Production Notes
For additional publicity materials and artwork, please visit:
www.lionsgatepublicity.com
Rating: R for sexual content, nudity, violence and language
Runtime: 110 mins.
For more information, please contact:
Kate Hubin
Lionsgate
2700 Colorado Blvd.
Suite 200
Santa Monica, CA 90404
T: 310-255-4064
E: khubin@lionsgate.com
Adam Kersh
Lionsgate
75 Rockefeller Plaza
16th floor
New York, NY 10019
T: 212-386-6874
E: akersh@lionsgate.com
THE CAST
Terry…………………………………………………………………..JASON STATHAM
Martine Love……………………………………………….……..SAFFRON BURROWS
Tim Everett…………………………………………………………RICHARD LINTERN
Kevin Swain…………………………………………...STEPHEN CAMPBELL MOORE
Dave Shilling………………………………………………………..……DANIEL MAYS
Miles Urquart…………………………………………………………...PETER BOWLES
Wendy Leather…………………………………………………………KEELEY HAWES
Hakim Jamal……………………………………………………………COLIN SALMON
Michael X…………………………………………………………….PETER DE JERSEY
Guy Singer………………………………………………………..…JAMES FAULKNER
Sonia Bern………………………………………………………...SHARON MAUGHAN
Gerald Pyke…………………………………………………………..DON GALLAGHER
Roy Given……………………………………………………………..GERARD HORAN
Nick Barton…………………………………………………………CRAIG FAIRBRASS
Philip Lisle……………………………………………………………ALISTAIR PETRIE
Lew Vogel………………………………………………………………DAVID SUCHET
Bambas……………………………………………………………………...ALKI DAVID
Eddie Burton………………………………………………………….MICHAEL JIBSON
THE FILMMAKERS
Directed by……………………………………………………….ROGER DONALDSON
Written by…………………………………………………………….DICK CLEMENT &
…………………………………………………………………………IAN LA FRENAIS
Producers……………………………………………………...........STEVEN CHASMAN
………………………………………………………………………..CHARLES ROVEN
Executive Producers………………………………………………...GEORGE MCINDOE
…………………………………………………………………….RYAN KAVANAUGH
…………………………………………………………………………….DAVID ALPER
Executive Producers…...…………………………………...…………ALAN G. GLAZER
………………………………………………………………………….ALEX GARTNER
……………………………………………………………………….GARY HAMILTON
Executive Producers …………………..…………………………CHRISTOPHER MAPP
……………………………………………………………………...MATTHEW STREET
…………………………………………………………………………DAVID WHEALY
Co-Producer…………………………………………………………………MAIRI BETT
Director of Photography………………………………………….MICK COULTER, BSC
Production Designer…………………………………………………..GAVIN BOCQUET
Edited by………………………………………………………..…JOHN GILBERT, ACE
Music by…………………………………………………………...J. PETER ROBINSON
Costume Designer…………………………………………….ODILE DICKS MIREAUX
Casting by………………………………………………………LUCINDA SYSON, CDG
-2-
SYNOPSIS
Inspired by the infamous 1971 robbery that took place at the Lloyds Bank in Marylebone
London, LIONSGATE's ® THE BANK JOB stars Jason Statham (TRANSPORTER,
SNATCH, CRANK, THE ITALIAN JOB) and Saffron Burrows (KLIMT, ENIGMA).
The highly-charged heist thriller tautly interweaves high-level corruption, murder and
sexual scandal in 1970s England.
A car dealer with a dodgy past and new family, Terry (Statham) has always avoided
major-league scams. But when Martine (Burrows), a beautiful model from his old
neighborhood, offers him a lead on a foolproof bank hit on London's Baker Street, Terry
recognizes the opportunity of a lifetime. Martine targets a roomful of safe deposit boxes
worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also
contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of
corruption and illicit scandal that spans London's criminal underworld, the highest
echelons of the British government, and the Royal Family itself...the true story of a heist
gone wrong...in all the right ways.
Directed by Roger Donaldson (NO WAY OUT, THIRTEEN DAYS, THE RECRUIT)
and written by Dick Clement & Ian La Frenais (ACROSS THE UNIVERSE, FLUSHED
AWAY), producers are Steven Chasman (TRANSPORTER 2) and Charles Roven (GET
SMART, THE DARK KNIGHT); executive producers are George McIndoe, Ryan
Kavanaugh, David Alper. Executive producers are Alan G. Glazer, Alex Gartner and
Gary Hamilton. Executive producers are Christopher Mapp, Matthew Street and David
Whealy. THE BANK JOB also stars Richard Lintern (SYRIANA), Stephen Campbell
Moore (THE HISTORY BOYS), Daniel Mays (ATONEMENT), Peter Bowles
(FREEBIRD), Keeley Hawes (A COCK AND BULL STORY), Colin Salmon (DIE
ANOTHER DAY, PUNISHER: WAR ZONE), Peter de Jersey (TV's "Holby City"),
James Faulkner (COLOUR ME KUBRICK), Sharon Maughan (ANOTHER
STAKEOUT), Don Gallagher, Gerard Horan, Craig Fairbrass, Alistair Petrie, three-time
Bafta® nominee David Suchet (TV's "Poirot"), Alki David (THE FREEDIVER), Michael
Jibson (FLYBOYS), Georgia Taylor (TV's "Coronation Street").
Lionsgate will release THE BANK JOB nationwide on Friday, March 7. A Mosaic
Media Group production in association with Relativity Media & Omnilab Media. Rated
"R" by MPAA for sexual content, nudity, violence and language.
-3-
ABOUT THE PRODUCTION
In 1971, Britain was experiencing a hangover. Following the indulgences of Swingingera London and the decline of Flower Power, Londoners were unceremoniously faced
with a series of labor conflicts under Edward Heath’s Conservative Government and
escalating violence in Northern Ireland. It seemed only logical that the transition into the
“Me Decade,” as Thomas Wolfe put it, would be marked by a group of enterprising bank
robbers involved in Britain’s biggest robbery ever.
“This is a fascinating period in history and an even more fascinating crime,” says director
Roger Donaldson. “The fact that it all actually happened only makes it more intriguing.”
Dubbed the “Walkie-Talkie Robbery” by newspapers, the crime was discovered by an
amateur radio “ham”, Robert Rowlands, who alerted Scotland Yard after overhearing a
robbery in progress somewhere within a 10-mile radius of Central London. Seven
hundred and fifty banks in the inner London area were checked that weekend, but there
were no signs of forced entry anywhere. It was only when Lloyd’s Bank, on the corner of
Baker Street and Marylebone Road, opened for business on Monday that hundreds of
safety deposit boxes in the main vault were found to have been looted.
The robbery left countless questions unanswered. After only four days of reportage by
newspapers, the story disappeared entirely, the result of an alleged ‘D Notice’ issued by
the government. Only four men were convicted in connection with the crime and much of
the loot was never recovered. Of the stolen property that the police did manage to
retrieve, most was never reclaimed – a testament to just how many incriminating secrets
are buried in the vaults of banks.
In the years since, the “Walkie-Talkie Robbery” has lived on as a contemporary urban
legend. Says producer Steven Chasman, “Often, in London, when I’m in a taxi or
speaking to someone who was around at the time, they remember the Walkie-Talkie
Robbery and what happened. They knew someone, who knew someone, who knew
someone who was involved.”
“The story went off the front pages very quickly,” says THE BANK JOB’S coscreenwriter Dick Clement. “It was there for a couple of days and then nothing.
Obviously, we had no idea about any of the hidden agenda that’s in the movie, because so
many aspects of it have never come to light before.”
“I’ve liked that this is an old-fashioned robbery,” adds co-screenwriter Ian La Frenais.
“Instead of people breaking in using computers to hack into security systems, there are
picks and shovels, digging under the ground, blasting through the bank and tearing those
boxes apart with crowbars.”
-4-
When director Roger Donaldson was sent the script of THE BANK JOB by producer
Charles Roven, he was immediately interested in the story’s real-life basis. “I was
attracted to the fact that it’s inspired by real people and real events,” says the Australianborn director. “I enjoy taking a look at what makes society tick.”
Donaldson’s interest in the political and cultural details of the period resulted in an indepth research period. “I love the research. That’s one of the things I really do embroil
myself in,” he admits. “I finished up going to the newspapers of the time, to the national
archives, digging up facts that have not seen the light of day since they happened in
1971.”
Producer Charles Roven, who produced Donaldson’s 1990 film, CADILLAC MAN,
believes Donaldson is the ideal director for the project. “He’s done thrillers like NO
WAY OUT, character pieces like THE WORLD’S FASTEST INDIAN, and action
movies like THE RECRUIT, and this is the kind of movie that allows you to blend all
those techniques. It’s very suspenseful. It’s got a tremendous amount of real-life comedy
and the characters are really interesting. There’s a part of us in all of them.”
For the lead role of Terry Leather, the used car dealer-turned-bank-robber, Donaldson
turned to Jason Statham, the British star known for the hits THE TRANSPORTER and
CRANK. Upon reading THE BANK JOB, Statham embraced the opportunity to step
aside from the high-powered action roles for which he’s famous. “This, thankfully, hasn’t
been one that’s tested me too much in the stunt department,” says the actor. “I’ve
replaced holding a gun with holding a pint of ale. I’m not hanging out of helicopters and
doing a lot of the silliness I’ve been paid to do in the past. This is more of a sophisticated
thriller. I’m sure it’s going to be a great crowd pleaser.”
