ANNEX: ATTRIBUTION CHART
Nr.
Marx, 2005
Hübner, 1876
Morelli, 1880
Woermann, 1887
Morelli, 1891
Woermann, 1908
1
Fra Angelico (school of),
Annunciation, gall. no. 7
Sandro Botticelli, Virgin and Child
with the Infant Saint John the Baptist,
gall. no. 8
Sandro Botticelli, From the Life and
Work of St. Zenobius, gall. no. 9
Sandro Botticelli (school of), Virgin
and Child with Angels, gall. no. 10
— [Location unknown, Saint John the
Evangelist, formerly gall. no. 11]a
Fra Angelico (school of), cat.
no. 17
Sandro Botticelli, cat. no. 2409
Benozzo Gozzoli [p. 244]
Fra Angelico (school of)
Benozzo Gozzoli [p. 337]
Fra Angelico (school of)
Sandro Botticelli [p. 234]
Sandro Botticelli
Sandro Botticelli [p. 336]
Sandro Botticelli
Sandro Botticelli, cat. no. 26 A
Sandro Botticelli [p. 233–234]
Sandro Botticelli
Sandro Botticelli [p. 336]
Sandro Botticelli
Sandro Botticelli ?, cat. no. 27
Sandro Botticelli (school of) [p. Sandro Botticelli (school of)
235]
Sandro Botticelli (school of) [p. Sandro Botticelli (school of)
233]
Sandro Botticelli (school of) [p. Sandro Botticelli (school of)
336]
Sandro Botticelli (school of) [p. Sandro Botticelli (school of)
336]
— [Location unknown, Saint John the
Baptist, formerly gall. no. 12]b
Lorenzo di Credi, Virgin and Child
with Saint John the Baptist,
gall. no. 13
Lorenzo di Credi, Virgin and Child
with Saint Sebastian and Saint John
the Evangelist, gall. no. 15
Sandro Botticelli, cat. no. 26
Sandro Botticelli (school of)
[p. 336]
Nordic painter [p. 341 ff.]
Sandro Botticelli (school of)
Leonardo da Vinci,
cat. no. 30
Sandro Botticelli (school of) [p. Sandro Botticelli (school of)
233]
Lorenzo di Credi (Dutch copy) Lorenzo di Credi
[p. 239–243, 248]
Lorenzo di Credi, cat. no. 2386
Lorenzo di Credi [p. 245]
Lorenzo di Credi
Lorenzo di Credi [p. 362]
Lorenzo di Credi
Filippino Lippi (school of), Virgin and
Child, gall. no. 19
Piero di Cosimo, The Holy Family,
gall. no. 20
Filippino Lippi, cat. no. 35
Filippino Lippi (school of) [p.
245–246]
Piero di Cosimo [p. 232–233]
Filippino Lippi (school of)
Filippino Lippi (school of) [p.
337]
Piero di Cosimo [p. 338]
Filippino Lippi (school of)
2
3
4
5
6
7
8
9
10
a
Sandro Botticelli, cat. no. 25
Luca Signorelli, cat. no. 21
Piero di Cosimo
Lorenzo di Credi
Piero di Cosimo
In 1927 director Hans Posse (1879–1942) estimated this painting and other two others (gall. nos 12 and 22) at 40,000 reichsmarks and sold them to a Dr. Wendland in
Basle via the auction house Fischer in Lucerne, Switzerland. In exchange for these works, the Dresden Gemäldegalerie Alte Meister bought the gall. no. 1888 B (Hans
Baldung, Mucius Scaevola, wood, 98 x 68 cm): Staatliche Kunstsammlungen Dresden (SKD), archive, documents (‘Akte’) no. 6, vol. 16, Abgang und Verleihung von
Gemälden, 1927/28, folio 106.
b
See Locatelli 2009/II, as note 1.
Raffaellino del Garbo and workshop,
Virgin and Child with Saints, gall. no.
21
— [Location unknown, Virgin
Enthroned with Child and Saint John,
formerly gall. no. 22]c
Sienese, 15th century, The Holy
Family, gall. no. 33
Luca Signorelli (workshop), Painted
Pillar, gall. no. 36
Luca Signorelli (workshop), Painted
Pillar, gall. no. 37
Perugino (school of), Saint Crispin,
gall. no. 38
Bernardino Pinturicchio, Portrait of a
Boy, gall. no. 41
Umbrian, 15th century, Adoration of
the Magi, gall. no. 42
Francesco del Cossa, Annunciation,
gall. no. 43
Francesco del Cossa, Nativity, gall. no.
