THE UNIVERSITY OF WINNIPEG ENGL: 2912-245(3) Inventing the Subject: 20th Century Women Writers Spring M/W/F Room 2011 13:00-16:00 1E06 Instructor: Kim Olynyk Office: Office Hour: Wed. 16:00-17:00 Telephone: Email: kimolynyk@hotmail.com COURSE DESCRIPTION This course focuses on the subject of women’s writing through the historicizing power of knowledge about the other. In this course we look at the problem of determining stable subjectivities through investigations of French, British, American and Canadian women’s voices and writings. We read theoretical works written by women, and women’s fictions, which problematize homogenous readings surrounding our understandings of self, home, nation, the body, sex, and race. Our goal is to pay close attention to how these works produce extended analyses of psychoanalytic and archetypical identities. We will also examine historicized conceptions of woman as mother, wife, and femme fatale, lesbian, patriot and colonized subject. We explore what we call literary history, which helps us to establish ways of reading, writing and thinking critically about women’s literatures and writings within their cultural contexts. REQUIRED TEXTS Gilman-Perkins, Charlotte. The Yellow Wallpaper and Other Writings (Bantam Classics), New York: 1989. Morrison, Toni. Tar Baby. New York. Vintage, 2004. Moses, Daniel D. & Goldie, Terry. An Anthology of Canadian Native Literature in English. Oxford University Press, Canada: Oxford, 2005. Rhys. Wide Sargasso Sea. New York: Penguin Books, 2000. Plath, The Bell Jar. New York: Harper Collins, 2003. Woolf, Virginia. To the Lighthouse & Mrs. Dalloway & A Room of One’s Own. New York: Classic Books America, 2009. RECOMMENDED TEXTS For guidance on the preparation and formatting of papers for this course, consult The MLA Handbook, available in the reference section of the library and on-line. You should also have a good dictionary. I recommend the Concise Oxford Dictionary. 1 ASSIGNMENTS Response paper (1000 words) (25%) due: July 11, 2011 In-class Stylistic Analysis (25%) due: July 25, 2011 Synthesis paper (1500 words) (25%) due: July 29, 2011 Final Take-home exam worth (25%) due: August 5, 2011 GRADING POLICIES Your work will be assessed on how well it fulfils the requirements of the particular assignment and on the clarity of your response. Criteria for evaluating your essays will also include such factors as: reading comprehension independent evaluation/insight thoughtful and thorough analysis awareness of issues raised in class clear focus; consistent line of argument structure, organization correct documentation/citation format Your grades are also based on the quality of your contributions to class discussion. GRADING SCALE A+ A AB+ (90-100%) (85%-95%) (80%-84%) (75-79%) GPA 4.50 GPA 4.25 GPA 4.0 GPA 3.5 B (70-74%) GPA 3.0 C+ (65-69%) GPA 2.5 C D (60-64%) (50-59%) GPA 2.0 GPA 1.0 Exceptional Outstanding Excellent Very good, but with some areas that need improvement Good, but with several areas that need improvement Acceptable, but with significant weaknesses in comprehension, interpretation, organization and/or expression Adequate: demonstrates basic knowledge Does not meet university standards F (below 50%) GPA 0 unacceptable Notes: 1. This course outline should be considered a guideline only. Time constraints and other unforeseen factors may require that some of the above topics be omitted or covered in less detail than indicated. 2. Work submitted for evaluation must be either typed or text processed. 2 3. Services for Students with Disabilities: Students with documented disabilities requiring academic accommodations for tests/exams (e.g., private space) or during lectures/laboratories (e.g., access to volunteer note-takers) are encouraged to contact the Coordinator of Disability Services (DS) to discuss appropriate options. Specific information about DS is available on-line at 0. All information about disability is confidential. 4. Please note that registering in this course commits you to the date and time of the course final examination. If you are aware of possible conflicts with that date, please see me immediately during the first week of the course, in case you need to register in another course to accommodate the conflict. For appeals for deferred exams, please see the Calendar. 5. Students will not be asked for identification when writing a test or examination. 6. No unauthorized material or equipment may be brought with you to the final exam. 7. The final voluntary withdrawal date for a 3cr-hr course beginning July 4, 2011 is Tuesday July 19, 2011. Attendance: For this class, “regular attendance” means missing no more than three classes over the entire session. Regular attendance is vital to successful completion, and is a requirement for the course. Please collect any material that you might have missed, for example, photocopies and/or notes from a fellow classmate. Policy regarding Extensions: Valid reasons for extensions (besides illness or emergency) include work or family commitments, travel, or “project overload” – too many things happening at once. You must ask for an extension before the deadline. Generally one week from the original due date is all that will be granted unless extenuating circumstances prevail. What are your rights and responsibilities? Please refer to Chapter V11, “Academic Regulations and Policies” in the University of Winnipeg Calendar 2011 General Calendar. This chapter explains university policies governing regular attendance, appeals, the grading system, and academic misconduct, including plagiarism. As stated above, The final voluntary withdrawal date for a 3cr-hr course beginning July 4, 2011 is Tuesday July 19, 2011. Cellular phones MUST be turned off during classes. 3 It is the student’s responsibility to retain a photocopy or computer disk for all assignments submitted for grading; in the event of loss or theft, a duplicate copy is required. The University Of Winnipeg Library has a number of online terminals, journals, indexes of journal articles; various search databases on CD-ROM, and interlibrary loan service, a rare book room, and the University of Winnipeg Archives. The Reference Desk staff will be happy to direct you to resources or databases relevant to your topic. The online Library catalogue and other services are available at— http://cybrary.uwinnipeg.ca/index.cfm And you can take an on line tour of the Library by visiting— http://cybrary.uwinnipeg.ca/help/Tour/index.cfm SCHEDULE OF READINGS There will be formal and informal lectures, films and class discussion. July 4: Introductions; Screening: John Stahl’s Leave Her to Heaven (1945). July 6: Screening: Douglas Sirk’s Imitation of Life (1959). July 8: Toni Morrison’s Cinderella’s Stepsister’s; Tar Baby. July 11: Toni Morrison’s Tar Baby; response paper due. July 13-15: Charlotte Gilman-Perkins, The Yellow Wallpaper and Why I Wrote the Yellow Wallpaper; Screening: The Yellow Wallpaper. July 18: Virginia Woolf, Screening: A Room of One’s Own. Virginia Woolf’s Mrs. Dalloway July 20: Virginia Woolf’s Mrs. Dalloway; Screening: Stephen Daldry’s The Hours. July 22: Screening: Zefferelli’s Jane Eyre. Jane Rhys’ Wide Sargasso Sea. July 25: Excerpts from An Anthology of Canadian Native Literature, Connie Fife: Driftwoodwoman, I have become so many mountains, the knowing, exiled, witnessing. Annharte: Cyote Trail, Raced Out to Write This Up, One Way to Keep Track of Who is Talking, Cyote Columbus Café, How to Write about White People, Me Tonto Along, Dad’s Zipper; Joanne Arnott, Wiles of Girlhood. July 27: Excerpts from An Anthology of Canadian Native Literature: Beth Cuthland, Marion Tuu’luq; A Story of Starvation, Jeanette C. Armstrong; History Lesson, For Tony, Sketches, Indian Woman, Wind Woman, keeper’s Words. July 29, Sylvia Plath’s The Bell Jar, Daddy (Final synthesis paper due). Final Exam due Friday, August 5, 2011. 4