
metaphysical concepts
Poor theater (proximity to performance)
Theatrically drastic
reflections
Theatrical
Kunoldtstraße 34, Bazillus, Programmpapiere kleiner Ausstellungsraum,
Dynamic theater
(Tokio Maruyama)
Poor theater – what is left is
invisible theater
Paratheatrical actions = cultural investigations
(LE) Energetic theater (Lyotard):
(Zygmunt PioTrowski)
Performance and theater artists
material
(Julien
Das Konzil 1981, Strategiepapiere des Fördervereins für Projektkunst,
productions
(Paul
McCarthy)
(Bremer, Spoerri)
(Performing Resistance)
the body (W. Pfaff)
(Grotowski)
(Black Market)
Not a theater of meanings, but rather
Maynard Smith –
Die Stifter, ASA European, Black Market International, ...)
Forms of organizing and executing culture
Station House Opera)
of intensities ... post-dramatic energetics
Movement theater (LE)
Theatrical staging
The living theatre
Theatricality: "Grand Gesture" (Mattieu)
Theatrical productions (Atty Bax)
(Knopp-Ferro & Frank Köllges) (Günfer Cölgecen)
(Julian Beck, Judith Malina,
The Cultural Translation Project (PSi7)
Cultural Memory (PSi7)
performatively
(Christiane König)
Interactive Cyber-Theatre (PSi7: Steve Dixon)
(Dan Senn) (Stuart Sherman) (Böröcz & Révész)
Kenneth Brown)
Multimedia music theater
Impromptu
theatrically inspired
The
grand
gesture
as
performance
negotiating
(Yolanda Segura) ( Angelica Schubert)
Theatrical scenes (Ian Hinchliff)
(Hans-Friedrich Bormann –
theater
hybrid performance
(being flown in by helicopter, nothing else).
culture (FL)
LOSE COMBO)
Situative investigations
(LE) A new association of
(Mark Russel)
(lt. Zakravsky)
(ARGE Kulturtheorie Linz)
Environmental Theatre
"performative turn" in the cultural sciences (FL)
theatric performance (Adina Bar-on, Karen Finlay,
opera, performance and theater
(Richard Schechner)
Kazuhiro
Nishijima)
results
gestures (3)
Theater of deconstruction
Avant-gardist isms were superseded
Ritual Theater (Hanna Barbara)
Object
theater
Experimental theater
Performativity as the
the function of performance
Culture as performance
From writing culture
by ideas and contexts (PB)
Context-conscious strategies:
(Sam Ashley)
(Turner, Milton Singer)
constitutive
feature
of
all
cultures
within
a
culture
(M.
Carlson)
to culture as performance
concept theatre
Micro-theater (Adriana Zamboni)
surprise, alienation, distortion, ...
(Fischer-Lichte)
Mental
state
corresponding
to
the
situation
Site-specific
presentation
(Mike Pearson)
Performatively negotiating and
Using the means of surprise de-formations
Micro-drama (Johanna Householder)
The culture is the body
(caution, tensely aware or relaxed)
cultural
(Ethnologist:
(Emil Gropoz)
Simulating the conditions of the surroundings
establishing culture
Constructivist theater
(Tadashi Suzuki)
Milton
Singer)
(Hejettes Szolyazok: bathing situation beach)
Socio-cultural
Breadman (head bound with bread)
performances
The secrecy of
Cultures of
Performance = Transformation
(Stadtwerkstatt: weather building)
(Tatsumi Orimoto)
roots
cultural
Cross-cultural transfer (PSi7)
body codes
the performative (FL)
of a situation (J.-F. Lyotard on
(Situationist
performance
Cultures of the performative
The idea of the situation
Daniel Buren)
International)
(Erika Fischer-Lichte)
(GANG ART)
Performance in the courtroom
Performance
as
culture-forming
presentation
(s.r.)
Experimental actions (2)
Situative
Role of contextuality
Culture-forming energy
(Siglinde Kallnbach,
situationist event
Turning away from the object: stressing
(Boris Nieslony)
(Category 06 according to M.-L. Lange)
experiments
(for significance)
Black Market & W. Preisinger)
cultural history view
of performance
The simultaneity of
the process within a context
... What is commonplace is torn from its familiar
(Jörg Lenzinger & Patrick Sidler) (High Red Center)
See: Montage
high & low (critical art and pop)
culturally engaged
Cf.. field terms
context, subjected to incongruous examinations
Situative performative
Portable park project
(BN)
performances
Merging the concept of performativity
Theater of the situation (Brecht)
emergence of work
(Bonnie Sherk)
exceptional places (LE): churches, ...
Situation analysis (FS)
with the debate on cultural identities
Polycontextuality (BN)
(Lit.: Stefanie Menrath)
(M. Carlson)
(See also: rituals)
(Moira Roth, Carolee Schneemann)
Alastair MacLennan, B.M., Bodo Berheide, Robert Sot)
(Matthias Jakisch & Elvira Santamaria, Ulrich Lepka)
revenge of the Indians on
European music (Art Clay)
ritual music
Performance art with its radical
assertion of real time as time experienced
in common (LE)
performative
perception of time
game rules
ritual (see left) material ordered in
time process of
Performance as staging (see below)
becoming image (LE)
rules of operations
and permutations
(Ines Tsengas)
Cath. rituals
(Jürgen Fritz)
(Goji Hamada)
processual unfetterings
moved innerly through perception of
music/sound/rhythms
(Prediction)
long-term performances (Das Konzil, Nieslony,
changes and dynamics /
dynamic processes
process and not
finished result
ritual and emotion
using the example of
mourning
mourning-depression system
logic of mourning
ritual consecration performances
(Karina Wellmer-Schnell)
(ADAW Palaf)
slowing down time
reducing energy
(Linda Montano & Tehching Hsieh)
(3 days: Linda Montano & Tom Marioni)
(7 years of living art: Montano)
(1 yr. cage, 1 yr. stamping, 1 yr. no interior space
Tehching Hsieh)
cf. Taxi Orange
course of process
artistic action
/vs/ artistic production
ritualized performance (Rebecca Belmore)
rites of initiation
Purification (Verena Schwab)
Orgies-Mysteries
Theater
ritual as means for coping with crises
performance as ritual (see below)
ritual actions (Thomas de Chirico)
ritual performance art (Réné Ynez)
ritual
sculpture
automatism
(Proj.: Kinetographien)
(Klaus Rinke,
Michael Schmidt,
Endre Tot,
Yasunori Shiobara,
Ruggero Maggio,
Lee Chang-Shik Park)
p-theory as theories of behavior
(Translation TRANSITION Transformation – PSi7)
poetry of rites
short performance (very long
performances are hardly prepared
anymore today)
view of duration: chained together 1 year
process-analytical works
Concept art of the 60s - body art (K. Rinke)
performance as rituals of transition, of transformation
(Clegg & Guttmann)
Wheelchair performances
role (in)security with transgender persons
(failure in daily "glance traffic")
(Alastair MacLennan)
the essence of the ritual
is the tie, the plea
exchange projects
external and internal purification
(Gina Pane, H. Nitsch)
(Kraft/Petz) (René Schmalz (Butoh))
the gift
forms of the course of attention
see: communication concepts
course co-determined with
thread (Jordan MacKensie)
ritualizing everyday actions
performativity
of rituals
("Lovepangs" congress /4 phases of pain)
Purifying power of
ritualized pain
mental and physical disability
prediction (2)
Group therapy as installation
Therapeutic
acting out
cultic contemporary investigations (FS)
(Bettina Kleinhammes, Annegret, Soltau)
see: M.-L. Lange categorized performances
according to action structures
classic texts are also underlaid with pop
understandings (sensation of rhythm) (LE)
immediacy (nothing can be
taken back) /
Live character
Performance takes place
in the "here and now"
structures of action
see also: performance as action
(see study Stadtwerkstatt-TV)
innermusical performativity –
music as a sui generis performative,
physically staged phenomenon
performance
clips
Clip Performance
(Pipilotti Rist)
(Norbert Klassen
insisted on it for B.M.;
but he is the only one with
a score)
(Büro Haake-Brandt)
(Sakiko Yamaoka)
(cf..: view of the musical score)
(Prof. A. Riethmüller)
threshold situations
(in the course of events view)
process design
dynamic way of looking
at psychical processes
subversive simulation
of platitudes
(Biefer/Zgraggen)
(Reindeer Werk)
"holy" reality
of the body
church service as
performance (USA)
30 therapeutic view
disability view
(U. Wid, A. Fraser)
performers do not
play a "role"
boredom
sound, music,
score, composition
see also: mimicry of life
dramaturgy
(Klaus Rinke)
performative sound sites
(spatial music)
musical
performativity
What is staged, random and composed
coincide (Akio Suzuki & Junko Wada)
(Roman Signer)
direct time-images
(B. Leitner)
performative level
of pop music
(category 03 according to M.-L. Lange)
action with a fuse
Flow – acting
outside time
acoustically dynamic
space perception
physique of the voice in
architectonic spatializing
(Klaus Rinke,
Ralston Farina,
Ruedi Schill,
Sakiko Yamaoka,
Peter Kalmus,
Michael Murin)
Performances action scores
musical score (Kaprow)
(Giardini Pensili = Bordoni & Dalo)
processual aesthetics
moment art (2)
(Norbert Stang)
time as material (Karl Kaltenbach)
(Performing Resistance)
(Ingold airlines: Res Ingold) (Philippe Cuny u.a.: Protoplast)
(Abel Bankprojekt) (FEM-Warenzeichen) (Bender & Nern)
(Stadtwerkstatt)
Aleatoric sound and
movement performances
aesthetics of duration
ephemeral art
processed objects
e.g. simulation of an office
see identity
living prediction
approaching one another (Iréne Maag & Chen Tan)
circular form of time
(Büro Haake-Brandt)
(Urs-Peter Schneider)
part of every performance: music
(Judith Barry)
(Endre Tót)
(J. Cage)
emotionality
through live presentation
others:
Jon Rose , Christian Marclay
ZAJ (Walter Marchetti,
Juan Hidalgo,
Ramón Barce ,
Esther Ferrer)
Z´EV, Ian Smith
FUCKKEAD, Anne Bean
Paul Burwell, Sam Ashley
Nancy Buchanan
Richard Maxfield
Endre Szkárosi
Grundheber CAP
Jörn Luther , Misa Savic
Krzystof Zarebski,
Irit Bluzer, Helena Villalobos
Mark Trayle, Bender&Nern
Pauline Oliveros
Performances with/as/to music
staying on the road (PB)
notions of times
forms of interaction
composition as process
cf.. Stadtwerkstatt-TV
cf.. Taxi Orange
mimicry
of life
allowed to play along
(being part of the game)
(Majida Khattari)
artist as skeptical
anthropologist (PB) (BieferZgraggen)
(Hunter Reynolds &
Pattina du Prey)
short processes, swarm of processes
performative "being at one"
of the Zen archer or
Samurai warrior
live
art
performative moment
Dance of Transgender
Performance as the transient, flowing, ...
see also: process from the
view of artistic production
(cf. Flow)
(Ruskin Stichting, Rotraut Pape, u.a.)
role view
religious view / art (performance) as substitute for religion?
(Tokio Maruyama) (Nieslony)
(David Thomas)
time as medium
performance as mimicry of business
social and religious
identity (Islam)
theological view
artist as anthropologist
(Just Merrit)
Therapist as performer
(Yuko Yamamoto)
St.Sebastian –
pierced
sacrificial lamb
live
performance
live
acting
cf. pragmatic
hermeneutic turn
performance as socially
marked role play (see below)
(Cindy Sherman)
cf. Instant Intervention
view of the musical score
(Manfred Vänci Stirnemann)
mimicry
It is how it is – the illusion
performative generation
of belonging
selling snowballs
29 anthropological view /
ethnological view
ethnographic
performances – following traces
Presence of the deviant body triggering "immoral"
fascination, discomfort or anxiety because it deviates from
the norm due to illness, handicap or deformation
(Mitsutaka Ishii)
Artist as martyr
(Balz Raz)
Performance as the processual, flowing
liveness
Pragmatism as culture studies
paradigm (cf. Gertrud Koch)
Performativity as the "more pleasing variation"
(David Hammons)
(LE)
neurotic rituals –
intensity of a
hysterical psychosis
Pain, death, transitoriness, rebirth
Archaic and culture
Archaic, Butoh (Gérald Personnier)
expectations of salvation (Tour de Coulór)
(Tache & Magos)
26 temporal view
(Pawel Althamer)
Deep flow = is an ecstatic
experience
cf. strong boom of process view
in business administration and informatics
since about 1996
Primacy of the process
role view
the spiritual / the holy
commentary on
film diaries
Postdramatic theater
performance accentuate the
act over the result (LE)
process-oriented art / process-oriented procedure
28 pragmatistic view
(Thomas de Chirico)
Mudman
(Kim Jones)
(Young-Chul Shim)
Spiritist
session
(Reindeer Werk)
(Gideon Gechtman) (Peter Gilles)
(Hannah Wilke – her dying body)
discourses are
practices themselves
audio
performance
Jonas, Forti,
Charlemagne Palestine
L. Anderson. Haimsohn
Beckley, Kubisch
Fabrizio Plessi
Albrecht D (ZEN)
Jannis Kounellis
Lentz, Dunlap, Tom Marioni
(Sistermann, Christine Kubisch,
David Moss, Chie Mukai,
Endre Szkarosi, Michel Asso,
Bonnie Barnett, Leigh Hobba,
Luca Miti, Maxime Rioux,
Marianne Schuppe, Attila Dora,
Tibor Szemzö)
temporal view of performance design
time based
art
(Magos, Stuart Brisley)
view of the act
(cf. Michael Lingner,
Eva Sturm)
Discursive practices differ from non-discursive
(technical, institutional, economic, social,
political) practices
(Nikolaus Lang)
(Helmut Schober)
(Serge Pey)
(Oscar MacLennan &
Anne Seagrave)
pragma-art
(action and process
instead of contemplatio)
Foucault: ... the mechanisms of
discursive formations could be
picked up specifically in the
in-between space of scientific
discourses.
(audio group,
Jens Brand,
Sam Ashley,
H.-J. Gilgen,
Orquestra del Caos,
N. Möslang &
Andy Guhl,
Noah Riskin,
Gerrit de Vries,
Richard Dunlap)
(J. Cage, Merce Cunningham)
ongoing performance: the question of
plagiarism
Audio-Landscape (Wilson)
(Timm Ulrichs)
60s: real bodies in real time
in real space
"Time based art“ also includes
musical
video and new media
time-based experiences (Scott Macleod)
stagings
endless repetitions
process art
27 process view
(Ray Langenbach)
Foucault's archeology is an ethnology of his own culture
ethnological material
(Ion Grigorescu)
Action with stone
Therapeutic
seances
symbolic actions
(as precursor of
performance)
Performance in front of
video projection
performance art
(Ulrike Rosenbach)
(BN) performance is directed
against blind faith in progress
(John Sturgeon)
Trance states
(Terry Fox)
social "face" as highest good
(honor, integrity, recognition and
gnosis (BN)
not just tolerance) /vs/
loss of face)
initiation
religious themes
(Michael Murin & Peter Kalmus)
dis-curs (running back & forth)
deconstructive
„performativity“ of Paul de Man
(Kira O´Reilly)
process
demonstration
Film, Music & Performance
(Focault)
Performance art often moves
in a discursive gap
emotional impact
of the medium of film
cycling all over the
neighborhood (Kirsten Forkert)
(Ralston Farinas)
There is no knowledge
without discursive praxis
The discourse is that, for which and
with which one fights (Foucault)
offering a "different" filmic view
of the performance
(Istvan Kantor)
time units for the event
Abramovic/Ulay
(Bettina Wagner)
machine-controlled
film projection (torture)
film time and event
Dance Noise
moment art
arts tied to the course of time
curator in the field o film
(John Jesurun, Valie Export, ...)
Performance without movement
(seeing with the body ...)
time art
film actors as
performers (Akiko Izumi)
see also: intercultural exchange in performance
Performer as modern shaman
Performer as modern witch
Completely out of control
Trance techniques
performative sculptures
sound
performance
performance
(Anne Iobst, Lucy Sexton)
dance as competitive sport (A. Périgot)
dance & martial art (Li Portenlänger)
(Gabriele
Oßwald &
Wolfgang
Sautermeister)
(Anne Hody) (Pat Ferrero)
filmmakers as performers (and vice versa)
B&W films as material demarcating
reality (Helmut Schober)
the exhibited discourse
(project: Kinetographien)
knots in the social field
performative generation of
distinctions, i.e. separations
and congruencies of social
groups (Gebauer with Bourdieu)
Shamanist
qualities
Shamanist journey
multimedia (Rachel Rosenthal)
(Jean Odermatt)
Model of cannibalism
(Lygia Clark) anthropophagy
(Labin Art Express)
(Sol Lyfond)
(Madonna Hamel)
performative levels in pop music
(Enrico Bugli)
film and shadow
(Anet van de Elzen) (Gelatin)
travel art –
capturing moments
In plunging and elevation, pain
dance theater intensifies, shifts,
and provocative erotic, the
invents movement impulses and
question is posed with Nietzsche
body gestures (LE)
of the "dancing god" (LE)
cf. Life Art / Live Works
Performance to
experimental film
(L. feLugossy)
(Raúl Manrique &
Claudio Fabián Pérez Miguez)
(Schimpfluch) (Zoltan Szabo - Judoka)
(Alex Hay & Deborah Hay)
performance behind
running projection
(Alan Finneran)
projecting close-ups
influenced by experimental films
dance articulates energy /
everything in dance is gesture
filmic vision: in multimedia and intermedia art
(incl. happenings, performances) "filmic vision"
supersedes static vision (Th. Dreher)
Cinemasculpture
Smith combined film and cinema slide
(GANG ART)
performativity as creating identity as
a process of repeated quotation
social sculpturing method
investigation of the intimate zones
of the body social (Bilderwerfer)
relationship questions (cameras,
monitor): Androgynous – Marion
Leyh, U.Peter Schneider, Ruth
Bamberg,Philippe Micol)
expanded cinema (as method: USA => A)
A performative moment has been important to
many art works since the 70s
Performativity as the
act of positing meaning
permanently repeating itself
Factory of the Excentric
Actor (Eisenstein)
Baradinone, Gelatin)
(Jack Smith, John Latham, Valie Export, Peter Weibel)
dynamization of
categories and models
techniques of
movement
Lifedance (Gloria McLean)
flight show with
concert approach (STWST)
(long String Quartett,
Terry Fox, C. Marclay,
Andrea Sodomka,
Sarah Marrs,
Takehisa Kosugi,
Joan La Barbara)
atmosphere
mood
disposition
(Monica Klingler)
Dance&Performance activists
slow motion-like movements (Wilson)
slowness (Wolfgang Duck) (Min Tanaka)
experiments with
TV cameras
TV projection (daily news) combined
with dirges (Dr. Walter Siegfried)
gestic research
using film (Valentina
stories run in the monitor cap
(Franz Müller)
affects as energy
suppliers and
organizers of
social space
Kabalistic
references (Nelly Agassi)
Transformation as aesthetic
category (FL)
Transformation through magical
procedures: costumes, masks
social
sculpture
J. Beuys' actions as
sculptures in space and time
images of social community
as performance
(German Vinogradov)
(Anna Homler)
(Jerzy Beres)
Archaic elements
in performances
& Corinne Tache)
(Inka Bernstein &
Club Hofmann)
(Lorena Menoez &
Fernando Fuentes,
Birchler & Hubbard)
(Stan Vanderbeek)
body as projection surface
for films (Carolee Schneemann)
B.M. is performative
gestic view
human voice (see below)
Performance
with Sound
the emotional role of music
for diverse rituals / creating
basic atmospheres through music
movements as depiction of
fundamental human states
(Performing Resistance,
Volkstanz,
Gettoattack – Vienna)
aesthetics of speed
Trash-TV
(Schlingensief)
multiple film projections
(Carolee Schneemann's friend)
Anthony Cox: husband of Yoko Ono)
A case study for the overlap between
performativity and performance
Performativity of forms
of materialization
Identity as performance
moment as
sculpture of touch
(J. Beuys) (Volker Hamann)
(Bruno Hoffmann)
community
performance art
as rituals of a private shamanist religion
Alchemy of the kitchen Transformation (2) (PSi7)
Art as site of transformation (PB)
(Attila Kosa)
(Boris Nieslony)
performance as
social situation
Theater is the
art of the social
per se (LE)
Stadtwerkstatt-TV projects
as performance (4 Days of Buffalo) /
Ars electronica "no one is sure of himself“
Automaten TV etc.
filming partner
Orlan´s "Reincarnation“ project:
see:
Performance in motion –
Resistance in motion
under water performance (Angie Hiesl)
(John Latham)
(Gordon Matta-Clark 17 Films)
(Walter Pamminger)
(Kyung Ja-Na)
choreography view
sound sensuousness (Maria Berquet)
(Christine Brodbeck: TP-founder in CH (Tanz pur))
movement theater
(Petra Deus, Klara Schilliger, Laura Dean)
acoustic performance
(Katja Fleig & Seijiro Murayama)
see also: course of events view
(Jeanette Yankian "Aorta“)
(Company Catherine Contour)
(Anna Halprin, Robin Poitras,
see also: view of the musical score
Gabriele von Scheidt, Silvia Buol,
electroacoustic performance
Maren Strack, Genevieve Fallet)
(Mia Zabelka)
study of basic types of
(Honey and Milk: Dora Kiss,
human
movements
F. und Joel Mützenberg)
acoustic effect
(B. Nieslony, Franz West, E. Wurm)
(Mim Miriam King, Steve Paxton, Andrea Morein,
of the body (Janos Szirtes)
lying, standing, sitting, ...
Dorothea Rust, Yoshimichi Takei,
(Lee Chang-Shik Park)
Sound sculpture
Mari Tanikawa, Mona Kosa, Hanna Barbara,
(Mel Henderson, Paul Kos,
Nigel Charnock (Ex: DV8), Kim Hyun-Ju,
movement research
Tom Marioni)
Kim Young-Won, Bilderwerfer (D. Aschwanden),
(Skip Flicker)
Simon Whitehead, Hae Kyung Lee)
(Sankai Juku) (Bob Flanagan) (Jan MlCoch)
(Danny Devos – hanging in magic places)
(Mark Steger – hanging in trees)
(Robert Sot – in a wreath of plants)
(Hadass Ophrat & Guy Brieler)
Expansion of
film projection into
the theatrical
(Carlo E. Lischetti)
(series "dis-positiv“ Vienna 05.2000)
performative self
(the self in process)
Van Gogh TV (Live and real time
television / Multimedia performance
Hotel pompino)
(Nam June Paik & Charlotte Moorman) (Friederike Pezold)
(Douglas Davis) touching the inside of the TV
Autoportrait
centrality of performance in the construction
and maintenance of social relationships
see:
TV
performance
(Kurt Kren (on Otto Muehl, G. Brus))
performative understanding (Sowa)
see:
Benni Efrat, Anna Bring, Gillian Dyson,
Anna Winterler, Jochen Gerz, Gelatin)
Architecture-Performance & Film
(analysis model for the specific performativity of the
genre "dialogue")
unfettering the fine arts
in actional arts (Proj.: Kinetographien)
performativity of feelings
(Chicago)
Topicalizing
relationship (G. Magos
700 BICAPONIA-Performances
Physio-Psycho-Alchemy (Raphael Montanez Ortiz)
see:
(Nilofar Akmut)
aesthetic social
guest work (PB)
In our culture, artists, priests,
doctors and psychotherapists
have taken over partial areas of
shamanist functions
(Viennese Actionism)
(Stephan Goedecke)
Mermaids washed ashore
(Myriam Laplante)
Performance in the ocean
(Yong-Gu Shin)
Initiation „as“
dismemberment (Brus)
(mobilizing spiritual forces)
(Rolf Hinterecker) (Geert Duintjer)
(Anna Homler) (Raphael Montanez Ortiz)
(Nam June Paik) (J. Beuys) (Brian D. Tripp)
(Kim Suck-Hwan) (Yong-Gu Shin)
Animism (cult of the soul)
Lying naked in the water
Ghost stories
Shamanism
Alchemistic laboratory
Alchemy of the ordinary life-art-work Gotthard
With and about fire ...
31 mythological view
(Zygmunt Piotrowski)
The body as canvas
(Victorine Müller)
mythic view
attacking social
mechanisms (V. Acconci)
Video eliminates the
necessity of appearing
before an audience
performance
filming actions
Performative turn in theoretical discourse
gender: a category constructed through performance
(not a given social or cultural attribute) gender = a "doing“
(category 08 according to M.-L. Lange)
Laying open - sacrifice - shamanism (Jappe)
The body as magic sculptural
Shamanism and animism
object with cathartic effect
(Z. Warpechowski) (Serge Pey)
White man (Roi Vaara)
White men (T.R. Uthco:
Dough Hall, Jody Procter, Brus,
Yong-Gu Shin)
Yellow man (Lie Wen)
Camouflage painting (V. Kutscher)
Like spotted animals (Mette Aare)
(art incube)
Fertility
Cosmological view
(Marina Abramovic & Ulay)
(Holger G. Herrmann)
Self-painting (G. Brus)
Search for the
sacred (A. Artaud)
pair performances
performative speech act
(J.Butler)
social message
(Jürgen Fritz)
performance as
social experiment
(Proj.: Kinetographien)
the performative is a
cultural act (J.W. Kronik)
Outsiders are
in-between beings (PB)
Theatre of
Social Change (PSi7)
relationship
per se
performativity of language
view of orality
see: the performance of the body
(performativity)
(John Malpede)
the only medium with real
quality is every other human
being (BN)
a performance is capable
of creating "communitas"
quasi-mythical places
Stalker (as concept)
Ritual and
shamanist
performances
pity /
social feelings
actions with concrete
goals (Lidl-Academy)
(Category 04 according to M.-L. Lange)
Self-painting = surmounted
self-mutilation (G. Brus)
J.-F. Lyotard (event, performativity,
language games, ....)
J.-F. Lyotard / The Unconscious as Miseen-scène (in: Performance in
Postmodern Culture – 1977)
Hassan
Hannah Arendt / Vita Activa (book)
Johanna Malt / Performative Constructions
of Meaning (article)
Dorothea von Hantelmann / Der andere
Schauplatz: Theatralität u. Performanz
in der zeitgenössischen Kunst
Bonnie Marranca & Gautam Dasgupta Ed.
Conversations on Art and Performance
Philosophie in Aktion / P. Bourdieu, Hakan
Gürses, O. Marchart, Chantal Mouffe,
W. Pircher, R. Pfaller, G. Raunig,
Slavoj Zizek (book)
Hans-T. Lehmann (LE) / Postdramatisches
Theater (book) !
Kathy Rosalyn / Toward a Theory of
Performance Art (book)
Transition to Modernity (PSi7)
Hans-Friedrich Bormann (PSi7)
Dieter Mersch (PSi7)
Sophia Totzeva (PSi7)
(burning
1 Mill Engl. pounds)
hexis/habitus as a series of
performative practices
social
performance
social action (Tom Marioni)
social actions (Roland Miller)
(approach to) ritual performances
Cf. magical theater
(A. Artaud) =
Theater of Cruelty
Literature: (... continued)
social behavior as performance (Goffman)
see:
social performativity of gender
economical and
social plots
(Skip Flicker)
(Devil´s Chauffeur – Roger Ely)
filmed performances (Matthew Barney)
taking movement
into consideration
in theory models
(see: V. Appfelthaler)
couples as public "construct" (Judy Radul)
performance as social,
political strategy
(Filomeno Fusco, Victor Kégli) (Santiago Serra)
(Boris Nieslony, Norbert Klassen,
McCarthey, Joan Jonas, Franco Vaccari,
Allan Sekula, Artur Tajber)
Performance und Performance Art /
Kunstf. Bd. 96 G.J. Lischka
Beitrag: Schneisen im Heuhaufen –
Formen von Performance-Art
Marie-Luise Lange
Critical theory and performance (book)
Patrice Pavis
Jürgen Schilling / Aktionskunst (book)
Marvin Carlson / Performance – a critical
introduction (book) !!
B. Stanton Garner / Bodied Spaces:
Phenomenology and Performance
Nick Kaye / Postmodernism and
Performance (book) !
David George / On Ambiguity: Towards a
Post-Modern Performance Theory (article)
Laurence Senelick / Cabaret Performance
Stan Godlovitch / Musical Performance:
a philosophical study
Philip Auslander / From Acting to
Performance (essay)
Vadim Liapunov, Michael Holquist /
Towards a Philosophy of the Act
(book) (on Bakhtin et al.)