“Jason’s like a British Steve McQueen,” avows Donaldson. “There’s a really great,
brooding sort of quality about him. He does a lot with a little, and he’s very charismatic.
He’s not like anyone else that I know of on screen.”
“The part of Terry really shows Jason’s great range as an actor,” adds Roven. “It allows
him to do it all, from being the tough guy to struggling with romantic conflict. He’s also
incredibly likable. He has such a great persona on screen that the audience automatically
gravitates to him.”
Complicating Terry’s life is an alluring old friend, Martine, who embroils him in both the
bank job and a difficult romantic triangle. Like Martine, actress Saffron Burrows is a
former model who left the world of fashion to pursue a new career. “Martine Love is, in a
sense, like me in many ways,” says Burrows. “She and Terry have this history together,
which I like in the way that it’s quite undefined and the writers haven’t chosen to nail
down entirely what their history is.”
“Saffron is beautiful and a great actress as well,” declares Roger Donaldson. “She has
this wonderful combination of great looks, depth, and effortless poise.”
-5-
Rising stage and screen star Stephen Campbell Moore is Kevin, Terry’s best friend and
an aspiring photographer. “He’s part of Terry's gang and basically, when Terry asks him
to come along on this job, he does what Terry says,” explains the actor. “Kevin has
always been in love with Martine. He thinks that he and Martine have a ‘thing’ still, but
the truth is that it was one drunken night many years ago and she has moved on.”
Dave Shilling, the likeable, part-time porno star, is played by Daniel Mays. “Dave is
basically one of Terry Leather’s crew,” says Mays. “He’s also a stand-in for movie stars
on film sets, and he thinks he’s quite fashionable, a boy about town, but he gets in way
over his head.”
The villain of THE BANK JOB is Lew Vogel, played by David Suchet, a distinguished
character actor who became an international television favorite as Belgian sleuth, Hercule
Poirot. Explains Suchet, “Vogel is a very unsavory type. He’s a typical East End London
boy who grew up into the vice racket while also running the pornography industry in
Soho. Not a very nice man at all. He can be charming, but absolutely ruthless.”
Peter de Jersey rounds out the primary cast as Michael X, a real-life con-man and
gangster who tried to assume leadership of the black power movement in London.
“Michael X began to believe his own myth,” says de Jersey. “While he was in Trinidad
he was asked the question, ‘Are you a Socialist?’ And he said, ‘No, think more along the
lines of Napoleon and Hitler.’”
Michael X becomes the inciting figure in THE BANK JOB’s plot when he threatens to
start a high-level scandal by exposing incriminating evidence stored in his safety deposit
box on Baker Street. Explains Roven, “MI5 and MI6 decided to set up a bank job so they
could go ahead and steal this evidence and prosecute this guy. That was the reason for the
whole set up.”
Aside from Michael X, screenwriters La Frenais and Clement had to piece together
disparate bits of research in order to create the cast of characters. “We had to invent them,
based on the fact that there were so many guys involved, working in so many different
businesses,” explains La Frenais. “No one in Terry’s crew was an experienced
professional criminal. They were pretty small-time players.”
“We were told that ‘Terry’ was involved in the slightly dodgy used car trade,” adds
Clement. “And we found out that ‘Kevin’ – these are not their real names – was a
photographer, a sort of would-be David Bailey, but not quite in that league. And clearly
there was a woman involved, because all the police reports say they heard a female voice
down there. So we invented Martine. Vogel was based on a real character who ran a sort
of porn empire.”
Though it is prohibitively expensive for film productions to shoot in London, Chasman
and Roven decided it was necessary for reasons of authenticity. “What’s fascinating is
that the geography hasn’t changed at all,” reports Roven. “You can still go to Baker
-6-
Street, right this minute, and you can see exactly where the shop is where they tunneled
in from. Nothing’s changed in 35 years.”
Donaldson was also interested in making a film in England again, his first since THE
BOUNTY in 1984. “My dad was born here, my son lives in London, so I was keen to
make a film here,” he explains. “One of the great things about shooting in England is that
there is a fantastic depth of really good, talented actors and so casting is always a great
pleasure. For me, the movie is all about who’s in it.”
The production covered an extraordinary amount of ground during the ten-week shoot.
The locations ranged from luxurious Bayswater apartments to East End workshops, from
the Royal Courts of Justice to Chatham’s Historic Naval Dockyard. Scenes on the
London Underground were filmed at the decommissioned Aldwych station and, for two
memorable days, the production took over Platform One at London’s bustling Paddington
Station, complete with a 1971 locomotive and carriages, the first time ever that a film
company had brought a train into the station.
The script’s high number of locations posed a considerable challenge to production
designer Gavin Bocquet. “Finding those little areas of London that more or less can be
shot as 1970s, without much work being done, was very difficult,” he says. “But we did
an awful lot of research into that period. We had some very good BBC news footage,
especially of the bank robbery itself.”
Many sequences, such as the one depicting the actual bank break-in, were assembled
using vastly different locations. According to Bocquet, “We ended up with an exterior
street set at Pinewood and three stage sets at Ealing which include the tunnel and the
basement of Le Sac. Then another location, which was the bank vault, was built in the old
Bethnal Green Town Hall. But the way Roger shot it, everyone will think that it was
done in one location.”
According to costume designer Odile Dicks-Mireaux, a great deal of research went into
the period look of the film, involving her staff, the hair and make-up team and the art
department. “You could see from the clothes in the newsreels that what people think of as
the Seventies isn’t really Seventies – the period is still stuck a little bit in the Sixties in
terms of the general public. So, with that in mind, I kept that as an overall feeling for the
film. With each individual character, I tried to find a famous personality of the period to
give them their look.”
Hair and make-up designer Kirstin Chalmers had to recreate a wide range of period
hairstyles. “A lot of the actors who were cast had very modern hair and it’s a completely
different style, a completely different length. So a lot of the actors had to have wigs and
facial hair that they wouldn’t normally have – sideburns, moustaches. It’s all in the cut.
If you get the silhouette and shape right, it pulls you straight into the period.”
THE BANK JOB was filmed with the latest high-definition digital cameras, the Arriflex
D-20, which presented some interesting challenges for the production team. As Kirstin
-7-
Chalmers points out, “HD is so much sharper than film, so make-up is more obvious, wig
lace shows up more – even hair looks more super-real.”
For Donaldson, the new technology had its advantages. “It’s my first movie in HD and,
of course, HD is the future. It gives you a unique opportunity at the time of shooting
where you can see exactly what you are doing. It’s not easy to work with, but to see what
you’re doing, as you can with digital photography, is a real advantage.”
“The depth of field is much longer and things come into focus much more quickly, so
you have to be careful with your mid-ground and far-ground finishes,” says production
designer Bocquet. “We work in a world of illusion, so usually we work things theatrically,
but obviously as soon as things start to get finer in detail, you have to be careful.”
For the actors, HD presents a different set of challenges. “I do like the speed with which
we can work, that’s terrific,” says Burrows. “But the fact that it’s merciless is not
something I like as an actor. The human eye focuses on something and leaves the outer
edges slightly out of focus, whereas HD is quite clinically clear.”
For Statham, the greatest pleasure of the production was the opportunity to work with
Donaldson. “He’s probably one of the most easy going people you will ever get to meet,”
says Statham. “And the fact he has made a bucketful of brilliant films gives us the ease to
come on set and take direction without even questioning him because he’s such a great
filmmaker. He understands different characters, the story telling aspect and the look. He’s
just one of the greatest directors I have ever had to work with. I feel very lucky on that
side of things.”
-8-
ABOUT THE CAST
Born in Sydenham, England, JASON STATHAM (Terry) was one of the best divers on the
British team. He placed third in the Olympic trials on three different occasions, eventually
placing 12th in the world. While training at the famed Crystal Palace National Sport Center in
London, film crews and photographers pursued him as new talent for commercials and print
campaigns. One of those jobs was a French Connection print ad where he met the owner of the
company, who was also executive producer of a film in preparation, LOCK, STOCK AND TWO
SMOKING BARRELS. Jason had a meeting with the director, Guy Ritchie, who gave him a
role. He went on to work with Ritchie again in his next film SNATCH, starring opposite Brad
Pitt and Benicio Del Toro. Next came TURN IT UP with US music star Ja Rule, followed by a
role in the sci-fi film GHOSTS OF MARS and Jet Li's THE ONE. In 2002, he was cast by Luc
Besson in the title role of Frank Martin in THE TRANSPORTER. He starred as Handsome Rob
in the summer 2003 blockbuster remake of THE ITALIAN JOB and as the adrenalinecompromised action hero of CRANK. Statham returned as Frank Martin in TRANSPORTER II
and re-teamed with Jet Li in WAR.
SAFFRON BURROWS (Martine Love) started her career on the catwalk, modeling for Chanel,
Yves Saint Laurent and Vivienne Westwood, after being discovered at 15 by the same scout who
found Naomi Campbell. She left the runway behind two years later, for her screen debut in the
Oscar-nominated IN THE NAME OF THE FATHER. Since then, she has been in more than forty
film and TV productions, as well as several notable stage productions, such as the Neil La Butedirected “Some Girl(s)” in the West End, opposite David Schwimmer. Her film credits include
THE LOSS OF SEXUAL INNOCENCE, MISS JULIE, TIMECODE and HOTEL with director
Mike Figgis, GANGSTER NO. 1, opposite David Thewlis and Paul Bettany, ENIGMA with Kate
Winslet and Dougray Scott and two films portraying the lives of artists - the acclaimed FRIDA
with Salma Hayek and, more recently, KLIMT with John Malkovich. She voiced the narration
for the Universal Studios picture PETER PAN in 2003, before being cast as Andromache in
TROY, alongside a host of stars including Brad Pitt, Orlando Bloom, Julie Christie and Peter
O’Toole. Her most recent films are REIGN OVER ME, with Adam Sandler, THE GUITAR and
Peter Howitt’s DANGEROUS PARKING.