44
Ercole de’ Roberti, Christ on the way
to Golgotha, gall. no. 45
Ercole de’ Roberti, The Taking of
Christ, gall. no. 46
Ercole de’ Roberti (copy), The
Israelites Gathering Manna, gall. no.
47
Francesco Francia, Baptism of Jesus,
gall. no. 48
Francesco Francia, Adoration of the
Magi, gall. no. 49
Giacomo Francia, Virgin with Child
and John the Baptist, gall. no. 50
Andrea Mantegna, The Holy Family,
gall. no. 51
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
c
See Locatelli 2009/II, as note 1.
Raffaellino del Garbo, cat. no.
36
Filippino Lippi (school of) [p.
246]
Lorenzo di Credi, cat. no. 34
Sandro Botticelli (school of) [p. Florentine, end of the 15th /
245]
beginning of the 16th century
Andrea del Castagno, cat. no.
2381
Luca Signorelli, cat. no. 2384
Sienese, second half oft he 15th
century [p. 238]
—
Sienese, 15th century
Luca Signorelli, cat. no. 2384
—
Luca Signorelli
Perugino ?, cat. no. 22
Perugino (school of) [p. 245]
Perugino (school of)
Bernardino Pinturicchio, cat.
no. 24
Niccolò dell’ Abbate, cat. no.
169
Pollaiolo ?, cat. no. 18
Bernardino Pinturicchio [p.
245]
—
Bernardino Pinturicchio
Francesco del Cossa [p. 129,
243–244]
Florentine school, cat. no. 19
Unknown, second half of the
15th cenrtury [p. 244]
Ercole de’ Roberti, cat. no. 148 Ercole de’ Roberti [p. 131]
Raffaellino del Garbo
Luca Signorelli
Marco Palmezzano
(supposedly)
Francesco del Cossa
Francesco del Cossa, (school
of)
Ercole de’ Roberti
Raffaellino del Garbo (school
of) [p. 338]
Raffaellino del Garbo
Lorenzo di Credi
(contemporary imitator) [p.
361]
Sienese, possibly Pietro di
Domenico [p. 338]
Luca Signorelli (workshop of)
[p. 338]
Luca Signorelli (workshop of)
[p. 338]
Perugino (school of) [p. 362]
Florentine, end of the 15th /
beginning of the 16th century
Bernardino Pinturicchio [p.
361]
Peruginische Schule (copy) [p.
362]
Francesco del Cossa [p. 166,
172]
Francesco del Cossa [p. 166]
Bernardino Pinturicchio
Sienese, 15th century
Luca Signorelli (workshop of)
Luca Signorelli (workshop of)
Perugino (school of)
Marco Palmezzano
(supposedly)
Francesco del Cossa
Ercole de’ Roberti [p. 177]
Francesco del Cossa (school
of)
Ercole de’ Roberti
Ercole de’ Roberti, cat. no. 149 Ercole de’ Roberti [p. 131]
Ercole de’ Roberti
Ercole de’ Roberti [p. 177]
Ercole de’ Roberti
Florentine school, cat. no. 20
Ercole de’ Roberti (copy) [p.
133]
Ercole de’ Roberti (copy)
Ercole de’ Roberti (copy) [p.
181]
Ercole de’ Roberti (copy)
Francesco Francia, cat. no. 437
Francesco Francia [p. 161]
Francesco Francia,
Francesco Francia [p. 217]
Francesco Francia
Francesco Francia, cat. no. 435
Francesco Francia [p. 161]
Francesco Francia
Francesco Francia [p. 217]
Francesco Francia
Francesco Francia, cat. no. 436
Francesco Francia (workshop)
[p. 161]
Andrea Mantegna [p. 166]
Giacomo Francia
Francesco Francia (workshop) Giacomo Francia
[p. 217]
Andrea Mantegna [p. 225, 229] Andrea Mantegna
—
Andrea Mantegna
Antonello da Messina, Saint Sebastian,
gall. no. 52
Giovanni Bellini, (school of), Portrait
of the Doge Leonardo Loredan, Half
Length Portrait, gall. no. 53 KV
Girolamo da Santacroce, Adoration of
the Child, gall. no. 55
Girolamo da Santacroce,
The Martyrdom of Saint Lawrence,
gall. no. 56
Jacopo de’ Barbari, Christ Blessing,
gall. no. 57
Jacopo de’ Barbari, Saint Catherine,
gall. no. 58
Jacopo de’ Barbari, Saint Barbara,
gall. no. 59
Jacopo de’ Barbari (manner of),
Galatea, gall. no. 59A
Andrea Previtali, Virgin and Child
with the Infant Saint John the Baptist,
gall. no. 60
Cima da Conegliano, Christ Blessing,
gall. no. 61
Cima da Conegliano, Christ, gall. no.