Richard Schechner / Performance
Theory (book)
Patrice Pavis (Ed.) / The Intercultural
Performance Reader (book)
Michel Benamou / Presence and Play,
Performance in Postmodern Culture
Mise en Scéne (catalogue)
Markus Weßendorfer (theater theoretician also
writes on performance)
Elisabeth Schweeger
Hans-Thiess Lehmann (lecture) /
Theater als Möglichkeitsraum
Performance Theory and Practice (PSi7)
(femininity: Sakiko Yamaoka)
see also: political view
see: prediction
Mask / masking (cf.. identity)
masquerade
Literature:
(Cabinet De Medicine)
social view
social
performance
(Nelly Agassi)
cultural anthropology
structuralism (discourse)
myth discourse
literature discourse
deconstructivism
memory theories
infiltrating hospitals as doctor
masculinity/femininity
as cultural performance
performance as social practice (see below)
therapeutic discourseg
gestalt therapy
psychodrama / psycho-techniques
primal scream therapy
system theory
dance theory
alchemy, hermetics
esoteric debates / New Age discourse
psychology
Kunstforum Bd. 87 / Kunstgeschichte
des Feuers
Erika Billeter / Mythos und Ritual in der
Kunst der 70er Jahre
Transition to Modernity (PSi7)
Bonnie Eckhard, Frederick Corey / (PSi7)
Missed Callings: Myth, Middle Age, and
Memory
M. Serres
Udo Wid
(Günther Wallraff, Karel Dudesek)
(Gianni Motti)
29 socio-logical view
(Sam Taylor-Wood)
Smith repeatedly treats his films
for performances)
cf.. pragmatic-hermeneutic turn
(e.g. dance technique, handling, ... "learning with the body"
performing knowledge cf. hidden/implicit knowledge)
encroachment / infiltrated situation
see also: culture-theoretical view
(works by Jack Smith)
filming performers (Black Market)
Fischer-Lichte, ....)
space can only be performatively
experienced as space
see: performative form of insight
performative
of the physical body
performative knowledge (R. Schechner)
body memory
performativity of the
social system (Lit.: Lyotard)
(historical) anthropology
ethnology
theology / New Age discourse
theater anthropology
ethnography
performance studies ethnography
cultural anthropology
sociology and performance
sociological discourse
exotism discourse
tribalism debate (tribal culture)
structuralism discourse
(game rules of art)
film-specific performance styles
playing with the Film Noir genre (Paul Couillard)
performative turn (Bonnie Marranca, Conquergood Dwight,
see: performative pedagogy
Note: *1 (subtitle of the book "Schreiben auf Wasser")
(Andy Warhol)
(Jack Smith – Retrospective Graz 1999
Performance as a concept in ethnography,
anthropology, sociology and psychology
distinction
private filmic actions
playing in video generates
the interference of differing
time rhythms
Conquergood: involving a shift
from viewing "the world as text“ to
"the world as performance“
discourse view
Performance = significant
theoretical framework
1.12.1993 Sedimente 4.3.1995 – 4.3.2001
using the quality of illusion
(Anna Bring)
Theory as/of Performance
Thanks to: Paolo Bianchi (PB), Wolfgang Preisinger, Attila Kosa, Eva Kosa,
Gerhard Fröhlich, Gottfried Hattinger, Udo Wid, Peter Arlt, Georg Ritter,
Gabi Kepplinger, Eva Sturm, Herbert Wimberger, Josef Nemeth +, Hakan Gürses,
Just Merrit +, Rainer Zendron, Black Market, Astrit Schmidt-Burkhardt, Alexander Sigel
Special thanks to the theorists Marvin Carlson, Hubert Sowa, H.-T. Lehmann
(Dennis Oppenheim, Malgorzata Potocka,
Eulalia Valldosera (Collektive Al-Azaz))
projecting "home movies“
performative theories from
cultural science
performativity discourse
performance studies
speech act theory
language game theory / Praxeology
feminist theories (J. Butler)
pragmatism
symbolic pragmatism
pragmatic-hermeneutical turn
role theory (T. Sarbin)
discourse analysis
Daring to face uncertainty and temporariness (from network to interstice - the clustering)
auditive view
dance
performance
27 filmic view
(Jack Goldstein – film maker)
(Doris Balmer) (Stephen Laub)
(Harald Busch & Erhard Hirt)
(Anet van de Elzen)
an open-ended medium with endless variables
art performance / dance performance / theater performance / etc.
25 acoustic "view"
cinematographic theater (LE):
A performance exists only
(John Jesurun) impression of collage
and ever as a flux
dance articulates energy
and montage – videographic, filmic,
sound
ecstatic dance
body in motion
narrative – intrudes before every perception.
moving
(incl. TV view)
(Robert Morris)
dramatic logic
Performance
dancing bodies control
Sculpture
everything in dance is gesture (LE)
multimedia
image
projections
(John Greyson)
(Alanna O´Kelly, Akio Suzuki,
sculpture in motion
Theater of
meeting of real/virtual bodies
see also: tableaux vivant
Junko Wada, Peter Zegveld,
(Nigel
Rolfe)
(Isabelle Choiniére)
gestures and
Harry de Wit, Toine Horvers,
Performance is closely linked to montage;
analysis
of
movement
live
electronic
musical
instruments
movements
Phill Niblock, Jens Brand,
mimetic-gestic
its flaw is that it is a much younger
Savier Klaro, Stadtwerkstatt)
interactive sound performance
(Sonia Knox,
vocabulary
of
movement
aspects
of
music
hyperdance
(Min
Tanaka)
step-brother to film (BN)
kinetic possibilities of the
Marcel Odenbach,
(Benoit Maubrey & Brodin – Audio Gruppe)
(LE) Theater resembles a
body (Benni Efra)
Elizabeth Chitty,
motoric movements otherwise
kinetic sculpture
gestures of
movement performance (Eva Hurley)
Dan Graham, Peter Land,
montage of attractions
comprehensive concert/
not "used"
conducting
(as
Iimura, Ulrike Rosenbach,
Dance: having the
(Sergei Eisenstein's concept)
movement
behavior
concert
performance/installation
juggling
with
repertoire
of
movement
(Simone
Forti)
Martha Rosler, Joan Jonas,
electroperformance)
hands "in play"
(Recombinant 9.9.99 ars electronica
performance
The tempo of the
Aernout Mik, Douglas Davis,
acoustic
collages of events
Emotion from lat. Motio =
Posthof – all halls)
(Joel Hubaut)
Takahiko Iimura, John Jerusun
Travel
Art
travelling as performance
film cut is brought
performance concert
outside oneself in dance
clothing
(DilettantenAernout Mik, Malgorzata Potocka,
Butoh
see above (Kazuo Ohno) movement /
(Vol.
136,
137
Kunstforum)
into theater (LE)
(ZAJ)
(B. Maubrey)
Orchester Linz)
John Wood & Paul Harrison,
SU-EN
Butoh
Co.
anger-irritation
logic
/
travelling as global presence (Eva & Adele)
dance with the Internet
camera replaces audience
play-along music
Jean Otth, F. Pezold, Dennis Oppenheim,
(Susanna Akerlund)
fear or anger logic obsessed
(Stelarc)
Green line walk (Die Fabrikanten)
(John Cage)
(restrictive presentation conditions)
Lydia Schouten, Joelle Ciona, Erik
(John Tylo) (Jochen Gerz) (Dimitri Alithinos)
with speed
Dettwiler, Bettina Grossenbacher & N.
between rock music
hanging, floating, ...
Photo: Moment catcher – Performance travelling
Widauer, Suzanne Joly, Jerzy Onuch,
(Carolee Schneemann, Flatz, Jill Orr,
and scenic
Private Performances
Klara Schillinger & Valerian Maly, Alex Silber,
(Gabriel Magos, Corinne Tache)
images of feelings (Eva Hurley)
Peter Brambring, Butoh, Il Carrozzone...)
(2)
video
Crossings-Schema:
collages
travelling
and
migration
(Video Documents)
Maciej Toporowicz, Jaime Vallaure, Jürg Schmoll,
music
(Charlotte Moorman „sky kiss“) (Kees Mol)
film
performance
How can performances be analyzed?
Cultural Sciences
Black Culture Theory
Cultural Studies (discourse)
Cultural History
Context-conscious Theories
Neo-situationism Discourse
Postmodern Discourse
dance
performance
(Nigel Rolfe)
film projection combined with
performance (Sol Lyfond)
Claudia Jeschke / Anmerkung zum
performativen von Tanztechnik und Tanzschriften im 19.Jhd.
26 movement view
(Yvonne Rainer, Trisha Brown
(Judson Dance Theater),
Merce Cunningham, Monica Klinger,
Rose Garrard, Lucinda Childs)
film semiotics
psychoanalysis (Lacan school)
process theories
(Kazuo Ohno, Carlotta Ikeda, Tatsumi
Hijikata, Min Tanaka, Anzu Furukawa,
Mitsutaka Ishi, Testuro Tamura,
Yoshito Ohno, Dai-Rakuda-kann,
Akaji Maro, Nanten Harada, Akira Kasai
Yoko Ashikawa, Asbestos-an,
Sankai-iuku, Ko Murobushi, Yu Osuga,
Sanae Hiruta, Teru Goi, Macunaima
(Brazilian Group), Eji Ikuyo,
Hoppo Butoh-ha, Natsu Nakajima,
Kunishi Kamiryo, ...) (Masaki Iwana)
(Esther Maria Häusler) (Gérald Personnier)
(René Schmalz) (Sabine Seume) (Kjetil Skoien)
dance view
(Xavier Le Roy)
The ideal performance /vs/ revolutionary performance approaches
The perfect performance (James Lee Byars)
Die Grube und das Pendel (article in:
Relikte & Sedimente / Rob La Frenais
Kontextbewußte Ansätze in Kunst und
Wissenschaft / G. Dirmoser (DG)
Gotthard Günther (on polycontextuality)
Marvin Carlson / Performance – a critical
introduction (book) !!
Victoria Best & Peter Collier (Ed.) /
Powerful Bodies – Performance in
French Cultural Studies !!
Guy Debord / Rapport zur Konstruktion
von Situationen
Kenneth Burke
Dwight Conquergood
Victor Turner
Erika Fischer-Lichte / 01.99 Kulturen des
Performativen (Sonderforschung BRD)
Erika Fischer-Lichte / Vom Text zur
Performance – Der „performative turn“
in den Kulturwissenschaften (FL)
Crossings (catalogue)
Zeitspielräume. Performance Musik
Ästhetik / Daniel Charles
Musical Performance (book) Stan Godlovitch
- a philosophical study
Klangkunst (catalogue)
Music and Performance (PSi7)
dance studies
Recent studies have demonstrated the usefulness of the concept of "performance"
in the analysis and understanding of all these ... human operations. (M. Carlson)
Literature:
Literature:
Butoh – Die Rebellion des Körpers
dance theory
body research
film theory
dromology
time theories
The great popularity of "performance" as a metaphor or analytical tool for
current practitioners of so wide a range of cultural studies. (M. Carlson)
Kunstforum Bd. 25 / Schamanen
J. Raap / Kunst u. Schamanismus (article)
Hartmut Kraft / Über innere Grenzen Initiation in Schamanismus, Kunst,
Religion und Psychoanalyse (book)
Performance of Healing (book)
Carol Laderman (Ed.)
J.L. Moreno / Psychodrama (book)
Joachim Hersinger Waldegg /
Der Künstler als Märtyrer – Skt.
Sebastian in der Kunst des 20.Jahrh.
Mary Ann Doane / Film and the
Masquerade (masquerade theory)
Marianne Kesting / Das Happening als
pseudo-religiöse Opferhandlung (article)
Christa Lichtenstern / Metamorphose.
Vom Mythos zum Prozeßdenken (book)
Aristoteles / Katharsis-Begriff
Theresa Smalec / (PSi7) Healing Shattered
Subjects: Ron Vawter´s "Roy Cohn/
Jack Smith" as a Performative Means of
Translating and Transforming Cultural Traumas
Elizabeth Köpping / (PSi7) Charismatic
Healing as Transformation
Translating Difference: Performance and
Disabillity (PSi7)
Literature: (...continued)
Richard Kostelnatz / The Theater of
Mixed Means. An Introduction to
Happenings, Kinetic Environments ... !
R. Koberg / Die Kunst des Gehens
Mosche Feldenkrais / (Lit. on:
Feldenkrais Method)
Dr. Walter Siegfried (dance theorist)
Willy Jansen / (PSi7) The Dancing Saints
Gender and Trance Ritual in Different
Culters
Freddie Rokem / (PSi7) Ritualisations of
Repetition in Performance
Translating Dance (PSi7)
Julia Witworth / (PSi7) / Translating of the
Body: Physical Theatre Trainings, ...
music theory
theory of perception on
architecture (B. Leitner)
technoculture discourse
Performance here becomes not only a subject for study but also an interpretive
grid laid upon the process of study itself, and indeed upon almost any sort of
human activity, collective or individual (M. Carlson)
Literature:
Literature: (...continued)
+Performance as staging
Performance as
sound experience
Literature: (... continued)
Literature:
Literature: (... continued)
Literature:
Phänomenologie der Wahrnehmung
Poetik des Raumes (G. Bachelard)
William Worthen / Disciplines of the Text,
Sites of Performance (article)
Marvin Carlson / Places of Performance –
The Semiotics of Theater Architecture
Flatz / Demontagen 87-91
Time/space performance/installation
Goffman
Dan Graham
Robert Smithson / Gesammelte Schriften
Nicholas Whybrow / (PSi7) Schauplatz Berlin
The performing city
Victor Turner / Das Ritual –
Struktur und Antistruktur
W. Nöth / Strukturen des Happenings !
semiotic view: Patrice Pavis
Umberto Eco / Semiotics of Theatrical
Performance (article)
Kurt Lewin / The Principles of Topological
Psychology (book)
Marvin Carlson / Places of Performance –
The Semiotics of Theater Architecture
Jean Alter (semiotician on performance)
Michael Quinn / Celebrity and the
Semiotics of Acting
Burke / Grammar of Motives
L. Wittgenstein
Perception theory on
architecture (B. Leitner)
Phenomenology of
perception
Location research (Peter Arlt, Marc Auge)
Theory of urban locations
Architectural theory / Arch. discourse
Nature locations / natural locations
(Cf. Land-Art as Action Art)
Andreas Nebelung / Zwischenräume –
sechs ästhetische Erfahrungen (essay
Kunstf. Bd. 152)
A. Nebelung / Zwischenräume (book)
Ivo Osolsobe
Charles Morris
Keir Elam
Josette Feral
Erika Fischer-Lichte (FL) / Semiotik
des Theaters
Perspectives of Uncertainty: Locating the
Imperceptible (PSi7)
25 spatial view
View of Locations
Danny Devos
minus delta t
Mike Hentz
Werkzeug-Gruppe
des Konzils /
Black Market International
Zygmunt Pio Trowski
Matthias Jakisch
Ulrich Lepka
Places and Spaces
(Günfer Cölgecen)
private spaces
living spaces
on stage /vs/
off stage – activity
(Peter Arlt, Fabrikanten)
Every form of street action,
street theater, street music,
cabaret (Word Play Group)
(Stefan Kurowski & friends)
magic places
performative sound locations (s.l.)
Performance as
agreement (2)
Places as
in-between spaces (s.u.)
Kantor)
Beach performance
(Pino Pascali)
A bright friendly
room relaxes the mood
Environment
(James Melchert)
(Insa Winkler)
doing away with the stage
(Stadtwerkstatt)
theater of "divided" space
Performance as place-less art (s.u.)
spatial aspects of the
performance design
threshold situations
passage, transition, gate, door,
translation (B. Nieslony) (cf. PSi7)
gates transitions, virtual airport
(Christoph Rütimann, Franklin Aalders,
Christian Möller)
See also: Performance
as total installation
(George Steinmann)
Reconstruction as
performance
(Buckminster Fuller,
100 meter kitchen – P.Arlt fünf ingenöre,
Stadtwerkstatt: time spiral tower)
Architecture-related
performances
(A. Birchler & T. Hubbard:
Impenetrable space (after Kafka
performance
(Buckminster Fuller)
Performers trained in
architecture or stage design
Virtual performance architecture –
video/mirrors systems
architecturally determined
performances
Architecture in transformation chance for performance
(factory hall flair)
zones of transition (LE)
(Scott Simeral)
deconstruction of
architecture as
performance
(Roi Vaara)
factory halls /vs/
White Cube
Theater as
raising awareness
of architectonic
processes
theory of gravitation
a battery of the
in-between
the in-between
dismantling
(Wolfgang Flatz)
Transforming spaces
through kissing
(Nezaket Ekici)
clothing/architecture
for the homeless
(Lucy Orta)
mobile architecture
The attractor: the force of attraction
ASA installs: the field (BN)
force theory view
tension /
(Cf. Foucault)
gradient of potential
charged spaces constructed
B.M.: ... The immaterial center of
by performance
performance, of every encounter,
the shared knowledge is:
what is between the persons,
between (Buber/Rosenzweig)
what is between the things, ...
intercorporeality (Merleau-Ponty)
betwixt and between (Turner)
meditative actions
ecstasies of the things (Böhme)
space-time force field
(Fischer-Lichte)
B.M. is in the arrangement of the "MA",
of the in-between space, this nothingness,
a kind of mental embarrassment.
space moods
(east/west study project)
(outside the realm of action)
"MA" Japan.
(MA Festival 1995)
(Julian Maynard Smith)
Abiding and
handling (Sowa)
revealing the invisible
Computer animation of
of the visible
Reduction /
memorial architectures – memory theater
(Lyotard to Daniel Buren)
celebrated
void
(Giulio Camillo, Robert Fludd)
(instead of show)
+Performance as place-less art
+Performance as agreement
Icelandic Love Corporation:
Sigrun Hrolfsdottir, Doris
Isleifsdottir, Joni Jonsdottir,
Eirun Sigurdardottir
High Red Center
(Jiro Takamatsu, Genpen
Akasegawa, Natsuyuki Nakanishi)
Stadtwerkstatt Linz (STWST)
ArtPirates
Georg Ritter, T. Lehner,
Gabi Kepplinger, Gotthard
Wagner, W. Georgsdorf,
R. Zendron, Flati, Blaas,
Markus Binder, Elfi Sonnberger, et al.
X-Ray-PSY = Michael Mierse,
Georgy Bretschneider,
Wolfgang Freund,
Marcus Krips, Parzival,
Enno Stahl,
Jo Zimmermann
performance society
performance artist
as curator/artist
(Jean Dupuy, B. Nieslony, Roi Vaara, Seiji Shimoda & Kazuhiro Nishijima (NIPAF),
Le Lieu (Jean Claude Saint-Hilaire), Nigel Rolfe, Ray Langenbach,
Chumpon Apisuk, Amanda Heng, Christel Burmeister, Anet van de Elzen,
Norbert Klassen, Heinrich Lüber & Karin Roth, Danny McCarthy, Milos Vojtechovsky)
(Vollrad Kutscher: Performance Parties) (Masaki Iwana)
(BBB.Johannes Deimling – builds own networks
(Gabriele Oßwald & Wolfgang Sautermeister) (Michel Giroud)
(catalyst arts) (Das Archiv: Sabine Kaeser) (Eloy Tarcisio)
(R.József Juhász – studio erte) (Rafael Montanez Ortiz) (Sue Broadhurst)
(Magnus Palsson) (Ryszard Piegza) (Chuke Stake) (Jordan McKenzie)
(Gusztav Ütö & Konya Reka) (Marissa Carr) (Dziugas Katinas)
(Wladislaw Kazmierczak & EWA Rybska) (Louise Liliefeldt)
other organizers:
(Gesine Weise, Jürgen Wolfstädter) (Zap Art)
(Sylvie Ferre, Emily Tabassi, Lukasz Guzek)
contact persons from various countries/continents:
Moltkerei Werkstatt Cologne (E. Jappe)
(...)
M. Vänci Stirnemann (Switzerland), Richard Martel (Canada),
Seiji Shimoda & Shozo Shimamoto (Japan), Ayah Okwabi (Africa),
John Held (USA), Clemente Padin (Uruquay), Warren Burt (Australia),
Lee Sang-Jin (Korea), Jozsef Juhasz (Slovakia), Artpool – Galantai (Hungary),
Guy Bleuys (Belgium), Zygmunt PioTrowski (Poland), ASA & H.J. Tauchert &
Inge Broska (Germany)
The Western Front (Vancouver), The Performance Space
(Australia), Perforum (Pfäffikon), The kitchen (NY),
Hallwalls (Buffalo), Galeria Dzialan (Warsaw)
(Eva & Adele)
The concept of organizing
marks the point of transition
between art and life (H. Sowa)
Life as art – art as life. (see below)
Not a medium-related result.
Cf. Plots / Real Performance
idea of the gesamtkunstwerk
(O. Muehl to H. Nitsch)
(R. Schwarzkogler)
Performance as sign system
Performance as breaking through structures
+Performance as configuration of presence
Performance as space of tension
live
art
conflating gesamtkunstwerk
+Performance as
gesamtkunstwerk?
Transition of theater
to an event (LE)
shift from work
to event
(DADA, Futurism)
event
B.M. is an event
jeopardy
(Roman Signer)
fluxus (2)
(cf. Events)
(T.R. Uthco)
the body as mannequin
working with models
(Text: Bettina Rehberg)
(Vanessa Beecroft)
people as dolls
Clownerie
clown acts
(Osamu Kuroda)
(Christian Jankowski)
soothsayer services
Life style: that´s entertainment
the renaissance
of the circus (cf. A. Heller)
black market
popular performance
Turn from work
to event (PB)
vulgar performance
cf. performance
as accomplishment
Theater as event
performing art
(wonderful, violent, ...)
Performance as
demonstration of
accomplishment (s.l.)
Varieté / Vaudeville
performance as
installation (see left.)
theater miniatures (John Bock)
Interactive costumes
Performance as "total" installation (see left)
Archive (see also:
Schwarze Lade)
InstallAction
(Stefanie Wilhelm)
celebration
art
life as a celebration (invitation to the feast)
performance as total picture
Kitsch
(Liew Kung Yu)
Space becomes a site of traces (LE)
(Darryl Sapien, Gutai)
rolling in material (grass, dirt, ...)
(Paul McCarthy) rolling in mud:
capturing a moment
as performance – Polaroid
(Illka Juhani Takalo-Eskola)
smells that "move"
accidental
(jumping cars)
traces – foot stamps
pictures brought into life
Photo action with small
animal figures (Yukio Saegusa)
(Gérald Personnier)
(Jim Melchert) (Gelatin)
(Anet van de Elzen)
large projections of objects
(playing with the objects on a turn table)
performance as
image-generating action (s.l.)
body between foils
"under pressure"
(Hanna Frenzel)
projection performance
with several overhead projectors
prelinguistic picture (S.A.C. modeller´s club: Mark-Steffen Bremer,
Anna Weber, Petra Kowalenko, Ulrich Wegenast,
dependency
Stephen Thomas)
sculpturally tied
bodies (Maria Pohland)
photos of executed people:
... revealing another image layer
behind these images
(Chen Chieh-Jen)
In interaction with stills (Gelatin)
The picture behind the picture (in front of the picture)
painting as crucified
woman (Natascha Fiala)
what is the picture after the action
(Kjetil Skoien)
digital performance
prix ars electronica
Interactive art
cf.:
see: Material "machine":
prostheses, hinges, models
(Christin Lucas)
electronic performance
(Stephen Taylor Woodrow –
hanging on the wall)
computer
performances
Performance of the
steel works facilities
(driving through with
the works train)
sound performance with construction
machines from a large building site
(Stadtwerkstatt)
Performance as machine theater
(Bruce Gilchrist u. Jonathan Bradley / Stelarc)
file cabinet machine theater /
machine performance (Intercourse –
Istvan Kantor) controlled torture scenes
Theater of objects, entirely
without human actors,
theater with technical devices
and machines (SRL) (LE)
machine theater
object theater
(time´s up/Just Merrit)
(time´s up, Joe Jones, Scot Jenerik)
(Matt Heckert)
(The Users: Symphonies for
Dot Matrix Printers)
machine: stream of fire/stream of water
(Erik Hobijn)
performative aspects
of photography (Herbert Blau)
FormAnce (2)
(Claes Oldenburg,
Jim Dine, Al Hansen)
Sculptures appear
like forms of action
(Chip Flynn, Liz Young)
(Jim Whiting)
fighting machines
Bio-mechanics
machine performances
(Julian Knowles)
Mechanical Dances
Dancing automatons
Unnatural bodies
Mechanical ballets
(Jim Whiting)
Bio-mechanical exercises
dancing machines
Re-assembling a B-Car
as Performance
(Chris Burden)
accident / techn. catastrophe as
performance (Jean Tinguely)
(Leo Schatzl, Franz Xaver, SRL
Happening with self-destructing machines
Survival research laboratories
(Jean Tinguely)
(Mark Pauline, Bram Renstorm),
Cindarella in
Peter Zegveld, Mark Heckert, Eric Werner)
(Suzanne Lacy)
"quickly changeable
sculptures" (actions
(„Wall Street Performance“ /
Momoyo Torimitsu) (Stelarc)
(M. li Antúnez Roca)
robot theater
process of a
sculptural
development
time-controlled household
appliances (Dick Higgins)
performance of
machines
self-experiments with machines (Bruce Gilchrist)
boundaries of the human body (Just Merrit)
(curator: G. Hattinger)
moving
sculpture (2)
performance as sculpture
performance sculptures
(Heinrich Lüber)
body/light sculpture
sculpture in
motion
(Atsuko Tanaka)
Gunpowder Performance
humans as sculptural objects
(Cai Guo Qiang)
body exhibited next to other
artifacts (James Luna)
robot community
in human-free zone
(Chico MacMurtrie)
view of objects
appearance of geometrical, machinic
structuralism of postmodern dance
(Cunningham)
Machine and body
(The Shadow Machine:
Peter Courtemanche,
Ken Gregory, Carol Sawyer,
Alvin Erasga Tolentino)
machine sculptures
mechanical sculpture
machine
sculptures
17 machine view
(2) primary
demonstrations
communication
sculpture (Hilmar
(Tan Chen)
Fredriksen)
(Nigel Rolfe)
(Th. Werner &
J. Wüstenfeld)
(Heinrich Lüber)
(Li Portenlänger)
Painting Bodies:
Saburo Murakami,
Kazuo Shiraga,
Shozo Shimamoto,
Yves Klein,
Claes Oldenburg,
Jim Dine,
Nam June Paik,
Paul McCarthy,
Ana Mendieta,
Shigeko Kubota,
Stuart Brisley,
Janine Antoni,
Rachel Lachowicz,
Cheryl Donegan,
Keith Boadwee,
Schneemann,
McCarthy (Penis)
C. Kolig (anal)
Elsbeth Böninger
Arai Shin ichi
(Neide Dias de Sa)
Diverse ars electronica projects
(knowbotic research – simulation space)
see: machine view, TV view,
acoustic view, etc.
the performer creates a picture –
is part of the picture
telematic sculptures /
Live TV with telepresence –
remote controlled over
1000 km (Stadtwerkstadt)
(G. Brus, O. Muehl, H. Nitsch,
R. Schwarzkogler)
kinetic
sculpture (2)
tools with a life of their own
driving around with window-cleaning
equipment (Christoph Rütimann)
dancing graphies (Calligraphies)
(Nja Mahdaoui)
action
painting
(Monika Fleischmann)
extended
performances
(Stelarc = Stelios Arcadiou)
Cybersex
Performances
Painting and Performance
Theatralizing
painting
(Bauhaus) (Emilio Morandi)
painting actions
(Barbara Heinisch:
danced pictures)
(Joel Hubaut)
kissing walls – imprints
(Ella Tideman)
face imprints (Goji Hamada)
painter as actor
see also: gestures
gestural painting (Michael Burges)
see: gesturing bodies
Surrealistic a.p. (ecriture)
(Pollock, COBRA, Situationists, Lettrists,
Manzoni, Klein, Spur, Egon Schrick, Barabara Heinisch)
artist as engineer and behavior scientist
(Eve Bhend &
Jörg Köppl,
Gordon Monahan)
Techno-hybrid
Performances
scurrilous machines of
love and death (Kantor)
cf. "fake" amputation robot
(fictive: John Fare)
Literature:
(Proj.: Kinetographien)
painting battle
pictures drawn/ painted with the
body (Carolee Schneemann)
see: Painting Bodies
On the use of the performative
in digital environments
machinized sculptures (Proj. Kinetographien)
Body Shape (PSi7)
The Shapes of Sensation
(Group: Hejettes Szomlyazok)
Performing Internet (PSi7)
(see also: tool view)
The Black Market actions are still very close to this commodity
character (BN) ASA should be more free and floating.
(Gutai => George Matthieu) (Yasuo Sumi)
(Shanna Noyes) (Sadama Montanaga)
expressive action painting
as starting point:
Prosthetic bodies
product view
A performance is supplied like a commodity.
sculpture
actionist painting
(Shigeko Kubota,
Carolee Schneemann)
media and
techno-body
Tactile
satisfaction and
torture devices
Philippe Dubois / Der fotografische Akt !!
Herbert Blau / performative aspects
of photography
M. Köhler / Das konstruierte Bild –
zur Fotographie und Performance (book)
Nigel Rolfe / Sculptures in Motion (cat.)
Johannes Lothar Schröder / Identität,
Überschreitung, Verwandlung:
Happenings, Aktionen und Performances
von bildenden Künstlern
Kunstforum Bd. 152 Kunst ohne Werk –
Die Transformation der Kunst vom
Werkhaften zum Performativen
Paolo Bianchi (Ed.)
T. Warr, A. Jones / The artist´s body !
D. Ronte, H. Schober / Von der
Performance zur Malerei
Out of actions (catalogue) – Zwischen
Performance und Objekt 1949-1979
Philippe Dubois / Der fotografische Akt
Peter Simhandl / Bildertheater (book)
Clemente Padin / Non-Object Poetry:
Action Art
Robin Deacon / (PSi7) Hard Water and
other Objects
Visual Representation (PSi7) / Nic Leonhardt,
B. Brandl-Risi, P.W. Marx, Vera Apfelthaler
productive art
comparisons: absent bodies
Calligraphy / writing art as performance
action form /vs/
work form (F. E. Walther)
Extended bodies
extendable bodies
18 view of the artwork
The performance
character outweighs
the artifact character
cf. also Udo Wid & E. Wurm
technically
infiltrated bodies
digital
environments
work concept
(FL)
manned turn: person integrated in wooden
frame: human as component of the
(Köppl / Zacek)
image theories
morphology
pictural turn (discourse)
(Seamus Malone)
trans-formation /vs/
formation
work actions / work demonstrations
(Franz Erhard Walther) work emerges through use
Object theater also opens
up new theater models
between installation, kinetic
object art and landscape
art (LE)
Performance art =
art without object
Non-object
action as work (s.u.)