STEPHEN CAMPBELL MOORE (Kevin Swain) graduated from the Guildhall School of
Music and Drama in 1999 and made his screen debut in the Evelyn Waugh adaptation BRIGHT
YOUNG THINGS, which was also the directorial debut of Stephen Fry. His other film credits
include A GOOD WOMAN, with Helen Hunt and Scarlett Johansson and Michael Apted’s
AMAZING GRACE, with Ioan Gruffudd. He came to international attention as Irwin in Nicolas
Hytner’s THE HISTORY BOYS. Moore played the role in the original West End stage
production of Alan Bennett's play and also in the Broadway, Sydney, Wellington and Hong Kong
productions, before starring in the film.
DANIEL MAYS (Dave Shilling) attended the Italia Conti Academy of Performing Arts and
since then has acted in many productions across TV, theatre and film. He has appeared in a
number of plays at the Royal Court Theatre and his notable TV work includes the BBC costume
drama “Tipping the Velvet,” as well as the leading role in the BBC film “Rehab,” directed by
Antonia Bird, for which he earned the Palmare-Reims Television Festival award for Best Actor in
2004. His film credits include Michael Bay’s PEARL HARBOR, Stefan Schwartz’s THE BEST
MAN, Isabel Coixet’s THE SECRET LIFE OF WORDS, Ridley Scott’s A GOOD YEAR and
Working Title’s ATONEMENT, based on the best-selling Ian McEwan novel.
-9-
JAMES FAULKNER (Guy Singer) is a familiar face in both TV and film. He made his feature
debut in 1972 in THE GREAT WALTZ and has acted in a wide range of films, including ZULU
DAWN, which he also co-produced, PRIEST OF LOVE, EUREKA, THE COMMISSIONER and
ALL THE LITTLE ANIMALS. He played Uncle Geoffrey in both outings of the hugely
successful BRIDGET JONES series, starring Renee Zellweger, and most recently appeared in
COLOUR ME KUBRICK and THE GOOD SHEPHERD. He has also been involved in many top
British television dramas, such as “I, Claudius,” “A Touch of Frost,” “Inspector Morse,” “Agatha
Christie’s Poirot,” “Lovejoy” and “Bergerac.”
MICHAEL JIBSON (Eddie Burton) attended the Guildford School of Acting and, fresh out of
drama school, went on to take the lead role in the hit musical “Our House,” based on the songs of
Madness, one of Britain’s best-loved bands. For his performance, he earned a coveted Laurence
Olivier Award nomination for Best Actor in 2003. He also managed to get himself a place in the
Guinness Book of Records as his twenty-seven costume changes were the most ever undertaken
by a single actor in a stage show. More stage work followed with seasons at the Royal
Shakespeare Company and London's Almeida Theatre, where he played the role of the infamous
Pinkie Brown, in the stage version of Graham Greene's "Brighton Rock." His first role in a major
feature film came in 2006 as Lyle Porter in the World War One adventure FLYBOYS. Future
films include LECTURE 21 and RED MIST. He will be playing Puck in "A Midsummer Nights
Dream" at Shakespeare's Globe Theatre in London this summer.
ALKI DAVID (Bambas) was born in Lagos, Nigeria, to a Greek trading and shipping family. He
is a graduate of the Royal College of Art and has had a hugely varied and exciting career as a
writer, director, producer and actor and even served a stint in the British Army. His first acting
role was in a short film and he quickly moved on to TV, with roles in “The Grid,” “Spooks” and
“Hotel Babylon.” He has also produced, written and directed three feature films. The first was
ME AND THE GODS, followed by a Greek co-production THE FREEDIVER, in which he
starred alongside Judd Nelson and Camilla Rutherford. His latest film as director and co-star is
FISHTALES, another Greek co-production, starring Billy Zane and Kelly Brook.
RICHARD LINTERN (Tim Everett) is a well-known actor in both TV and film. He recently
appeared in the topical feature film SYRIANA, alongside George Clooney and Matt Damon.
Other film credits include JINNAH, as the younger version of the title character played by
Christopher Lee, THE CALLING and NATASHA. He has featured in the cream of British
television serial drama – including “Lewis,” “The Bill,” “Casualty,” “Heartbeat,” “The Inspector
Lynley Mysteries,” “Cadfael” and “Poirot.”
DON GALLAGHER (Gerald Pyke) has played a variety of professional men on British
television - doctors, army officers and policemen of all ranks, from Constable to Detective
Inspector. Amongst the popular series in which he has appeared are “Lewis,” “Where The Heart
Is,” “The Last Detective,” “Casualty,” “Bad Girls,” The Inspector Lynley Mysteries,” “The Bill”
and “Dalziel and Pascoe.”
DAVID SUCHET (Lew Vogel) is best known as Agatha Christie's suave Belgian super-sleuth
Hercule Poirot in the internationally-acclaimed television series. The London-born actor's
membership of the National Youth Theatre of Great Britain in the 1960s led to three years of
study at the London Academy of Music and Dramatic Arts. He became a member of the Royal
Shakespeare Company in 1973, appearing in "Othello," as Tybalt in "Romeo and Juliet" and as
Caliban in "The Tempest." In the 1970s, Suchet began to come into his own on British television,
before demonstrating his versatility with a huge range of roles in feature films. He was a Middle
- 10 -
Eastern terrorist in THE LITTLE DRUMMER GIRL, a Russian operative in John Schlesinger’s
THE FALCON AND THE SNOWMAN, a French hunter in HARRY AND THE
HENDERSONS, a Polish bishop in TO KILL A PRIEST and even Napoleon himself in
SABOTAGE!. His television roles include a number of historical, biblical and entertainment
figures including Sigmund Freud in the mini-series "Freud," news reporter William L. Shirer in
the biopic “Murrow,” Aaron in “Moses,” and movie mogul Louis B. Mayer in “RKO 281.” His
award-winning stage performances include George in "Who's Afraid of Virginia Woolf?" and the
composer Salieri in "Amadeus," which he took to Broadway, where he received a Tony
nomination. He was appointed OBE in the Queen’s Birthday Honours List, 2002.
ALISTAIR PETRIE (Phillip Lyle) has played a variety of film and television roles, since his
first appearance in the 1993 mini-series “The Scarlet and the Black.” The Yorkshire-born actor’s
films include MRS. DALLOWAY, MAN TO MAN and THE MARK OF CAIN. On television,
he has featured in “Jonathan Creek,” “Dalziel and Pascoe,” “Holby City” and as George Forsyte
in the two series of “The Forsyte Saga.”
GERARD HORAN (Roy Given) graduated from the Royal Academy of Dramatic Arts and has
had a very successful career on stage, television and film, since his first appearance in 1985 in a
small role in Stephen Frears’ MY BEAUTIFUL LAUNDRETTE. He became a popular favorite
as the lugubrious fire-fighter ‘Charisma’ in the long-running TV hit “London’s Burning” and his
films have included Roman Polanski’s OLIVER TWIST, Stephen Fry’s BRIGHT YOUNG
THINGS, Douglas McGrath’s NICHOLAS NICKELBY, two films each for directors Stephen
Frears and Bernard Rose and four for Kenneth Branagh, MUCH ADO ABOUT NOTHING,
FRANKENSTEIN, IN THE BLEAK MIDWINTER and AS YOU LIKE IT.
PETER DE JERSEY (Michael X) has appeared with the National Theatre and played Salerio in
the filmed version of Trevor Nunn’s production of “The Merchant of Venice.” He is familiar to
British fans of popular television drama, having played the roles of Steve Waring and Jerome
Taylor in numerous episodes of “Holby City” and “The Bill.” He made his feature film debut in
2000 in OUT OF DEPTH.
GEORGIA TAYLOR (Ingrid) first appeared in 1997, at the age of seventeen, as Toyah
Battersby in the UK’s longest-running serial drama, “Coronation Street.” She stayed with the
series for six years and, in 2004, played another recurring television role as Shyanne Holden in
“Blackpool” and its sequel “Viva Blackpool.” She recently made her feature film debut in
Nicholas Hytner’s film of Alan Bennett’s THE HISTORY BOYS.
HATTIE MORAHAN (Gale Benson) played Beth Lucas in seven episodes of the controversial
medical drama series “Bodies” before making her feature film debut in THE BANK JOB. She
has recently been filming the role of Clara in Chris Weitz’s THE GOLDEN COMPASS, the first
part of Philip Pullman’s best-selling epic trilogy, “His Dark Materials.”
KEELEY HAWES (Wendy Leather) attended the Sylvia Young Theatre School with Spice Girl
Emma Bunton, before being 'discovered’ in London’s Oxford Street at the age of 15 and
becoming a successful model. A casting agent, who had seen pictures of her in campaigns for
Sisley and Benetton, asked her to audition for Dennis Potter’s KARAOKE, starring Albert Finney
(and co-starring Saffron Burrows). Her film and television roles have included Cynthia in “Wives
and Daughters,” the young Diana Dors in “Blonde Bombshell” and Kitty Butler in the
controversial “Tipping the Velvet.” She became a household name with her role as Zoë in the hit
British TV spy series “Spooks” and then went on to appear in feature films such as Michael
Winterbottom’s A COCK AND BULL STORY and Frank Oz’s DEATH AT A FUNERAL.
