SANTA MONICA COLLEGE Media 10 “Media, Gender and Race” Course Syllabus Instructor: Redelia Shaw Spring 2014 Section 4352, Room LS 106 Mon & Wed 5:15P – 6:35P e-mail: shaw_redelia@smc.edu Office: LS 148, Phone: 310/434-8910 Office Hours: Mon 4:30P-5P (All other times by appointment) Media 10 Transfer: UC,CSU 3 UNITS Prerequisite: None Course Catalog Description: This course is an historical overview of media in the United States. Using readings from selected texts, clips from movies, radio and television broadcasts, as well as period literature, students analyze and debate representations in the media with a focus on class, gender, and race/ethnicity. Critical thinking is stressed in this course. Student Learning Outcomes: • • • • Analyze representations in media with particular focus on social class, gender, and race. As assessed by: department grading rubric, participation in class analysis and discussion, and/or analytical essays and examinations. Understand and apply key concepts that inform media analysis. As assessed by: department grading rubric, participation in class analysis and discussion, and/or analytical essays and examinations. Learn how to critically analyze media images. As assessed by: department grading rubric, participation in class analysis and discussion, and/or analytical essays and examinations. Demonstrate familiarity with basic mass communication and media industry knowledge. As assessed by: department grading rubric, participation in class analysis and discussion, and/or analytical essays and examinations. Required Reading and Supplies: • • Race/Gender/Class/Media: Considering Diversity across Audience, Content, and Producers (2012, 3rd Edition) Author: Rebecca Ann Lind. ISBN: 0205006108 Six (6) Scantrons - 882 compatible and a No. 2 pencil (The bookstore sells a 6-pack 100 question Accuscan 29500 which is 882 compatible. You can also buy the Scantron Brand 882-E six pack.) Method of Presentation: • • Lectures and interactive group discussions relating to reading assignments from the main text including use of supplementary materials supplied by the instructor, and encouraged/required from students. Both current and historically relevant media events will be evaluated. Class discussion of important articles from current media periodicals and websites. Methods of Evaluation Students will be evaluated by performance in a variety of areas: METHOD NUMBER OF TOTAL ASSIGNMENTS POINTS PERCENTAGE GRADE SCALE LETTER Quizzes 10 @ 10pts 100 25% 90-100 A Weekly Written Assignments & Blogs 20 @ 5pts 100 25% 80-89 B Midterm & Final Exam 2 @ 50pts 100 30% 70-79 C Group Presentation 100pts 100 10% 60-69 D *Class Participation (In Class Activities) 100pts 100 10% 59 and below F 500 100% TOTAL Weekly Writing Assignments (WA) and Blogs (WB): As future media-makers students, will demonstrate their critical analysis of media representations through weekly writing assignments and blogs. The goal of the written assignments will be for students to academically deconstruct media messaging through thesis statement and organized essays. Each week an assignment is late will be subject to a 10% reduction of letter grade on the assignment. The weekly blog is to engage students with technology and raise their awareness of media literacy and the construction of messages as it relates to race, gender and class. Students will be required to reference a range of sources including magazine and newspaper articles, broadcast news reports, internet-published articles, films, television shows or music recordings. There will be no “right” or “wrong” answers in this blog, but it will be graded for its level of critical thought, analysis and effort. The finished product will include at least 10 entries, and will contain no fewer than 500 words. Missed Work: • • • • When class will be missed, or an assignment will not be ready on time, contact the instructor as soon as possible, preferably in advance. Quizzes CAN NOT be made up if you are not in class when it is given for any reason. Generally, to receive full credit, assignments must be turned in on time. You have until midnight on the due date to upload the assignment to eCompanion. Unit Tests and Group Projects, in emergency circumstances, may be taken or turned in late with instructor approval, but these will result in a reduction in points regardless of the reason for the absence or lateness. Extra Credit Policy: • • There is limited Extra Credit in this class, for up to 10 extra credit points, which consists of Extra Writing Assignments graded at 90% or better grade, attending specified SMC workshops/events or participating in specified independent production projects and writing a detailed summary about the experience. Students may participate the Sustainable Works program. For more information, visit: http://www.smc.edu/AcademicAffairs/Sustainability/Pages/Sustainable-Works.aspx Recommended Computer Skills and Technology Requirements: • • • • Access to eCompanion, or a computer to access publisher online content. eCompanion tutorials are available at www.smconline.org Ability to use Microsoft Word, Excel, PowerPoint if you do not have a computer at home please use the Computer labs located on campus including the one in the SMC Library. Ability to upload to blog weekly commentary to www.smcmedia10@wordpress.com. Access to an email account and familiarity with social media Twitter and Facebook. Attendance, Drops and Withdrawal Policy: Failure to attend class on a regular basis will be reflected in your final grade. In this course, “on time” attendance means arriving within the first 10 minutes of class, according to the clock in the room. “Present” means staying in class for the entire period; if you leave early, it will be counted as an “absence.” Three tardy appearances (late for class) will be equal to one unexcused absence and will reduce your final grade percentage that is allocated to class participation (10%). You are expected to attend all classes. You are responsible for notifying me, the instructor, in advance of any absence or scheduling conflict, via email or telephone. If you are absent for any reason, it is your responsibility to find out what material was covered in class, and to be prepared for the next class session including the submission of due assignments. Lectures and other class-work will not be recreated for