Nigel Rolfe
Jochen Wüstenfeld &
Thomas Werner
Ingolf Keiner
Heinrich Lüber
Ken Unsworth
K. Rinke
(Parzival (Pörsch))
action as moving sculpture
performative sculptures
by Roaman Signer)
(Fischli & Weiss)
(R. Signer)
public
sculpture
(Franticek Klossner)
performative aspects
of object art
(S. Berchthold, I. Keiner)
Posed performances
(2) robot
performances
artist in
robot-like
appearance
turning bodies into machines
(Futurists)
Tele-Existence (Stelarc)
a Dragster
sculptural arrangement
(Gilber & George 1969) (Eva & Adele)
(Colette) (James Lee Byars) (Thomas Niggl)
(Timm Ulrichs 1966 „first living artwork“)
(Peter Greenawy: 100 Objects ...) (Richard Long)
(Muntean/Rosenblum Steir. Herbst „why die?“)
(Egle Rakauskaite: Honigmulde)
PerFORMance
(Spencer Tunick)
imitating
antique sculptures
(Jannis Kounellis,
Luigi Ontani)
(Category 05 according to M.-L. Lange)
(A. Schubert & Dieter Pütz)
(Valentin Torrens)
Frozen performance
(Vanessa Beecroft)
still life
performance
chain reactions
Theater is also an
art of sculpture (SE)
social static
(Jannis Kounellis)
scenes
living
sculptures
entanglement with hoses
tennis ball machine
tosses glowing balls
Animate and inanimate
sculpture
Living Sculpture and living art works
living sculptures
(Urs Lüthi)
work aesthetic as outmoded
concept is superseded by
the aesthetic of the performative (FL)
(80 static poses: Scott Burton)
sculptural ritual
being a still life taken from
everyday life
(Erwin Wurm)
crashing head against
the wall (Ralf Berger)
(Eva & Adele)
Behavior Tableaux - body language
(Lorna Stewart)
minute pictures
human
sculptures
topicalizing exhibition
openings
(Tom Puckey, Dirk Larsen, Floor van Keulen,
Peter Baren, Urs Lüthi, Gina Pane, Sef Peeters,
James Lee Byars, Marina Abramovic, Albert van
der Weide)
Skip, the act – is the art work
(Janusz Baldyga)
(Joa Iselin & C. Ranzenhofer)
Visual works by (former) performers
The aesthetic object works as a
trigger, catalyst and framework
for a process (for the viewer)
(Nancy
Blanchard)
(Viktorine Müller)
Literature:
(Kunstf. Bd. 100)
(LE)
(Margit Leisner)
latex performance
(Jerzy Beres)
self-exhibition (Timm Ulrichs)
Environmental Theater (as Schechner called
the "surrealistic street" of an exhibition (LE)
(Orlan)
(PSi7)
active "work" with art objects –
attracts sculptures in its wake
(study by: Prof. Gaehtgens) (comp. studies by Eva Sturm)
(cf. starting schema for this poster group: On the Art of the Exhibition)
portrait made of skin and bones
sculptural culture of
the body
prostheses, hinges, models
The "happening"
movement was
essentially carried
by painters
(Hansjoachim Dietrich)
clay pigeon tossing machine
tosses glowing clay pigeons
(Skip Arnold)
(Oleg Kulik)
rice dress
7000 oaks
(self-exhibition)
(Stadtwerkstatt – G. Lindorfer)
performance as picture set
in motion (Judith Haman)
music machines / sound machines
(Space violins: Jon Rose)
(Kjetil Skoien)
Live art
Catherine Pineau)
cress dress
(Christian Boltanski)
(Fabrice Gygi)
(Tetsunori Kawana)
slide projections and music
The "presentation" of
pictures while opening and
closing medieval
codices (PSi7 W.C. Schneider)
the artist as
exhibition object
growing seeds,
18 view of the picture
not an observing stay,
but a participating stay
(Sowa)
event images (electronically
controlled)
performers with their
own museums (Jacques &
the garden as site of the action
The visual versus the verbal (PSi7)
Living paintings
(Humer - porno-hunter)
pictorially oriented actions
interactive video
performance
(B. Nieslony)
projections as theatrical
productions (color, light, sound,
mirror, prisms) (Milton Cohen)
cf. Tableau Vivant:
imitating 18th C. paintings
(Boris Nieslony)
the (linguistic) image
wants action (BN)
performer acts in
a picture (Miranda Payne)
highly semantic
acts (cf. highly semantic spaces)
performance as
iconoclasm –
living pictures
destruction of pictures
as performance
artist as gardener
2 Performers at great height on
chairs on the wall
(T.R. Uthco: Doug Hall & Jody Procter)
persons over 65 high on the wall
(Angie Hiesl)
Museum and exhibition productions –
a phenomenon of performative cultural presentation
Sculptures: Theater is here in
greatest proximity to fine arts
fear comes from "Still Life" (Johan Lorber/Lorbeer)
The performer in the glass box
constraints,
sculptural installation
with no freedom (of action)
anxiety
(Skip Arnold)
the body as object
body becomes a monument in a box performative
body in large water hose
(Mourad Cherait)
sculptures
(Pawel Althamer)
(USCO M. Callahan)
cf. communication view
(LE)
See also: tableaux vivant
multi-projection show
(Bob Wilson, Laurie Anderson)
(Hannah Wilke, Pierre Molinier,
Tatsumi Orimoto, Jared Bark,
Walter Pfeiffer)
(Joa Selin & C. Ranzenhofer)
(Arnulf Rainer)
(Katja Hergenhahn)
Performance: striving for a
common image (B.M.)
(Udo Wid)
body
statue (2)
view of presentation
view of depicting
view of reproduction
transforming a museum into
a house of God (GAAG)
Beyond performance
Bodiescapes
J. Wüstenfeld)
theater of pictures
The principle of the exhibition
seizes linguistic material, in addition to
body, gesture, voice
(Franz West, ...)
In a framework at the top
of a tree (Th. Werner &
(book: Peter Simhandl)
(2) Photo
Performance
Performative-temporal character
of picture genesis (Phil. Hubert Sowa)
(Günter Saree)
shadow plays
see also:
Mimicry of Life
(B.J. Blume & Anna Blume)
(Cindy Sherman)
(Hannah Frenzel)
(Pierre Keller) (G. Brus)
(R. Schwarzkogler)
DressWorks: every "dress"
created in conjunction
with a performance
(a´ battery a“ : Chrigg Perren,
Vänci Stirnemann, Fritz Franz Vogel,
Victoria Zappata)
(Leo Schatzl)
(Paul Gernes)
Picture theater – fine artists
of the 20th C. as theater reformers
staged photography
Polaroid events
(Janusz Baldyga)
(H. Nitsch, Lili Fischer, A. Kosa, ...)
burning scent material (Ralf Vormbusch)
(scent, fragrance)
cf. intimate performances (FS)
(Pawel Althamer) (cf.
Clickscape by the Stadtwerkstatt)
hammer blows
"nature study
view of the exhibition
(Theory: Erika Linz)
Attempts to "exhibit" performance:
Relicts + Sediments (OK Linz 12/1993)
(LE)
stockings
shattered
performance
19 view of representation
performativity of
semantic
knowledge structures
(more important for the theater field)
action with body objects (Made In Eric)
arm/head extensions: (Rebecca Horn)
One Minute Sculptures (Erwin Wurm / Bd.145)
chemical experiments
the body as material
(Lukas Berchthold)
=> body view
smell and taste rituals (see: Nitsch)
purposeful use of smells
(Robert Jelinek)
(Tache/Magor)
image concepts
(Diane Landry)
(Micha Brendel)
(Nam June Paik)
large images via illuminated
windows with residents'
participation
economy of
material
art theory
morphology
criticism of the institution discourse
curators' debate
material debate
difference philosophy
rhizomatics
view of re-presentation
(Judy Freya Sibayan)
(cf. exhibition practice of Udo Wid)
Botanic Ballet (Andre Bartenev)
olfactory stimulations (Fluxus)
(PSi7) Performing
Fragrance Performance
(Ottó Mezzaros)
mounds of earth, earth and sand islands
(Paul McCarthy)
+Performance as sediment
(Lambert Janssen & Urs Küng)
woman in foil (Hong O-Bong)
wrapped in transparent film (Miriam Steinhauser)
+Performance as material collection
Performance as counter-concept to "representation"
unconscious effect of
sexual fragrances
(pheromone)
(Y. Klein, Giuditta Tornetta)
Performance with food (Paisan Plienbangchang)
subsequently rubbish (Surapol Phanywatchira)
dance with large (Paul McCarthy)
rubber bands
material recycling: rubbish & the desolate
+Performance as work
+Performance as sculpture
+Performance as image-generating action
(Lili Fischer)
(Andrés Pereiro-Schmidt)
working with milk
painted with blood
(Lili Fischer)
The presentation character outweighs
the artifact character (FL)
the artist as
scientist
see:
gallery made of clothes
the performative as
the "weak point"
of representation
Theater, that tends to become a mute
gesture – on the exhibition of processes
(Teresa Murak)
Performance is never a re-presentation,
except of itself (George)
Performance as counter-concept
to "representation"
(LE)
(Joseph Beuys)
conference of plants
organic material
throwing food
highly semantic spaces
(Yvette Helin)
(M. Dion, U. Wid)
(blood, flesh, cot, urine, sometimes animals
consecrated utensils, naked bodies)
(Brus, H. Nitsch, Monty Cantsin, C. Kolig,
C. Langenbach)
Energetic theater would be outside
the realm of representation
(Montri Teomsombat)
material experiments (Richard Alpert)
Dirtyblueclothes (Howard Fried)
(Robert Smithson)
ob-jects
in existence and dignity
extreme smells
taboo materials
Surrogate
performers wear black
costumes – like figures
from traffic signs
ballasts
performance as relic (s.l.)
(see: sediment)
performance as sediment (s.l.)
all existence is also a trace
field researcher
Relikte + Sedimente (catalogue OK Linz)
Kunstforum Bd. 145 Künstler als Gärtner
(Paolo Bianchi)
Kunstforum Bd. 146 Das Gartenarchiv
(Paolo Bianchi)
Dorothea von Hantelmann
Raum fort und fort (catalogue OK Linz)
Erika Linz / The warehouse theory of
memory is wrong – Zur Performativität
semantischer Wissensstrukturen (lecture)
Clemente Padin u.a. /
From Representation to Action
Dinah Jung / (PSi7) / Performing Fragrance
Performance
Between Identity and Representation (PSi7)
(George)
(LE)
(Kinetographien)
(FL) (LE)
Literature:
with Schlingensief (Elisabeth Steger)
representation cliche
performativities of
energetic matter
19 material view /
olfactory view (smell)
view of
traces
(Proj.: Kinetographien)
(Anna Mendieta)
(Marcos Kurtyz, Signer, Drill Hall,
Guy Pro-Diaz, John Latham,
Ivor Davies) tree explosion,
simulated dog explosion &
explosions at flight show
(Stadtwerkstatt)
view of materiality is shifted into focus
performativity of forms
of materialization
Earth works
use of explosive material
(Roman Signer) (Ralf Vormbusch)
production assistant
Performance negates the difference between
being and appearance, presentation and re-presentation
Commentary on ring-shaped representation in over
32 views: everything is always and simultaneously present.
Depending on the time segment, some things are (fashionably) in the foreground –
but the rest is still present ....
sifting
performance as material collection (s.l.)
performance coupled with installation
(Josef Roach)
(Paul Kos)
(Tomás Ruller)
(Servie Jannsen)
storage and mobilization
of memory content following
affects (cf. NLP)
performance as
curiosity cabinet
performative aspects
of installation art
genealogies of performance
Jürgen Raap, Allan Kaprow, B. Nieslony, Roi Vaara, Hubert Sowa,
Johannes Lothar Schröder (PSi7), Jean Dupuy, Stefan Fricke (Fluxus theoretician),
Arnoud Labelle Rojoux, Alain-Martin Richard, Michael Murin,
Clive Robertson, Daniele Roussel, Tina Keane, Charles Garoian (PSi7), (...)
burning lens made of ice
Material theater (Stadtwerkstatt)
natural disaster as performance/event
"the highest form of a possible experience“
(Walter de Maria) cf. (R. Signer)
chemical material
(Volker Anding, Laib)
important performance
archive (Le Lieu)
(Jens Nielsen, Roman Signer)
rummaging in material
(James Lee Byars)
(Simon Beer) (A. Birchler & T. Hubbard)
(cf. Relicts and Sediments)
From Appearance Thinking to Traces Thinking
dressed in foil
"The Perfect Smile“
or performance
as collection object
(Alastair MacLennan)
(Christine Biehler – Jürgen Fritz)
(Brian Conolly) (Ross Sinclair)
Relics
Cf.: living pictures
(tableaux vivants)
cf.: LKW
construction of the desolate
interpreting material findings as
a labyrinth (Marie Teresa Hincapie)
(V. Acconci) (Stefanie Marshall)
public celebration
(in the variation: overflowing
to total life)
cf. agit pop 60s
(Esther Maria
Häusler)
Collecting as a kind
of long-term
performance (J. Olbrich)
Repeats of historical performances
Performers as editor/writers/art theoreticians:
fundamental
materialism (R. Krauss)
Material performances
Performance Ritual Prozeß – Handbuch
der Aktionskunst in Europa / E. Jappe
Gregory Battcock & Robert Nickas /
The Art of Performance – A critical
Anthology (book) !
Annabelle Melzer / Dada and Surrealist
Performance (book) !
Mel Gordon (Ed.) / DADA-Performance
Kunstforum Bd. 146 / Das Gartenarchiv
(Paolo Bianchi)
Kunstforum Bd. 32 / Künstler und andere
Sanmler
RoseLee Goldberg / Performance Art:
From Futurism to the Present (book) !!
RoseLee Goldberg / Performance :
Live Art since the 60s (book)
Joachim Dietrichs / Zum Begriff
Performance (book)
Kathy Rosalyn / Toward a Theory of
Performance Art (book)
Coco Fusco / Corpus Delecti:
Performance Art of the Americas
Timothy O. Benson / Conventions and
constructions: the performative
text in DADA
(ECART)
several days of excavation
work (Ion Grigorescu)
pyrotechnic
performances
short-lived sculptures
(BKH Gutmann)
expanded installation concept
played installation
Performance as
total sculpture
(H.G.G.N.)
baroque celebrations/celebration culture: music, jugglers,
sculpture, trumpery, fireworks, entertainment
happening (3)
cf. archeology with
M. Foucault (the
Archeological Archivist)
installative situation
(Fake shop – performance installation)
ceremony
art (2)
view of collecting
(Jürgen Olbrich,
Jürgen Kierspel,
custodian view
Wolfgang Hainke,
(basis for historians'
Manfred Vänci Stirnemann,
research)
Thoroughly Pseudo,
Fricker,
Boris Nieslony,
Performance is anti-museal
Ruedi Schill & Monika Günther,
Jacques van Poppel,
Ulun Michael Steinke)
Literature:
Jean Dupuy (Ed.) / Collective consciousness. Art performances in the seventies
Arnaud Labelle-Rojoux (artist) /
L´Acte pour L´Art (book) !
Carl E. Loeffler & Darlene Tong /
Performance Anthology (book) !
Henry M. Sayre / The Object of Perform.
The American Avant-Garde since 1970 !
Paul Schimmel / Out of Actions (catalogue)
M. Carlson / Performance. –chap. P. in
its historical context
Out of Actions (catalogue) – Between
Performance and the Object 1949-1979
Prof. Dr. Bonnie Marranca /
Performance Arts Journal
Performance Research (A Journal of
Performing Arts) Vol.1 No.1 Spring 96
Performance Anthology – Source Book of
California Performance Art !!
Thomas Dreher (Diss.) / Performance Art
nach 1945 – Aktionstheater u. Intermedia
Joan Borsa / Performin interconnectedness:
the cathartic installations of Aganetha Dyck,
Ann Hamilton and Susan Shantz
Performance in 18. Century (PSi7)
Avantgarde (PSi7)
RoseLee Goldberg, Bonnie Marranca, Justin Hoffmann, (...)
objects (BN)
20 view of collecting
Literature: (... continued)
important art historians on performance art:
Performance instead
1995 Performativity and Performance (Ed.: A..Parker & Kosofsky Sedwick)
of depicting (LE)
1996 Vol.1 No.1 Performance Research (Journal)
2001 7th Performance Studies Conference Mainz PSi7
ritual display of
(PSI Performance Studies International)
Performance cultures
of the Middle Ages (FL)
The culture of the Middle Ages
can be understood as being
genuinely performative
(ars electronica)
Merzbühne theories (Kurt Schwitters) Transforming the Canon (PSi7)
(PSi7) Performing the
human historically
1995 First Annual Performance Studies Conference
Service (2)
(Nikolaus Lang)
Video archive about
P. (Ryszard Piegza)
plundering
rummaging
from the depot
(Le Lieu,Simon Beer, Angie Hiesl,
Fritz Rahmann)
Animotion – performative
spatial installation
Extensive arrangement taking up space, including everything.
+Performance as relict
+Performance as billboard newspaper
+Performance as installative collection
+Performance as curiosity cabinet
+Performance as "total" installation
+Performance as installation
(Simon Beer)
(Stefan Enderich)
develop installation concept
from action concept
(Mo Diener)
(Cees Krijnen)
(Myriam Laplante)
(Chen Chieh-Jen)
(Kaori Haba)
(every creator a name)
(Valerian Maly & Klara Schillinger)
Group material & effect
Clubs and meetings
Performance as
as ephemeral
billboard newspaper
installations
(s.l.)
Performance installation
(Mike A. Hentz)
the exhibited archive
Installative instrument to
(B. Nieslony, Jürgen O. Olbrich)
demarcate space
Post Performancism
(according to M.-L. Lange)
(Skip Arnold)
(Allan Kaprow,
Jonathan Meese,
John Bock)
(Laurie Anderson (P. Hobermann),
Jon Rose, Robert Ashley,
Diamanda Galas –
Blue Man Group)
cf. Stadtwerkstatt-TV
Perceived as fetish
(as part of the collection)
Archives on Odyssey (minus delta t)
(Rosa Galindo, Pedro Garhel) (Peter Weibel)
Costume performances
costume show (cf. A. Heller)
+Performance as demonstration of accomplishment
Performance as (repeatable) show
Performance as permanent
collection
Performance collection as
travelling depot
Multimedia Shows
stage shows
action arts:
Collecting (for an exhibition)
as performance
Collecting as cultural
memory
Varieté nerves: people want
distraction / "number principle"
(Oogiri) (Rakugo = Storytelling)
(GANG ART)
stage concepts
Performance as
installative collecting (s.l.)
Every form of street action
Street theater (Osamu Kuroda), street music,
cabaret
Elisabeth Jappe, Jürgen Raap,
Paolo Bianchi, Gerhard Johann Lischka,
Allan Kaprow, J.L. Schröder (PSi7), C. Doswald,
J. Kistus, R. Puvogel, M. Hübl, H.-N. Jocks,
Victor Mazin & Olesja Turkina, Paul Schimel,
F-A. Hettig, Ilena Pintilie Teleaga, (...)
Performance Research (London) / Inter (Quebec)
High-Performance (Ed. Sara Wolf, Ed. Tim Miller &
Linda Burnham) / Performance Art Journal /
Performance Magazine (Hg. Rob La Frenais)
Studio International (London) / p-form (Seattle)
Datum (Holland) / Live Art Online (UK) / P-Form /
Switch (technology and art) / TDR – the Drama Review
Women & Performance: A Journal of Feminist Theory
cabaret, entertainment
street art
of performance as an art form
important art theoreticians/editors
on performance art:
important periodicals:
(Isidoro Valcárcel Medina)
(Chris Burden)
Performative event field
(Habitus of these trainers: cf. Schlingensief)
20 (art) historical view
-Futurist performance
-DADA
art history marginalized
-Theater der Grausamkeit
performative art for a long time
surrealistic performance
-Fluxus (see detail )
1995 an awakening
-Situationists
-Lettrists
1948: last appearance by
Bauhaus (Oskar Schlemmer): the first
-Gutai (Japan)
mechanical
Artaud and Cage enters
school to undertake a serious study
Bauhaus stage
Black Mountain College
Happening, Fluxus,
silencing & chewing:
Land-Art,
Performative "attacks" on art theory texts
Preservation = Action Painting,
(resolution of a Greenberg text: John Latham)
Body Art, Event,
Participation
(John Bock)
Oral history performance (Gretchen A. Case)
Situation-Art
museum function
curators on performance art:
art without history
Rob La Frenais, G. Hattinger, E. Jappe,
of the theater
Performance with
cannot be passed on (?)
Noel Sheridan, B.Nislony, (...)
historical references
The boat is full
(Mersch)
see also: performers as curators
Performer as
illusionist
(Holunda –
Atelier Juxus)
(A. Reinthaler)
Surrealism
includes the call
for a
"Performance Art“
performance history
art history
cultural history
psychology of collecting
philosophy/theory of collecting
memory discourse
memory theories
"end of history" discourse
(LE)
Precursors of
performance art
Integrative history
of performance art
(UlunMichael Steinke)
"Hotel Pompino“ (Van gogh TV)
"No one is sure of himself“ (Stadtwerkstatt TV)
Intelligent Stages (PSi7)
(Ulrich Frey & N. Klassen)
Prodigious Performance (PSi7)
(Pat Oleszko, Vincent Trasov,
Paul Cotton, Claude Wampler)
(Lori Weidenhammer)
trivial performance
(Patricia Jacomella & Maria Walther)
reflections on
advertising
(Karin Schlechter &
Sol Lyfond) (High Red Center)
Gutai
(Atsuko Tanaka, Kazuo Shiraga, Jiro Yoshihara,
Sadamasa Motonaga, Saburo Mirakami, Akira Kanayama,
Shuso (Shusu) Mukai, Shozo Shimamoto, Naoki Kanayama)
Performance as:
Business management style
money-critical actions
(Protoplast: Philippe Cuny, Kate Isler,
Alex Silber)
gesticulating like brokers
with the train station
time tables (Sislej Xhafa)
profiting from artists of the 3rd world
enterprise theater for
managers (Kosilo)
Becoming "managers"
with theater methods
burning money
(repealing bourgeoisie values)
(research: Riethmüller)
spectacular
performances
style characteristics of mannerist
traditions (tendency to extremes ...)
(Mariola Brillowska)
(Com & Com)
Economic view
of exposure in image,
text and performance
company/product instead of artist/work
(Lyotard)
auctions
(Gretchen Faust)
relinquishing,
not selling (BN)
self-organization
Performer as
(Bonnie Marranca)
advertising medium (ERGO)
Power seminars (as performance)
central manifesto on performance art:
walking over fire and glass ...
see: programmatic texts
art as commodity item
Entertainment as
advertising and sales
strategy for products
The concert podium as
stage in new music
Dorfbod´n (100 Tage Prozeß Weibern OÖ)
Performance as show
(performance is the heart of the show)
art of the event
The event takes
the place of the
art work (FL)
See: Club Shows
(Iwan Wijono)
Performance = accomplishment and
self-assertion in a
competitive situation
(article: G. Brandstetter)
(ICELANDIC LOVE CORPORATION)
view of the stage
art and entertainment combination
(Nenad Bogdanovic)
(GANG ART)
(Robert Reschkowski)
Minnesong (advertising)
minstrel performance
21 view of the market
the art of entertainment
political ironic
deification of capitalism
Performantere = "better" information:
It is a matter of knowing which game the opponent is playing
admission fees
personal performance training
(= applied performance)
Party Performers
soap
performance
Fetishizing child
idols (Mike Kelley)
Performer as advertising medium
A further understanding of performativity:
Efficiency = (calculable) performativity (Lyotard)
(John Kelly, Karen Finley,
Anne Magnusson)
(Robert Reschkowski)
cf. analysis of body language
(Pantomime)
performative staging
of nakedness (Beecroft, Gelatine)
(Beate Ronig – story telling)
(Richard Martel)
Performance contra Globalisation (PSi7)
Club Shows
globalization discourse
liberalism discourse
economy as discourse (Foucault)
(game rules of art)
funding view /
cost view / sponsor view
Performative marketing and
attention techniques
Performance in consume temples:
stockmarket speculation with art money (Fabrikanten)
confronting consumers with wounds/mourning
marketing strategies J&W Management Consulting
(Muntean/Rosenblum)
(„The worlds first Pose Band“
Paul Richards, Ron Calla)
(Kipper Kids, Susanne Helmes,
Marie Kawazu, Jürgen Raap,
Walther Stehling, Rainer Aring,
Hong O-Bong, Andrej Bartenev,
Karen Finlay, Osamu Kuroda,
Gelatin)
21 economic view /
production view
(Rose English, Sally Potter, Clare Weston, ...)
The perfect pose
Entertainment
circus artistry
The Performance Show (1975)
up to 30 artists in each program
Manager training as
performance
sexuality as emotional
decoy in advertising
(erotic enticements)
Performance in advertising
(I. Keiner & S. Berchtold)
consume realism
(Lisa Cieslik)
sexual
presentations in
party life
(Anne Hoy) (seals in the department store:
W. Georgsdorf)
Art-Entertainment
magic show – life as a pigeon
circus-like
show of
strength
cf. view of play and
of the carnival
emotions of the
mass
"Performance“
in the new economy
(Yan Duyvendak)
(Elfi Sonnberger,
Martina Kornfehl, et al.)
can people be portrayed
as commodities
(Santiago Serra)
(Charlemagne Palestine, Olga Adorno,
Pooh Kaye, Alison Knowles, Dupuy)
(Stadtwerkstatt)
Department Store Performance
"Presentations“ (Soviet Union)
Presentive Events / life = kajf
"life itself is the drug"
circus
animal performance
(Laurie Anderson)
greed for life
(fuck head)
Penny-peep-show conditions
(Colette) (Luciano Castelli)
(Festival der Regionen)
(Roi Vaara – walling in)
(Gerd Belz & Raoul Marek)
(Marie Teresa Hincapie)
Performance as event (see below)
(decentered attention)
spectacle theater (LE)
cf. Futurists
Songs about art:
Party-Culture as
Performance
(Regula Knopp)
shop window performance
cabaret
(Stadtwerkstatt)
(Laurie Anderson)
Pop-Kitsch (Friederike & Uwe)
(B. Bérard & M. Josipovic)
Bodytainment
is a service (see left)
flight show
ironicizing the rituals of
contemporary music groups
combat sport & power training
(Molissa Fenley)
catwalk performance
performance
clips (2)
spectacle culture
Freakshow
(Renee Kolla)
+Performance as event
Performance as staged event
Performance as staging
The Theatrics of
Performance Art
rent an
artist
experience world
(Fluxus,
George Brecht,
INFuG,
Gangart,
Larry Miller,
B.B.B.Johannes Deimling,
Esther Ferrer,
Die Fabrikanten,
Stadtwerkstatt)
staged
events
no events
Re-Inventing the Diva
(Sheila James & Yasmin)
(Carol Sawyer) (Alvin Erasgo Tolentino)
Cyber Space – Psychic Diva (Kira Wu)
The visual spectacle
art events
Performance as synaesthetic montage
Synaesthetics (Art Clay)
(Lori Blondeau) (Aiyyana Maracle)
22 entertainment view
(Fabrikanten) (A. Heller) (Gelatin)
(Wolf Vostell)
gymnast & dancer
pop
entertainment
(Käthe Kruse, Wolfgang Müller,
Nikolaus Utermöhlen, Tabea Blumenschein)
political "appearances"
seen as performance
(Rolf Hinteregger)
Cynic Pop-Diva (Pipilotti Rist)
Shooting Diva (Pipilotti Rist)
event society
and game culture (fun culture) party performance
(INFuG, GANG-ART
(Jan Fabre)
further development of the event)
See also category 10 after M.-L. Lange:
surfing
(Mariola Brillowska)
event art / event culture
Events
OM Theater as a
transgressive gesamtkunstwerk
flowing transition between
art and popular culture Die tödliche Doris:
(new modern
acrobatics – f´Legussozy) (Prof. Bonnie Marranca)
Performance “
(ski boot advertisement:
skiing through deep snow)
Re-Inviting the Diva
shopping exhibition –
the show must go on
Situation comedy
event
paradigm
view of public appearances
cf. extreme situations
consume critique (Montri Teomsombat)
Being absorbed in the movement –
Flow = the
Performance in
Club Culture: a form of
result of becoming Forgetting technique (W. Pfaff)
pop
music
Athletic event
living room theater
consume critique through exaggeration
purely "absorbed"
role of emotions
(against the wall)
Pink-Man (Manit Sriwanichpoom)
in in the activity
Sport with extreme involvement
(Barry le Va)
punk performances
(flow – a Zen feeling)
(Throbbing Gristle)
Duo as trademark
Sport and body work
(Genesis P-Orridge)
(Brigitte Bérard & Mileva Josipovic)
punk (Pyromania)
Wrestling with profi wrestlers (Paul Harrison & John Wood) contacts with rock/pop:
attitudes (2)
(Yoko Ono – J. Lennon)
(Howard Fried)
artist as trademark –
Life as public
(Cornelius Cardew: Scratch Orchestra)
Boxing match
making sales calls
A.P.A.-Party: life
(Throbbing Gristle (Christle))
appearance
(scater,
boarder,
(Arthur Cravan)
(F.E.M. Frauke Ellen Müller)
extremely personal forms of behavior
(Cabaret
Voltaire
(ars
electr.))
and
product
consulting
dancer, driver, poses, ....)
