Fall 2012 English Literature: ENLT 2552 Consuelo López Springfield A/15:50 – 17:10 Women in Literature: Caribbean Women in Transition "when the multitudes shall run rioting . . . against you and against everything unjust and inhuman I will be in their midst with the torch in my hand." "To Julia de Burgos" Julia de Burgos (Puerto Rico) COURSE DESCRIPTION: The Caribbean region is defined by a history of conquest and colonialism, slavery, racial and cultural admixture. It is a place where natural disasters wipe out national economies, structural unemployment and underemployment plague the most resourceful workers, and sustained dependency on U.S. and global conglomerates threatens the survival of local industries and agricultural producers. Marked by interregional, hemispheric, and cross-oceanic migration, it is a site of permeable boundaries and multiple identities, offering continuous redefinition of the self and of one's relationship to society. This course examines how changes in the international labor force and political activism have led women to redefine their domestic roles and challenge traditional societal norms. It examines identity--often ambulatory, transnational, and defined by shifting states of interdependency--as people seek or are forced to seek work in other lands. We will explore the ways in which women reconstitute networks of relatives and friends in exile communities while maintaining strong ties to their families at home. An interdisciplinary course, it investigates the interplay of race and gender in the construction of national cultures and literary responses to the impact of economic practices on women's lives. The course is informed by critical essays on the nature of Caribbean feminism(s) and women's literature as they capture and combat historical processes. It will analyze women's contemporary history in Haiti, Puerto Rico, Cuba, and diaspora communities in the U.S. It will also explore how women create cultures in opposition to traditional, constraining ones, and seek wholeness in new, communities. The course involves readings in the literature (novels and autobiographies) feminist studies, and film. COURSE OBJECTIVES: Students will learn to appreciate the richness of Caribbean culture and contemporary societal changes through women’s literature and film. They will explore their divergent historical heritages and ways that women come together to heal wounds and create new visions of self-enhancement in post-colonial contexts. The field experience will also help them to understand creative responses to colonialism and migration. COURSE REQUIREMENTS: In addition to mandatory class attendance and participation in class discussions, students are required to write a reflection paper on course material and another on their fieldtrip. There will be a final essay examination. The exam will be based on lectures and readings. Classroom participation guidelines: All students are required to arrive on-time. If there is any reason for tardiness, leaving early, or (emergency) absences, please let me know in advance. Open and respectful intellectual exchange is valued highly. Plagiarism: Be particularly attentive to the university’s policy on plagiarism (honor code) GRADING SYSTEM: Attendance/Participation Reflection paper (course) Reflection paper (fieldtrip) Final Exam 20% 20% 20% 40% REQUIRED TEXTBOOKS AUTHOR: Edwidge Danticat, TITLE: Breath, Eyes, Memory. , ISBN 0-375-70504-X Publisher: New York: Vintage Publication Date: 1994 AUTHOR: Consuelo López Springfield, ed. TITLE: Daughters of Caliban: Twentieth Century Caribbean Women ISBN : 1-899365-15X PUBLISHER: Indiana University Press PUBLICATION DATE: 1997 Cost: low AUTHOR: Achy Obejas TITLE: Days of Awe 2 ISBN: 035 44154-0 PUBLISHER: NY Ballantine PUBLICATION DATE: 2001 Cost: AUTHOR: Esmeralda Santiago TITLE: When I Was Puerto Rican ISBN: 0-679-75676-0 PUBLISHER: Vintage PUBLICATION DATE: 1993 Cost: AUTHOR: Alicia Valdez Rodríguez TITLE: Dirty Girls Social Club ISBN: 032-3181-0 (also in paperback) PUBLISHER: St. Martin’s Press PUBLICATION DATE: 2003 Cost: FILMS: “Sugar Cane Alley” (in French, subtitled) “Soy Boricua Pa’Que Tu Lo Sepas” (documentary) TENTATIVE SCHEDULE Session 1 Sat. Aug. 25: Session 2 Mon., Aug. 27: Session 3 Wed., Aug, 29: Introduction to the course Sugar Cane and the Shaping of Caribbean Cultures: Video ("Sugar Cane Alley” 103 min.) First part: 65 min. From the Colonial Yoke to the World Beyond Borders: Discuss “Sugar Cane Alley” TRAVEL TO IRELAND: Irish people suffered over a thousand years of English colonialism. How was their history defined by a plantation economy dominated by absentee land owners? How do Caribbean populations in Ireland contribute 3 to Irish society today? Session 4 Tues., Sept. 4: Reflections on Ireland: How do artists and contemporary chroniclers describe the Irish famine in the 19th Century? What do nationalists in the Caribbean and Ireland have in common? TRAVEL TO ENGLAND (How have Caribbean populations contributed to contemporary society in the U.K.? TRAVEL TO EUROPE: (In paintings of the “new world,” how are the Caribbean and South America portrayed? What does this tell us of European Colonialism? How are Europeans of Caribbean and Latin American heritage integrated into European societies? Session 5 Sun., Sept. 16 Session 6 Tues., Sept. 18 Caribbean and Latin Americans in Europe: Discuss visual (art/film) depictions, relate perceptions of contemporary immigrant communities? Do you see Latin American and