62
Cima da Conegliano, Presentation of
the Virgin, gall. no. 63
Pietro degli Ingannati, Virgin with
Child and Four Saints, gall. no. 64
Vincenzo Catena, Virgin with Child
Between Saint Peter and Saint Helena,
gall. no. 64A
Vincenzo Catena, The Virgin and
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
d
e
Antonello da Messina, cat. no.
2382
Giovanni Bellini,cat. no. 210
Antonello da Messina [p. 167–
168]
Giovanni Bellini (copy) [p.
163]
Antonello da Messina
Girolamo da Santacroce, cat.
no. 213
Girolamo da Santacroce, cat.
no. 214
Girolamo da Santacroce [p.
166]
Girolamo da Santacroce [p.
166]
Girolamo da Santacroce
Jacopo de’ Barbari, cat. no.
1802
Jacopo de’ Barbari,cat. no.
1803
Jacopo de’ Barbari, cat. no.
1804
Sandro Botticelli ?, cat. no. 28
Jacopo de’ Barbari [p. 169,
174]
Jacopo de’ Barbari [p. 169]
Jacopo de’ Barbari
Giovanni Bellini (school of)
Girolamo da Santacroce
Antonello da Messina [p. 235,
250]
Giovanni Bellini (copy)d [p.
220]
Antonello da Messina
Girolamo da Santacroce [p.
234]
Girolamo da Santacroce [p.
234]
Girolamo da Santacroce
Giovanni Bellini (manner of)
Girolamo da Santacroce
Jacopo de’ Barbari
Jacopo de’ Barbari [p. 170–
171, 235]
Andrea Previtali [p. 208]
Jacopo de’ Barbari [p. 256,
261]
Jacopo de’ Barbari
Jacopo de’ Barbari [p. 255–
256]
Jacopo de’ Barbari
Jacopo de’ Barbari [p. 255–
256]
North Italian Master, beginning Jacopo de’ Barbari [p. 257,
of the 16th century, gall. no. 294 337]
Andrea Previtali
Andrea Previtali [p. 306]
Cima da Conegliano, cat. no.
215
Cima da Conegliano ?, cat. no.
217
Cima da Conegliano, cat. no.
216
Vincenzo Catena, cat. no. 211
Cima da Conegliano [p. 166]
Cima da Conegliano
Cima da Conegliano [p. 234]
Cima da Conegliano
Cima da Conegliano [p. 166]
Cima da Conegliano
Cima da Conegliano [p. 234]
Cima da Conegliano
Cima da Conegliano [p. 166]
Cima da Conegliano
Cima da Conegliano [p. 234]
Cima da Conegliano
Pier Francesco Bissolo[p. 179]
Pier Francesco Bissolo
Pier Francesco Bissolo [p. 266] Pier Francesco Bissolo
Giovanni Bellini, cat. no. 2387
Giovanni Bellini, (imitator,
possibly of Bartolomeo
Veneto) [p. 163–164]
Vincenzo Catenae [p. 179]
Giovanni Bellini (school of),
gall. no. 54
Giovanni Bellini (school of)
[p. 221]
Vincenzo Catena
Vincenzo Catena
Vincenzo Catena [p. 267]
Vincenzo Catena
Andrea Previtali, cat. no. 2388
Andrea del Sarto (supposedly),
Jacopo de’ Barbari [p. 169]
Jacopo de’ Barbari
Jacopo de’ Barbari
Jacopo de’ Barbari
Andrea Previtali
Morelli recognized Giovanni Bellini’s Portrait of Doge Leonardo Loredan at the National Gallery in London (inv. NG 189) as the original of this painting.