- 11 -
PETER BOWLES (Miles Urquhart) has had a long and distinguished career on stage and on
screen, where he made his debut in the Edgar Lustgarten short “Wings of Death” in 1961. He has
starred in many of the most popular series on British television, including “The Avengers,” “Only
When I Laugh,” “To The Manor Born,” “The Bounder,” “The Irish R.M.,” “Lytton’s Diary,”
“Perfect Scoundrels” and “Rumpole of the Bailey.” His films include Michelangelo Antonioni’s
BLOWUP, Tony Richardson’s THE CHARGE OF THE LIGHT BRIGADE and LAUGHTER IN
THE DARK, Basil Dearden’s THE ASSASSINATION BUREAU, Sidney Lumet’s THE
OFFENSE and, recently, COLOUR ME KUBRICK with John Malkovich and FREEBIRD.
CRAIG FAIRBRASS (Nick Barton) was already an established performer on British television,
in series such as “London’s Burning” (as firefighter ‘Technique’), “Prime Suspect” and “Prime
Suspect 2,” with Helen Mirren, when he was cast as a soccer-loving villain in Renny Harlin’s
CLIFFHANGER with Sylvester Stallone (1993). His other films include FOR QUEEN AND
COUNTRY with Denzel Washington, BEYOND BEDLAM, PROTEUS, DARKLANDS,
KILLING TIME, THE LONG WEEKEND, MESSIAH and WHITE NOISE 2: THE LIGHT.
COLIN SALMON (Hakim Jamal) is one of Britain's best-known actors, thanks to his recurring
role in the James Bond films as Charles Robinson, M's Chief of Staff. His first notable acting role
was in the hit TV series "Prime Suspect 2." He has also appeared as the Commander James "One"
Shade in the videogame-to-movie RESIDENT EVIL and played Oonu, squad leader of the
Skybax, in DINOTOPIA. His film credits include CAPTIVES, THE WISDOM OF
CROCODILES, FANNY AND ELVIS, MIND GAMES, MY KINGDOM, AVP: ALIEN VS.
PREDATOR and Woody Allen’s MATCH POINT.
SHARON MAUGHAN (Sonia Bern) studied at RADA and was already a familiar face on
British television from her appearances in a succession of popular series when, in 1990, she
suddenly became one of the most talked-about actresses in the country. Starring in a series of
television commercials opposite Anthony Head, she featured in a long-running romantic will-she,
won’t-he storyline, advertising Nescafé’s Gold Blend coffee. In 1993 she was cast in ANOTHER
STAKEOUT, with Richard Dreyfuss, Emilio Estevez and Rosie O’Donnell, but is best-known in
recent years as Nurse Tricia Williams in nearly 70 episodes of the popular hospital drama “Holby
City”.
- 12 -
ABOUT THE FILMMAKERS
Born in Ballarat, Australia, ROGER DONALDSON (Director) immigrated to New Zealand in
1965. After establishing a photography business, Donaldson transitioned to a career producing
and directing television commercials and documentaries, including a series of adventure films
with Sir Edmund Hillary, the world famous mountaineer and explorer. Donaldson then moved on
to directing drama and with actor/writer Ian Mune, made the series “Winners and Losers” for NZ
television. This series sold to 52 territories around the world, a first for New Zealand drama.
After this success, Donaldson then went on to direct and produce his first feature film SLEEPING
DOGS (1977, starring Sam Neill in his first feature film role). This film was the first color film
to be made in New Zealand and was a major force in convincing New Zealand’s politicians to
establish a Film Commission using public funds.
In 1981 Donaldson wrote, produced, and directed the internationally acclaimed NZ film, SMASH
PALACE (starring Bruno Lawrence).
Donaldson’s first American break was THE BOUNTY (Orion Pictures, 1984), starring Mel
Gibson, Anthony Hopkins, Daniel Day Lewis, Liam Neeson & Lawrence Olivier. Produced by
Dino de Laurentis, the film was nominated for the Palme D’Or at the Cannes Film Festival.
Since then, Donaldson has made many popular and successful movies including the political
thriller MARIE (1985, MGM) produced by Dino de Laurentis, starring Sissy Spacek, Jeff
Daniels, and Morgan Freeman; NO WAY OUT (1987, ORION PICTURES) produced by Mace
Neufeld and Laura Ziskin starring Kevin Costner and Gene Hackman; COCKTAIL (1988,
WALT DISNEY PICTURES) starring Tom Cruise, Elisabeth Shue, and Bryan Brown;
CADILLAC MAN (1990, ORION PICTURES) starring Robin Williams and Tim Robbins.
Donaldson co-produced with Charles Roven; WHITE SANDS (1992, WARNER BROS. and
MORGAN CREEK PRODS) starring Willem Dafoe, Mickey Rourke, and Samuel L. Jackson;
THE GETAWAY (1994, UNIVERSAL PICTURES) starring Alec Baldwin, Kim Basinger,
Michael Madsen, Jennifer Tilly, James Woods, David Morse, and Philip Seymour Hoffman;
SPECIES (1995, MGM) starring Natasha Henstridge, Ben Kingsley, Michael Madsen, Marg
Helgenberger, Forest Whitaker, and Alfred Molina; DANTE’S PEAK (1997, UNIVERSAL
PICTURES) starring Pierce Brosnan and Linda Hamilton; the critically acclaimed THIRTEEN
DAYS (2000, UNIVERSAL AND BEACON PICTURES), starring Kevin Costner, Bruce
Greenwood, and Stephen Culp; THE RECRUIT (2002, Touchstone and Spyglass) starring Al
Pacino and Colin Farrell; and most recently, THE WORLD’S FASTEST INDIAN (2005) a film
Donaldson also wrote and produced starring Anthony Hopkins.
DICK CLEMENT & IAN LA FRENAIS (Screenwriters) are the top British writing team,
whose naturalistic dialogue, well-constructed plots and memorable characters, have resulted in a
number of immensely popular TV series. Their breakthrough project was “The Likely Lads,”
which followed the adventures of two working-class northern lads. They revisited these
characters a few years later in “Whatever Happened to the Likely Lads?” which was equally
successful. At the same time, they created another monster hit, “Porridge,” starring veteran
character actor Ronnie Barker as jail-bird Norman Stanley Fletcher. In the eighties, they created
“Auf Wiedersehen, Pet” about British construction workers migrating to Germany to find work,
which was yet another ratings smash. La Frenais launched the long-running “Lovejoy” series, to
- 13 -
which he and Clement contributed several scripts and he co-created the popular “Spender” with
its star, Jimmy Nail.
They have been equally active writing screenplays for the big screen. Apart from versions of their
greatest TV hits “The Likely Lads” and “Porridge,” they scripted other memorable big-screen
works, including OTLEY (dir. Clement); VILLAIN with Richard Burton; THE
COMMITMENTS (winner of the Peter Sellers Award for Comedy), STILL CRAZY, GOAL!,
FLUSHED AWAY and most recently ACROSS THE UNIVERSE, nominated this year for a
Golden Globe (Best Musical or Comedy).
STEVEN CHASMAN (Producer) and his production/management company Current
Entertainment joined with Mosaic’s Atlas Entertainment to form ACE Media, LLC in 2006. He
is currently in production on THE TRANSPORTER 3 in collaboration with award-winning
filmmaker Luc Besson. Chasman’s other productions with Besson include THE
TRANSPORTER 2 (2005), which holds the record for the biggest Labor Day opening of all time,
UNLEASHED (2005), TAXI (2004), THE TRANSPORTER (2002) and KISS OF THE
DRAGON (2001). He also produced Lionsgate’s WAR (2007) starring Jet Li and Statham,
Dimension’s DOA: DEAD OR ALIVE (2006) directed by Cory Yuen, Sony's THE ONE (2001)
and CHAOS (2004).
Distinguished by over two decades as a producer of independent and studio-based motion
pictures, CHARLES ROVEN (Producer) is co-founder of Atlas Entertainment and its affiliated
company Atlas/Third Rail Management, which in 1999 became part of Mosaic Media Group, an
integrated multimedia film, television and management company where he serves as a founding
principal.
Roven is currently in post production on Warner Bros. Studios’ THE DARK KNIGHT, the
follow-up to BATMAN BEGINS, also directed by Christopher Nolan, and starring Christian Bale,
Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, and Morgan
Freeman. Also with Warner Bros. in post production is GET SMART, inspired by the hit TV
show, starring Steve Carrel as Maxwell Smart, Anne Hathaway as Agent 99, Dwayne “The
Rock” Johnson as Agent 23, Terence Stamp as Siegfried, and Alan Arkin as The Chief; directed
by Pete Segal. Roven is also in post production on Sony Pictures THE INTERNATIONAL
starring Clive Owen and Naomi Watts, and directed by Tom Tykwer.
Roven also produced BATMAN BEGINS, directed by Christopher Nolan and featuring an allstar cast including Christian Bale, Michael Caine, Katie Holmes, Liam Neeson, Morgan Freeman,
Gary Oldman and Ken Watanabe, which was number one in the US box office two weeks in a
row with a worldwide gross of over $370-million. Roven recently produced LIVE!, written and
directed by Bill Guttentag, the multi Oscar®-winning documentary filmmaker, and starring Eva
Mendes, as well as Universal/HBO Film’s musical IDLEWILD, directed by Bryan Barber and
starring Outkast’s Andre Benjamin (Andre 3000) and Antwan Patton (Big Boi), and the Terry
Gilliam directed BROTHERS GRIMM, starring Matt Damon and Heath Ledger. Previously
Roven produced the $275-million-plus worldwide box office hit SCOOBY-DOO, as well as the
sequel, SCOOBY DOO 2: MONSTERS UNLEASHED.