(Ida Brun, Henriette Hendel-Schütz)
Postmodern emotion culture (J. Gerhards):
hedonist goal of avoiding
negative emotions
simultaneity of
high & low (Mike Kelley)
critical art and pop
Artist Run Spaces
power bodies (in
new theater)
What is an appearance? (Alex Silber)
In action with all one's senses,
combat situations
(Carlos Amorales)
see "pure dance" thoughts and powers
(beside oneself)
art marksman (Jürgen Wolfstädter)
(Van Gogh TV, ...)
Happenings
& Events
sporting aspects
(Dough Hall)
(Vjing, Djing, ...)
events
service
(Sport & Games)
acrobatics
Stunts as
performance ?
(Gebrüder Kunst)
Performance as
"opening circus"
(important events)
organization art – integrating every
imaginable institution (Stadtwerkstatt, U. Wid)
permanent performance
Artist-in-Residence in a ball club
„ Pure
(Kunstf. Bd. 117)
(Muda Mathis)
(Wolfgang Flatz)
fashion show (Rainer Aring)
(Andrej Bartenev)
practical
joke (2)
A Sociology of the Institutionalisation
of Performance Art (PSi7: Britta B. Wheeler)
(Biefer/Zgraggen)
(Alexandre Périgot)
Fashion show
as performance
comedy as stylistic structure
Dance in comic
costumes
modern clowns
(Peter Callesen)
comic performers
important organizations: The Living Art Museum,
tourist view of the curator
(exoticism and spectacle)
terrorism and
performance
(Jonathan Meese )
permanent event locations:
curating as performance
football club (association culture)
dance as combat sport /
stuntman
ventriloquist doll
(Theo di Ricco)
22 view of popular culture
(2) community
performance art
(Stahl Stenslie)
cf. networks
networking (BN)
(the physical network)
(Eric Bogosian, Michael Smith)
battle emotions
(Vanessa Beecroft)
Performance as
fashionable and
fun `avant-garde
entertainment´
Bruce Adir (Adair) / Jim Allen /
Thérése Ampe-Jonas / Georges Azzaria
Artur Babiarz / Isabelle Bedou
Nayland Blake / Waldemar Bochniarz
Letitia Bolognesi
Colin Campbell / Carmichael Catherine
Costes Carsette / Tim Clark / Paul Cotten
Sue Dakin / Mona Desgagné / Herbert Distel / DLR
Paul Dorn / Leopold Duszka-Kolcz / Sophie Fabien
Gabriele Forster / Vidya Gastaldon
Joel Glassman / Daniel Grenier / Matthias Groeber
Ryszard Grzyb / Klaus-Peter Haase
Plassun Harel / Alexander Harvey / Helhard Haug
Matt Hawthorn / Saiki Hiromu
Peter Horobin / Joelle Keandre/ Birgit Kilp
Marleen Kos/ Barbara Kozlowska / Jill Kroesen
Uli Kruass / Marcin Krzyzawowski / Claudia Leder
Sung-Yon Lee / Li Qiang / Qiang Li
Isaia Mabellini (Sarenco) / Victor Meertens
Gruppe Meier / Christian Messier
Ronald J. Meyers / Antoni Mikolayczyk
Kati Molnar / Melinda Moran / Helmut Martin-Myren
Frank Na / Michaele Nolte / Erik Odijk
Catherine Parisot / Jittima Pholsawake / Micky Plüsch
Apinan Pohgananda / Wolfgang Rahs / Tim Richter
Andrea Ritter / Antoinette de Robien (Robin)
Valentin Rottemaler / Michael Sagorny
Hiromu Saiki / Seppo Salminen
Sarenco (Isaia Mabellini) / Ingrid Scher
Marcus Shira-Tilles / Mayumi Yayoi Shozo
Emil Siemeister / Suras KV Solwonk
Christian Späte / Rüdiger Steiner / Tobias Stengel
Wally Stevens / Wolfgang Störchle / Elke Suhr
Eva Szanto / Ryo Takahashi / Christoph Tarnow
Christophe Terpent / Frank-Udo Tielmann
Jarry Vis / Jonas Wille
Yit Mun Kwahn (artists village) / Silvia Ziranek
Zyklus - Grac de la Luna / Myrna Renaud
Richard Harding / Shannon Rose Riley
Oeykue Potuoglu-Cook / Thomas Defranzt
Heather Crow / Michael Mayhew / Latifa Fakiri
Barry Edwards
media theory
pop theory / Pop-theoret. discourse
high&low discourse
techno-culture discourse
cultural studies discourse
fashion discourse / Retro discourses
hedonism debate
new subjectivism debate
fun debate
ontology of the event
emotions at large sporting
events
(Robert Longo) (Urban Sax)
Ona B, Evelyne Egerer,
Birgit Jürgenssen,
Ingeborg Strahl,
Lawrence Weiner
Das Konzil
Kunoldstr. 34
Büro Berlin
Bodo Berheide
(Galerie-Kollektiv Wuppertal)
Werkstadt Odem
Kl. Ausstellungsraum des
Künstlerhauses Hamburg
Servicebüro Hamburg
Ultimate Akademie
1979: the move of
performance towards
popular culture
"the media generation“
´coming out´ of performance
into the mass culture
movement/body techniques from
eastern martial arts traditions
(see also: dance performance)
The "Model"
Tang Da Wu (founder), Jason Lim,
Koh Nguang How, Lee Wen, ...)
The Ladies
including exhibition institutions
Projects
(see: project art)
Performative view of playing:
emphasizes what is oscillating and unfocused,
the "in-between", the framework
23 view of the organizing
institution
(Marcos Kurtyz)
Pursued by the police as a foreigner
(Helena Villalobos)
Artist Village:
(John Armleder, Luchini,
Rychner, Raoul Marroquin)
Organizational structure (Victor Turner)
organizations in
action
attitude toward the
field of events (GANG ART)
(Gordon Matta-Clark)
Desolate spaces – factory halls,
derelict buildings, contaminated areas
performance with
architectural elements
On the in-between as
a mental dimension (PB)
Festival of the Regions (A)
(...)
Karel Dudesek, Mike Hentz,
Chrislo Haas, Wolfgang
Georgsdorf, ...
("Performance Departures“)
"everything is performance“
Gravitation:
B.M.'s performance is a field
(Andrea Saemann, G. Ritter)
Fritz Rahmann
Hermann Pitz
Raimund Kummer
minus delta t:
working with and in the field (Marietheres Finkeldei)
the poetic network (BN)
mental existence between
persons
(Artaud)
ECART Group
leeways are
in-between spaces
probability field
Boris Nieslony
Zygmunt Piotrowski (former)
Nigel Rolfe, Jürgen Fritz
Norbert Klassen
Jacques van Poppel, Roi Vaara
Zbigniew Warpechowski
Tomás Ruller (former)
Alastair Mackay MacLennan (part-time.)
Helge Meyer u. Marco Teubner (2000)
(light direction with Wilson)
energetic field
(Kurt Lewin)
W. Preisinger
G. Harringer
P. Arlt
(Julia Scher)
Todays Place
The Prediction
Reindeer Werk
Das Konzil
Werkzeuggruppe des Konzils
Minus delta t
East-West-Study-Project
Aufmerksamkeitsschule
Verein für Projektkunst e.V.
ASA-European
The Current Affairs
Bazillus
The Neoist´s
MATERIAL und WIRKUNG
Werkstatt Odem
Club Moral
Moltkerei Werkstatt
Throbbing Christle
(Genesis P. Orridge &
Cosey Fanni Tutti & u.a.)
Kunoldstraße 34
Augenladen Mannheim
Le Lieu Quebec/Can
Büro Berlin
Artist Village (Singapore)
Performance = capabilities and
self-assertiveness in a
competitive situation
Black market International:
Cf.: contextual view
Cf.: energetic view
category of the "between" as guiding category
for an aesthetic of the performative
power fields
anarchic situations
Die Fabrikanten
network of lines of force
architect as performer
(David Ireland)
building
fünf ingenöre: P. Arlt,
Elke Knöß, Wolfgang Grillitsch,
Martin Kaltwasser, Benjamin
Foerster-Baldenius
giving what is to be found
in crime, in war
(Hank Hyena)
(Gillian Waering)
Büro Berlin:
view of the in-between (space)
(Peter Brook, Jürgen Fritz, Fischer-Lichte)
role of emotions
in power struggles
Confrontation with police
and border patrol authorities
seen in terms of the theory of
acts of power (Foucault)
See also:
violence
(commentary on power & money:
Martha Wilson and Jackie Apple)
surveillant exercise
of power
fear-anxiety system
anger-annoyance system
playing
suspends domination
bondage
situations
list of networks:
(B. Nieslony)
fighters and lovers
Not yet categorized:
Milan Adamciak
Arahmaiani Rahmayani / Julie Bacon
Olimpiu Bandalac / Jozsef Bob / Maris Bustamante
C. Ondine Chavoya / Chen Shi Sen
Rosalyn Constantino / Raquel Mendieta Costa
Angel Delgado / Ricardo Dominguez
Amanda Dunsmore / Felipe Ehrenberg
Károly Elekes / Maria Elena Escalona
Stano Filko / Michael Fortune / Eri Furukawa
Toshimasa Furukawa / Maria Elena Gaitan
Mizuho Handa & Tomoko Takahashi
Birgit & Wilhelm Hein / David Hull
Noor Effendy Ibrahim / Patrick Jambon
May Joseph / Elzbieta Kalinowska
Padungsak Kochsomrong / Julius Koller
Marleen Kos / John Kovach / Pawel Kwásniewski
Aileen Lambert / Mi-Jeong Lee / Won-Hyung Lee
Jessica Lerner / Pia Lindman / Roshan Linsi
Jerzej Lipcynski / Hoang Ly / Janos Markus
Cesar Martinez / Radislav Matustik / Mauntin Shue
Dan McKereghan / Peter Meluzin / Aldo Menendez
Charles Merewether / Wathiqu al a Meri
Ottó Meszaros / Marta Minujin / Jose Munoz
Aung Myuint / Nagisa Nakasone / Yumiko Okada
Simone Osthoff / Pagac-Oravec (Duo)
Cosmin Paulescu / Silvia Pellarolo
Dan Perjovschi (cf. Amalia)
Phanyawatchira Khaissaeng & Surapol
Cosmin Pop / Vladimir Popovic
Marilena Preda Sank / Antonio Prieto-Stambaugh
Maria Elena Ramos / Mohammed Rezda
Jae Rhee / Robin Rhode / Nelly Richard
Peter Ronai / Tracey Rose / Lotty Rosenfeld
Masano Sano / Santiphap Inkongam
Zoltán Sebestyén / Rudolf Sikora / Lukasz Skapski
Ewa Smigielska / Leandro Soto / Merian Soto
Wojciech Stefanik / Neung-Kyung Sung
Takeo Suzuki / Sompong Tawee / Rie Tanaka
Sean Taylor / Harumi Terao / Attila Torö
Felix Gonzalez Torres / Carmelita Tropicana
Teresa Vascancellos / Evelyn Velez-Aguayo
Szabolcs Veres / Piya Visuttiiprapanont
Maya Wagatsuma / Susanne Walders
Wang Mo-Lin / Piotr Wyrzikowski / Yasmin
Jana Zelibska / Aida Zurinna / Vladimir Kordos
Jamie Hutchison
See also:
fighting machines
"Transformance"
(Jamie McMurry)
Power wants to tame, cut back, control
and organize the discourse
(discourse control through taboo)
(Abramovic/Ulay)
(Suzanne Lazy)
ASA
s.u.
semiotics of the body (LE)
violent hands
(threatening gestures)
against violence
(ArtPirates)
(Helmut Hempel)
24 view of the field
building as
performance
(Mo Diener, Sergei Nikokochev)
Renovation as
performance
semiotic
action experiments
institutionalized space
(Lit.: M. Foucault)
aesthetics of theft
(cf. gift)
power of circumstances /
dilemma
(Paul McCarty)
discourse as site of the unfolding of power
anarchist actions
loss of gestural
language in
modernism (LE)
Performativity of the commander (his power)
increases with every execution of a command
social power conditions
(Karin Anarchia)
(Guerrilla Girls)
For Artaud, a performance must be
unique, a real experience, unrepeatable,
and it must actually transform the
audience and the actors into a
different state.
game rules
ritual (s.l.)
male dominated
society –
performance as
infor-mance
masked avengers
(see also: spatial view)
performance as a configuration
of presence (the action) (BN)
25 architectonic view
ephemeralness (James Lee Byars)
"never show them again"
spatial structuring
(Gertrude Stein)
consenting disempowerment
in imitation (BN)
power position of the viewer:
the artist as exhibition piece
in the box (Skip Arnold, Roi Vaara, K. Dudesek)
situation structures
- the artist becomes part of the text
- the viewer becomes part of the text
see also: performance as situative production
score as
flow structure
(see: view of the score)
(see: performance as staging)
Landscape Play:
... thinking of stage and
text more like a
landscape
Urban Performances – Performing The City (PSi7)
the dialectics of (not) shopping
Still to be researched on the Internet:
See also: view of destruction
See also: energetic view
(Lit.: Lyotard)
power scenarios
structural characteristics of singularity,
unrepeatability (uniqueness), indeterminacy
and finiteness of the performative event
Art without exhibition spaces –
where the audience already is
See: experiments
with the audience
(Amanda Heng)
(from: La Fura dels Baus)
structures of action
no fixed
"locale"
Cleanliness mania in Singapore
Performance as negative
demarcation from other structures
linguistic text,
staging text and
"performance text"
battle view
(Artaud) Attack of power instances: state,
university, family, religious, ...
(Paul McCarthy)
(Jason Lim – Bierregen)
minimally structured events
What was done (act)
When or where it was done (scene)
Who did it (agent)
How he/she did it (agency)
And why (purpose) (Burke)
senses excluded
(in the field of art)
street
happening
(Ralf Filges)
(Institute for Direct Art:
Mühl, Brus, Nitsch, Weibel, Kren)
What must be questioned are: "models" as statically conceived
and spatially structured explanations (e.g.: semiotic
sign models, psychoanalytical topographies of
un/conscious, spatial text terms) (Proj.: Kinetographien)
Performance –
a game of locations
spaces with
wind machines
Georg Franck / Ökonomie der
Aufmerksamkeit (book)
J.-F. Lyotard / Das postmoderne
Wissen (book)
Performance contra Globalisation (PSi7)
Jill Lane / (PSi7) Reverend Billy: mimesis an
power theories
power discourse (with Foucault)
(game rules of art)
organization theory
critique of institutions discourse
culture manager debate
23 power theory view
preemptory speech
(initiation)
Dirty conditions as
power conditions (A. Kosa)
Who is allowed to besmirch whom ...
immediacy
see also: cliches of representation
Arranging the "mood" through the
selection of certain places
Different places/spaces convey their
own specific affective messages
understanding the space as
practically traversed execution
(Sowa)
environment art
a place is a voice
the power of
attribution
(exercises something
performative)
in the works of M. Foucault and Judith Butler
Investigating event structures
stylistic structures
(comedy as a stylistic structure)
(Cooperation Project X)
Ocean panorama –
Happening (Tadeusz
Telegram style and
broken syntax
(in Expressionism)
(LE)
(INFuG)
transit space airport
power of themes
concept of performance
oriented to power theory
effectivity
See: avoiding narrative structures
(neither stage nor audience space) (George)
(cf. P. Handke)
hidden performance
(cf. Nöth)
structurelessness
(Do happenings have structures?)
poetic structures
Performance = exercise in occupying thresholds
consecrated places
power of words
power of acts
locations of power
Performance as breaking through
structures
See also: Performance
as open system
Performance as semiotic text
reception of spatial arrangement:
participating action/embodiment
and translated performance (H. Sowa)
conventional places / non-places
RoseLee Goldberg / performance –
live art since the 60s (book)
GAG Art (Catalogue) Michel Giroud
Heidegger / Beiträge zur Philosophie
(Vom Ereignis)
Susanne de Ponte / Ereignis und Wahrnehmung (Eine interdisziplinäre Untersuchung zu den Events der Künstlergruppe GANG ART) + Hubert Sowa
H. Szeemann / When Attitudes become
Form (exhibition)
Kunstf. Bd. 134 / art & pop & crossover
Ed. Paolo Bianchi
Richard Shusterman / Kunst Leben
INFuG / Bemerkungen zur Ereigniskunst
Let´s Entertain – Life´s guilty pleasures
Stefanie Menrath / Performativität von
Identiitäten im Hip Hop
(System´Art Groupe: Michèle Métail,
Louis Roquin)
(cf. Nöth)
(Cf. Skip Arnold)
Literature:
Johanna Pfaff-Czarnecka / Macht
und rituelle Reinheit
Judith Butler / Hate Speech
Hakan Gürses (lecture) / Identität
F. Nietzsche
Arthur J. Sabbatini / Terrorism, Perform
Bateson, Goffman, Turner (analysing
processes of crisis)
Dan Graham (article) / Theater, Kino,
Macht (in: mise en scéne)
(Cf. Nöth)
street art (2)
performative perception
of space
acting in "concrete" locations
view of signs
Literature: (... continued)
Büro Berlin (catalogue book)
Zwei Monate experimentelles Arbeiten
(catalogue)
Susanne De Ponte / Ereignis und Wahrnehmung: eine interdisziplinäre Untersuchung zu den Events der Künstlergruppe „GANG ART“ (book)
Victor Turner
Michel Foucault !! / Mikophysik der Macht
M. Foucault / Botschaften der Macht (Reader)
Pierre Bourdieu / Die verborgenen
Mechanismen der Macht (book) !!
Elias Canetti / Masse und Macht (book)
Cillie Rentmeister / Frauen, Körper, Kunst
Mikrophysik der patrarchalischen Macht
(article)
Marianne Wex / „Weibliche“ und „männliche“
Körpersprache als Folge der
patriarchalischen Machtverhältnisse
(extensive picture study !!)
Performance as sign system
location, place, site, area, room, space
The right place
(Tehching Hsieh)
system view
Description of a performance
(... as performance: Judith Barry)
(Joan Jonas,
Matthias Jackisch)
(Rolf Hinterecker)
"founded" places/spaces
Performance location
a year outdoors
24 structural/structuring view
Performative Codes
(Cf. Habitus)
outdoor
performance
(Jill Orr) (Yin Xiao-Feng)
structuralism (discourse)
semiotics / semiotics of theater
symbol theories of knowledge
system theory / system discourse
field theories
topological psychology
formal sciences
self-organization theory
Literature:
Literature:
(time´s up, Tim Boykett, Udo Wid)
dolls as forgotten
people, family machine,
execution machine (Kantor)
extending the self
in the machine
Mechanics of stimulation - stimulation dispenser (C. Kolig)
"Performance" of
software and processors
transitional objects:
when the subject
tends to become thing
unleashing identity
in the machine
causality machine
(Sandor Doro – Sándor Dóró)
automated personnel
(people as though controlled with invisible wires)
(Artaud):
unleashing the body through
unmediated connection to the machine
Pia Müller-Tamm & Katharina Sykora (Ed.)
Puppen Körper Automaten –
Phantasmen der Moderne (book)
Ric Allsopp & Scott deLahunta /
The Connected Body ? (book) !
RESEARCH – Industrial culture handbook
Olaf Arndt & Johannes Kockel (Ed.) /
RRM Dieser Wahnsinn muß ein Ende
haben - Maschinenperformances 91-92
ars electrocia catalogues
prix ars electronica catalogue books
Martina Leeker (on extended perform.)
Martina Leeker (article) / zur Zwiespältigkeit von performativen Künsten und
digitaler Technik
Kerstin Evert (on Stelarc)
Archeology of the Future (PSi7): J. Birringer,
Helen Paris, Leslie Hill, Tomie Hahn, Marina
Grzinic, Scott deLahunta, Jörg Sonntag,
Yacov Sharir
Yvonne Gaudelius & Charles Garoian / (PSi7)
Machine/Meat: Abjection, Romanticism
and Identity
M. Beatriz de Medeiros / (PSi7) Telepresence
and Performance Art
Archeology of the Future:
Intelligent Stages, Neural Systems (PSi7)
implications for performance of the
emerging world of cybertechnology
EEG-Experiments
(Bruce Gilchrist,
Udo Wid, Horst Prehn)
bio feedback mechanisms
(spin sphere – time´s up
Just Merrit)
cf. also body view –
physical view (of achievement)
achievement view
(C. Kolig)
ritual machines
finger-fan performance
(Rebecca Horn)
(Linda Christanell)
17 body extensions
robotics
AI research / AI discourse
connectionism
cyberdiscourse / cybertheory
net discourse
technoscience and cyberculture
Performance as play
laughter reveals hidden
fundamental fears
most physical art
of laughing: the joke
celebration
art (2)
silliness
exuberance
body language jokes
irony and humor
(Bartolomé Ferrando, Rainer Aring)
(Marlene Madison Plimley)
ironic commentaries
gloating
(Charly Banana:
Ralf Johannes)
logic of joy
Laughter becomes chaotic
in carnival
ritual clowns
playing with identity
(Homi Bhabha)
Concept of carnivalization
(Lit.: Mikhail Bakhtin / Bachtin)
annulment of hierarchical
relationship (of noncarnival life)
(Pueblo Indians)
practical
joke (2)
17 carnival view
comic turn, carnival of mimicry
carnival as testing bed
for new cultural and
social structures
carnival – the place
for working out
view of laughter culture
laughter community
carnival – the place
for working out
see also: identity view
Intensive play (flow)
Deep play
playfulness and fun culture
time of impossible
connections
view of nonsense
playfully devoted to chaos
(Gelatin)
puppet theater as performances
(Rirkrit Tiravanija)
game moves with tremendous role plays (s.l.)
performativity (Lit.: Lyotard)
playing and humor
free play (see: Improvisation)
The human being becomesfree play with materials, objects,
body movements, action locations
human in playing
Meta-communication (Bateson)
Psychological frame
see also: Fluxus
(G. Brecht)
(see: release view)
games (3)
(Ralf Samens,
Ben + Sam,
Ross Sinclair,
Udo Idelberger)
17 playful view
view of playing
performance is playing
child's view (PSi7)
experimental
playing as the essence of culture
(Sowa) reality as practical
games (Situationists)
cathartic games (see below.)
materially unproductive, execution of life (actus)
culture as a game (Lit. Huizinga)
(cf. view of destruction)
DADA
(2)
rule-based,
,...
musical
score
as
game
rules
(s.l.)
gaining influence over attitudes
play drive
playful insight
playing as a joint praxis
playing with frameworks
games of fate
respectless sense of
effectivity/rituals /vs/
purification
and interpersonal relationships
(cf. context view)
more game than battle
of suspension
carnival of thinking
humor (Kurt Fulton)
liberation from
use of toys
genuine /vs/ play (in comparison to theater)
entertainment/theater
(cleansing)
(Tadeusz Pawlowski)
(Schlingensief)
(Performing Resistance)
(ridicule
of
other
directions
of
thinking)
catharsis
as
bets
and
gambling
(Stadtwerkstatt)
(Sigalit Landau, B. Nieslony)
(R. Schechner)
(see also
religious and
in relation to the performer's use of the body
liberation
fun objects
artistic effect
sports view)
playful
action,
(Jim Pomeroy)
sexual
taboos
in
relation
to
the
role
of
the
"viewer"
Hula Hop show (essence of body art)
play of locations (see above.)
collective consciousness
reminder of what is held in
desire for presence, physicality,
cf. knowledge
logic of joy
pure play of the hands
(Oliver Kochta & Frank Lüsing)
(Jean
Dupuy)
modified (card) games
Performativity
electronic game environments
common (among people)
sensuousness, material experience
the mental network (BN)
sex education (AIDS)
(Verena Schwab)
as passion
pleasurable play
(Robert Filliou)
(Miltos Manetas)
(Bernd Schulz)
of netgames
therapy function
the network of intentions
event
society
(Hortensia Ramirez R.)
outdated concept of effect
bumper cars with game environment and
Theater-anthropological thesis: Bipolarity is not found
and
game
culture
Rolling art – glass balls (Stadtwerkstatt)
"Shaken" by: enthusiasm, insight,
science on and
Bingo (Jahn Mauritz Löcke)
aesthetics superseded by the
modified slot machines (Stadtwerkstatt)
disruption,
shock
between ritual and theater, but rather between the
fascination, shock, excitement, confusion (LE)
for people (B. Nieslony)
experimental
aesthetics of the performative
as
consequence
(Kees
Mol)
exposure
temporary
panic,
table football championship (Raoul Marek)
parameters of effectivity (in ritual) and entertainment
self-experiments
constrained thinking: negative
computer game rules (Markus Hensler)
shame
dizziness (Lit.: R. Caillois)
(in art) (LE)
Moments of "panic and destruction", where
feelings like anger, fear and
computer games (Paul Demarinis)
embarrassment
(Peter
Land)
(BN)
The allotropic = the purest thought of
vertigo (Milica Tomic & Róza El-Hassan)
act/effect realized in being
constraining thinking processes
consciousness threatens to collapse (Export on G. Brus)
mourning, also revulsion and
chagrin
alchemy; does a process of insight need
(sabotage – Robert Jelinek)
participative research (performative)
dealt with (H. Sowa)
shame have a specifically
unmediated sensation of unbearableness
artist as (participative)
cheering
20
years
or
can
an
event
create
it
in
a
political, social consequences
vs. observational "standpoint"
agitation,
impotence
(through
directly
conveying
a
physical
stress
situation)
(FS)
divisive,
distancing
effect
on
touched, moved
behavior scientist
entrancing
second
(see political view)
as consequence
soiled
cognition thus connotated
(U. Wid, A. Fraser, Gina Pane)
querying
key experiences
enticing
senses up-set (BN)
every insight is only possible
entertaining
emotions
B.M.: ... certain states of knowledge
disquieting
The 8 rasas (non-commonplace emotional states),
through
action
/
inner thunderbolt (Zen)
mourning
cannot be held down
mental chagrin (B.M.)
(theatrical) research work:
perturbing
that the audience experiences through the art of the performer (W. Pfaff)
put into
knowledge is a matter of doing (Grotowski)
artistically autonomous
commonplace ironicizing studies (Nam June Paik)
(Hans-Jörg Marti)
knowledge
about
oneself
...
frightening
outrage
legal
a trance
research work (Hayley Newman)
about
ballistics
and
others
(Dr.
Math.)
Performance as "spiritual exercise
prosecution
Understanding a situation real-physical investigations
Performance aims to provoke dismay, fear, anger,
(Irma Optimist (Luchta))
insight
(Lit.: W. Welsch) practice exercise
In the arrangement of "MA",
reference system of
action research
total irritation
as consequence
means ... actively grasping (Attila Kosa)
desire, anxiety, hate (Li.: J.-F. Lyotard)
Performance and the idea
illumination
the in-between space, this nothingness,
terms
curiosity interest
(Schlingensief)
(G. Brus, P. Weibel)
Vivisection
(intervention
in
live
animal
...)
it
(Sowa)
of expanded writing
insight as consequence
comfort
B.M. is a kind of mental chagrin.
system
(B.
Nieslony)
(Ric Allsopp)
censorship as
deconstructivist
interest logical
evolutionary
research
program
cf.
service
view
art without work,
Performance and writing
consequence
daydreams
police stop
(ALMA)
showing and
essence of performance
mental pleasure
(Karen Finley)
but with effect (PB)
Sites of performative learning:
(cf. Hakan Gürses)
performance
communicating
(Ron
Athey
–
NEA
USA)
the body's performative forms
B. Nieslony: shows languages of the body,
Beginning in the mid-80s, language again
performativity of reading
The (photographic)
(Isa Perkasa)
laboratory, workshop, ...
(with Wittgenstein)
consequences for the field of art
consequences of performances
of insight
the physique, the gestures, the images,
becomes more important in performances (often in social
picture becomes
(game
rules
of
art)
Why
performances
?
cf. theater view
increased
energizing
and
performance
as
the actions
19years exhibition ban
and political context)
performative in the
sharpening perception by
trial action
Performance as
cf: revolutionary approaches
own way of speaking
cf. service view
attention
(de)motivating
(Zorka Saglova)
analytical session (see below)
falsifying the result
act
of
viewing
trial thinking (analogous to trial action)
conscious
dream
(see below)
performance as
the function of performance
(curse: Rudolf Heimo Eber,
and living (KUSCH)
cf. political view
effect of affect
Text Performances
Learning foreign languages as "art praxis"
(Terry Fox)
observation
Joke Lanz)
Perception as
within a culture (Lit.: M. Carlson)
see: lectures
on
cognition
mind
shift-ing
(Chumpon Apisuk)
(R. Ganahl)
cultural development (see below)
tensed
performative
act
!
