Texas State University School of Music in the College of Fine Arts

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TEXAS STATE UNIVERSITY
SCHOOL OF MUSIC
in the
COLLEGE OF FINE ARTS
AND COMMUNICATION
presents
SENIOR RECITAL
TOMMY TWEETER
TRUMPET
in collaboration with
JOHN SCHROEDER, PIANO
MAX MILLION, TENOR SAXOPHONE
ELIUD GONZO, PIANO
SAMMY SNOWDEN, BASS
OTIS JOHNSON, DRUMS
_______________________
WEDNESDAY, SEPTEMBER 21, 2011
8 P.M.
RECITAL HALL
PROGRAM
NOTES
Trumpet Concerto in E Flat
Johann Nepomuk Hummel
I. Allegro Con Spirito
(1778-1837)
II. Andante
John Schroeder, piano
This is a sample program to provide you with a format for all
School of Music Student Recital programs. Use this as a template,
highlighting and replacing the information (as appropriate) for
content, while preserving the formatting and minimizing the work
needed to edit and prepare it for printing.
Badinage
Eugene Bozza
(1905-1991)
John Schroeder, piano
INTERMISSION
Concerto in D Badinage
Giuseppe Torelli
(1658-1709)
John Schroeder, piano
The Debutante
Note:
Herbert Lincoln Clarke
(1939-1972)
Max Million, tenor saxophone
Eliud Gonzo, piano
Sammy Snowden, bass
Otis Johnson, drums
Toot Suite for Trumpet and Jazz Piano
I. Allègre
Eliud Gonza, piano
Sammy Snowden, bass
Otis Johnson, drums
Example: First, do a “SAVE AS” and give the new document a
new name. Then, click “SAVE”. Then instead of deleting
everything and starting from scratch, try marking (highlighting) a
block of text such as a composition title. Then type over the
highlighted area with your new composition title. That way (in this
example), you preserve the italics in the title. You will also
preserve the necessary spacing.
Claude Bolling
(b. 1930)
Presented in partial fulfillment of
requirements for the Bachelor of Music degree
* Use all capital letters and the largest font size on the page
For the recitalist’s name on the title page.
*Do not use academic titles for any of the performers
(including accompanists).
*List all collaborators on the title page.
*Give composer dates, if available. Dates should be rightaligned beneath the composer’s name.
*Italicize titles of pieces. Do not italicize movements.
*Keep movement numerals and names left-aligned.
*If a selection is from a larger work: The title of the piece
should be italicized and in quotation marks, followed
by the word “from” (not in italics or capitalized),
followed by the title of the larger work, in italics.
Example: "O soave fanciulla" from La boheme
*Translations, notes, and biographies may be included,
(but please make them as concise as possible).
*Do not include personal acknowledgements on the
program. If you wish to thank an instructor or
recognize family members, etc. you may do so on
a separate piece of paper (and provide copies for
distribution with the programs).
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