Joseph Archer Crowe and Giovanni Battista Cavalcaselle were the first to attribute this painting to Vincenzo Catena: Joseph Archer Crowe, Giovanni Battista
Cavalcaselle, eds, A History of Painting in North Italy. Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia. From the Fourteenth to the Sixteenth Century
[1871], 3 vols, London: Murray, 1912, vol. 1, 261.
Child with Saint Anne, gall. no. 65 KV
cat. no. 46
Giovanni Francesco Caroto, Virgin
with the Child Between Angels, gall.
no. 66
Giovanni Ambrogio Bevilacqua,
Virgin Adoring the Child, gall. no. 68
Franciabigio, Uriah’s Letter, gall. no.
75
Andrea del Sarto, The
Mystical Marriage of Saint Catherine,
gall. no. 76
Andrea del Sarto, Binding of Isaac,
gall. no. 77
Bacchiacca, The Legend of the King’s
Sons, gall. no. 80
Maffeo Verona, Lamentation of Christ,
gall. no. 86
Raphael, Sistine Madonna, gall. no. 93
Sebastiano del Piombo (copy),
Flagellation of Christ, gall. no. 102
Girolamo da Carpi, Virgin with Child
and Four Saints, gall. no. 113 KV
Lodovico Mazzolino, Ecce homo, gall.
no. 123
Unknown, cat. no. 33
Giovanni Francesco Caroto
Giovanni Francesco Caroto [p.
235]
Giovanni Francesco Caroto
Ambrogio Bergognone, cat. no. Giovanni Ambrogio
150
Bevilacqua [p. 230]
Franciabigio, cat. no. 41
—
Ambrogio Bergognone
(manner of)
Franciabigio
Giovanni Ambrogio
Bevilacqua [p. 334]
Franciabigio [p. 338]
Giovanni Ambrogio
Bevilacqua
Franciabigio
Andrea del Sarto, cat. no. 43
Andrea del Sarto [p. 236]
Andrea del Sarto
Andrea del Sarto [p. 339]
Andrea del Sarto
Andrea del Sarto, cat. no. 44
Andrea del Sarto [p. 236]
Andrea del Sarto
Andrea del Sarto [p. 339]
Andrea del Sarto
Bacchiacca, cat. no. 42
—
Bacchiacca
Bacchiacca [p. 338]
Bacchiacca
Giuseppe Porta, cat. no. 326
Giuseppe Porta [p. 228]
Giuseppe Porta
Giuseppe Porta [p.330]
Giuseppe Porta
Raphael, cat. no. 67
Sebastiano del Piombo, cat. no.
2390
Bartolomeo Ramenghi, cat. no.
84
— [acquired in 1876 from Cox,
art dealer in London]
Raphael [p. 122]
—
Raphael
Sebastiano del Piombo
Raphael
Sebastiano del Piombo (copy)
Bartolomeo Ramenghi [p. 162,
250]
Francesco Mazzolino [here
Lodovico is meant] [p. 136]
Bartolomeo Ramenghi
Raphael [p. 161]
Sebastiano del Piombo (Dutch
copy) [p. 331–332, 359]
Bartolomeo Ramenghi [p. 217]
Lodovico Mazzolino
Francesco Mazzolino [here
Lodovico is meant] [p. 185]
Lodovico Mazzolino
Giovanni Francesco Penni (?),
cat. no. 80
Giovanni Francesco Penni ?,
cat. no. 79
Dosso Dossi, cat. no. 131
Dosso Dossi [p. 138, 140]
Dosso Dossi
Dosso Dossi [p. 187, 190]
Dosso Dossi
Dosso Dossi [p. 138–140, 250]
Dosso Dossi
Dosso Dossi [p. 187, 189]
Dosso Dossi
56
Dosso Dossi and Battista Dossi, Saint
George, gall. no. 124
Dosso Dossi and Battista Dossi,
Archangel Michael, gall. no. 125
Battista Dossi, Justitia, gall. no. 126
Dosso Dossi (executed by
another artist, possibly Battista
Dossi) [p. 137]
Dosso Dossi
Dosso Dossi
57
Battista Dossi, Pax, gall. no. 127
Dosso Dossi, cat. no. 134
Dosso Dossi, (executed by
another artist, possibly Battista
Dossi or Girolamo da Carpi)
[pp. 137–138]
Dosso Dossi,
Dosso Dossi,
(executed by another artist,
possibly Battista Dossi) [p.