Roven is one of the industry’s most diverse filmmakers, having served as the producer on such
films as the Oscar nominated TWELVE MONKEYS, FALLEN, the $200 million fantasy
romance CITY OF ANGELS, as well as the highly acclaimed post-Gulf War tale THREE KINGS.
- 14 -
Roven began his career as a talent manager, subsequently bringing an attuned sensibility of
working with artists to the realm of production.
Born into a fifth generation circus and theatrical family, GEORGE McINDOE (Executive
Producer) was encouraged by his grandfather, Victor Freeman Biddall, a pioneer of the British
Cinema, to learn about cinematography and lighting. McIndoe worked first as a projectionist then
held various jobs as a cameraman for local television stations. After moving down to London in
the early sixties he worked as a photographer in the music and fashion industry, then worked as
cameraman on the BBC Music program “Top of the Pops” shooting music inserts (early music
videos). McIndoe also worked with many famous bands, photographing them on tour, shooting
home movies of the tours for them, which later were incorporated into some of the early music
videos. Besides the many music and film projects he worked on, McIndoe also produced and
directed “PSYCHIC PHENOMENA THE WORLD BEYOND”, a documentary series exploring
the unusual and unexplained”, as well as “THE CHILDREN’S DANCE”, a documentary on early
childhood development which won U.S.C’s Special Award for Educational Merit.
Being in London in 1971, George McIndoe became intrigued with the Walkie Talkie robbery and
has been working on getting the film made for over 35 years. After getting beaten up, threatened,
having the government take away his passport and leaving England for over 30 years, he is
grateful that the story has finally gotten told.
RYAN KAVANAUGH (Executive Producer) is a principal of Relativity Media, LLC, a
financing, consulting and production company that structures slate financing for both major
studios and independent production entities and who, according to Seth Lubove of Bloomberg
News, “is one of the pre-eminent middlemen between hedge funds and Hollywood.”
Kavanaugh creates business and financial structures for a number of studios, production
companies and producers, and has introduced over $8 billion of capital to these structures over
the years. Current deals and clients include Sony, Universal, Warner Brothers, Marvel,
Atmosphere Entertainment MM, Marvel, French distributor/sales agent Exception Wild Bunch
among others.
In a significant milestone for the entertainment finance industry, Kavanaugh created a wholly
owned subsidiary, Relativity Media Holdings I LLC, which has concluded an agreement with
Citigroup Corporate and Investment Banking on a co-financing package for approximately 45
studio films over the next five years. Under this subsidiary, a co-financing deal with Sony was
established called Beverly Boulevard. With this deal, Relativity will co-invest in approximately
75% of Columbia's films, under a five-year revolving credit facility.
Jill Goldsmith of Variety wrote of Kavanaugh: “His co-financing deals are the most successful
ever in Hollywood. He’s been amazingly proactive, and is the envy of many on Wall Street
involved in the business”
Kavanaugh has created a number of other unique financing packages, including Gun Hill Road I
and Gun Hill Road II, which provide discrete and separate funds for both Sony Pictures
Entertainment and Universal Pictures, marking the first time two studios received funding from
the same source, resulting in a total of 44 films in various stages of production and release. In
addition, Kavanaugh facilitated a $528 million multi-picture, co-financing arrangement for
Warner Bros. Pictures as well as a $525 million financing deal for Marvel Enterprises.
- 15 -
Kavanaugh also structured and raised a 120 million Euro acquisition, production and distribution
fund for Exception Wild Bunch S.A., the French distribution and sales company founded by
former Studio Canal management. In January 2008, Relativity Media announced the formation of
the wholly-owned subsidiary, Relativity Capital, which is to be a principal investor in major
media transactions, including studio slates, the Relativity Media Single Picture Business, library
acquisitions, and other media-related cash flow investments. Elliott Associates, L.P, a New Yorkbased hedge fund with $10 billion in assets under management, will be working with and
providing financing to Relativity Capital In these media transactions.
Kavanaugh also runs Relativity Media’s “single picture business,” wherein the company finances,
produces and distributes an average of one film per month. The Relativity Single Picture business
was set up to offer “studio quality product to the independent world" and has so far committed
over $400 million to a slate that includes the following projects: 3:10 to Yuma ($55M budget)
starring Russell Crowe and Christian Bale for director James Mangold; The Bank Job ($22M
budget) starring Jason Statham and Saffron Burrows, and directed by Roger Donaldson; the
upcoming The Forbidden Kingdom ($55M budget) in which Jet Li & Jackie Chan star together
for director Rob Minkoff; The Untouchables ($67M budget) starring Academy Award winners
Nicolas Cage and Benicio Del Toro and directed by Brian De Palma; and Without Remorse, based
on the Tom Clancy best seller.
Prior to his work with Relativity, Kavanaugh started a venture capital company at the age of 22,
and during such time raised and invested over $400 million of equity to a number of venture and
private equity transactions.
In addition to his production capacities on various Mosaic Media Group productions, ALAN G.
GLAZER (Executive Producer) oversees all administrative responsibilities for the Atlas
Entertainment division of Mosaic Media Group. In this capacity production, publicity, marketing
and business affairs report to him. Glazer most recently co-produced Warner Bros. Pictures’
GET SMART, inspired by the hit TV show, starring Steve Carrel as Maxwell Smart, Anne
Hathaway as Agent 99, Dwayne “The Rock” Johnson as Agent 23, Terence Stamp as Siegfried,
and Alan Arkin as The Chief; directed by Pete Segal. Also in post production, Glazer executive
produced Sony Pictures THE INTERNATIONAL, starring Clive Owen and Naomi Watts, and
directed by Tom Tykwer.
Glazer’s previous credits include executive producer of LIVE!, written and directed by Bill
Guttentag, the multi Oscar®-winning documentary filmmaker, and starring Eva Mendes; coproducer of the Warner Bros. feature SCOOBY DOO 2: MONSTERS UNLEASHED starring
Freddie Prinze Jr, Sarah Michelle Gellar, Matthew Lillard and Linda Cardellini; co-producer of
BULLETPROOF MONK, starring Chow Yun-Fat, Seann William Scott and Jamie King; as well
as June 2003’s SCOOBY DOO that grossed over $275 million worldwide. Glazer also associate
produced CITY OF ANGELS (Warner Bros.), starring Nicholas Cage and Meg Ryan, produced
the HBO special “Making Angels,” associate produced THREE KINGS (Warner Bros.), starring
George Clooney, Mark Wahlberg and Ice Cube, executive produced the HBO special “On the Set
of ‘Three Kings’.” Glazer also has ventured into the documentary world by executive producing
the HAMSTER FACTOR (documentary on the making of Terry Gilliam’s 12 MONKEYS) and
UNDER THE BUNKER: ON THE SET OF THREE KINGS.
Glazer got his start in the agent trainee program at the William Morris Agency, after which he
joined Roven Cavallo Productions/Atlas Entertainment in 1994. In 1999, Atlas Entertainment
merged with the Gold/Miller Company to form Mosaic Media Group.
- 16 -
CHRISTOPHER MAPP (Executive Producer) is the Managing Director of Omnilab Media,
Australia and New Zealand’s largest privately owned, vertically integrated media company.
Omnilab Media incorporates four key business arms: content development, media professional
services, media infrastructure/technology and media financing (including co-financing with sales
agents and distributors).
Christopher’s vision has built Omnilab Media into what it is today with his significant strategic
direction and investment put into the portfolio of media companies of Omnilab. These companies
employ over 500 full time staff across Australia and New Zealand and include the business
brands of; Ambience Entertainment, Iloura, Digital Pictures, The Lab, Oktobor, Flagstaff Studios,
Cornerpost, Island Films, Pax Entertainment, AAV New Zealand, The Playroom, Dubsat and
Websend.
Christopher is committed to the development of intellectual property in both technology and
content particularly when new and innovative. Omnilab Media has financed a number of original
Australian and international co-production content projects over the last ten years.
Christopher’s Executive Producer credits include: The Bank Job (directed by Roger Donaldson
and starring Jason Statham), Erky Perky, a children’s 3D animation series and co-production
between Ambience Entertainment and CCI Entertainment, Dying Breed, a modern day Australian
horror and first feature film production for Ambience Entertainment (starring Nathan Phillips and
Leigh Whannell), Elise (starring Nathalie Imbruglia) and How to Change in Nine Weeks (starring
Guy Pearce, Sam Neill, Miranda Otto).
Christopher is on the board of Ausfilm and has served as Council Member of SPAA. Christopher
and Omnilab Media have been a long-time supporter and member of Variety, The Children’s
Charity and a number of other children oriented charities.
MAIRI BETT (Co-Producer) established Skyline Films with partner Steve Clark-Hall over
twenty-five years ago. She began her career working on documentaries and dramas for television
before concentrating on feature film production. Recent credits include UNITED 93 (dir: Paul
Greengrass), KINKY BOOTS (dir: Julian Jarrold), THE LIBERTINE (dir: Laurence Dunmore)
and THE WEDDING DATE (dir: Claire Kilner). In 2004, Bett received the WOMEN IN FILM
PRODUCTION MANAGEMENT AWARD. She is currently in Morocco shooting the Iraq
based thriller THE GREENZONE with Director Paul Greengrass.