Performance as construction
Language Happenings
(Waldtraut Winkler)
interdisciplinary
(Reindeer Work,
experiments
Performance art emerged from
(Dominique Tronchet)
(Emmet Williams)
Boris Nieslony, INFuG,
a theory of language,
of meaning (in actu and in situ)
open thinking
function/meaning
of
performance
actions
Markus Schwaighofer,
the body is the focal point
the analysis of forms of representation performance artist as
The ideas that are in
is
part
of
a
theory
of
action
(Searle)
(positive
feelings,
Performed Text (Secession)
Jean Odermatt,
perception theorist
(Ray Langenbach)
of
investigations
performance
are
pleasurable
relaxation)
Spoken word performance
speech theory
cf. ethical view
(B. Nieslony)
George Steinmann,
monologues
(David Thomas)
(Josef Bauer, Valie Export: finger poems)
actionist
(Abramovic/Ulay)
functions
(interfunctions)
Performance /vs/
Visual versus Verbal
(Kristin Lucas)
Lili Fischer)
(David Cale)
performativity
of
thinking
reflection on the social
(PSi7)
Competence
interdisciplinary approaches
"language
planes"
instead
of
dialogues
(LE)
Insight
comes
from
emotionalization
thinking
as
communicative
performance
(public collective thinking)
status of the painter
performative verbs
Language as performance
in performance
suffering; disturbance first
of thinking
(dialogization; productive
(Jean Le Gac)
strong lecture culture in:
doubt
(Austin,
Searle)
Thinking is deed, leap, dance ...
reading performances (Kathy Acker)
Performativity of
see: interdisciplinarity view
Fairy Tale: Performance
forces the system into a
debate)
Hungary, Czech Republic, Croatia
(Foucault with Deleuze with Nietzsche ...)
as
rightful
speaking
new
way
of
functioning
Language
performative utterance
performative tendency of
laboratory situation of knowledge formation
analytical chilly
artificial disclosure (FS)
(Grimm's Fairy Tales: Joan Jonas)
Speech act as
see: communication view
There is no performance without
all creative writing
(UlunMichael Steinke)
art as knowledge system
rationality studies
performance as language
event
analytical philosophy
(2)
child's language
Language
Performances
see
also:
Preformance (John MacAloon)
(Kunstforum: Jean Odermatt "LKW Gotthard")
(Helmut Schober, Scott Burton)
(Ric Allsopp)
acts of meaning production /
epistemology
(Stefan
Güpping)
Memo-theatrical
ritualized
speaking
stammering –
performative
(George Steinmann)
Narratively structured performance
lived mental art work (PB)
Experimental actions
meaning is acting/doing
Slam Poetry
cognition sciences
(Heinrich Lüber)
PreFormance
dimensions
of
texts
/
(Category
12
according
to
M.-L.
Lange)
prelinguistic
understanding
(Sowa)
(Category 06 according to M.-L. Lange)
Performances on: language and
Thinking through Performance
cognition theories
performance
as
"theory
event“
strategies
for
visualizing
rhythmizing language
utterance
Walking and Thinking
cf. context view
(PSi7-article: Dwight Conquergood)
its relationship to voice
Diva of spoken words
Performance:
Exposing the physique of the voice
artistic research
(Toni Davidson)
see:
lecture
performance
Happenings
as
understanding
as
literature
(cf.
ILIAS
–
E.
Kosa)
The
"Internationale“
in
Thinking is Walking
(Amanda Stewart)
(Jill Battson)
ArtPirate (PSY =
Restored behavior
anonymity
in screaming, groaning, animal sounds (LE)
constructivism
thinking in movement
quiet
research
form
of
action
(Sowa)
10
min
tact
(Susan
Philipsz)
radical
poetry
Walking
as
cultural
act
Michael Mierse) shown
(Guerilla Girls)
singing
sculpture
(Peripatetics,
INFuG,
performers
in
animal
costumes
resemblance theory
The
"Internationale“
with
TV
set
(Ruedi
Schill,
Erich
Jandl)
Exposition voives:
By: pseudo through and
poetic text as
border-crossers (Kunstf.Bd.136)
(Gilbert & George)
ARGE Kulturtheorie,
(penguin, polar bear: Gelatine)
Form ance
Physique of the voice
speech act
performance
as
on pedestal (Wang Mai)
Vito Acconci, Judith Barry, Genevieve Cadieux,
through (M.V. Stirnemann
(Wladislaw Kazierczak)
starting situation (Charles Dreyfus)
Stefan Szczelkun)
art as investigation
performance as
Janez Cardiff & George Bures Miller, Garry Hill,
u. Gido Dietrich)
in straining,
Diagrams (thoughts,
Dolls, stuffed animals as
research laboratory (Chris Burden)
(Werner Herterich)
Performance with language:
Performance is
Jochen Gerz, Pierre Huyghe, Kristin Oppenheim,
self-creation
wheezing, rhythm,
feelings) (John White)
Lecture as
(co-)players
(Vienna Group)
(Joan La Barbara,
Is performance a language?
(Sabine Sonnenstein)
Moniek Toebosch
quality (Disc.)
emotions with regard to
(Boris Nieslony) (Paul McCarthy)
Destruction of tradition and
identity through
Ferrando Bartolome,
archaic sounds
Research Performance
Experimentation as
literate
poetry
(Natalie Eberle) (Jürgen Raap) (Gelatin)
memory for the benefit of the
Dick Higgins,
Action Poetry
(Marietheres Finkeldei)
what is strange
voice performance
work (Arai Shin ichi)
and screams (LE)
Performance (Udo Wid)
Quality
identity of the now
Massimo Mori,
singing performance
(Lori Weidenhammer)
(Jana Haimson)
Word on the street-performances
extreme self-presentation
humans as players –
The strange as monster
performance
in action
(Myung-Hee Seon)
Brian Catling,
(see
above)
Self-Performance-Art
(PB)
&
Tele-poetics-performances
(Kiev Stingl)
(see below)
playing the role of themselves
speaking, singing, screaming
Emmett Williams,
Performance of thinking
(Andrea Thompson)
The performance artist's gesture (H. Plessner)
(Loidl) (Charles Dreyfus)
Exhibitionism (not accepted in
(Jilia Heyward, Shelley Hirsch)
Performativity as establishing identity
(Hermann Bohmert)
Fritz Schwegler)
speech or
view
of
the
voice
gender
transformation
a performance: A´battery A“)
(Michael Schmid – screaming naked)
of self-presentation (LE)
(Giovanni Fontana,
as a process of repeated citations
performance artists as poet,
anonymous performance
Living in a bag
body
knowledge
(Kim Tomczak)
literary
suits (Lygia Clark)
Joel Hubaut,
Called „I“ (Ryota Shimizu)
storyteller, preacher, rapper, ...
(Charles Kaltenbacher)
(cf. Eva Sturm)
personal fears and obsessions
performativity of thinking
cf. "linguistic turn“
John Giorno,
poesie d´action
physical
voice
examination
(Gundi
Feyrer)
(Ria
Pacquée)
(Emil
Gropoz)
attempts to establish new concepts of art
explore alternate selves
performance
Bernard Heidsieck,
(public thinking)
rap
meets
poetry
(Natalie
Eberle)
Tele-narrative (Adriana Zamboni)
self-referentiality of the performance (FS)
speech
Staging Cultural Identity (PSi7)
(Eleanor Antin)
Fernando Aguiar,
self-exploratory
(cf. Marvin Carlson)
(Erich Jandl =>
Pierre-André Arcand,,
fighting for the right to be different
Presentation character has
Story telling techniques
language as soundscape
Performance Poetry Show
invisibility of the author
Bruit-TTV (Louis Oueller,
memorial culture
Andrea Saemann)
return of the text
performance
performance
logic of different
autobiographical
Michel Giroud)
(Amalia Perjovschi)
outweighed artifact character
Fabrice Montal, Robert
(Flati - Stadtwerkstatt)
(Norbert Klassen)
music
of
multiple
languages
tied to the body (cf. NLP)
living
artwork
(Orlan)
(Al
Hansen)
performance (Rachel identities
literature
Faguy, Jocelyn Robert)
since the 60s (FL)
identity transfer
work
on
the
self
(Laurie
Anderson)
Rosenthal, Spalding Gray,
actors as theme
Multilingualism (PSi7)
(Valie Export)
story telling (2)
(Andrea Saemann)
(Eleanor Antin)
performance
Julia Haywards,
(LE) most radical form of
spoken words
hovering
and
main
figure
(LE)
author
=
work
poetic structures
(Alexis Smith)
virtual
Laurie Anderson)
negotiating
identities
self-transformation: public suicide
attention (cf. trance)
Before there was
(2) expanded
the voice comes
(see also:
(Jean-Yves Frechette,
(Gabriele Oßwald & Wolfgang Sautermeister)
performance
suicide (mirror)
abidance
rhetoric
in use
Solo-Performance
exhibition of
writing, before there was
Jan Swidzinski,
directly
from
the
soul
poetic
theatre)
(Steve
MacCaffery,
Enno
Stahl,
Poland:
almost
like
(Cuco Suarez)
school of attention
Ultimate performance with
(Heidegger)
performance
the self
Hanna Barbara,
Gilles Ateeu, Yves Boisvert,
story-tellers, but
theatre, there were
losing (Mexican)
mirror
creative
tension
between
oneself:
(Bas
Jan
Ader,
personality
Adriana Zamboni)
emotional power of expression
Stan Lafleur, Jean-Pierre Verheggen)
always relating to
nostalgia
linguistic
attention as raw material (1)
surely performances
identity (Maricruz Penaloza)
voice
(as
emotionally
controlled
(Iole de Freitas,
Serge III (Serge Oldenbourg *1),
(Roddy Hunter)
repetition and innovation
real life
Disguise as performance
(cf. "southern" cultures)
collective
ultimate
performance
Joan Jonas,
Transgender
self-image
Tibor Hajas, Petr Stembera)
(Rakugo
=
storytelling)
component
of
communication)
the general essence of performance
disintegration and new identity (initiation)
(Orlan) (Yasumasa Morimura)
Dan Graham)
(Siverding)
authorship
*1 Russian Roulette
intensifying
presence
authenticity
An utterance is performative, if it simultaneously
Publicly sympathizing in
performance
experiments with sound
self-attention
the body as building
A performance "speaks" more directly than a presentation
participation (after Sloterdijk)
cf.
Performing Authenticity (PSi7)
realizes what it designates
disguise (Ria Pacquée)
Theater (Perf.)
characteristics
of
sound
creation
Transvestite (Urs Lüthi,
portrait performances
Pure Performance
speech acts
Performance: concrete use of language
cf. also: masks
as genuine experience
practical situative attention /vs/
Performance as
sound poems
self-transformation
Jürgen Klauke)
(Irene Andessner)
observation as
The oral apostles
artist image
as actions
dandy
as
performative
speech
act
(Carles
Santos,
Henri
Chopin
et
al.)
of existence (A. Artaud)
contemplative aesthetic attention
(cf. self-mutilation)
ritual
of
transition
in
a
(Giorgio
Ciam)
(Ralf
Filges
(Ralf
Fölling))
(Susan
Mogul)
performance (Robert Filliou)
camp performance
I am an artwork
(Jeans Group:
(Meredith Monk)
cross-dressing model
Oral cultures are exemplary
(... imbedded in ritual situations, etc.)
rebirth of life
Oral tradition in
crisis situation (PSi7: Transition)
Holger Dreissig)
lesbian camp performance
aesthetics of
aesthetics of existence
artist identity
authentic
(role playing)
performative cultures (FL)
Romance
countries
pragmatic
the conference as speech laboratory
(Helena Goldwater)
contemplation /vs/
(M. Foucault)
(Büro Haake-Brandt)
Performance without the performer
(G.J. Lischka)
cross-culture
the living
introverted
screams
invented
aesthetics stressing
gay
camp
performance
Performance: concrete realization of
ecstasy
Oral traditions
not appearing and not conducting either
(Siglinde Kallnbach)
autistic (BN)
Conference or sermon as form
identities
Cross-dressed performance
the body
(life as theater)
(see study: Eva u. Attila Kosa)
aesthetics of the moment (cf. ZEN)
the linguistic utterance (... voice, breath, gesture,
(Rose Finn-Kelcey)
see:
Identity
theater
as
(Lynn Hershman)
of performance (Lili Fischer)
Theater of the Ridiculous
mouth,
ear,
eye)
...
what
is
personal,
physical
in
...
Existence
has
always
already
oral institution
aesthetics of presence (cf. ZEN)
identity game
ersatz performer
surrendering identity
drag
every act of speaking (cf. also habitus)
been tuned (Heidegger)
performative theories
with B. Bardot
transformation
as
sing-song
(Lili Fischer)
sound poetry
(Rose
Finn-Kelcey)
see: Attitudes
performative constitution
in every performance
physical changes
(Lena Eriksson)
ethnology
(Larry
Wendt,
aesthetic
category
(FL)
see
above
border situations
performances (Nieslony)
(techniques of aestheticization)
of gender identity
(Eleanor Antin)
resource of attention
Serge Pey,
Performance as valuative
existence-philosophical topicalization
analytical philosophy
(green
line
walk
–
(Annette
Messager)
emotions relating to the unfamiliar
Performance =
J.-A. Deelder,
art as a quick trick
aesthetics without intent (PB)
(Francis Francine: Drag-Performer with
achievement, as configuring
Die Fabrikanten)
of situation (Jaspers, Sartre, Merleau-Ponty)
Myth of
linguistic philosophy
Performance
=
intensification
Julian Blaine,
the unfamiliar as monster
always also an
Warhol & Smith / Mario Montez, Jack Curties: Dragoperation performance
Great Wall Walk (ULAY)
presence to action (BN)
performer
rhetoric
Poesie
brut
of visual and tactile stimulations
Jaap
Blonk,
provocation aesthetics aesthetics of horror
Performer with Warhol) drag queen / drag king
embodiment
Staging the Holocaust (PSi7)
Operation as performance
(Alberto
Jean-Francois Bory,
(Wanda Golonka)
recycling (Ursula Palla)
language studies / linguistics
Indian Movement (Jimmie Durham, James Luna)
(Diane Torr) Drag (Mary Noéle Dupuis)
language
Masala)
Jacqueline Cahen,
poesie
(Orlan) remodeling identity
As human existence intervening in an immediately effectiveofway
(Brian D. Tripp)
rightful speaking –
structuralism
arranging morbid
Western
taboo
of
Performance
as
memory
work
(see
above)
light
extinguishing
Diane-Jocelyne Cote,
Las Americas: Crossing Cultures (PSi7)
pictures of anonymous
Identity in process
in the existence of a public body (BN)
model
of
the
accident
(Allan Karpow)(Stuart Sherman)
performance
(BN)
speech act theory (Austin, Searle)
Identity
&
Habitus
curiosity
transgressing beauty:
(Schmiz&Drux: Alexander Schmid, Michaela Drux)
Jean Dupuy,
sonore
machine
people, tortured, executed
tableau
event of disconcertedness par excellence
pragmatics/interactions and
Paul Dutton,
B.M. is an intercultural
cutting
the
face
(Andreas
Techler)
visual
drama
(Chen Chieh-Jen, Nieslony)
"Peintre Nato"
Western "text-fixated" culture;
Performative dimension of identity constructions
"Something, an echo of laughter reveals hidden
Cyrille Fontaine,
sound
poetry
/
conversation analysis
Smashing lightbulbs
acting
(Gina Pane)
elected affinity
vivants
(2)
theory of self-liberation
„Beauty now“
in comparison, non-western
Giovanni Fontana,
linking cultures
nothing / serial murder fundamental fears
(Orlan)
Light and
Girlism
existential
and
bodily
"abhorrence"
that
results
visual
dramaturgy
socio-linguistics
Performing
Identities:
Nation,
Region,
Religion
(PSi7)
sonore
in the moment
(Vanessa Beecroft,
Phosphorescence
Bernard Heidsieck,
(Dimitri Alithinos)
phoneme
(Franticek – Klossner)
cultures appear as "performance“
performatively
(PSi7)
absolute solitude
bizarre piece of existence theater
pineal gland
environmental issues
speechlessness and comes before thinking
performative
linguistic performance theory
Cindy Sherman,
(Fried Rosenstock)
Joel
Hubaut,
of
dread
Living Tableau
Performing Identity: see also feminist view
(Via Lewandowsky)
(Ingolf Keiner)
(Mongkol Plienbangchang)
lectures
in the act
Yasumasa
Arnaud Labelle-Rojoux,
creation of
"dialogical"
literature studies
(Yayoi
Kusama,
Pierre
Molinier,
Judy
Chicago,
intercultural
Nihilistic
existence
quality of perception
fear-angst system (V. Acconci)
childhood experiences, primal fears,
Morimura,
(Henry Chopin)
Jean Jacques Lebel,
intercultural exchange
Faith
Wilding,
Urs
Lüthi,
Adrian
Piper,
Patty
Chang,
the
art
of
distinctions
(Ming
Zhu)
Cf.
Butoh
performance
literature discourse
Performance
as
performer training
emotional influences of light
Matthew Barney,
Alberto Masala,
private performances
audience participation
abandonment panic system
destructive fantasies,
Jürgen Klauke, Katharina Sieverding,
Happening (1)
(Gebauer with
(Christoph Mayer A)
(Schechner)
linguistic turn (discourse)
perfect
corporate
identity
/
losing
one's
grip
Leigh
Bowery,
in
performance
exposing
oneself
(PSi7)
Performing
Trauma:
Joseph MacKenzie,
(in space and through the seasons)
(Jamea Lee Byars)
Linda Benglis, Robert Morris, McCarthy,
the act
open end
Bourdieu)
existential meaning of angst
drive analysis
Butoh: search for origins
Mariko Mori,
Rewiring Self and Society
Martha & Jenny,
corporate
identity
performer
possibility
of
ec-stasy
race
and
completely
(extreme
performance)
(BN)
U.
Rosenbach,
Warhol,
Leigh
Bowery)
lectures (3)
intercultural
flood of light
Intervention (2)
Pipilotti Rist)
aesthetics of the atmosphere
in the depths of one's
In the Aftermath of Violence
Angéline Neveu,
(Abramovic)
(Allan Kaprow, Tadeusz Kantor,
Performance
cultural respect (BN)
loving people
multicultural
lightshows
performance (PSi7)
(Sonia Knox)
(Alain-Martin Richard)
Tibor
Papp,
own
existence
Identity (as)
Performance as
(Min Tanaka)
Jean-Jacques Lebel, Wolf Vostell,
(Fabio Mauri)
existential commitment
(openness / taking no position / ...)
performance
Michael Rice,
honing survival
mapping sites of
Al Hansen, Rauschenberg, Robert Whitman,
(Laurie Carlos)
performance
"translation" (PSi7) into a different
intercultural performance projects
Lightlight
compositions
Valeri Scherstjanoi,
in
performance
(PSi7)
instincts
(Ronaldo Ruiz)
existence
Nitsch, Schneemann, Knizak, K. Dewery,
Penetrating
the
atmosphere
–
existential
questions
(Sowa)
Situative
existence
(Adrian Piper)
private /vs/
Performance =
(Nan Hoover)
area. After a P-phase, artists are
intercultural dialogue (P. Jacomella & M. Walther)
Cesar Figueiredo,
(Pane, Brisley)
Performance
non-existence
of
woman
(Varsha Nair)
Alain Jouffrey, Zorka Saglova)
(Janos
Szirtes)
(Petra
Deus)
flow
–
experience
light music
What is art and what is "reality“?
as carrying out action
Enzo Minarelli)
DADA
intercultural transformation
often
active
in
other
fields.
public
the art of the act (Black Market)
genderperson marked as
existential actions –
(Rolf Julius, Christian Möller)
(Harrie de Kroon)
Light-Noise Performance
being
a
person
among
(Translation Transition Transformation – PSi7)
ethnicity and
intercultural
Your
presence
Judaism
see:
Performance
as
life
performative action
hermaphrodite
to
the
point
of
total
periodic performative
(G. Ritter, P. Haunschild)
intercultural collaboration (PSi7)
tainment (2)
performance
theater
is the best work
(Tanya Ury
opening oneself up to the experience people (BN)
Total participation instead
(Fen-Ma Liuming)
staging light
exhaustion
postdramatic theatre
the enflamed aura
intensities (instead of works) Dame Magma
the conference as
There are no repetitions,
(James Lee Byars)
concentration
camp
tatoo)
of
intensive
presence
(Petra Deus)
story
LKW
(2)
of
spectacle
(Situationists)
(Noah
Riskin)
Counterpart
to
energy:
(Ben
´D
Armagnac)
Performative
of happenings (LE)
Animotion
culture politics as
(charisma)
life of the act
only situative presence
(Lori Weidenhammer)
ethnic performance
without intentions
flattening emotion – slowing down,
aesthetic (H. Seitz) (FL)
(Stefanie Wilhelm)
Art Attack
re-auratization
core of performance
gathering for moments
(Guillermo Gomez-Pena, Laurie Carlos,
telling (1)
art of life
(religious) rapture / ecstasy
Activity – Frames of
processual aesthetics
see: aesthetics
(Lynn Mc Cary,
pasty appearance, flabby muscle tone,
(Charles Garoian)
Jessica Hagedorn, Robbie McCauley, Coco Fusco,
meaning is
basic state of
Being – as performative practical Act (Sowa)
in performative art
taking action = "taking in
of
intensity
(Proj.:
Kinetographien)
Evan
Hughes,
act forums
mind
(Kaprow)
of existence
Shirin
Neshat,
Lorraine
O´Grady,
Reona
Brass)
quiet
voice,
cold
skin,
dull
gaze
acting/doing (Sowa)
calmness
Practicist concept of being (with Heidegger)
hand"
Poles: often related to
aesthetic of performative art
Excess, the
interplay between
Suspension of the familiar
Alberto Gaitan)
(Foucault)
Asian
ideas
(BN)
The
energetic
sum:
category
of
the
"in-between"
as
guiding
category
(giving existence "a hand")
one's own life
moment of delirium
aesthetics & existence (PB)
ego boundaries, close to psychosis,
Politically
motivated
the act
woman
as
a
piece
of
meat
feeling
of
total
participation
Emergence (higher plane of being),
imperturbability
aesthetic action
for an aesthetic of the performative
(McCarthey)
in both the ecstasy of love and
(Mary Noéle Dupuis)
without an emotional push there is no action
self-immolation as performance?
(Flow)
not conducting secondary discourses
To analyze performance as the primary reality
B.M. is a principle with
art
action
religious ecstasy (unio mystica)
(Jan Pallach) Seppuku (Yukio Mishima)
aesthetics of living places
(PB) Life – an instruction
against discrimination
(David E.R. George)
displacement of the dominance of the visual (sense of sight)
ethnic-cultural dimensions
space of action
incl. audience
irreducibility of
beings from another world
energetically putting oneself into a
manual:
because of cultural differences
Levitation (canceling
Performance as a model of existential reality
(Karen
Rahn)
(Mariko
Mori)
tense
and
the
practical
Life Performance
deep play /vs/
(2) Neurotic Rituals – in the
life-art as self-experiment
(G. Gomez-Penas, James Luna,
aesthetics of life practice
Samurai (Charlemagne Palestine) –
the book of gestures
gravity)
perception
politics
relaxed
(Abramovic, Ulay)
Adrian Piper, Tim Miller, Holly Huge,
shallow play
intensity of a hysterical psychosis
(Jochen Gerz)
performer takes
Hagakure: in praise of energy (Mishima)
(Terry Fox)
view of real experience
fundamental state of being
(Geertz)
(Reindeer Werk)
Robbie McCauley) (Elvira Santamaria)
encounter
(2)
(Helga Moehrke)
existentialism
Performance as an
(em) bitter(ed)ness
sleeping pills – audience has to
action
east
art
/
west
art
see:
the
art
of
existing
(Monika
Günther
Disquieting and renewing
Communitas
(primacy of action)
aesthetic category
hardness
Performance is based on the
react (Ma Liuming)/
& Ruedi Schill)
the enflamed aura
media presence for political issues (Schlingensief)
energy (Ric Allsopp)
hand generated light
life art
Gestures (2)
existential
philosophy
strictness
presence
of
acting
artists
sleep pieces (Geoffrey Hendricks)
(Sompong
Thawee)
real action as taking
to exhaustion
search for the
(charisma)
(Richard Alpert)
"let's do some action"
Performance as an aesthetic
pragmatic ethics and aesthetics
on the drip with sleeping drugs (Holtappels)
subjectivism
debate
Performance as a meeting
political
effect
completely
expending
oneself
bed in (for peace)
see: life-art-works
perfect Now (moment)
(with Rorty, Shusterman) (H. Sowa)
presence aesthetics
phenomenon (as aesthetic
technology critique
of different cultures
(Gina Pane) (McCarthy)
the recipient as
(Yoko Ono)
interrelationships of (Colette: declared the
(James
Lee
Byars)
Artaud: to be as one
taboo violations (2)
The performative
Performance is
haptic stimulations (Abramovic/Ulay, Minus delta t)
category) see above
(Fake shop –
(Reindeer Werk) (Denis Oppenheim)
communication with the audience
Cut piece
configuration (of presence)
neo-existentialists
(necessary) witness
life are declared
course of her life an
(discourse control through taboos)
(Fluxus)
condemned to be burned
indoctrination model
present
see: most sublime moments of
Performance-Installation)
(Marina Abramovic: dance to
performance
as
(Sang-Jin
Lee)
(Yoko
Ono)
(@Home)
art work)
art
organic
material
(Ray Langenbach)
unconsciousness) (Marcos Kurtyz)
and making signs from
audience brought in one by one (Franco B.)
garbage delivery
ability to act
audience
and
performer
participate
Performing
physical
presence
(Dorte Strehlow: dragging sack)
war victims
Aura (air, breath) as what is
in search of the
Touch and Feel Cinema (Valie Export)
up on the stake
world war (PSi7)
performance
The performer as avid
voyeurism of performance
in
the
same
energetic
space
animal
hears
(sometimes
pulsing)
energetic
observation
of
(Mona Hatoum)
(Melati Suryodarmo: dances,falls, ...)
forgotten in humanness (D. Mersch)
censorship (Tania Bruguera)
authenticity of experience
Body Contact (Schechner)
(V. Export, Lydia Lunch, Rachel Rosenthal,
(Stadtwerkstatt,
Sándor
Dóró)
recipient of an exhibition
political
theater
psychic processes
cf. identity view
total overload (Stuart Brilley)
Elke Krystufek)
Touches (Franz Müller)
Political Performance for a re-politicization
(Tomás Ruller)
(Performing Identities – PSi7)
building up intensive energy fields
(psychic energy)
life
extreme
performance
There
are
as
many
performance
(Adrian Piper)
of performance
cage situations
Animal ritual
see:
(Rolf Langebartels)
(Text:
Lischka)
(Padang
Ilalang
Group)
(as topic)
aesthetics as forms of living
20 performance-meters
(Hans-Jörg
the untouchable
(Bonnie Sherk,
pleasure of grasping /vs/ touch prohibition (Kathrin Butt)
(Bradley smith)
contemplation /vs/
(Julie-Andree Tremblay)
Intensity and energy:
playing with the audience's
Tauchert)
Gómez-Pena & Fusco)
or language games (D. Charles
become a marathon
human as dog
art
propaganda
(
Franz West – pieces that should be experienced with the body) (Michelarcangelo De Luca)
energy drawings of performances
ecstasy
Vital works: Abramovic/Ulay
no
distance
attention
with
Wittgenstein)
(Albert van der Weide)
(Oleg Kulik,
conventional life situations
(Morgan O´Hara)
political climate:
(desire for touch)
energy dialogue
(Giuseppe Chiari)
see:
uninhibited
Alexander Brener,
Ethics
is
the
Aesthetics
of
the
(Mongkol Plienbangchang –
testing the audience's
emotions are the central
Performance with (dead) animals
Peter Weibel)
with regard to
performances
Few
(ture)
(Laurie
Anderson)
U-kabat-Group)
viewer
in
the
role
of
the
experiencing
the greatest possible intensity:
Recipientsee: attention
reactions
suppliers of energy
(V. Export, Siglinde Kallnbach, Werner Klotz (snails),
posing with the
aesthetics /vs/ ethics
performance
in
performer
(in
complicated
as
goal
of
the
performance
Performer
Via
Lewandowsky,
Alastair
MacLennan,
H.