187]
Dosso Dossi, (executed by
another artist, possibly Battista
Dossi or Girolamo da Carpi)
[p. 187]
58
Dosso Dossi, Disputation of the
Immaculate Conception with the Four
Fathers of the Church and Saint
Bernard, gall. no. 128 KV
Dosso Dossi, cat. no. 135
Dosso Dossi [p. 138]
Dosso Dossi
Dosso Dossi [p. 187]
Dosso Dossi
43
44
45
46
47
48
49
50
51
52
53
54
55
Giovanni Francesco Caroto [p.
167, 243]
Bartolomeo Ramenghi
Dosso Dossi
59
Dosso Dossi, Disputation of the
Dosso Dossi (school of), cat.
Immaculate Conception with the Saints no. 138
Anselm, Augustine, Hieronymus and
Ambrosius, gall. no. 129
Dosso Dossi [p. 140–141, 153]
60
Battista Dossi, The Morning (Aurora
with Apollo’s Horses), gall. no. 130
Dosso Dossi, cat. no. 133
61
Battista Dossif, The Night (The
Dream), gall. no. 131
Dosso Dossi, cat. no. 136
Dosso Dossi (concept),
Dosso Dossi (school of)
Girolamo da Carpi (execution)
[p. 138]
Dosso Dossi (concept), Battista Dosso Dossi (school of)
Dossi (execution) [p. 138]
Dosso Dossi (concept), disciple Dosso Dossi (school of)
of Garofalo (execution) [p.
188]
Dosso Dossi (concept), Battista Dosso Dossi (school of)
Dossi (execution) [p. 188]
62
Garofalo, Poseidon and Athena, gall.
no. 132
Garofalo, Maria with the Child and the
Saints Peter, Bruno, and George (two
fragments), gall. no. 134
Garofalo, Mars and Venus in Front of
the City of Troy, gall. no. 135
Garofalo, The Holy Family with the
Saints Joachim, Anna, Elisabeth and
John the Baptist, gall. no. 136
Garofalo, Virgin with the Child and the
Saints Bernardine of Siena, Anthony of
Padua, Cecilia and Geminianus, gall.
no. 137
Garofalo, The Triumph of Bacchus,
gall. no. 138
Garofalo, The Evening (Diana and
Endymion), gall. no. 139
Garofalo, Christ at the Temple, gall.
no. 140
Girolamo da Carpi, The Occasion and
the Remorse, gall. no. 142
Garofalo, cat. no. 141
Garofalo [p. 142]
Garofalo
Garofalo [p. 191–192]
Garofalo
Garofalo, cat. no. 146
Garofalo [p. 142]
Garofalo
Garofalo [p. 191–192]
Garofalo
Garofalo, cat. no. 140
Garofalo [p. 142]
Garofalo
Garofalo [p. 191–192]
Garofalo
Garofalo, cat. no. 144
Garofalo [p. 142]
Garofalo
Garofalo (school of) [p. 191]
Garofalo
Garofalo, cat. no. 143
Garofalo [p. 142]
Garofalo
Garofalo (school of) [p. 191]
Garofalo
Garofalo, cat. no. 142
Garofalo [p. 142]
Garofalo
Garofalo [p. 191–192]
Garofalo
Dosso Dossi, cat. no. 132
Garofalo (concept), Girolamo
da Carpi (execution) [p. 138]
Garofalo [p. 142]
Garofalo
Garofalo (concept), Schule
(execution) [p. 187–88]
Garofalo [p. 192]
Garofalo
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 188–189, 194]
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 186]
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 188]
Girolamo da Carpi
63
64
65
66
67
68
69
70
Girolamo da Carpi, Venus in
Her Swan–Drawn Chariot, gall. no.
143
Girolamo da Carpi, Judith, gall. no.