individual students. You may be dropped from the class if you miss more than two consecutive classes without notifying me. Students who are out for 3 sessions due to illness need to provide a doctor’s note to be reinstated back into the class. Shaw 2 Although I retain the right to drop you given the above circumstances, it is nevertheless your responsibility as a student to withdraw from class if you do not intend to complete it. Students must NOT expect faculty to initiate withdrawal procedures for them. If you wish to drop this class, you may do so through Corsair Connect. Students may process a drop for themselves through 75% of the class, which is through the 12th week in a regular semester. Data regarding the withdrawal parameters for each class are provided within each student’s individual Corsair Connect account. Classroom conduct: Please conduct yourself as you would in a business environment: on-time attendance, respect for others, respectful language and personal integrity. Private conversations with the instructor should be held in office hours, not during class time. For additional information on the SMC Student Code of Conduct please visit: http://www.smc.edu/StudentServices/StudentJudicialAffairs/Documents/AR4410.pdf Cellphones, tablets, laptops and other devices: • Cell phone/tablet etiquette: Do not use these items during class, which includes group work time. If caught • using devices your participation grade will be lowered by 2 points for each instance. Frequent and excessive use and you will be considered absent from class. Laptop use is permitted in this class. Devices must be kept on the desk—not in your lap. Activities using these devices must be limited to activities supporting concurrent class topics. Students using devices for other purposes will lose the privilege of device use during class. Academic Honesty: The SMC Honor statement, signed by each student upon enrollment, reads: “In the pursuit of the high ideals and rigorous standards of academic life, I commit myself to respect and uphold the Santa Monica College Honor Code, Code of Academic Conduct, and Student Conduct Code. I will conduct myself honorably as a responsible member of the SMC community in all endeavors I pursue.” It is your responsibility to familiarize yourself with The Code of Academic Conduct, which is printed in the General Catalog and available online through the website: http://www.smc.edu/StudentServices/HonorCouncil/Pages/Honor-Code.aspx Please be extremely careful that you do not engage in any behavior that could even be construed as cheating. Violations could result in failing grades, reports to the Campus Disciplinarian, and subsequent academic disciplinary action. Examples of behaviors that are not permitted include but are not limited to: Copying another student's homework, inappropriate language or physicality in the classroom, and inappropriate behaviors during an exam (talking with another student, looking at or copying from another student's paper, using a disallowed PDA, using disallowed notes, leaving the room without prior permission, removing exam materials from the classroom). Honest and ethical students are protected in this class. Fairness and Respect: No matter who you are, what you do, or where you come from outside our class, you have entered an environment (our classroom) that is fair, where everyone begins and works on the same level playing field. I will show no favoritism for any reason. If you ever feel that I have treated you unfairly or have disrespected you in ANY way, please let me know so we can quickly fix the problem. My job is to work with you so that you will learn as much as possible in our class. Your success and future is solely your responsibility. Tentative Content & Schedule: FEB 24 MAR 3 Introduction to Studying Race, Gender and Media History and Influence Of Ethnic Media Intersectionality Lind 2.3, Media Literacy in Eating Disorder Treatment Lind 3.1, Women with Physical Disabilities, Body Image, Media Intersectionality Lind 5.3, Framing Feminism Lind 6.5, It’s Okay That We Back-Stab Each Other Lind 9.2, Women in Television and Radio News 19 Read Lind 1.1 Read Lind 4.3 26 5 Due: WA #1, WB #1 Shaw 3 10 Representations of Women in Media Lind 3.6, Why Don’t you Act your Color? Lind 5.9, The More You Subtract the More You Geena Davis Institute (*posted on eCompanion or available at: http://www.seejane.org/downloads/KeyFindings_GenderRoles.pdf) 12 Due: WA #2, WB #2 Group Project List 17 Representations of Caucasians in Media Lind 5.5, The Unchanging Face of the News Lind 6.1, People Tell Me I’m White: Stephen Colbert 19 Due: WA #3, WB #3 24 Representations of LGBT Community in Media Lind 6.7, The New Gay Domesticity Lind 7.1, Anti-Gay Speech on the Internet Lind 8.1, Exploring Gay/Straight Relationships 26 Due: WA #4, WB #4 31 Representations of Asian Americans in Media Lind 3.2, Negotiating the Mediascape Lind 5.4, Outwhiting the Whites Lind 7.5, AudreyMagazine.com APR 2 Due: WA #5, WB #5 Group Project Summaries 7 Representations of Middle Eastern and Arab Americans Lind 2.1, The Social Psychology of Stereotypes Lind 3.4, How TV Makes Arabs and Muslims…Themselves 9 21 Representations of Native Americans in Media Lind 3.7, Arguing Over Images Lind 5.6, Gambling with Identity: American Indian…Websites Lind 5.7, Marketing Authenticity 23 Due: WA #6, WB #6 Midterm Test (Spring Break 4/144/18) Due: WA #7, WB #7 28 Representations of African Americans in Media Lind 2.2, He Was a Black Guy Lind 7.6, Gender and Race as Meaning Systems Lind 8.2, The Tom Joyner Morning Show 30 Due: WA #8, WB #8 Representations of Latinos in Media Lind 5.2, What’s in a Name? Framing the Immigration Story Lind 5.8, Advertising and Hispanic Culture 7 Due: WA #9, WB #9 12 Film and Entertainment Television Lind 6.2, Race, Hierarchy and Hyenaphobia in The Lion King Lind 6.6, Is Daddy’s Little Girl a Bitch or a Princess? 14 Due: WA #10, WB #10 19 Media Effects Lind 2.4, Believing Blogs: Does a Blogger’s Gender Influence Lind 2.5, Videogame Design and Acceptance of Hate Speech 21 GROUP PRESENTATIONS 26 MEMORIAL DAY (NO CLASS) 28 GROUP PRESENTATIONS 4 GROUP PRESENTATIONS GROUP PRESENTATIONS MAY 5 JUN 2 16 MONDAY, JUNE 16 AT 330P – FINAL EXAM * Course schedule is subject to change. The instructor will announce all schedule changes and post a revised schedule. Shaw 4