Nitsch,
(energy
field
as
centered
cf. body as medium
(see: borderline situations)
cf. Wittgenstein
camera (Ma Liuming)
energetic
(Peter Stembera)
intoxicated state
technical installations)
R. Schwarzkogler, Otto Mühl, Zbigniew Warpechowski,
(Performing Resistance – Vienna)
politics
(La Fura dels Baus)
It
is
not
possible
to
speak
attention)
Ethics is the aesthetics of the future
parallelisms
Mark Tomson/Thompson (work with bees),
(Chris Burden) (V. Acconci)
audience in the
about ethics (praxeology)
(RoseLee Goldberg with Lenin)
completely surrendering to
escalation begins with
shop for energies of all kinds
(Morgan O´Hara)
Stadtwerkstatt (bug race), Zitronenfalter (Brook),
naked performance by the "audience" organized political revolutionary
Inge Broska
Performance culture as
(Ulf Freyhoff – FreiRäumeN)
victim role
ethics = action (performative)
the visitors (Marina Abramovic)
one´s own body
Attila Kosa (taxidermist), Paul Kos (Trophy),
through private ads (Spencer Tunick)
Hans-Jörg Tauchert
(Canada) Performance
Performance
as
the
production
approaches
hotbed of a new
situative production
see: the brutal
Josef Beuys (coyote, horse, dead hare), J. Kounellis (horses),
(Hermes Phettberg) (Julie-Andree Tremblay)
(Engelmann)
Jürgen Olbrich
as social, political
of an energetic body
manifestation
manoeuvre
G. Duintjer (horse), Bender&Nern (horse),
thoroughly pseudo
maneuver, sit ins
reception art
be-holder (in actu)
cf. view of the field
strategy
Core of a performative ethics and aesthetics:
black
Arnulf Rainer (Painting Performance with Monkey),
Boris Nieslony
see: view of destruction
passion
Stephan
Us
(dead
sparrow),
Elisabette
Mileu
(fish)
The ritual does not distinguish
intensification
of
life
with
all
its
capability
for
Ulun Michael Steinke
Emotion as a form
performance
Pascale Grau (ladybug), Bonnie Sherk,
Reindeer Werk:
unmediated reference to the
postpropbetween audience and
expression, perception and pleasure (H. Sowa)
of social energy
communication aesthetics
Tatjana
Ilic
(bird
in
mouth),
Marco
Ivaristtis,
Happening (2)
Lebende Vorhersage –
agitprop
life: intense, burning,
audience as essential
performers
Kim Jones (Rat-Burning), Ella Tideman,
The Prediction 79-82
sociology (Bourdieu)
agit prop
agit pop
infernal spectacle
Animals Transforming
characteristic of the
On the ethics of the deed – Hagakure
Markus Schwaighofer, Walter Stehling (dog),
Interpassivity (theory)
identity discourse
(Tibor Hajas)
Psychical
energy
Culture:
High
and
Low
action arts
Ramiro Oviedo (snake), Hélio Oiticia,
(Yukio Mishima)
audience participation
agit-lecture
performativity views
(Stuart Brisley)
(PSi7)
Carolee Schneemann (snake, fish, chicken),
lie as performative act
DADA, Futurism
sense of touch
agitation & propaganda
Interventive actions of
feeling of "power"
Kaprow (chickens), Rafael M. Ortiz (chicken destruction),
postmodern views
thinking and acting
important parameters of p.:
(Marxist, Leninist) (Sonia Knox,
Mark Boyle (insects in the throes of death),
and Surrealism
public life
"Tactiles"
(C. Kolig)
depends
on
the
energy
Ethics
of
catharsis
in
intensities
(BN)
Learn
where
Experiments with the audience (Dan Graham)
(Bruce Barber)
identity of the subject
Elisabeth Chitty) (Ray Langenbach)
action
Simon Whitehead (tracking animals)
seek mental,
behind it
requires participation (LE);
social
in the service of
(Viktorine Müller (vacuum-packed audience),
the meat
(Marcel Odenbach) (U. Rosenbach)
engaged
psychical-psychological Mike Hentz (enclosed, shackles),
Political agitation
(Marcella Bienvenue)(Chris Reinicke)
transfer qua awakening of humanity
movement
Freudian concept of sublimation =
comes from
(organic) decay
direct art
performance
(Birgit & Wilhelm Hein)
Cf. animal performance (circus)
Nikolaus Urban (locked in, stabs),
and even physical
Club Moral
(cf. projects by IRWIN)
(Rui Huang)
(Suzanne Lacy)
uncontrollable
transformation of libidinous energy
decomposition
(Kosa)
gorilla masks
agitations
V. Export (whipping),
Art as unmediated
(Danny Devos & Annemie
attacks on the
"a" battery "a"
emotional
reactions
social
activist
into different types of processes
political
actionism
Jason Lim (beer rain, flour rain),
direct communication (FS)
Van Kerckhoven)
against sexism, racism
The Prediction
Fears for the dignity of
audience (LE)
psycho-physical
philanthropy
Markus Hensler)
(fear, revulsion, alarm)
performance
politically
motivated
actions
(James
Barth,
Heinz
Cibulka)
(Guerilla
Girls)
Büro Berlin
see: view
(Mary Bauermeister)
the human being in delusion
attacks
re-enacting everyday
nauseating material battles
When Abramowicz
actionism in parliament
ASA-European
Aktivismus / Activism
of playing
(Rolf Hinterecker)
washing laundry with Golf War video
dignity performance (Zofia Kulik, Przemyslaw Kwiek)
Rent An Artist, Prediction
situations
presents herself to the visitors ...
Activism
and
Community
symbolic
actionism
(PB)
(Chumpon
Apisuk,
Arahmaiani
(A.
Rahmayani))
(Ali al Fatlawi)
directness
attacking the audience
Black Market International
(PSi7)
Theater of
perception must turn into an
ethical
equivalency
(as
central
quality
of
performance
–
event
aesthetics
Shan
–
discipline
of
attention
(Istvan Kantor –
STOP.P.T.
presidential candidacy (Heinz Baumüller)
(LE) emotionally
The great American
perversion (LE)
in comparison with communication
experience of responsibility
disgust
view
(Zygmunt Piotrowski - School of Attention)
as
ethics
(GANG
ART)
performance
as
demonstration
(see
above)
Monty
Cantsin)
Performance
Networks
founding
political
party
(Schlingensief)
games
unmediated
through media)
worker (Francis Brown)
(Milan Kizak)
Situationists, Lettrists
mental situation
"Polis Performance“ (Matthias Schönweger)
politically intended actions
terrorizing radical
IRWIN, Lidl Akademie
disgusting performances
nauseating smell (Else Gabriel)
Performance as attention (see above)
and performances
performance is playing
resistance movement
Chris Reinike
pain
performances
responsibility models
(Ralf Samens)
performance as subversion (see above)
Giving what is to be
(category 13 according to M.-L. Lange)
Rasa Todosijevic
protest movement, sit ins
attention as raw material (2)
helplessly exposing oneself to the audience
nauseating abjects
(Georg Ritter) audience responsibility
feminine myths
found in love (Artaud)
(Janus Markus = J. Markus-Barbarossa)
(Wolfgang Flatz, Abramovic) sadistically tortured
ritualizing
"participant"
performance as destabilizing practice (see above)
the
general
essence
of
performance
of everyday life
responsibility
ecoactivist
taboo topics
ecological
political
(Hermes Phettberg) strictness
(Mechthild Barth)
Re-Imaging Tableaux Vivants
(staging)
as actor
attitude in common (B.M.)
(Z. Warpechowski)
Art
and
Revolution
performance
child
abuse
performance
performance
dealing with
Guerilla Art Action
(Stephanie Beaudoin,
Taboo
emotions
(Esther Ferrer,
(P. Weibel, V. Export, O. Mühl, G. Brus
(Rosa Galindo, Pedro Garhel,
Tarin
Chaplin,
Colette,
Picking
up
the
audience
the
taboo
Group
(GAAG:
coerced performance
The ethics of giving
urban strategical interventions
PIM performative indoctrination model
Elvira Santamaria)
UNI Vienna 1968)
B. Nieslony)
Kim Dawn & Christof Migone,
see also: political view
aesthetics as art theory
Jean Toche,
and taking them along
(Shanna Noyes – Urban Canvas Art Initiative)
(Ray Langenbach)
of life
is performative (the event as gift,
guerilla
shame
Shawna Dempsey & Lorri Millan,
Jon Hendricks,
aesthetic discourse
taboo
violation/taboo
breach
into
the
water
The gift as event must be irruptive,
Rachel Echenberg,
(culturally determined) Silvianna, ....)
Performance as provocation
actions for the life of the earth
(Tibor Hajas, McCarthey) (Fluxus)
(Billedsofteater)
art theory / morphology
art
mimesis and
Nathalie Grimard, Louise Liliefeldt,
unmotivated – Derrida)
(Else twin Gabriel, Micha Brendel,
(Ulrike Rosenbach)
(autoperforation artists: Micha Brendel,
anarchist approaches
perception theory
Christine Martin, David McFarlane,
see: taboo materials
showroom /vs/ space to act
imitation
Via
Lewadowsky)
Else Gabriel, Rainer Görß, Via Lewandowsky)
(Charlemagne Palestine)
Performativity of the procedure
The Other Theatre, Kathryn Walter)
Extremity in
(V. Export, Lorraine O´Grady:
debate on the sublime
(Robert Hartmann,
Pro-Vocation - calling
performance
(Schlingensief / What else could be violated?)
Terror of violated intimacy
Eva Seanto
already replace (acc. to Luhmann) the
Werner Reuber,
Guerilla Performances)
the emotional
(minimal public distance)
feminist
aura debate
lesbian
demonstrations
(Schlingensief)
arrested theatrics
Ulrike Rosenbach
rage-anger system
Ulrike Zilly)
dream illustrations
normativity of laws (Lit.: Lyotard)
guerilla theatre
sphere
narrative
revulsion theory
(Guerilla Girls)
hellish
bodies:
horror
worlds:
Feminist
Art
Workers
performance
Simone
Forti
(Eleanor Antin)
living tableau
(Nancy
Angelo,
Laurel
Klick,
performance
communication aesthetics
Deborah
Hay
electrical
shocks,
unbearable
noise
(LE)
Feminist Actionists
Disrupt political
dream theater
(Alex Mlynarcyk,
Cheri Gaulke)
Expressionistic and
Ethical "performance“
Elaine Summers
performance studies ethnography
(Carolee
Schneemann,
colonialism
(the
Surrealists)
self-exposure
Colette,
rape scenario
Trisha Brown
psychological interests
(internet newsletter)
Joan Jonas, Ann Halprin)
Tableaux
(Spiderwoman)
being tense together (2)
Luigi Ontani,
Lucinda Childs
(to break the code of silence)
(Viennese Actionists)
body as material (see left)
cf. Wittgenstein
Johan Lorbeer,
Alison Knowles
Vivants
(Ana Mendieta)
Sadomasochistic
self-poisoning (Heli Rekula)
Political women's movement
Claudia Triozzi,
feminist
actionism
Charlotte Moorman
enticement/fobbing off
In reality of rape
Myriam Laplante,
Performance:
Performance art
(originally. V. Export & U. Rosenbach)
pleasure and pain
Angelika Festa
(Anja Ibsch)
(Sandra Orgel, Aviva Rahmani)
Faisal Abdu´Allah) cf. living environments
(Bob Flanagan,
(Eulalia Valldosera)
zones of dis-rupture
body=social construction=transfigured nature
(Mike Hentz,
(Kees Mol)
Sheree Rose)
(living pictures as in the baroque era)
Karel Dudeseck,
excitement
/vs/ material=body=nature
Queer
performance is a
(Paul McCarthy)
stimulating
Monty Cantsin,
celebrations of
destruction actions
Translating the Body (PSi7)
emotions in the battle of
fear situations
(Mike
Parr)
paradigm of feminism itself
Padeluun,
emotionality
gender
surfing
(playing
with
emotional
space
/
(category
07
according
to
M.-L.
Lange)
(W.
Flatz)
(Mark Boyle)
everyday life
the sexes
(Da
Blunschi)
breast
performance
Flatz)
(Hansjörg Marti)
gender roles)
space of feelings
symbolically directed against civilization
(Milan Knizak)
(Ewjenia Tsanana)
gender: a category constructed through performance
exposure
clumsy performer
(John Bock, Peter Land,
C. Schlingensief)
human
weaknesses
(Smelly)
jester's body with mimicking
gestures, pointing, masquerades
game rules (of art)
Performance as observation
Performance as spiritual exercise
+Performance as originary human language
+Performance as language
Performance as narrative
16 effect (consequence) view
Literature:
Spielregeln der Kunst (series)
Eric Berne / Games People Play
Roger Caillois / Man, Play, and Games
Johan Huizinga / Homo Ludens (book)
Vom Ursprung der Kultur im Spiel
V. Flusser (homo ludens) various articles
Victor Turner / Vom Ritual Theater. Der
Ernst des menschlichen Spiels !!
Gregory Bateson / A Theory of Play and
Phantasy (Essay) !! Important concepts
to performance theory
Erving Goffman op.cit.
Mikhail Bakhtin (concepts of carnival and
dialogism) -> Julia Kristeva
Hans-Georg Gadamer / Die Aktualität des
Schönen. Kunst als Spiel, Symbol u. Fest
TOYS´N´NOISE (catalogue OK)
Bachtin
J. Piaget , L. Wittgenstein, F. Schiller
Andreas Nebelung
Barchorski u. Röcke (research project) /
Dramaturgie von Witz und Witzkultur in
Spätmittelalter u. früher Neuzeit
Gebauer (research) / Die Aufführung der
Gesellschaft in Spielen
Gebauer, Wulf / Spiel – Ritual – Geste
Vom Ernst des Spiels (book)
16 epistemological view
+Performance as formational field of experiment
Performance as life-art-work
Performance as a praxis of
articulating identity
Performance as memory work
15 linguistic view
performance with language(s)
+Performance as attention
+Performance as aesthetic category
Performance as aesthetics of existence
Performance as demonstration
Performance as political phenomenon
Performance as political strategy
Performance as praxis of destabilization
Performance as subversion
Performance as communication guerilla see above
+Performance as whereabouts
+Performance as life
Performance as life-art-work
Performance as celebration
Performance as "translation"
play theory
language game approach (Wittgenstein)
postmodern views
anthropology (of laughter)
performing artists view
15 view of orality
14 view of the artist
view of performance
author view
+Performance as act
+Performance as analytical postulate
Literature:
Zur Wirkungssicht: cf. article by
Marie-Luise Lange
Jill Dolan / The Dynamics of Desire:
Sexuality and Gender in Pornography
and Performance (article)
Marvin Carlson / Performance – a critical
introduction (book) !!
Roger Caillois
Hanne Seitz (Ed.) Schreiben auf Wasser
Robert P. Crease / The Play of Nature Experimantation as Performance
P. Bianchi / Kunst ohne Werk – aber mit
Wirkung (article Kunstf. Bd. 152)
H.G. Furth / Wissen als Leidenschaft
Thomas Kellein / Fröhliche Wissenschaft
Helen Freshwater / (PSi7) Contagion,
Containment, and Censorship (article)
Literature:
Eva Kosa / Ilias (masters thesis) !
Doro Franck (article) / in:
Relikte & Sedimente
Eva Sturm / Im Engpaß der Worte
J. Lacan
John L. Austin / How To Do Things wih words
John R. Searle / Speech Acts: An Essay
in the Philosophy of Language
J. Butler
Herbert Paul Grice, Strawson
Eli Rozik / Categorization of Speech Acts
in Play and Performance Analysis
L. Wittgenstein (language game theory)
Pierre Bourdieu / Was heißt sprechen?
Die Ökonomie des sprachl. Tausches !!!
V. Flusser
Mikhail Bakhtin / Speech Genres ...
J. Kristeva
J. Derrida !!!
Shoshana Felman / Don Juan avec Austin
Richard Baumann / Story, Performance,
and Event: Contextual Studies in Oral
Narrative
Marvin Carlson / Performance; chapter
The performance of language
Noam Chomsky (competence /vs/
performance)
13 identity view
12 aesthetic view /
visual view / light view
14 existential view
view of world view
11 political view /
intercultural view
view of behavior
Literature: (... continued)
Ferdinand de Saussure (la langue /vs/
la parole)
Senta Trömel-Plötz (Ed.) Gewalt durch
Sprache (book)
J. Habermas / theory of communicative
competence and performance
Charles Morris (semiotician)
Emile Benveniste
Jerrold Katz (competence/performance)
William Labov (sociolinguist)
Hans-Dieter Huber
Johanna Malt / Performative Constructions
of Meaning (article)
Robert A. Fischer / Oral, multimedial
(article Kunstf. Bd. 152)
Walter J. Ong / Orality and Literacy
N. Luhmann
Davidson
Horst Wenzel (research project) /
Repräsentation und Kinästhetik im
Spannungsverhältnis von Mündlichkeit
und Schriftlichkeit
König (research project) / Produktorientierte und prozeßorientierte Ansätze
in der Sprachwissenschaft
Semi-orale Kulturen des Mittelalters
Sybille Krämer (research project) /
Performanz u. Performativität in der
Sprachphilosophie
energetic view
10 recipient view /
tactile haptic view
13 intensity view
09 everyday view
12 ethical view
prediction (1)
tradition and entertainment
art and life (Yuan Mor´O)
living prediction
(Reindeer Werk)
(Antoni Miralda)
celebration
art (1)
(Wolf Vostell, G. Brus, O. Mühl, R. Schwarzkogler)
Performance = what
moves us: goals,
emotion, dreams,
fears, relationships
transition of theater to a celebration (LE)
ceremony
art (1)
life as a celebration (invited to the table)
ceremony
X days birthday celebrations
(see: encounter)
celebration as intersection
between action theater and society
(any affair)
aggressive action (BN)
performance as exorcism (see above)
psychical exceptional situations
(Michael Burges)
destruction in art
brutality as a
fundamental position
self-experiments with psychopharmaca
(Kees Mol => Nieslony)
poetically destructive
destruction in art symposion DIAS (1966, ...)
(O.Muehl, H.Nitsch, P. Weibel, A.Hansen,
Gustav Metzger, Susan Cahn, John Sexton,
Kurt Kren, Vostell, R.M. Ortiz)
(Marina Abramovic)
performance as analytical postulate (see above)
inflation of
self-expression
rage and hate as motivation
violence as critical
array of instruments
logic of anger, rage and
aggression
(Hans-Jörg Marti)
dramatic selfexpression
(G. Brus, A. Rainer,
V. Export)
(Chris Burden) (Barbara Sturm)
mental boundaries (Stuart Brisley,
Geert Duintjer)
rituals and emotion /
ritualizing emotions
psychical view
gendertainment (1)
(ritual double genderedness – shamans)
gender (in) performance
Performatively generating
gender & sexuality
feminist performance
(not a given social or cultural attribute) gender = a "doing“
man/woman dualities analysis (Elena Ferrer)
freeing buried female potentials (Mileva Josipovic)
(T junction)
see also: identity view
Feminist view (Faith Wilding, Suzanne Wilding, Valie Export,
Martha Rosler, Barbara Smith, Marie Beth Edelson, Linda Montano,
Yvonne Rainer, Suzanne Lacy (Lazy) & Judy Chicago, Yoko Ono,
Eleanor Antin, Hannah Wilke, Shrin Neshat, Amanda Heng,
Carolee Schneemann, Betsy Damon, Leslie Labowitz, Martha Wilson,
Lydia Schouten, Fumiko Takahashi, Diane Torr, Split Britches,
Anna Deavere Smith, Nicole Croiset, Karin Anarchia, Anna Dancikova,
Taro Ito, Tina Keane, Anna Paci)
11 feminist view
feminist
performances
Black cultural theory
cultural criticism
feminist studies / feminist theory
gender studies
anthropology of gender
cultural history
postmodern views
postcolonial theory
(Game Rules of Art)
political discourse
re-politicization discourse
post-colonial discourse
exoticism discourse
race discourse
regionalism debate
minorities debate
Eurocentrism debate
critical discourse
Legend
nn view
aesthetics of destruction / deconstruction
extreme situations
mental and physical burden
psychical border-crossing
performances (category 01 according to M.-L. Lange)
sociology (Bourdieu)
cultural studies
new subjectivism
privatism debate
life philosophy
(game rules of art)
L.K.W. (catalogue) OK Linz
Performance Art, die Kunst zu leben
Life is art enough / Ed. Anita Beckers
Life is art enough / Felix Philipp Ingold
Linda Montano / Art in Everyday Life
Performance art – Die Kunst zu leben (book)
(John Duncan)
emotional force of performance
B.M. Micro-emotions are
the tools of taking action
EEG-measurable: hunger,
fear, anger, mourning, joy
(Tamar Raban, Raoul Marek)
celebration culture (Stadtwerkstatt)
(Werksküche: transpublic)
Literature:
What touches us ?
(Huge Harry)
banquet
moods of contemplation,
nomadic artists (nomads)
solemnity or celebration
as mediators between art
and everyday life => celebrations (Alain Gibertie)
joy / logic of joy
movement "les Vivants“
09 everyday view
controlled
facial muscles
(Yutaka Sone)
performance as celebration
situation with guests
receiving guests
(Hinrich Sachs)
performativity of feelings
mourning
performance
public celebration
(fire-eater ...)
the emotional as a
fundamental position
(cf. V. Export)
venting games
poetry and destruction
(Vasan Sitthiket)
celebration of psycho-physical
naturalism (Otto Muehl, H. Nitsch)
experience of primal excess
(H. Nitsch)
emotional turn (following cognitive turn)
10 emotional view
psychoanalytical view /
psycho-physical view
view of destruction
manifesto of tactilism
existentialism (primacy of the act)
psychoanalysis / disgust theory
Lacanism discourse
queer theory (PSi7)
gender studies
psychological theories of performance
psychology / action psychology
see also Gustav Metzger
see above: therapeutic view
Literature:
Literature: (... continued)
Literature: (... continued)
Justin Hoffmann / Destruktionskunst
Michel de Certeau !! / Kunst des Handelns
Paul Ricoeur (application) / Lehrstuhl für
Philosophie des Handelns
Konserviete Welt / Eva Sturm
Kultur als Handlung / article: Gertrud
Koch /Texte zur Kunst 99 – 9 – Heft 35
Ästhetische Handlungen u. Demonstrationen
Samson D. Sauerbier
Habermas, Apel
(Theory of Communicative Action)
Interpassivität / Ed. R. Pfaller
Karl Gröning / Hände
Allan Kaprow / Step Right in Assemblage,
Environment & Happenings (book) !!
Udo Kultermann / Art-Events and
Happenings (book) !
Kathy O´Dell / Contract with the skin masochism, Performance art and the 1970s
J.L. Moreno / concept of psychodrama
Julia Kristeva (theory of the "abject“)
David Jones / The Performance of the
Abject (article)
Sigmund Freud, Wilhem Reich
Elke Koch (research project) / Ritual und
Emotion.Theorie u. Begriff des Rituals am
Bsp. der Trauer
Jens Roselt (article) / Vom Affekt zum Effekt
Judith Butler (injurious speech / hate speech)
Slavoj Zizek
Kunstf. Bd. 126 / Große Gefühle (weak)
Luc Ciompi / Die emotionalen Grundlagen des
Denkens !!
Norbert Elias (sociology of emotions)
Jürgen Gerhards / Soziologie der Emotion
Literature:
Sue-Ellen Case and Jeanie K. Forte (Ed.)
Performing Feminisms: Feminist Critical
Theory and Theatre (book)
Senelick Lawrence / (book)
Gender in Performance
Geraldine Harris / Staging Femininities
Performance and Performativity
Routledge Reader in Gender and Perform.
Performative Acts and Gender Constitution
(essay 1988!) / Judith Butler
Kate Davy / ... Reception, Context, and
Address in Lesbian Performance
The politics of black performance (book) /
Catherine Ugwu
African-American Performance (book) /
A. Bean (Ed.)
P.A.N. (catalogue book)
Black Market International (brochures)
Büro Berlin (catalogue book)
Herbert Blau / To All Appearances:
Ideology and Performance
Randy Martin / Performance as political act
Baz Kershaw / (PSi7) / Ecoactivist performance
The Environment as Partner in Protest
Literature: (... continued)
Jill Dolan / The Feminist Spectator
as Critic
Michelene Wandor / Studies of British
feminist performance
Lance Carlson / Performance Art as
Political Activism (essay)
Catherine Elwes / Floating Femininity:
A Look at Performance Art by Women
(essay)
Lynda Hart & Peggy Phelan / Acting out –
Feminist Performances (book)
Valie Export / (essay) Persona,
Proto-Performance, Politics
Coco Fusco (artist) / The Other History
of Intercultural Performance (essay)
Susanne Schwinghammer-Kogler / (PSi7)
Interculturalism and aesthetics or the
deconstruction of an eurocentric myth
Norma Broude & Mary D. Garrard (Ed.) /
The Power of Feminist Art
Edith Almhofer / Performance Art –
Die Kunst zu leben
Patrice Pavis (Ed.) / The Intercultural
Performance Reader
Erika Fischer Lichte (intercultural approach)
Literature: (... continued)
Peggy Phelan / Unmarket – The Politics
of Performance (book)
Sue-Ellen Case (theorist of feminist perf.)
Moira Roth / 1970s The Amazing Decade
Michelene Wandor / Carry On,
Understudies
Helene Cixous
Luce Irigaray
Julia Kristeva
Marcia K. Moen / Peirce´s Pragmatism
as a Resource for Feminism
Teresa de Lauretis / Sexual Indifference
and Lesbian Representation
Andrea Juno & V. Vale (Ed.) /
Angry Women (Kathy Acker, Susie
Bright, Wanda Coleman, Valie Export,
Karen Finley, Diamanda Galas, Bell
Hooks, Holly Hughes, Lydia Lunch,
Kerr & Malley, Linda Montano, Avital
Ronell, Sapphire, Carolee Schneemann,
Annie Sprinkle
Women and Performance (Journal)
Philip Auslander / (PSi7)
Performing Resistance in a Commodified
Context (PSi7)
Literature: (... continued)
Literature:
Theatralisierung des Politischen (article)
G. Rauinig / Wien Feber Null (book)
Geraldine Harris / Staging Femininities.
Performance and Performativity
Anette Baldauf / Gender & Performativity
Ian Watson / (PSi7) Interculturalism and
Aesthetics: Eugenio Barba´s Barter
Practice
Rosalinda Borcila / (PSi7) Citizen/Foreigner:
Performance as an aesthetic category
(edition of a performance journal)
Dwight Conquergood / Performing as a
Moral Act: Ethical Dimensions of the
Ethnography of Performance (article)
Marvin Carlson / Performance – a critical
introduction (book) !!
Gerhard Johann Lischka / Momente
Ästhetischer Praxis
De Certeau
Ruth Askey / Humanistic Concerns in
Performance (article)
Dieter Mersch / Reauratisierung in
performativer Kunst (research project)
Kunstf. Bd. 152
Dieter Mersch / Kategorien für eine
Ästhetik „performativer Kunst“
J. Derrida / Given Time
Doris Kolesch / Ästhetik der Präsenz
Fischer-Lichte (research project) /
Ästhetik des Performativen (FL)
Beauty now (catalogue)
The Body at the Border
Literature:
Texte zur Kunst Sept. 1999 9.Jg. Heft 35
Notes on Camp / Susan Sontag
Kate Davy / Fe/male Impersonation:
The Discourse of Camp (article)
Expansionen (catalogue) Wiener Festw. 79
Georg F. Schwarzbauer (FS): Physische und
Psychische Energien in der Performance
Clifford Geertz, P. Bourdieu
Mihaly Csikszentmihalyi / Das flowErlebnis (also: John MacAloon)
Richard Poirier / The Performing Self
Suture – Phantasmen der Vollkommenheit
(catalogue and symposium publication)
Peter Gorsen / Körperrituale der Travestie
und des Transvestismus (article)
Petra Klaus / Hardcore-Performance (article)
Hakan Gürses / Identität (lecture Gmunden)
Dieter Mersch
T.Warr, A. Jones / The artist´s body !
Orientalities: Representing National and IntraNational Identities Through Art an Music (PSi7)
Vera Apfelthaler / Drag, Performance und das
performative Körpergedächtnis
Literature: ( .... continued)
Doris Kolesch / Ästhetik der Präsenz
Mattenklott / Präsenzästhetiken
Mattenklott (research project) / Kultur des
Coming out (Coming Out und Subkultur Technologien des schwulen Selbst)
Mattenklott / Erzähltes Geschlecht
Andrea Sieber (research project) / Zum
Wandel der Geschlechterdifferenz in
körpersprachlichen Inszenierungstypen
der Liebe
Nietzsche
Mishima / Hagakure - Zu einer Ethik der Tat
Spielarten von Authentizität (conference) /
O. Hruschka, A. Matzke
Harald Begusch (Diss.) / CrossDressing?
TransSex? CoreGender?
Stefanie Menrath / Performativitäten von
Identitäten im Hip Hop
Between Identity and Representation (PSi7)
Staging Cultural Identity (PSi7)
Literature:
Kunstforum Bd. 150
Zeit – Existenz – Kunst
Peter Gorsen / Der spielbar gemachte
Alltag oder die Rückkehr des
Existentialismus in der Performance Art
(catalogue essay)
Roland Barthes / La Mort de l´Auteur
Heidegger / Existentialphilosophie ...
Heidegger / Sein und Zeit
Jaspers, Sartre, Merleau-Ponty
Staging the Holocaust (PSi7)
Miriam Yahil-Wax / (PSi7) Where language ends
discourses
advanced studies
method complexes
theory complex
research directions
discipline
direction
reference literature
for the respective view /
conference references
Performance Terms
These views cover content/analytical perspectives or delineate content zones.
Placement within these zones follows the principle: spatial proximity =
subject matter proximity.
The outer ring is generally more abstract than the inner area.
In Foucault's terms, these could also be called archeological fields.
The archeology follows the axis: discursive praxis => knowledge => science.
In keeping with this, relevant discourse, research directions (scholarly fields)
and method complexes are listed here.
Discipline: grouped methods (of a scholarly discipline)
These symbols highlight "canonized" performance directions. These directions
could also be called streams (BN), performance categories, concepts, movements,
media directions, performance (sub)cultures, (micro-)styles, practices, basic
patterns (of behavior) or performance "types".