MICHAEL COULTER, BSC (Director of Photography) was born in Glasgow and was Bill
Forsyth’s cinematographer on THAT SINKING FEELING, GREGORY’S GIRL,
HOUSEKEEPING, BREAKING IN and BEING HUMAN. He shot WHERE ANGELS FEAR
TO TREAD for Charles Sturridge, THE LONG DAY CLOSES and THE NEON BIBLE for
Terrence Davies and FOUR WEDDINGS AND A FUNERAL for Mike Newell. His
cinematography for Ang Lee’s SENSE AND SENSIBILITY earned him both Oscar® and
BAFTA® nominations and his recent credits include FAIRY TALE: A TRUE STORY, MY
GIANT, NOTTING HILL, MANSFIELD PARK, KILLING ME SOFTLY and LOVE
ACTUALLY.
GAVIN BOCQUET (Production Designer) began his career as a draughtsman on RETURN OF
THE JEDI (1983), a saga to which he returned as production designer for George Lucas’s STAR
- 17 -
WARS: EPISODE I – THE PHANTOM MENACE, EPISODE II – ATTACK OF THE CLONES
and EPISODE III – REVENGE OF THE SITH. He won an Emmy® (and was nominated twice
more) for “The Young Indiana Jones Chronicles” and his other credits include Steven
Soderbergh’s KAFKA, Rob Cohen’s XXX, Lee Tamahori’s “XXX: STATE OF THE UNION
and Matthew Vaughn’s STARDUST.
JOHN GILBERT, ACE (Editor) received both Oscar® and BAFTA® nominations for his work
with Peter Jackson on THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING.
Amongst his other credits are Alison Maclean’s CRUSH, Anthony McCarten’s VIA SATELLITE,
Annie Goldson’s documentary PUNITIVE DAMAGE, Gaylene Preston’s PERFECT
STRANGERS and Gabor Csupo’s BRIDGE TO TERABITHIA. He edited Roger Donaldson’s
previous movie THE WORLD’S FASTEST INDIAN.
ODILE DICKS-MIREAUX (Costume Designer) began her career at the BBC, costuming hit
series such as “Doctor Who” and “The Black Adder.” Her first feature was Angela Pope’s
CAPTIVES, since when she has alternated between television and films such as KISS KISS
(BANG BANG), BUFFALO SOLDIERS, Stephen Frears’ DIRTY PRETTY THINGS, IF ONLY,
THE CONSTANT GARDENER, LIKE MINDS and Roland Emmerich’s epic 10,000 B.C.
KIRSTIN CHALMERS (Hair and Make-Up Designer) has been involved as a hair and make-up
artist and designer on a variety of film and television productions. Her film credits include Mike
Leigh's SECRETS AND LIES, TOPSY TURVY and ALL OR NOTHING; BLACKBALL,
PICCADILLY JIM, AROUND THE WORLD IN 80 DAYS, REVOLVER, THE WEDDING
DATE, THE CONSTANT GARDENER, UNITED 93, STORMBREAKER and TRUE NORTH.
Her work on Laurence Dunmore's commercial "Would I?" won the BTCA Award for Best MakeUp and Prosthetics.
LUCINDA SYSON (Casting Director) has cast a wide range of high-profile films, including Luc
Besson’s THE FIFTH ELEMENT and THE MESSENGER: THE STORY OF JOAN OF ARC,
Mark Mylod’s ALI G INDAHOUSE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN,
Wolfgang Petersen’s TROY, Oliver Stone’s ALEXANDER, Christopher Nolan’s BATMAN
BEGINS, Tony Scott’s SPYGAME, Guy Ritchie’s SNATCH!, Stephen Gaghan’s SYRIANA,
James McTeige’s V FOR VENDETTA, Alfonso Cuarón’s CHILDREN OF MEN and Matthew
Vaughn’s STARDUST.
SIMON HAYES (Sound Mixer) has worked on all of Guy Ritchie’s films, from LOCK, STOCK
AND TWO SMOKING BARRELS to SNATCH, SWEPT AWAY and REVOLVER. He
continued his association with Ritchie’s producer Matthew Vaughn on his directorial debut,
LAYER CAKE. His other credits include SHAUN OF THE DEAD with Simon Pegg, and Emma
Thompson’s NANCY MCPHEE. He rejoined Matthew Vaughn, recently, for his big budget film,
STARDUST and has recently completed 28 WEEKS LATER.
GREG POWELL (Stunt Coordinator) was following in his family’s intrepid footsteps when he
made his uncredited debut as a stuntman in YOU CAN’T WIN ‘EM ALL in 1970. Since then,
his distinguished career has included such notable credits as three Superman films, five James
Bond films and he has just completed his fifth Harry Potter film as stunt coordinator. In recent
years, his work as stunt coordinator has been seen in THE LORD OF THE RINGS: THE
FELLOWSHIP OF THE RING, THE PHANTOM OF THE OPERA, UNITED 93 and THE
DAVINCI CODE.
- 18 -
J. PETER ROBINSON'S most recent collaboration as Composer for Director Roger Donaldson
takes him back home to England, where the filmmaker’s most recent film THE BANK JOB has
been filmed, with subsequent post production in Australia. Starring Jason Statham, Saffron
Burrows and David Suchet, the film is written by Dick Clement and Ian LaFrenais and produced
by Mosaic Media Group’s Charles Roven.
Other recent scores include THE OBSCURE BROTHER Starring Francesco Cabras, Federico
Castelluccio and Randy Flagler, Written and Directed by Linda Di Franco, and SHELTER
starring Trevor Wright and Tricia Pierce Written and Directed by Jonah Markowitz . Released
worldwide was CBS' miniseries THE HADES FACTOR (based on the Robert Ludlum novel),
Executive Produced by Larry Sanitsky, features star performances by Stephen Dorff, Anjelica
Huston, Mira Sorvino, Blair Underwood, Colm Meany and Danny Huston. The film was directed
by Mick Jackson ('Live from Baghdad', 'The Bodyguard', 'LA Story') for whom Robinson also
created the scores of 'The Handler'. Two hours and 20 minutes of exciting music have gone into
the score to this exciting miniseries.
J. Peter Robinson's eclectic career brought him into THE WORLD’S FASTEST INDIAN as a
result of his successful relationship with Producer-Director Roger Donaldson. Starring Anthony
Hopkins in an extraordinary and Award winning performance, the film premiered at the 2005
Toronto Film Festival and has gone on to become one of New Zealand's ten most successful
releases ever. Robinson's previous films for Donaldson include COCKTAIL, one of the smash
hits of the '80s, and the classic Robin Williams performance of CADILLAC MAN.
Classically trained at the Royal Academy of Music in London, Peter Robinson began his
recording career in London as the pianist for Andrew Lloyd Webber and Tim Rice on JESUS
CHRIST SUPERSTAR, but Peter achieved his first major break in film composition when the
late John Schlesinger called on him to create the eerily percussive score to THE BELIEVERS.
Soon afterwards he composed the score to Phillip Noyce's action-thriller BLIND FURY, which
led to his first project with Donaldson. These films were followed by two hugely successful
comedies: the Mike Myers' starrer WAYNE'S WORLD for Penelope Spheeris and Paramount
Pictures and Les Mayfield's ENCINO MAN for Disney.
Robinson's score to the action-comedy MR. NICE GUY was the third of a three-picture deal for
New Line Cinema and Jackie Chan which began with the surprise hit RUMBLE IN THE
BRONX followed by JACKIE CHAN'S FIRST STRIKE. Peter's longtime relationship with New
Line Cinema had grown from several collaborations with horrormeister Wes Craven. His scores
for Craven include WES CRAVEN'S NEW NIGHTMARE, VAMPIRE IN BROOKLYN,
NIGHTMARE CAFE and DON'T LOOK DOWN. New Line turned to Peter to score the sizzling
opening sequence for Gregory Hoblit's FREQUENCY, F. Gary Gray’s
A MAN APART with Vin Diesel and the score to John Herzfeld's FIFTEEN MINUTES, starring
Rober De Niro, Ed Burns, Kelsey Grammar and Kim Cattrall.
In between motion picture assignments, Peter has been creating the scores for a number of
movies-for-cable and television series, notably 8 seasons of CHARMED which ended its network
run last year. He became so busy composing for film and television that he reluctantly stopped
touring as a rock and roll musician, a career that spanned more than twenty years and included an
eight-year stint as Phil Collins' keyboard player as well as collaborations as a writer, arranger,
and/or co-producer with Eric Clapton, Melissa Etheridge and Al Jarreau, to name but a few.
Barely pausing for breath, Peter has now gone back into the studio to begin work on his new
album "The Return of Brand X".