Caribbean people in European societies? What did you learn of the history of Judaism in Europe today? Cuba: Religion and Politics Read and Discuss: Miguel de La Torre, La Lucha for Cuba: Religion And Politics in the Streets of Miami (UC Press, 2003) pps. 120-129 TRAVEL TO PORTUGAL AND SPAIN How would you describe the cultural contributions and historical experiences of Sephardic Jews? How did Spain and Portugal view their Caribbean colonies? What do artistic works in museums reveal about their relationships with their “new world” colonies? How are Caribbean and Latin Americans living in Spain and Portugal contributing to contemporary culture? Session 7 Th., Sept. 27 Discussing Colonial Roots and Contemporary Contexts: Reflections on Spain and Portugal TRAVEL TO MOROCCO: 4 Are there synergies between Arab art and Iberian art? Market life? How are modern Moroccan women expressing their social, political, economic and gender identities? Session 8 Wed., Oct. 3: Session 9 Sat., Oct. 6 Shared perceptions of Morocco Gender, Religion, and Identity: Discuss Achy Obejas, Days of Awe, Chapters 1-8 (pps. 1-73) TRAVEL TO GHANA What roles do women play in religious, educational, and communal lives? How do women manage their multiple roles? How long ago did Ghana achieve independence? What does this mean to women today? Session 10 Sat., Oct. 13 Session 11 Mon., Oct. 15 Session 12 Wed., Oct. 17 West African Women in the Twenty-First Century Describe how a history of colonialism shapes contemporary women’s lives. What have you learned of women’s strengths from your experiences in Ghana? Revisiting the Past: Days of Awe, (pps. 236-243) and (pps. 325-331) and 346-357 Race, Class and Motherland: Read and Discuss: Ruth Bejar, “Daughter of Caro” and Lisa Paravisini-Gebert’s essays in Daughters of Caliban TRAVEL TO SOUTH AFRICA How has South Africa created new visions of social democracy? How did they defeat institutional apartheid? How are women’s roles defined today? How are they involved in education, finance, and religion? Session 13 Wed., Oct. 24: Session 14 Fri., Oct. 26 Women ‘s Roles in a New African Nation Reflections of South Africa Transnational Societies: Haitians in Contemporary Times 5 Read, Karen McCarthy Brown, “The Power to Heal: Haitian Women In Vodou” (Daughters of Caliban) Session 15 Mon., Oct. 29 Confronting Motherhood: Home and Abroad Read and Discuss Edwidge Dandicat, Breadth, Eyes, Memory, pps. 4-49 Session 16 Wed., Oct. 31 Continue BEM discussion, pps. 50-146 TRAVEL TO ARGENTINA AND URAGUAY How does the class system affect women’s roles? How do fashion dictates, politics, and economics impact women’s self-achievement? What do the Mothers of the Plaza de Mayo represent today? Who was Evita Peron? Why is there a musical about her? What makes her so popular? Session 17: Fri., Nov. 9 Latin American Women of the Southern Cone: Reflections of women’s roles in Argentinian and Uraguayan societies. TRAVEL TO BRAZIL Field Lab: Field Lab: Rio de Janeiro: Female Saints and Mothers Explore Afro-Brazilian popular religion and the portrayal of strong female spiritual guides. What does this tell us of syncretic religion in the new world? Session 18 Wed., Nov. 14 Session 19 Fri., Nov. 16 Session 20 Mon., Nov. 19 Brazilian Women of Yesterday and Today Reflections: Field Lab in Rio de Janeiro The Power to Heal: Continue BEM discussion: pps. 147-236 *Hand in Field Lab Reflection paper Caribbean and Latina Girlfriends: Discuss Dirty Girls Social Club, pp. 71-136 6 Session 21: Wed., Nov. 21: Solidarity in Multicultural Latina Cultures: Discuss Dirty Girls, pp. 137-212 TRAVEL TO MANAUS ON THE AMAZON RIVER How do women of the Amazon basin contribute to tourism? What can we learn of their social roles? Session 22: Mon., Nov. 26 Session 23 Nov. 28 Women of the Amazon: Reflections of a river voyage. Continuation: What does friendship mean to women--and to me? Discuss DGSC: pp. 213-308 TRAVEL TO DOMINICA Do you see similarities among West Indian women and West African women? Session 24 Mon., Dec. 3 Hand in course reflection paper Final examination Due tour travels, we may not be able to explore Esmeralda Santiago’s When I Was Puerto Rican, an autobiographical novel that has garnered international repute. However, I hope that you will enjoy it. I will be delighted to discuss this with you informally during our trip together as it is one of my favorite Caribbean books. In addition, we’ll discuss this book in my course on “Autobiographies of Childhood.” That “B” course is held from 3:55 – 5:10 p.m. (15:55 – 17:10). Please feel free to join in our discussions, if it fits into your schedule! FIELD ASSIGNMENT: This field trip focuses on female religious figures (either as patron saints, priestesses, and devotees) in religious syncretism and the blending of Catholic and West African religions in Brazil and the Caribbean. We will explore female deities as an Africanized expansion of the idea of the Virgin Mary, which itself is a purified version of the preChristian, ancient European earth mother. Students will grasp an understanding of a broad landscape of contemporary religious 7 syncretism in Rio de Janeiro, including Catholic masses with African cultural elements. We will visit churches in Rio de Janeiro. Students will write a two-three page paper discussing Afro-Caribbean female saints and deities. Students may decide to integrate knowledge gleaned from readings; and it is encouraged that they reflect on how these images evoke new concepts of women’s roles. 8