As a supplement to these, see the non-canonized "performance terms“.
red text: first
development phase (Version 01)
black text:
subsequent development phases
(modifications / expansions)
artist
(collective list)
+Performance as ... (short definition)
academic performance, akustische P, animal performance, anonymous P, architecture performance,
autobiographical performance, Bewegungsperformance, black p, breast performance, cabaret performance,
camp performance, collaborative P, costume performance, cover performance , cultural performance,
Dauerperformance, deconstruction performance, dialogical performance, didactical P, digital P,
dinner performance, Echtzeitperformance, ecological performance, electroacoustic P, electronic P,
ethnic p, ethnographical P, feminist P, Fingerfächerperformance, fragrance p, Gesangsperformance,
Grenzüberschreitungsperformance, gestic P, gestural P, homosexual performance, intercultural performance,
Intimperformance, Kaufhausperformance, Kommunikationsperformance, Konzeptperformance, konzeptualistische P,
Körperperformance, Kurzperformance, Langzeitperformance, Latex performance, Laufstegperformance,
lecture performance, lethal P, Light-P, life performance, machine performance, medical performance, minimal P,
minstrel performance, multicultural p, myth-related performance, naked performance, narrative P, operation performance,
party performance, permanent P, poetic P, political performance, popular p, Portrait P, posed performances,
private performance, projection performance, pure P, real time p, research p, retro-performance, revolutionary p,
Ritual P, Rollstuhlperformance, rhythmische P, Sauf-P, Schaufensterperformance, self-exploratory performance,
shamanist P, Stehgreifperformance, Stimmperformance, Tele-Performance, Telephone-P, Text-P,
theatralic performance, table performance, trivial performance, ultimate P, urban p, verborgene P, unsichtbare P,
Vortragsperformance, vulgar performance, Weihe-Performance, zerbrochene P, Zweierperformance
01 atmosphere view
context-aware theories
contextualism discourse
theories of meta-communication
performance as a field of action and
experience – an all-encompassing
atmosphere (Prof. Mike Pearson)
see also: aesthetics of atmosphere
(atmosphere as term of aesthetics)
construction in the atmosphere
Literature:
Kontextbewußte Ansätze in Kunst und
Wissenschaft / G. Dirmoser (DG)
Erving Goffman / Frame Analysis (book)
Gregory Bateson
J. Derrida
Performance: Texts and Contexts (1993)
Victor Turner / Frame, Flow, and
Reflection (1977) in: Performance in
Postmodern Culture
Gernot Böhme / Atmosphäre - Essays
zur neuen Ästhetik
Thomas Dreher, Peter Weibel, ...
inflection, habitus, manner
atmosphere/mood
emotionally conceived
disposition
(with Heidegger)
(John Cage)
aleatoric
abandonment:
surrendering to
openness (Alex Silber)
role of chance
(resistances with the
help of chance)
(GANG ART) greater appreciation of
atmospheric perception
02 view of eros
(Wilson) (cf. GANG ART)
open system of encounter (BM)
(R. Tiravanija)
open system of
collaboration
Urban intervention (40 singers in the underground)
(Hayley Newman)
(Christine Carson)
openness
see also:
process (process view)
free spaces = playing spaces
Fluxus
Literature:
Postmodernism and performance (book)
Nick Kaye
Marvin Carlson / Performance
Intertextuality (article)
Marvin Carlson / Performance – a critical
introduction (book) !!
Interventions / Ed. Opus International
Editions
Friederike Hassauer / Die Kunst der
Entgrenzung (article)
R. Barthes / Fragmente einer Sprache
der Liebe
Meditations on Tenderness of/in Performance
(PSi7) / Peggy Phelan, Della Pollock,
Rachel Hill, Judith Hamera
(Stuart Brisley)
(John Sturgeon & Aysha Quinn)
Ritual and improvisation
Transformation (ASA is transformation)
(Die Fabrikanten)
(Pauline Oliveros)
Performance as transitional form of art (see above)
networks
creating the in-between
(see: list of networks)
Valentine Verhaege)
cf.: support
association
for project art
cf. exchange projects
Literature:
conflict discussions as
service
communication settings
services
(Stadtwerkstatt, Servus, FRO)
Performance as link
between sections (see right)
interdisciplinary poet-researcher
Interdisciplinarity
(cf. work view)
project groups work
performative practice
mobile office container
(Performing Resistance)
counters, tradefair booths,
office spaces, hotel lobbies as
possible presentation forms
Servicebüro Hamburg
Büro Berlin (H. Pitz)
Sampler Büro Bert
Community Service (USA)
Depot (Vienna)
cf. archive
cf. view of collecting
cf. view of the organizing institution
cf. political view: activism
„Dead-House-Walking“
(Wulle Konsumkunst)
(office of dramaturgy and
performance research - Vienna)
permanent
performance conference
limited
publicity
urban space as
prerequisite ?
(urban view)
media centers
theater locations
festival locations
ad hoc performances
cf. Stadtwerkstatt as
permanent conference
Non-intentional actions
(Fabrikanten)
the role of public spaces for
production (cf. project view)
(art space = protected space)
Performativity:
re-valorizing team work (Lit.: Lyotard)
cf. art as teamwork
counterexample:
Festival of the Regions
Urban Performances –
Performing The City (PSi7)
(PSi7)
(art factory / curator Hattinger)
Laura Kikauka, Leo Schatzl,
Sabine Zimmermann et al. (Perf. at Posthof), ...
Marvin Carlson / Performance – a critical
introduction (book)
Hubert Sowa / Nach Duchamp und
Heidegger: Kunst, verlernen
Anita Cherian / (PSi7) Performing the
Region – Nation
performance theory
dialogical approaches
operating system discourse
view of producing
view of fabricating
(shifts more into focus again)
04 view of artistic production
cf. poster sections: context approachesin art and science
60's: new spirit
of experimentation
this point is considered a
superstructure for several
neighboring views
Performance as
autonomous art (?)
Siehe auch:
Servicesicht
change of paradigm
(cf. performative turn)
trans-formation /vs/
formation
(see above) Performance as profiling facility
avant-gardist isms are
superseded by ideas and contexts (PB)
view of ideas
05 view of innovation
means (media) of
performance
(see: media view)
Performer as
teacher: Nieslony,
absolute freedom
denouncing the rites of art
Abramovic, Hubbard,
Zeca Ligiero, ...
(Kees Mol)
(Jochen Gerz)
(Vollrad Kutscher)
view of presentation
view of depiction
view of reproduction
creating an "aesthetic laboratory and
workshop situation" (M.-L. Lange)
Perfect Performance
audience
performance
the perfect performance
"Risk behavior" as imaginable
basic pattern for performances
=> the unplanned
(Hinrich Sachs)
Performance of the
body ("believable
performance": identity)
(Tony Morgan)
(Jean-Claude Schmidt)
common store of
gestures, rituals and signs
radical expansion of the
concept of art
"open concept of art"
emotionalization of communication
through gestures
Public body (M. Abramovic)
Theater of
gestures and
movements
(gestus)
Gesturing bodies:
(Yves Klein, Ben Vautier,
Charles Ray, Erwin Wurm,
Arnulf Rainer, ...)
gesticulation / signs of expression
poses (Bruce MacLean) (Lucas Samaras) (V. Beecroft)
intensified gestures (Stelarc)
gestic painting (see right)
extreme gestures
similar to painting
everyday gestures
(Gelatin)
communication theory / NLP
pedagogy / art pedagogy
(game rules of art)
theater theory
nomadology discourse
body theory
body philosophy / body sociology
gesture bodies
primary gestures masculine attitudes
(Ilija Soskic)
behavior
habitual behavior (FS)
Gesture Dance
(Schlemmer)
gestural performance
Gestures
(attitude –
imitated
sculptures)
see also: view of orality
06 gestic view
habitual view
n.b.: separated from body view
general patterns
of behavior (FS)
(Michael Buthe,
Jet Ferro,
Hans Eykelboon)
extremely personal forms of behavior
(as cultural achievement)
(A. Rainer,
Reindeer Werk)
multimedia largest scale performances
Interactive audio tour
simulated
events
feedback
see above
cybertechnology
and performance
robot
performances
closed circuit
procedure
(Michael Schaowanasai)
("Wall Street performance“ /
Momoyo Torimitsu) (Stelarc)
Performing Internet
(PSi7)
digital performance (P. Weibel)
(Paul Demarinis)
transformed bodies
projected onto
dancer bodies
(Sadie Plant)
(K. Obermaier &
Chris Haring)
media performances
electronic media:
The Avant Guard in Action
(T.R. Uthco)
trash
performances
trash art
decollage
happening
07 subversion view /
media-critical view
Neoism
(performances
of the 80s) (Stuart Home)
Media burn
(Ant Farm:
Chip Lord,
Hudson Marquez,
Doug Michaels,
Curtis Schreier)
interactive real-time
video systems
(Gretchen Schiller)
Performance as
communication guerilla
media guerilla
(gettoattack)
see: action
theater of
subversion
Orgies-MysteriesTheater
(cf. ceremony art /
Celebration art)
(Bucky Grinberg)
(Franz John & Merit Aton)
Actionism
taking blood
extreme large page
shift with scrollbar
Literature:
Literature: (... continued)
Kunstforum Bd. 137
Atlas der Künstlerreisen
Frauen, Kunst und neue Medien / Ed.
Heidi Richter et al.
Ute Ritschel / Symposion 2001:
Performance art & Pädagogik
Terretoires Nomades
Hanne Seitz (Ed.) / Schreiben auf Wasser
Performative Verfahren in Kunst,
Wissenschaft und Bildung (book on the
symposium: Performance u. Lehre)
Charles R. Garoian
Marie-Luise Lange / Schneisen im
Heuhaufen – Formen von Performance
Kunst (article)
Hubert Sowa (INFuG) / Kunstpädagogik
und Praxisparadigma (article)
Robert Filliou / Lehren und Lernen als
Aufführungskünste
Eva Sturm / (article) Kunstf. Bd. 152
V. Flusser / Gesten
Karl Gröning / Hände
Erving Goffman / On Facework:
An Analysis of Ritual Elements in Social
Interaction (article)
Lea Vergine / Body Art and Performance
The Body as Language
Gregory Bateson / Ökologische
Kommunikation
P. Bourdieu (Habitus/Hexis)
Gesten u. Körperinszenierungen im
Mittelater
K.-J. Pazzini
Martina Koch (Habilitation) / performative
Pädagogik
Literature:
Dirmoser (DG) (study) Wer fliegt – Abenteuer
Kommunikation / Die Fabrikanten
Dirmoser (DG) (study): STWST – TV
M. Serres / Der Parasit
Handbuch der Kommunikationsguerilla
Luther Blissett, Sonja Brünzels
Marvin Carlson / Performance – a critical
introduction (book) !!
Philip Auslander / Performance in a
Mediatized Culture (book)
Bausch & Sting / Forschungsprojekt:
Medien und Rituale
Philippe Dubois / Der fotographische Akt
H. Böhme, P. Matussek / Computer als
Gedächtnistheater
J. Fohrmann / Textur und Performanz:
Medientheorien im Vergleich
J.L. Schröder (lecture) / Blende und
Traumzeit – Performance u. Medien
Martina Leeker / (PSi7) Performativity
and Notions of Media
Cyberdance – Performance u. neue
Medien / Martina Leeker (article): ...
bio-elektronische Performances
Ruth Schnell (article): Performance u.
interaktive Medienkunst
Sophia Totzeva / (PSi7) Differenz und Identität
– Medientransformation als Wiederholung
Wolf-Dieter Ernst / (PSi7) Body Check: How
to perform the body in mediated Culture
without getting tired?
Diane Howard, Stan Dyer / (PSi7)
Translation, Transition, and Transformation
in Cyberspace
Translating into Cyberspace (PSi7)
Anja Diefenbach, Barbara Büscher,
Steve Dixon, Martina Leeker
Barbara Büscher / (PSi7) Cybernetic
Transformation in Performance. Körper
u. Medien, (rück)gekoppelt
(V. Beecroft)
(Spencer Tunick)
(Valie Export)
sex, blood and flesh rituals
Theater of blood (Artaud)
body
sculpture (1)
art corporel
body as tool
learning the language
of the body
uplifting
Gebrüder Kunst)
lust greed
energy-conserving
behaviors
drinking performances dinner performances
(Karen Finley) (Andre Stitt)
(the kipper kids – Harry Kipper)
Nao Bustamante
Skip Arnold, Kees Mol (BM)
Zbigniew Warpechowski
Orlan, Roi Vaara
Marina Abramovic
Harrie de Kroon
Nikolaus Urban
Jan Bas Ader, Koop
Seiji Shimoda
Ken Unswort. Mike Parr
Robert Faguy, Ishi Mitsutaka
Marco Klaassen, Ralf Berger
Glyn Davies Marshall
Bruce Nauman
Ulay = Uwe Laysiepen
Rebecca Horn
Klaus Rinke, Timm Ulrichs
Denis Oppenheim
Matty Jankowski
William Wegman
Christine Bänninger
RIA Pacquée, Atau Tanaka
Phillip Warnell, Salvo
broom
cleaning
actions
(Gelatin)
practical
performative
forms of living
(H. Sowa)
furniture chopper
chair destruction
(Pepi Meier)
(Ralph Ortiz)
research projects by Prof. Wulf
family rituals (Bourdieu reference)
rituals in school
The Every Day(ly)
(PSi7)
09 everyday view
eat art
everyday performance
(Stadtwerkstatt)
Franz Gratwohl)
hunger as basic sensation
(fasting 33 days: Ernst Len)
family life with children as
performance
Everyday life
(Marcia Tucker)
(Shirley Cameron & Roland Miller)
science on and for
the human being
relocation action
(J. Lothar Schröder)
(Hubbard & Birchler)
invitation into intimate spaces
(Barbara Smith – naked)
action-analytical
commune (Otto Muehl)
Private performance – collective
"departures" (Stadtwerkstatt)
artificiality of the everyday (Emil Gropoz)
What separates real life from performance?
publicly peeling vegetables:
(Devora Neumark)
Job as measure of life work
raising awareness of
banal processes
(Devora Neumark)
raising awareness of important
activities
(Mierle Laderman Ukeles)
(Alexander Schmid) (Fabrikanten: walking with no intentions)
the daily,
the daily story
(the koan)
plots
the physical body as the
sensing and sensed body
suffering bodies (Martyrs)
Koans - daily life plots
(Bob Flanagan, Ron Athey,
representation and excess
extract of a story (B. Nieslony)
Eleanor
Antin,
...)
(ketchup/chocolate sauce instead
dough –
of blood/feces)
Ritualize/fetishize/highlight the ordinary
Performance = Production and reproduction mouth formation (Joelle Ciona)
(Paul McCarthy)
corporeality of feelings
(Ann Hamilton)
of corporeality
transgressive bodies
electro-welding and other
physical body
as physical body, the structure
craft elements
self-confirmation by licking
/vs/ body schema
relinquishes itself (B/Ph.B)
(Angelika Thomas & De Chirico)
the body
body view /vs/ physical body view as body, it internalizes itself
(B. Johannes Blume)
the art of existing
is inscribed in the body
The aspect of the physical body is presentation
The aspect of the body is representation
fascination of the banal
daily life koans
physical investigations
work as performance
with the body (bending, falling,
(Servie Janssen)
folding, walking, hanging, leaning, ....)
Extremes of doing nothing
and the boundaries of
(Ken Unsworth) (Barry La Va)
self-control
(Chris Burden, ...)
Art of walking (Tony Morgan) (Mike Pearson)
mythology of
the profane
impenetrability
Alchemy of everyday
Allotropy of everyday
everyday mental
state as
(affective) point of
departure
(P. Arlt – fünf ingenöre, Kubelka, Rirkrit Tiravanija, Matthew Ngui)
kitchen pieces (Attila Kosa)
cooking art (Spoerri, Mario Ohno) (transpublic: transpikante
Erfahrungswelten)
Hell Cuisine (W. Grillitsch, E. Knöß, H. Müller)
(see also: celebration) as the turkey (Mechthild Barth)
living
Environments
Leading actor in one's
own life?
living pictures like in the
(Gérald)
baroque era
(Colette: celebrated her life
Performance at the
in designed environments)
see also:
intersection of art
tableaux vivants
and everyday life
(Sandy MacFadden)
cooking & gift
cooking & communication
(Barbara Sturm)
sitting in vinegar (Julie-Andree Tremblay)
(Jan Bas Ader)
everyday chaos
fasting (R. Schwarzkogler)
starving (K. Etschmann)
Cooking/Kitchen as performance
body in honey, rolling in
feathers or hair
08 physical body view
(Carola Willbrand)
(Janet Haufler, B. Nieslony,
BBB Johannes Deimling,
Dziugas Katinas, Regula Kopp,
Mario Ohno, Seiji Shimoda)
Tischsituationen /
Tischregeln
(Ralf Filges) (Ulla Rauh)
Tischtransaktionen
(Fabrikanten, Nieslony)
see also: attitudes
(R.M. Ortiz)
(OM Nitsch)
smearing edibles
container
everyday objects
(Qing Qing Chen)
chemical
"moods"
(Dopamin,
Epinephrin,
Serotonin)
feeding (Stefan Halter,
Bioenergetic performance
Cecile Noldus, Mike Hentz)
(Tara Babel &
Andre Stitt)
(Gebrüder Kunst)
everyday relics
table performances
(Denis Masi)
(Li A- Roca)
(Gina Pane)
body orifices (P. Rist,
smelling and
tasting rituals
seeing an everyday situation and turning
it into a performance /
1:1 transfer (not mimicry,
not mimesis)
(Inge Broska)
(Theresa Drache)
(Hans-Jörg Tauchert)
deformation
(Matthew Barney)
"getting wasted"
"total action" (Muehl)
"piss action" (Muehl)
(Hermann Nitsch, G. Brus,
Rudolf Schwarzkogler)
queer theory / gender studies
sexuality discourse / AIDS debate
Body theory / body philosophy
body sociology
dance theory / new body theories
phenomenology of perception
revulsion theory
bioenergetic therapy
Literature: (... continued)
father of body art: G. Brus
naked
performances
body-material-interaction
physical body as
painting ground
Viennese
Actionism
the real organ of feeling is
the entire body
Marvin Carlson / Performance – a critical
introduction (book) !!
Richard Kostelnatz / On Innovative
Performance(s) (book)
Marcel Mauss / Körpertechniken (article)
Hubert Klocker (Diss.) / Der Wiener
Aktionismus. Das Orgien-MysterienTheater. Eine performancetheoretische
Studie
Gutai: material actions
(Barbara Smith)
(Ana Mendieta)
(Peter Gilles)
(Ray Langenbach)
Literature:
Otto Muehl, H. Nitsch)
body as instrument
body art
(Jürgen Raap)
Dionysian actions
intoxicating, ecstatic
Roman orgiastic culture
Dionysus ritual (Etant Donnes:
of gorging (Ro Ma Ma Chine:
(Andrés Pereiro-Schmidt)
subversive
communication systems
ironic way of dealing with
communication technologies
body as sound box
art corporel
art corporal
Body art & Butoh
(Viktorine Müller,
Irene Bachmann)
(Barbie Cyborg (V.M.))
(Miriam Steinhauser)
real
performance
Drama in Real Life (minor accidents – with bike into the canal)
skinning
performance
body as material
(material actions:
Eric Hurtado, Marc Hurtado)
anti-minimalist
philosophy of intoxication (H. Nitsch)
movement / quasibaroque style "seeing" with the body
Ritualistic bodies
(see also: rituals)
Can we no longer bear "direct" (non-transmitted)
reality?
(A´battery A“) Is this "directness" a chance for performance ?
(see above)
see body
extensions: (Stelarc)
The postdramatic
body is a body
of gesture (LE)
Old Boys Network,
(Helena von Oldenburg),
Frauen und Technik, Gruber,
Mike Hentz, Karel Dudesek,
Richard Kriesche, P. Weibel,
Regina Frank, Hayley Newman,
Pipilotti Rist, Kira Wu
revolutionary
performances
(2) extended
performance
most sublime moments
of physical presence
body works
Computer games
cybernetic research
(Julia Scher)
body fragmentation
in the performance
High-tech-Theater
computer
performances
see in detail: machine view
surveillance as performance
(Stefan Berchtold &
Ingolf Keiner)
everyday behavior
(Shi Sen Chen)
clothing printed with body parts (Katharina Trost)
(Mark Steger)
aesthetics of the living
Living Projects
Chemnitzer)
body work
disciplining
practically every imaginable physical
activity has been investigated (real time activity)
traces of a
(living) body
acts of violence against the body
(Zhang Huan) close to torture
Body boundaries
(skin incisions, self-experiments, ....)
skin-like clothing (Regina Frank)
taste,
incorporating
(Gillian Dyson)
(Fuckhead)
Ponton Medias:
(B. Heidersberger,
K. Dudesek,
S. Vanasco,
M. Hentz)
(Klat und pac) (Udo Wid)
"emptying" and "purifying" the body
physical borderline states (Charlemagne Palestine)
(Julie-Andree
Tremblay)
Discours du corps
living in exhibition spaces for several weeks
shifting the boundaries challenging the physical
of body, pain and
body – walking over
risk
glass (Rebecca Belmore)
standing on ice (C. Schmidt-
body as medium
Feldenkrais Method
(James Lee Byards)
sunburn) (Barry L Va – smashing against the
wall) (Norbert Stück)
08 body view / gustative view
tongue traces
body performance
electronic performance
Real time performance
via Internet
The dominants of drama and illusion are
migrating to the media, whereas the
currentness of performance becomes the
new dominant of the theater (LE)
(Monty Cantsin, Jason Lim, Helinä Hukkataival,
H.A. Schult, John Bock, Tom Murin)
media theory / media discourse
media studies
media anthropology
communication theory
information theory
net discourse / cyber discourse
simulation discourse
New Media (Christian van de Borght)
media shamans (Jürgen Fritz)
Trash-TV and trash-aesthetics
(Schlingensief)
the performance
of the body
(performativity)
life and work as unit/
every public act = performance
self-experiments: (Denis Oppenheim –
physical view – achievement (see also view of achievement)
body archeology
(body's capacity for
remembering – Grotowski)
Japanese body work
body therapy (G. Pesonnier)
media of movement
(Tibor Hajas) (Chris Burden)
the self at stake(FS)
(Brus, Ben Vautrier)
(category 01 according to M.-L. Lange) (time´s up)
essential body experiences
life art instead of lifestyle (PB)
Kunst als Lebensform
(Carola Riess)
performances crossing physical boundaries
(Sylvette Babin)
(Ron Athey, Laura Aguilar,
Matthew Barney, Eva u. Adele,
Mary Kelly, Rachel Rosenthal, ...)
self-jeopardizing
body work
extreme body art (Wen Lee)
breast incisions joined with operation
needles (JOKO: Karin Jost & Regula J. Kopp)
pain through connection (in nettles)
knife's
edge
bondage
skin hooks (H.G. Herrmann)
(cf. Foucault)
media aesthetics and performative
practice (Mattenklott) on:
(Bob Wilhite, Minus delta t)
(2) soap
performance
... Working with multimedia means. Semantic unity
in the sense of a gesamtkunstwerk (cf. view)
brutality as fundamental
position (2)
Dada Shave
(Anna Banana &
Bill Gaglione)
Bill Viola, Muda Mathis,
Tadasu Takamine, Kubisch + Plessi
Martine Aballéa, Serge Comte)
(category 10 according to M.-L. Lange)
over 50% of communication
is nonverbal (gestures,
deconstructions (Rafael Montanez Ortiz)
gesture as guarantee facial expression,
posture)
of the statement
violence as critical instrument (2)
cf. role of nonverbal
communication with G. Bateson
(double bind ...)
"how" something is communicated
(2) TV
performance
Video or performance
installation (Gary Hill,
(Orlan)
anarchic
body avant-garde
since Nietzsche
mediality as
performativity
see also: mimicry of life
(Thomas F. Fischer, Joan Jonas,
Christina Kubisch, Fabrizio Plessi,
Marcel Odenbach, Nam June Paik,
Charlotte Moorman, Ulrike Rosenbach,
Pipilotti Rist, M.Bienvenue, Gershon Berkowitz,
Tomás Ruller, Peter Land, Matthew Barney, ....)
Performance as synaesthetic montage
of action strands, aesthetic means and media
(Tagny Duff)
inscribed in the
body
(incorporation)
video
performances
Telephone Performance
(Kunst & Kravall: Stadtwerkstatt)
(LE) Theater is first
of all a form of behavior
and then art
Media performances:
other media
(without electronic media):
Monty Cantsin, Jason Lim,
Mike Hentz, Karel Dudeseck
Padeluun, Franklin Aalders
Ralf Samens, Ben & Sam
view of mediality
action and accident
(sensation of falling)
(Andrej Dudek-Dürer)
(Eva & Adele) (KUSCH)
(Laura Kikauka) (Geert Duintjer)
(Klat und pac)
Lust
risk situations: electricity, fire, dangerous
materials, knives, drugs, extreme duration,
hanging, piercing, ... (cf. torture practices)
Transgressive bodies
(McCarthy)
physical exceptional situations
(Stephan Us) spitting ice ....
uninhibited
confrontations (2)
performances
perfect bodies
(Etant Donnes)
(Kees Mol)
deformed bodies
glued to the wall (Roi Vaara)
(Lee Wen)
stuck to the ceiling (Roi Vaara)
redesigning one's
Suspensions (skin hooks – Stelarc)
own body
(cf. Fuckhead)
Intermedium
(Happening)
view of electronic media
(Tibor Hajas, Gina Pane, Chris Burden,
Petr Stembera, Jerzy Truszkowski,
Z. Warpechowski, Danny Devos, G. Brus,
M. Abramovic, Ron Athey, Bob Flanagan,
Franko B, Michel Journiac, H.G. Herrmann,
W. Kazmierczak, ...)
self-torment (not accepted:
A´battery A“)
Peter Gilles) (Jan Mlcoch)
lack of breath to unconsciousness (Gilles)
LKW
life art
(Carol Queen)
(David Drake, Tim Miller,
Holly Hughes, Karen Finley,
John Fleck, Isaac Julien)
reaching a high degree of
being-in-the-body through
self-injury
extreme situations
(panic due to lack of oxygen:
life situations
Porno-Formance
homosexual performance:
gay perf., lesbian perf.
borderline situations
Intermediality
(Jürgen Olbrich)
(Mamiko Kawabata)
auto-aggression
auto-destruction (G. Metzger)
Intermedia / mixed means
(James Coleman)
07 view of media
(Rachel Rosenthal) (Paul Demarinis) (Sang-Jin Lee)
(Station Rose: Gary Danner & Elisa Rose) (Valie Export) (Orlan)
(Stelarc) (GANG ART) (James Partaik) (Sylvette Babin)
(Mark Dijkstra) (Amsterdam Ballons) (The Dark Bob) (Max Frazee)
(Marlene Madison Plimley) (Gordon Monahan) (Milos Vojtechovsky)
(Perry Hobermann) (Maricruz Penaloza) (Pyromania (B.N. Hiesserer))
(Jürg Schmoll)
in performance art
(Thomas F. Fischer)
(Stuart Brisley) (Albert Mayr)
media
performance
pain automatically generates
a more active reception on the
part of the viewer
(as common characteristic
of performances)
Projection with speaking voice
view of communication
multimedia
performance
multimedia approaches
elementary forms
of behavior
(not rationally
controlled)
attitudes
Performance as primal
human language (2)
gestic performances
animalist behavior
performance /vs/
behavior (Elio Mariani)
(Franz Kaltenbäck)
gestures
contagion and enslavement: art is a
social phenomenon with strongly affectdriven components: facial expression,
posture, voice, gestures
see also:
Behavior Tableaut
Habitual behavior
patterns
Performance
as the blood
of the media
queer
performances
Life ist art enough
(Elke Krystufek, Vito Acconci,
Annie Sprinkle, G.Brus)
Sex oral (Harri Schemm)
palm of the hand (Allucquére
Rosanne Stone)
breast performance /
Sex worker
self-injury/pain
(Scarry)
living intermedia
sculpture (@Home)
Performance is
intermedia art
per se
Performative aspects in
photography
(BKH Gutmann,
Mariko Mori, M.C. Chaimovicz,
Ma Liuming, Stephen Laub)
(Annie Sprinkle)
V. Export
Gina Pane
Raul Zurita
Diamela Eltit
Flow – most unmediated
communication
body in pain
with INTERMEDIA the finished product is always just a
set piece of the process (Konrad Schnitzler)
projections in a
"performance triptych“ (Robert Longo)
(1) photo
performance
multimediality
affective communication, emotional
(Reindeer Werk: Tom
Puckey, Dirk Larsen) Gender Behavior and Codification of
Gestures (T junction)
(BBB.J. Deimlinger)
(Rachel Echenberg)
(Ko DE Jonge, Niall Monro,
Ed Varney, Juan J. Agius)
(Peter Weibel, V. Export, Etoy)
(Pyromania: B.N. Hiesserer)
(Pina Bausch)
poesie
d´action
behavior experiments
performer as researcher of gestures and
Minimal Performances
gesticulation (W. Hofmann)
Gesture (French)
= Action
(Mathew Wilson,
Mark Alice Durant,
Ilija Soskic)
dances from gestures
poetry with
body language
a choreographology
is missing
(gen. theory of gestures)
Identität u. Habitus (s.r.)
body language as
sculpture (Beuys)
body knowledge gesticulation
(La Ribot)
body memory
transformation from showing performative and
body language
(Manfred Vänci Stirnemann,
to showing
body-language
Boris Nieslony, Jürgen Olbrich,
surplus
behavior research
Robert Fillious -> ,
body as language
Alain Gibertie) (Stuart Brisley)
(Gina Pane)
gesture of the physical
catatonic
Behavior
position (cramp)
Pantomime
(G.
Brus)
collective term: cf. expanded theater
cf.: Grand Gesture
Art
view of art criticism
performative aspects of the
presentation of fine art
(vernissage speeches,
accompanying actions)
in performance art
(Valie Export) (Tina Keane) (Barbara Konopka)
(Palindrom)
plurimedia
theater (LE)
Performing Sex
(Odette Le Blanc Practitioner)
skin cuts:
Performance as a special
kind of interaction
intermedia approaches
(also with new media)
Media as superfluous
accessory (BN)
art as
translation (GANG ART) (PSi7)
Interaction
Masturbation as performance
autoerotic performances
telephone sex
gay & lesbian, transsex.