- 19 -
THE GANG
Terry Leather
Jason Statham
Martine Love
Saffron Burrows
Kevin Swain
Stephen Campbell Moore
Dave Shilling
Daniel Mays
Guy Singer
Bambas
James Faulkner
Alki David
Eddie Burton
Michael Jibson
Ingrid Burton
Georgia Taylor
THE GOVERNMENT
Tim Everett
Richard Lintern
Miles Urquart
Peter Bowles
Philip Lisle
Alistair Petrie
Gale Benson
Hattie Morahan
Snow
Julian Lewis Jones
Quinn
Andrew Brooke
Lord Drysdale
Mountbatten
Rupert Fraser
Christopher Owen
THE FAMILY
Wendy Leather
Catherine Leather
Julie Leather
Keeley Hawes
Taelor Samways
Kasey Baterip
THE POLICE
Gerald Pyke
Don Gallagher
Nick Barton
Craig Fairbrass
Roy Given
Gerard Horan
Alfie Hook
Robert Whitelock
THE VILLIANS
Lew Vogel
David Suchet
Michael X
Peter de Jersey
Stanley “The Knife” Abbot
Hakim Jamal
Sonia Bern
Vogel's Driver
Johan Myers
Colin Salmon
Sharon Maughan
Ray Nicholas
Pinky
Les Kenny – Green
Perky
Jamie Kenna
- 20 -
THE REST
Eric Addey
Angus Wright
Mr Brown
Mark Phoenix
Customs Agent
Young Soldier
Lawyer
Customs Matron
Reporter
James Hall
Cameron Anderson
Julian Firth
Norma Dixit
Antony Gabriel
Sir Leonard Plugge
Rupert Vanisttart
Chicken Inn Waiter
Bronson Webb
Chicken Inn Cook
Omar Mostafa
Chicken Inn Customer
Dylan Charles
Bank Manager
Michael Haughey
Beat Policeman
Ray Trickitt
Newspaper Hawker
Steve Gibbs
Dave's Mum
Ursula Mohan
John Lennon
Alan Swoffer
The Princess
Louise Chambers
Island Woman
Island Man
Wedding Band
Bonnie Simon
Dimitri Pappadopoullos
The Storys
Dai Smith
Alan Thomas
Brian Thomas
Rob Thompson
Andy Collins
Steve Balsamo
- 21 -
THE CREW
Unit Production Manager
First Assistant Director
Second Assistant Director
Sasha Harris
Josh Robertson
Toby Hosking
A Skyline (Baker St) Production
Executive Producer
Associate Producer
Supervising Art Director
Art Director
Assistant Art Director
Standby Art Director
Set Decorator
Graphics
Scott Fischer
Aaron Schuster
Phil Harvey
Mark Scruton
Richard Selway
Ben Collins
John Bush
Laura Dishington
Model Maker
Hannah Read
Storyboards
Nick Pelham
Art Department Assistant
Louise Begbie
Researcher
Celia Barnett
‘A’ Camera Operator
Stuart Howell
First Assistant ‘A’ Camera
Julian Bucknall
First Assistant ‘B’ Camera
John Ferguson
Grip ‘A’ Camera
Pete Myslowski
Grip ‘B’ Camera
Luke Myslowski
Second Assistant ‘A’ Camera
Luke Coulter
Second Assistant ‘B’ Camera
Ray Meere
Stills Photographer
Jack English
Sound Maintenance
Arthur Fenn
2nd Boom Op
Robin Johnson
Camera Assistant
Alfie Biddle
Stunt Co-ordinator
Greg Powell
Assistant Stunt Co-ordinator
Peter Pedrero
Stunt Performers
Peter Pedrero
Nick Chopping
Mike Lambert
Jo Whitney
Daniel Naprous
Ray Nicholas
James O’Dee
- 22 -
Stunt Drivers
Sarah Franzl
Russell Macleod
Rick English
HD Monitor Assistants
Luke Scully & Yasu Asami
Video Playback Operator
David Toft
Sound Trainee
Tim Surrey
nd
2 Unit DOP/ Camera Operator
Additional Camera Operators
Mike Brewster
Chris Plevin
Chas Bain
Tim Wooster
Martin Hume
st
Additional 1 Assistant Camera
Ian Struthers
Ashley Bond
Robert Dibble
nd
Additional 2 Assistant Camera
Crane Operators
David Mackie
Aaron Douglas
Steve Hideg
Ian Townsend
Andy Thompson
3rd Assistant Director
Production Sound Mixer
Script Supervisor
Make-up and Hair Designer
Mark Hopkins
Simon Hayes AMPS
Sylvia Parker
Kristin Chalmers
Key Hair & Make-up
Sharon Paula O’Brien
Key Hair & Make-up
Donald McInnes
Make-up Artist
Make-up Trainee
Additional Make-up Artists
Laura Mackintosh
Sophie Slotover
Francesca Crowder
Peter Dee
Sarah Downes
Peta Dunstall
Mark English
Carol Greenfield
Kristie Matthiae
Wardrobe Supervisor
Assistant Costume Designer
Costume Standbys
Marion Weise
Sharon Long
Bruno de Santa
Luan Placks
- 23 -
Dee Walsh
Costume Trainee
Poli Kyriacou
Daily Dressers
Martin Chitty
Anthony Brookman
Yvonne Otzen
Richard Sale
Kim Grossman
Lucy Donowho
Property Masters
Ty Teiger
Nick Turnbull
Prophand
Dressing Propmen
Quentin Davies
Hugo Keating
Matt Foster
Peter Simons
Prop Buyer
Chargehand Standby Props
Standby Props
Emma Davis
Bernard Hearn
Paul Hearn
Gaffer
Terry Edland
Best Boy
Paul Toomey
Rigging Gaffer
Electrical Rigger
Electricians
Tony Hayes
Frankie Webster
Ross Duffy
Kevin Day
John King
Ken Monger
Mark Raffety
Paul Brown
Practical Day Electrician
Stuart Hurst
Genny Operator
Steve Casey
Lighting Truck
Standby Rigger
Richard Mason
Riggers
Ray Wilson
Mark Fox-Patten
Special Effects Floor Technician
Sean Young
Paul Dimmer
Senior SFX Technician
Matt Johnson
Special Effects Production Manager
Jess Lewington
Special Effects Consultant
Joss Williams
VFX Producer
Ineke Majoor
VFX Supervisors
David Booth
Peter Webb
- 24 -
VFX Advisor (UK Shoot)
John Swinnerton
Lead Compositor
Alan Fairlie
Lead Matte Artist
Glenn Melenhorst
Lead 3D Animator
Digital Artists
Paul Buckley
Dominic Hellier
Keith Meure
Matthew Pascuzzi
Data Wrangler
Simon Nix
Facilities Co-Ordinator
Kate Guest
IT Manager
Adam Jones
Graphics Designer
Neil Huxley
Location Manager
Giles Edleston
Assistant Location Manager
Unit Manager
Location Scouts
Nick Oliver
Charlie Simpson
Tom Crooke
Mally Chung
Alex Gladstone
James Grant
Pat Karam
Construction Managers
Malcolm Roberts
Rob Voysey
Construction Buyer
Carmel Cassidy
Standby Carpenter
Lee Hosken
Standby Rigger
Ray Wilson
Supervising Carpenter
Wayne Hammond
Chargehand Carpenter
Paul Nott Macaire
Chargehand Painter
David Haberfield
Scenic Painter
Jay Sotheran
HOD Painter
Alan Gooch
Supervising Plasterers
Phil Babbage
Stephen Morris
Supervising Stagehand
Alan Billam
Stagehands
Colin Smith
Dan Smith
Carpenters
Kevin Smith
Jason West
David Mayhew
Andrew Good
David Gibson
Tony Snook
Eddie Murphy
- 25 -
Robert Jackson
Stephen Williams
Apprentice Carpenter
Plasterers
Nick Billam-Smith
Steven Brown
Len Roberts
Ray Roffe
Painters
Trevor Eve
Paul Wilkshire
Transport Captain
Rob Hempenstall
Mr. Stathams Driver
Brian Kelly
Unit Drivers
Noel Allen
Pat Coleman
Michael Keeble
Minibus Captain
Allison Drury
Minibus Drivers
Mick Coomber
Ian Colmar
Andy Sotiris
Kevin Bennett
Facilities Captain
Camera Truck
Grip Truck
Standby Props Truck
Costume Truck
Henry Gumble
John Airs
Wayne Evans
David Tate
Sisco
Make-up Truck
Paul Wheat
Production Accountant
John Miles
First Assistant Accountant
Accounts Assistants
Dan Budd
Lawrence Joseph
Tracy Taylor
Production Co-ordinator
Assistant Production Co-ordinator
Assistants to Mr. Roven
Assistants to Mr. Chasman
Polly Jefferies
Hollie Foster
Joseph Palmer
Andy Horwitz
Charlotte Keating
David Shojai
Assistants to Mr. Glazer
Mary Cybriwsky
Jess Jaworski
Assistants to Mr. Statham
Assistants to Mr. Donaldson
Nathalie Burgun
Helen Fleming
Jo Farrugia
- 26 -
Candice Preddy
For Relativity
Andre Marcus
Aaron Michiel
Alice Neuhauser
Eva Quiroz
Ramon Wilson
Casting Assistant
Production Runner
Rushes Runner
Stand-In
Floor Runners
Kate Ringsell
Ella Harris
Mark Wilson
Phil Ball
Kate Bronte Stewart
Tania Gordon
Samantha Wong
Additional Production Assistants
Mike Clark-Hall
Pete Boothby
Additional Floor Runners
Hsinyi Liu
Georgia Sayer
Emily Perowne
Tamara King
Celina Radwanski
Post Production Supervisor
Marc Van Buuren
First Assistant Editor – Post
Amelia Ford
First Assistant Editor – Shoot
Assistant Editor - Shoot
Supervising Effects Editor
Effects Editors
Ruth Coulson
Thy Quach
Andrew Neil
Peter Mills
Steve Burgess
Assistant Sound Editor
Re Recording Mixers
Kieran McVeigh
Paul Pirola
Andrew Neil
Dialogue Editor
Foley Artist
Foley Recordist
Sound Post Production
Facilities Manager
IT Support
Music Conducted by
James Harvey
Mario Vaccaro
Blair Slater
Soundfirm Melbourne
Helen Field
Martin Bayley
Brett Kelly
- 27 -
Music Orchestrated by
Synthesizer Programming and additional
arrangements by
Score Produced and Mixed by
Music Editor
Orchestral Production Manager
Orchestral Music Recorded at
Music Engineered by
Orchestral Music Mixed at
Orchestral Music Mixed by
Music Consultant
UK Music Clearances
Caterers
Chef
Unit Publicist
Front Title and Animation Design
Offline Facilities
Head of Post Production for Digital Pictures
Digital Intermediate
DI Colorist
Post Production Coordinator
DI On-Line & Mastering
Data Wrangler
DI Film Recording Supervisor
Health & Safety Advisor
Unit Medic
Construction Medic
J Peter Robinson
Ricky Edwards
Dennis McCarthy
Edward L. Rogers
J Peter Robinson
at Rebrush Studios Los Angeles
Simon Leadley
Peter Hoyland
Allan Eaton Studios, Melbourne, Australia
Robin Grey
Sing Sing Studios, Melbourne, Australia
Chris Scallan
Kim Green
Abbie Lister
Becca Gatrell
Hot House Music
Bon Appetit
Raymond "Rozza" Reader
Graham Smith, Dennis Davidson and Assoc.
Nathan Bayliss
Digital Pictures Melbourne
Pamela Hammond
Digital Pictures Melbourne
Justin Heitman
Rachel Knowles
George Awburn
Nic Smith
Tony Poriazis
Chris Cullum
Julie Burnham
Pat Barr
Joy Maxwell-Davis
Second Unit
Lee Grummet
Matt Baker
Additional 2nd AD
Michael Stevenson
nd
2 Unit Script Supervisor
Polly Hope
2nd Unit 1st AD’s
- 28 -
2nd Unit Sound Recordists
Simon Hayter
Jamie Gambel
AUSTRALIAN UNIT
Pete Ford
Line Producer
Production Manager / 1st Assistant Director
Brendan Campbell
nd
2 Assistant Director
Greg Spiller
Art Director
Art Department Co-ordinator
Props Buyer / Set Dresser
Props Buyer / Set Dresser
Standby Props
Director of Photography
Focus Puller
Video Split Operator
2nd Assistant Camera
3rd Assistant Director
Stunt Coordinator
Boom Swinger
Generator Operator
Costume Standby
Costume Assistant
Hair & Make-up Supervisor
Hair & Make-up Assistant
Hairdresser
Electricians
Key Grip
Assistant Grips
Gaffer
Best Boy
Justin Dix
Anna Phelps
Harvey Mawson
Amelia Marasco
Michael O’Sullivan
Karl Von Moller
Andrew Jerram
Bernard Hellier
Jesse Minter
Kat Nagle
Danny Baldwin
Jamie Hardy
Roy Pritchett
Michael Chisholm
Julie Barton
Alison Fowler
Heather Ross
Helene Glover
Jodie Hellingman
Mark Kupenga
Daniel Carr
Peter Stockley
Adrian Goodwin
Edward Barlow
Colin Williams
Tim Morrison
SPFX Coordinator
Brian Holmes
Location Manager
Unit Manager
Tim Scott
Rick Kornaat
Greens
Mario Peraic
- 29 -
Construction Manager
Carpenters
Armourer
Draftsperson
Dean Norman
Adrian Murphy
Rob Miller
Steve Margie
Jean Luc
Janine Marshall
Steve Carroll
Travis Tischer
Scott Warwick
Wil Du
Travel Co-ordinator
Vehicle Co-ordinator
Amber Gelwey
Steve Mahoney
Labourer
Signwriter / Head Painter
Plasterers
Accountant
Production Manager
Production Co-ordinator
Casting
Rob Hay
Naomi Cleaver
Natalia Pizzey
Maria Efthymiopou
Sound Recordist
Dialect Coach
Continuity
John McKerrow
Jenny Kent
Susie Struth
Art Department Runner
Runner
Voula
Jaime McCarney
Catering
Unit Nurse
Stunt Cordinator/Safety Supervisor
Safety Supervisor/Asst Coordinator
Safety Report
Editable Food
Megan Hooper
Danny Baldwin
Russell Frost
Adrian Kortus
SARDINIA UNIT
Line Producer
Production Coordinator
1st Assistant Director
2nd Assistant Director
Key Grip
Camera Operator
Make-up Artist
Hair Stylist
Luigi Desole
Noelle Siri
Luigi Spoletini
Valerio Valente
Tommaso Mele
Stuart Howell
Carla Vincenzino
Massimo Gattabrusi
HD Camera Equipment
Lighting Equipment
Grip Equipment
Arri Media (LOGO PROVIDED)
Arri Lighting (LOGO PROVIDED)
Arri Media (LOGO PROVIDED)
- 30 -
Post Production Telecine Facilities
Video Playback Equipment
Stills Processing
Walkie Talkies
Payroll Services
Editing Facilities & Equipment
Facility Vehicles
Completion Bond
Insurance
Production Legals
Collection Account Management
Midnight Transfer
One8Six
Metro
Wavevend
Sergent-Disc
Gear Box
Moviemakers
Film Finances Limited
Sheila Fraser-Milne (UK)
Anni Browning (Australia)
Totally Entertainment Limited
Derek Townshend
Lee & Thompson
Christos Michaels
Natasha Pilbrow
Fintage House
Get It On
Written by Marc Bolan
Performed by T Rex
Westminster Music Ltd
Administered by Essex Music of Australia Pty Ltd
Licensed courtesy of Straight Ahead Productions
Hey There
Written by Kris Schroeder & Wally De Backer
Performed by The Basics
Published by Origin Music Publishing
Licensed Courtesy of Origin Music
Unchain My Heart
Words and music written by Bobby Sharp and Teddy Powell © 1960
Performed by Natasha Miller
Published by Sparta Florida Music Group Limited
Courtesy of Poignant Records
Lola
Written by Ray Davies CBE
Performed by The Kinks
Used by kind permission of Davray Music Ltd/Carlin Music Corp
Courtesy of Sanctuary Records Group
In The Midnight Hour
Written by Wilson Pickett & Steve Cropper
Performed by Wilson Pickett
©1965 Cotillion Music Inc. and Irving Music Inc.By kind permission of Warner/Chappell Music Australia Pty
Ltd/East Memphis Music Corp/Universal Music Publishing Pty Ltd Licensed Courtesy of Mana Music Australia
Pty Limited
- 31 -
Allemande in G from English Suite
By J.S. Bach
Arranged by J Peter Robinson
Performed by Jaynison Optreebner
Licensed by kind permission of Flagroonsongs
Save Me
Written by S. Balsamo, A. Collins, D. Smith, R. Thompson
Performed by The Storys
Published by Copyright Control/PRS-MCPS
(p) 2005 Hall Recordings
Courtesy of Warner Records
John Waller Management
www.thestorys.co.uk
I Believe in Love
Written by S. Balsamo, D. Smith, R. Thompson
Performed by The Storys
Published by Copyright Control/PRS-MCPS
(p) 2005 Hall Recordings
Courtesy of Warner Records
John Waller Management
www.thestorys.co.uk
History of Jamaica
Written by Erlando Neil & Nkrumah Manley Thomas
Performed by Early B
Notting Hill Music Ltd/Rufus Music Ltd
Administered by Universal Music Publishing Pty Ltd
Licensed Courtesy of Acid Jazz Records
Those Were the Days
Written by Gene Raskin
Published by TRO Essex Music Ltd
Money (That's what I want)
Written by Gordy/Bradford
Performed by The Storys
Published by EMI Entertainment World/J.Albert & Son
Licensed courtesy of J. Albert & Son Pty Limited
(p) 2007 Hall Recordings
Courtesy of Hall Recordings
John Waller Management
www.thestorys.co.uk
- 32 -
Clearances
Stock Footage & Images
GETTY
The Clearing House
Baker Street 1971 Image
Post Produced in Melbourne, Australia with the assistance of Film Victoria *****LOGO****
Production Financing provided by
Verite Capital
With Special Thanks to:
Swarovski, Campari, Tag Heuer, Royal Mail,
John O’Connor, Keith Elliott, Robert Fenton QGM,
Bill Lovel, Russell Allen & Kate Morrison Lyons @ Arri Media GB
Sinead Moran @ Arri Lighting UK, Kent Huston @ Peerless
Lorraine Leonida @ Ealing Studios, City of Alghero, Nuragic Films srl,
Camera di Commercia di Sassari, Marco Mameli , Enrico Mereu, Antonio Monti
Dolby logo
DTS Logo
No animals were harmed in the making of this film
Filmed on location in and around London and at Ealing Studios, Pinewood Studios, England
and on location in Melbourne, Australia
THIS MOTION PICTURE IS BASED UPON ACTUAL EVENTS AND PEOPLE. HOWEVER, THE
TIMELINE OF EVENTS HAS BEEN COMPRESSED AND EDITED TO ACCOMMODATE THE MOTION
PICTURE FORMATS AND CERTAIN CHARACTERS, INCIDENTS AND COMPANIES HAVE BEEN
DRAMATIZED. SIMILARITY OF ANY DRAMATIZED CHARACTERS, INCIDENTS OR COMPANIES
TO THE NAME, ATTRIBUTES OR ACTUAL BACKGROUND OF ANY ACTUAL PERSON, LIVING OR
DEAD, OR TO ANY ACTUAL EVENT, OR TO ANY EXISTING COMPANY, IS ENTIRELY
COINCIDENTAL AND UNINTENTIONAL.
022208
- 33 -