(Tatsumi Orimoto)
(Nam June Paik, Allan Kaprow)
(Colette, Jürgen Klauke, R. Schwarzkogler)
seminars
art projects as
communicating with people
communicative practice on the street
Participation-Tele-Performance
prelingual image dependency
(Canada) Performance
as social political
strategy
maneuver
(2)
(Christian Hasucha)
(Stadttwerkstatt – Checkpoint)
(Mia Zabelka)
private performances (for photo works)
mail art scene
travel art
vernissage ritual:
as celebration of thanksgiving,
initiation,
rite of passage
interventions
(2)
(Markus Hensler) (STWST)
(Thorsten Kellermann)
(Bas Jan Ader)
the inaccessible
performance
Ausbildungssicht
question & conversation performance (forced entertainment)
telephone performance
crossing the Atlantic in a sailboat
Reiseprojekte (Marianne Tralau)
(Pino Poggi) (Chris Reinicke)
performative generation
of belonging (to groups) /
Code Communities
(GANG ART)
traveling as
performance
(Carolee Schneemann, J. Klauke,
Ulay Abramvic, G. Brus, V. Export,
COUM: Genesis P. Orridge & Cosey Fanni Tutti,
McCarthy, Frank Wedekind, Johanna Went,
Marissa Carr, Brian D. Tripp, Gelatin)
Performance as symposium, round tables,
staged encounter (Adi Hoesle, Fabrikanten)
games (2)
Tele-Performances
+Performance as achievement
+Performance as dilemma
Sexuality
avoiding
communication
(VLIES)
the power of communication
(Ralf Filges)
Crossover &
Bricolage
(Chuke Stake) (Pomodoro Bolzano –
(cf. Rirkrit Tiravanija, Die Fabrikanten)
(Constanza Camelot)
art as communication ritual
conversation as performance (Hinrich Sachs)
delivery runs as
performance (Padellun)
(Black Market)
(Cooperation Project X)
communication projects
(Max de Well)) (Hinrich Sachs)
art as communication
(pleasurable)
creating communication spaces
(Robert Reschkowski)
destruction of
communication
"dialogical“
performance
(Charles R. Garoian)
nomadism
(Kunstforum – Paolo Bianchi)
(minus delta t)
enlightenment through action
cf. on this:
performativity as view
communication as art
Alternative continuing education
as performance (T junction)
specific practice of speaking
and showing (INFuG)
Performance Art as
critical pedagogy
Reisetour / Audiotour
(W. Pilar)
teaching and learning situation with the audience
(Vanessa Beecroft, Gelatin – cleaning action)
habitus = gait
(Matthias Jackisch &
Elvira Santamaria)
performance space
as transit space
performance educators
(see: curators,
editors)
performative pedagogy
walk and posture determined by high heels
the conference as
"laboratory for
body language:
action"
breaking through the
boundaries of
performativity through inventing or
convention with
carrying out new game rules (Lit.: Lyotard)
performance
expanded
performance
reality
performative processes
are a core of learning
opening addresses,
dialogues
appearances, presentations, (Fabrikanten)
scenic arrangements (INFuG)
trans-latio
(minus delta t)
(Tonga-Expedition:
G. Ritter, G. Wagner)
transport view / view of the journey
(see right) (Kees Mol, Alastair MacLennan, Harrie de Kroon,
(see above) performance as mediated
Geert Duintjer, Carole Schneemann, C. Palestine,
Seiji Shimoda, Richard Martel, Irma Optimist,
see also: performance as translation
Hayley Newman, Z. Warpechowski,
Chen Chieh Yen, Ma Liuming, B. Nieslony,
perceiving oneself (mirrored) in the other
Thomas Kumleh, Markus Schwaighofer,
(Surachai Ekphalakorn)
Elvira Santamaria)
agit-lecture (2)
(CH 2 ART AS SERVICE)
06 education view
view of educators (teaching)
(category 06 experimental actions)
(James Lee Byars)
(Wulle Konsumkunst)
communicative
framework conditions
action lecture (P. Weibel)
value transfer
(radical social changes due to
new transport techniques
durch neue Transporttechniken) (BN)
leaving traces as performance
nomadic
(Gunter Demnig) Ariadne Thread
performances
The performer is
a pontifex (bridge builder)
communication concepts
communication performance
of performance
(W.Hofmann minus delta t)
the art of travelling
the conference as
"laboratory for action"
Lust am Moment
performance as value-setting
achievement (BN)
Transport
"teaching" as gesturalsituative event (cf. NLP)
passing on
+Performance as communication guerilla
Performance as communication
communicative
action (nach Habermas)
Performance as
communication laboratory (Nenad Bogdanovic)
performative pedagogy
(Habil: Martina Koch)
Performance art as
critical pedagogy
(cf. also theater)
cultural transport enterprise
education is not to "be had",
it must occur processually (Pazini)
Performance art = free art –
The art of freedom (Z. Warpechowski)
philosophies and sciences
of becoming (Proj.: Kinetographien)
artists transported
in boxes (Dudesek,
Roi Vaara)
teaching as performance
process-oriented forms of teaching
lectures
performance as pedagogic
participation approaches(Christel Burmeister)
On the gradual
development of thoughts
while speaking
resources view
view of instruments
method view
Recycling performance /
ironized repetition of
"classical" performance
"pieces" (Ursula Palla)
Performance as dilemma
(expansions, transformations, renewal)
curiosity-interest-system /
anti-mimetic ... (LE)
pleasurable innovation (pleasurable
theory of pure form (LE)
channeling of new feelings and
revoking mimesis
thoughts
(orientation to painting)
Performance theory
(game rules of art)
performance techniques
question and answer
sessions (J. Beuys)
genres are conjoined in a
presentation (dancing,
performance, narrative theater, ...)
(Werkzeuggruppe des Konzils /
minus delta t
Black Market International)
tools of performance
Performance as creative field of experimentation
revolutionary
performance approaches
Postdramatic theater
praxis: different kinds of
All means are equally
valuable
action work with
adolescents (M.-L.. Lange)
future suitcase (Hannimari Jokinen)
education as performative
method (Eva Sturm)
Presentation as
performance (Udo Wid)
philosophy as tool
B.M.: objects as performers
of equal worth
05 tool view
Collage, Montage
Experimental art
performer in suitcase
didactic
performance
(Udo Wid)
action as tool
performative
lectures (INFuG)
(Xavier LeRoy) Lecture-Demonstration
(Abramovic, W. Pfaff)
enactive aspects
in fine art
+Performance as medium for communicating art
+Performance as mediated reality
+Performance as value-setting achievement (BN)
Performance as gestural situative event
(Marietheres Finkeldei)
(Ray Langenbach, Yuji Sone,
Ewjenia Tsanana, P. Arnold,
Savier Klaro, Andrea Saemann)
(Helena von Oldenburg)
(Fritz Schwegler)
lecture as form of action
(P. Cuny, Kate Isler, Alex Silber)
lecture performance (Mike Hentz)
ability
method = tool
Performance as
(new) "procedure"
(see insight view)
haptic experiences, skill,
method capabilities
Methods
- of discontinuity
- of series
- of autonomy
- of differentiated dependencies
- of parallel movements
- of ironic substitution
joy of experimentation
utensils
(materials / props)
lecture performance
passing something on through the
art teaching as art (INFuG)
"direct manipulation" of the body.
See: performative
scenic lecture (Georgsdorf,
knowledge (R. Schechner)
Lehner, Ritter, Binder)
cf. also habitus concept
the body as tool
(Verena Kraft & Kurt Petz)
see: view of material
techniques view
(R. Tiravanija)
Replacement of the paradigm of the production =>
Turning toward paradigm of reception (Sowa)
material "machine":
prostheses, hinges, models
(Yeun-Hi Pan)
(cf. Shamans)
ASA = methodic change
of lenses (BN)
"Werk-Zeuge " tools testifying
work
"learning with the body"
being one's own tool
see: machine view
(tools with a life of their own)
role of costumes
(ALMA – Alfred Hofstetter & Max Markus Frei,
Patrick Sidler & Jörg Lenzinger,
Joa Iselin & Christoph Ranzenhofer)
investigative working method
the author regards himself
as a producer (FS)
Bertolazzi, Brecht =>
L. Althusser
use of addictive substances/psychedelic agents
Triggering actions becomes an
artistic task (P. Maset)
the activity of producing and
carrying out (takes the place
of the product) (LE)
Performance:
body-machine
(András Böröcz & Lásszló Révész)
(Kyupi Kyupi) (Leigh Bowery) (Gelatine)
The Influence of Globalisation on Performance
public "production" of art works
K. Rinke => Karel Dudesek
B. Nieslony => ...
Marina Abramovic => ...
R. Barthes
(intensive
theater
attendance.)
Artaud => Foucault
Foucault => P. Bianchi (LKW)
Appeal
J. Habermas (bodiless)
Habermas => S. Szczelkun
teacher => pupil
male duos:
joint practice –
gesture of showing
tools/instruments (in actu)
in use
(language game concept) => Fabrikanten
Wittgenstein => James Lee Byars
De Certeau !! => B. Nieslony
Pragmatists:
Charles Peirce, Rorty, Mead, Quine,
Dewey, Dilthey, Fellmann, Shusterman
04 influential thinkers
the performance –
an operating system of art
(GANG ART)
Ludwig Wittgenstein ! => Lyotard => H. Sowa
reflections on historical tools
Production aesthetics as outmoded view
is superseded by the aesthetics of the
performative (FL)
(Bruno Peter Schärli, Peter Spillmann,
Hans Wermelinger)
+Performance as tool
+Performance as profiling facility
Shusterman, Rorty, Dilthey => H. Sowa
Kierkegaard
difference between:
fabricating/making/building and
acting/living/caring (H. Sowa)
AOS – Art Operating System (Zürich)
interactivity
(Pepi Meier – furniture deconstruction)
F. Nietzsche => P. Bianchi (LKW)
Viennese Actionists
Foucault (life as a work of art)
the programmatic opening of the avant-gardist
work concept in the direction of practical, performative forms of life
see also:
moment art
Gertrude Stein =>
S. Freud => Viennese Actionists / Surrealists
Performance
=> Michel Journiac
(acc.to Bonnie Marranca)
interactive
processuality
M. Foucault => Ray Langenbach
Hölderlin, Schelling, Nietzsche => H. Sowa
(eliminating the difference between art and life)
Flow = optimal performance
(through anxiety-free situation)
losing oneself in doing
instant
intervention
Heidegger ! => H. Sowa, K. Rinke
Heidegger => Foucault, Lehmann
Gadamer => H. Sowa
Davidson
Feyerabend
Putnam
Hintikka
(H. Sowa)
(Victor Snessar)
(Social Impact) OÖ
community-oriented work
Performance theory has to
have an interdisciplinary
arrangement (Prof. Dr. Bonnie Marranca)
The praxis paradigm takes the place of
the poiesis paradigm (H. Sowa)
laboratory of life
Carmelo Bene => Gilles Deleuze
W. James
fundamental change in the approach
Judith Butler !! => Ray Langenbach
S. Zizek
Luce Irigaray
Austin ! => Sowa
to and way of dealing with the
technique = traditionally
Searle !
G. Bateson
objects
Ralph Ortiz => Arthur Janov
effective action
Martin Buber => B. Nieslony
(Marcel Mauss / Körpertechniken)
(impulse for primal scream
V. Flusser
M. Merleau-Ponty ! => Stelarc
(dialogical approaches)
therapy)
=> M. Vojtechovsky
Council discussion: every theme needs its tools.
Hannah Arendt => B. Nieslony
=> Nieslony
P. Bourdieu, Gebauer, Wulf => H.Sowa, Kosa
The toolbox is the selection of critical instruments (theory).
(Cezary Bodznianowski)
(Bender/Nern: Firma B&N)
Performance as reference
Georges Bataille
Roger Caillois
Performativity of originally separated
fields (of knowledge): performativity through
interdisciplinarity (cf. Lyotard)
interdisciplinary
actions
public production
of art works
church-service (U. Wid)
office as performance substitute (?)
Literature:
(as common characteristic
of performances) (BN) (BM)
service offerings view = service view
as performance
ASA: the art of the encounter
R.D.Laing => Stuart Brisley
Michel Serres => Orlan
J. Berke (MA v. Laing) => DIAS
(operation readings)
De Sade => John Duncan
Kurt Levin => V. Acconci
W. Reich => Viennese Actionists
Yoga exercises: lead to (too)
Marcel Mauss => Sowa
W. Reich => Atelier van Lieshout
introverted concentration –
(habitus
as
form
of
practice)
W. Reich => John Duncon
Bakhtin / Bachtin !
all feelings extinguished
convulsivist (Reichian)
interdisciplinary theater (LE)
(Grotowski)
breathing exercises
Erving Goffman !
Circumscription of otherwise disintegrating
cf. Tao
(Schlemmer´s)
theater languages (acting, music,
Artaud => Kristeva
theory of performance
A.Artaud => Derrida !
Methods of infamy, vivisection,
installation, light poetry,
Julia Kristeva => Orlan (operation readings)
Paul de Man
=> Foucault !
implosion (BN)
singing, dancing)
Artaud => Orlan (operation readings)
(INFuG: F. Kleuderlein, B. Kümmelmann,
Hubert Sowa, Thomas Eisen)
art as service offering (INFuG)
services in the community
services for the recipient
individual service offerings
art as service offering
Warburg => Nieslony, DG
W. Benjamin => Nieslony
joint anxiousness
principle: ASA
artist dialogue
associations
(Raoul Marek)
Performance as a new discipline
or an interdisciplinary field.
view of synergies (U. Wid)
Joseph Roach: it is of course an
anti-discipline (the trickster as guru
interdisciplinary works (Jiri Kovanda)
of this anti-discipline)
interdisciplinary projects (Marcelo Exposito)
cleaning services (Gelatin - naked)
Rena Tangens, Raoul Marek,
Boris Nieslony)
philosophical terminal (see above.)
as service
documentary theater (LE)
the service is the medium
Cultural Worker
service as a technique of
passing something on
real work
ASA = art service association
Service
ASA in Bologna: (Padellun
synchronicity
(T.X. Harsono)
(Xavier LeRoy)
encounter (1)
(M. Buber)
(Jacques van Poppel)
(Chris Burden)
art that provides services
All genuine life is encounter. ...
Space and time are found in the
encounter.
dialogical approaches
environmental problems and
urban problems
performative staging of his
biography (as researcher)
principle: Black Market
polyscenic,
simultaneous, fragmented
theater (Artaud)
(Santiago Serra)
gift pieces
valet for 1 month
confrontations
Parallelbewegung
Trickster
(counterpoint critic)
Service (as servant or waiter: Bruno-Peter Schärli)
the performer as waiter in the gallery
Performance-Service-Art
away from commodity concept
cf.
cf.
cf.
cf.
cf.
Jürgen Fritz
R. Ganahl
Ute Meta Bauer
Wochenklausur
ALMA
cf. Public Access projects
ASA: The Art of Service
03 service view / project view
attempt
cf. also: infiltrating existing
systems (Gianni Motti)
(Regina Hellwig-Schmidt, Horst Konietzny,
Simultaneity
Performance
improvisation
(Peter Wolf)
as art (Christine Hill)
the opposite of
control is service
ASA should be a pure service /
Service makes ASA visible
(Brian Catling)
03 interdisciplinarity view
A performance is supplied like a commodity.
The Black Market actions are very close to this
commodity character (BN)
continuous service as
ASA should be much more free
performance (ASA)
and floating.
performance theory
epistemology
dialogical approaches
postmodern views
crossover debate
mimicry as appropriation of
diverse disciplines (BN)
Regina Frank, S.A,C. Modellers Club)
The artist is at the
Service of the Community
(Francisco Inarra)
commissioned intervention
project theater (LE)
structure (see above)
"Services“ "artistic service“
(Team of: dancers,
(project by A. Fraser & Helmut Draxler)
Performance as guided tour
graphics artists, musicians,
rent an artist (3)
cf. also reading seminars (R. Ganahl)
(in the museum) –
architects, ...)
(A. Fraser, C.P.Müller,
lecture service (U. Wid)
Christel Burmeister)
(as service)
care of the handicapped (as service)
Pragma-art
(Christine and Irene Hohenbüchler)
lecture artist
(Pierangelo Maset)
(Stan Lafleur)
cf. projects by MAIS
Second hand shop
ASA = communication pool
ASA = interactive art
(CH 2 ART AS SERVICE:
Daniel Hauser, Chiarenza)
real-time performance
( /vs/ theater )
movements of a
common desire
Improvisations (1)
(Translation Transition Transformation – PSi7)
(Cesar Figueiredo, Nieslony,
Padellun, Bernd von den Brincken)
the gift is the greatest, the oldest,
the swingingest network that exists
(Rirkrit Tiravanija)
the translation (GANG ART, BM)
rent an artist (2)
(category 09 according to M.-L. Lange)
cf. absurd theater
actions with job-seekers,
unemployed persons, homeless,
prisoners (Christoph Schlingensief)
collective doing
incompatibility as
sovereign gesture
(the precise monologue) (BN)
+Performance as personal field of experimentation
Performance as link between sections
Performance as gift
(2) social
performance
Group performance
parallel plot strands (LE)
(otherwise boring)
Academic Performances (PSi7)
power of the
incompatible (BN)
total improvisation
(in music) =
"purely“ performative ?
settling in, destroying
(with 15 participants)
(Jörg Lenzlinger, Patrick Sidler)
regaining
complexity
... Can be understood as a practical transfer
of Concept Art into practice and the
public sphere
attention hanging in the
balance (cf. Trance)
Apollonian actions
Three people at a table –
each operates without
perceiving the others
(VLIES: Rolf Konrad,
Pat Binder, Wim Kolb,
Jörg Brandt)
Expanded Performance
international communication
ASA Projekte: Die Gabe
Gabe als Gesellschaftssinn
(Teodor Graur)
(3) expanded
performance
+Performance as open system
Performance as breaking through structures
+Performance as a transitional form of art
Performance as agreement
Polyphony instead of dialogue (LE)
The dialogical structure gives way to the
monological and choric (LE)
cf. chorus theater
Collaborative Performances
conceptual actions
the non-action
Community Art Projects (PSi7)
Networker / electronic
network work
(Moscow conceptualists:
Ilya Kabakov, F. Infante, A. Monastyrskij)
(cf. Expanded Theatre)
network idea (Jürgen Olbrich)
Früher machten wir Pläne, heute sprechen
wir von Projekten (PB)
conceptualistic performances
(Kjetil Skoien)
patterns of staging
love (public,
conventionalized
staging) /vs/
unbounded
(Esther Ferrer – Gruppe Zaj
(W. Marchetti, J. Hidalgo, R. Barce))
scenic montage:
synchronously played "fields" (cf. BM)
parallel action (Wilson) (cf. BM)
(Murmeln im Mund: Harrie de Kroon)
(James Lee Byars) (Ralf Berger)
(Peter Kalmus & M. Murin)
Minimal Actions
(Michael Blättler) (Esther Ferrer)
participants and audience were identical
conceptual way of dealing
with art (ALMA)
staging
Minimal Performances
(Stuart Brisley)
(Esther Ferrer)
02 conceptual view
These performances seek:
confrontation, irritation of sense,
disjunction, interruption and demontage
of familiar semantic conjunctions.
The point is "upending order", the destruction
of traditional rhythms and flows of meaning.
unpredictability in the
course of communication
Post-Fluxus (Montagne Froide -
(Anna Winteler)
(Felix S. Huber)
view of manifestos
(category 11 according to M.-L. Lange / Inge Baxmann)
The performer as transformer tries
to keep his senses together
(Verena Schwab, Foundation Schwab-Hensler)
Performance without an
audience
intimate performance (FS)
conceptual performances
instructions as propositions
concept performance
(Tine Kortermand Hansen)
Deconstruction performances (2)
logic of joy, pleasure
and love
Performance as a ritual
of transition (FL) (PSi7: Transition)
cf. Happening
(George Maciunas (namer), George Brecht,
Bob Watts, Yoko Ono, T.Schmit, Joe Jones,
exposed
Yoshimasa Wada, B.Vautier, G.Chiari, J.Hidalgo,
drawings
Fluxus Adaption
W.Marchetti, Ayo (Ay-O), A.Köpcke, T.Kosugi,
(Senoner)
(Bob Lens)
Christiansen, Eric Andersen, W. de Ridder,
New
type
of
fluxus
G. Hendricks, Milan Knizak, Dick Higgins, Phil Corner,
Performance as
(Sara Seagull, Neal Taylor)
Robert Watts, Alison Knowles, Nam June Paik,
breaking through
Charlotte Moorman, Ken Friedman, Takako Saito,
Emmett Williams, Robert Filliou, Al Hansen, Ben Patterson,
Proto-Fluxus (Toshi Ichiyanagi,
Larry Miller, Raphael Montanez Ortiz, Tomas Schmidt,
Jackson MacLow, David Tudor,
G.Baruchello, Beuys, J.Dupuy, R. Morris, C. Oldenburg,
Henry Flynt)
C. Schneemann, D. Spoerri, W. Vostell, Zaj,
project-oriented art (Simon Beer)
Die Kunst des Öffentlichen / article by
Stella Rollig: Projektorientierte Kunst
in den 90er Jahren
Lesezimmer / Ute Meta Bauer
Charon – Eine Ästhetik der
Grenzüberschreitung / G. Raunig
Bonnie Marranca (interdisciplinary
performance theory)
Alan D. Schrift / The Logic of the Gift
Christel Weiler / Performance als Gabe
(article)
Get together – Kunst als Teamwork (cat.)
Walking through society (yearbook)
Peter Frank / Nachkriegs-Performance:
Das Vermischen von Kunstformen und
Kunstsparten (article / ars electr.)
Marion Strunk / Vom Subjekt zum Projekt
(article Kunstf. Bd. 152)
love relationships have
an unfettering effect
(decentered; abandoning
one's own standpoint)
dialectics of behavior
R. Summers, Piki Soul,Mary Bauermeister, ...)
a kind of phantom that is
constantly changing
connection between New Music
and Conceptual Art
Concept Theatre (LE)
Conceptual art: performance as demonstration
Post-dramatic theater can also be understood
or an execution of those ideas
(LE) Concrete theater –
(in reference to Concept Art) as an attempt to
abstract theater without action
conceptualize art in the sense that it offers an
experience of the real rather than representation.
Ideas conveyed verbally (by telephone) over
several days: "spoken house“
conceptual models of
Performance as agreement (see right.)
(Otiose: Ailith Roberts & John Dummett)
attention (Gen Murai)
imaginary performance
(e.g. naked performances through recipients:
organized by Spencer Tunick)
invention .... moments
Klaffenböck)
sculptural-aleatoric
process (Andreas Techler)
demonstration of an idea
(without audience participation)
Performance without people
or without performer Making art without artists
Simultaneity (a form of openness as concept) –
it remains open, whether there is a connection or
or merely an external simultaneity (LE)
free play with materials, objects,
body movements, action locations
group feeling
(communitas) (cf. BM)
invitation as substitute performance
allusion as substitute (Peter Arnold)
art space renovation as performance substitute
(Didier Bay)
truly situative action
Performances by concept artists
invisible performance
reflection on the social
practice of art
situative abidement and
lingering associations (Sowa)
(Marcel Broodthaers, P. Weibel, ...)
(Kam Yeon Hee (YEONEE)
performativity through new arrangement; through new
conjunctions (of the data of a game move) (cf. Lyotard)
(source: Marie-Luise Lange)
Performance as transformation
of a situation (J.-F. Lyotard)
(Mimi Nakajima)
tableau
(framing)
frameworks of light, space and sound framing everyday life
patterns of perception and
Improvisational, arising spontaneously from
reception expectations
the moment (Black Market)
departures = spontaneous actions (scream in the concert hall)
Neo-dadaism
forms of living
as context
(Psychogeographical Association)
+Performance as situative production
+Performance as situative experiment
situation art
(Udo Idelberger,
Pier van Dijk)
(Roi Vaara, Peter Weibel, V. Export)
(Matthew Maguire)
(e.g. as couple: Judy Radul)
arranging the
"Situation“
climate control technician
experimental, sketch-like
02 unbounded view
"framing“ has a central significance
for performance theory
energetic situation
(absurd actions)
situation art
situative approaches
responding to the context
Performance = action,
framed by a defined space
strategy of duplicated
frameworks (LE)
(Terry Fox)
(Jaques van Poppel)
living sculptures
Performance as predicament (2)
(category 02 according to M.-L. Lange)
The Open Art Work (U. Eco)
(Game Rules of Art)
Intertextuality
(Tina Keane)
(Thomas Huber)
frames and framework conditions are
are training fields for the situative (BN)
performance as situation
invention of grotesque moments
(Jaques van Poppel)
(Joa Iselin & Christoph Ranzenhofer: Port Rouge)
the power of the context
(cheerful, uplifting, alarming, aggressive, ...)
performance with no stylistic restrictions (BM)
relaxed
momentum
open progression
Performance: a permissive, open-ended
self-propulsion
anonymous intervention medium with endless variables
Meditations on Tenderness
Indeterminacy (Cage)
affection (B.M.)
steered intervention
of/in Performance (PSi7)
indeterminacy
programmatic
conceptual
performative
Art as intervention
contemplative openness
(allowing the quality of
disturbance (INFuG)
openness
(Art
Attack)
actions of love
sums) (BN)
Intervention
Intervention as support
(Pierpaolo
Improvisation (2) (c. Hommelsheim, W. Höfinger)
Performance
Calzolari)
measure for reality
connection with the
free play
Interventionist
(Matthias Schamp)
undeliberated
whole (Religio)
(Gordon W)
knowledge as passion
(Rudolf
Performances without fixed concept for action
equal right of intervention
breaking through conventional
boundless play
(Edward Lazikowski)
(Richard Martel)
affect and context dependent
selection of memory contents
while simultaneously repressing
memories not conforming to affect
(GANG ART, granular synthesis:
Kurt Hentschläger & Ulf Langreich)
open practice
see also: revolutionary performance approaches
using objects outside the
usual context
(Peter Trachsel)
(Harrie de Kroon)
asking passers-by for
displacement a moment
(Franz Müller)
without boundaries: confusion
see various forms
open end
of ecstasy
(Happening)
"alea" or chance
poetic situations
(2) human
sculptures
absurd
moments
(separated from the usual function)
view of the framework
mood gauge
breaking through the atmosphere –
What is art and what is "reality"?
Setting
poetic pilfering
poetic situations in duplication
climate chambers (biospheres)
visitors are exposed to elementary
sensations (heat, cold, steam, storm, ..)
temperament,
constitution
different locations/spaces and
lighting each convey their own
affective message
serene attention
(Bigert & Bergström) (cf. Wettergebäude by the Stadtwerkstatt)
generating clouds (Lone Twin – Gregg & Garry)
(see: orality)
01 contextual view
poetry and performance (PB)
(Frank Lüsing & Oliver Kochta)
presentation of an atmosphere
and a state of mind (LE)
(INFuG, Stadtwerkstatt)
atmosphere –
mood –
disposition
Disco atmosphere
musical/acoustic
atmosphere
daily plots
(Kristinn G. Hardarson)
everyday logic, logic of joy
/vs/ logic of fear, logic of ange
logic of mourning (Hans-Jörg Ma
everyday prohibitions (1968)
(Project: Paradise now)
ritualizing the
everyday (R. Schwarzkogler)
The concept of "performance“ dominates
American culture as a way of viewing everyday (Thomas F. Fischer)
activity (Bonnie Marranca)
everyday situations
(Anna Dancikova)
Literature:
Literature: (... continued)
Literature: (... continued)
The explicit body in performance (book)
Rebecca Schneider
Powerful Bodies (book)
Victoria Best & Peter Collier (Ed.)
Küchenlatein – Performance – Drehbuch
1989 (on Lili Fischer)
On Cooking (Performance Research)
Hermann Nitsch – Leben und Arbeit
Danielle Spera
Stefan Brecht / Queer Theatre
M. Merleau Ponty (entire work)
W. Reich, M. Foucault, F. Nietzsche
Martina Leeker (article) / Der Körper des
Schauspielers/Performers
als ein Medium
V. Flusser / Gesten
Erving Goffman / On Facework:
An Analysis of Ritual Elements in Social
Interaction (article)
Lea Vergine / Body Art and Performance
The Body as Language
Peter Gorsen / Sexualästhetik, Grenzformen der Sinnlichkeit im 20. Jahrh.
Erving Goffman / Stigma
M. Haerder & Sumie Kawai (Ed.) / Butoh
Die Rebellion des Körpers
Charlie Spencer (Ed.) / a catalog of
Queer performance
Kate Ince / Between the Acts: Orlan,
Performance and Performativity (in:
Powerful Bodies) !!!
Tracey Warr, Amelia Jones / The artist´s
body (book) !!!
Marcel Mauss (lecture.) / Körpertechniken
Jean-Luc Nancy
Prof. Hermann Schmitz – Neue
Phänomenologie (Differenz von Körper
und Leib) / (book) Der Leib, der Raum
und die Gefühle
W. Pfaff u.a. / Der sprechende Körper
Siemke Böhnisch / Gewalt auf der Bühne
sociology (Bourdieu)
cultural studies
new subjectivism
privatism debate
life philosophy
(game rules of art)
09 everyday view
Literature:
Marvin Carlson / Performance – a critical
introduction (book) !!
Atelier van Lieshout / the good, the bad +
the ugly (catalogue book)
Stadtwerkstatt in Arbeit (catalogue book)
Jürgen Schilling / Aktionskunst.
Identität von Kunst und Leben? !!
Alan Read (PSi7) / Theatre and Everyday Life
Davied E.R. George
Bonnie Marranca
M. Foucault / Der Brauch der Lüste (originally.:
„Das Leben als Kunstwerk“)
L.B. Clark / (PSi7) The Everyday Life of Objects