144
71
72
f
Dosso Dossi (school of), cat.
no. 139
Girolamo Mazzola Bedoli, cat.
no. 168
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 139, 144]
Girolamo da Carpi, cat. no. 161 Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 137]
Dosso Dossi, cat. no. 137
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 139–140]
Dosso Dossi
Garofalo (school of)
Girolamo da Carpi
Girolamo da Carpi
Girolamo da Carpi
Dosso Dossi [p. 190, 208]
Dosso Dossi
Garofalo
Girolamo da Carpi
Girolamo da Carpi
Adolfo Venturi first attributed the painting to the youngest of the two Dossi: Adolfo Venturi, ed., La Regia galleria estense in Modena (1882), Modena: Panini, 1989.
73
Girolamo da Carpi,
The Rape of Ganymede, gall. no. 145
Parmigianino, cat. no. 165
74
Scarsellino, Flight into Egypt, gall. no.
146 KV
Scarsellino, Holy Family in the
Carpenter’s Workshop, gall. no. 147
KV
Scarsellino, Holy Family with Saint
Barbara and Saint Carlo Borromeo,
gall. no. 148
Mastelletta, Virgin and Child with the
Saints Francis, Anthony, Clara and
Catherine of Siena, gall. no. 149
Correggio, Madonna and Child with
Saint Francis, gall. no. 150
Correggio, Madonna and Child with
Saint Sebastian, gall. no. 151
Correggio, Nativity (The Holy Night),
gall. no. 152
Correggio, Madonna with Saint
George, gall. no. 153
Correggio (copy), The Reading
Magdalene,
gall. no. 154 KV
North Italian, ca. 1530, Portrait of a
Scholar, gall. no. 155
Parmigianino, Virgin and Child with
Saint Stephen, Saint John the Baptist
and a Donor, gall. no. 160
Parmigianino, Madonna of the Rose,
gall. no. 161
Parmigianino, Portrait of a Young
Man as Saint Stephan, gall. no. 162
KV
Niccolò dell’ Abate, The Martyrdom of
the Apostles Peter and Paul, gall. no.
165 KV
75
76
77
78
79
80
81
82
83
84
85
86
87
Girolamo da Carpi
Scarsellino, cat. no. 170
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 139]
Scarsellino [p. 143]
Girolamo da Carpi
Scarsellino
Dosso Dossi (concept),
Girolamo da Carpi (execution)
[p. 188]
Scarsellino [p. 193]
Scarsellino, cat. no. 171
Scarsellino [p. 143]
Scarsellino
Scarsellino [p. 193]
Scarsellino
Scarsellino, cat. no. 172
Scarsellino [p. 143]
Scarsellino
Scarsellino [p. 193]
Scarsellino
Scarsellino, cat. no. 173
Scarsellino [p. 143]
Scarsellino
Scarsellino [p. 193]
Scarsellino
Correggio, cat. no. 151
Correggio [p. 122]
Correggio
Correggio [p. 162, 207]
Correggio
Correggio, cat. no. 152
Correggio [p. 122, 145, 152]
Correggio
Correggio [p. 162, 207]
Correggio
Correggio, cat. no. 154
Correggio [p. 122, 152]
Correggio
Correggio [p. 162, 207]
Correggio
Correggio, cat. no. 155
Correggio [p. 122, 152]
Correggio
Correggio [p. 162, 207]
Correggio
Correggio, cat. no. 153
Dutsch, possibly Adrien van
der Werff [p. 207–217, 360]
Correggio (supposedly)
Dosso Dossi [p. 207–208]
Parmigianino, cat. no. 163
Dutch, end of the 17th century. Correggio, (copy after a lost
(close to Adrien van der Werff) original by the master)
[p. 153–161, 197]
Dosso Dossi [p. 152–153]
Correggio (supposedly),
possibly Dosso Dossi
Parmigianino [p. 143]
Parmigianino
Parmigianino [p. 193]
Correggio (supposedly),
possibly Dosso Dossi
Parmigianino
Parmigianino, cat. no. 164
Parmigianino [p. 143]
Parmigianino
Parmigianino [p. 193]
Parmigianino
Unknown, cat. no. 369 b
Parmigianino [p. 143]
Parmigianino
Parmigianino [p. 193]
Parmigianino
Niccolò dell’Abate, cat. no.
169
Niccolò dell’Abate [p. 144]
Niccolò dell’Abate
Niccolò dell’Abate [p. 194]
Niccolò dell’Abate
Correggio, cat. no. 156
Scarsellino
88
89
90
91
92
93
94
95
96
97
98
99
100
101
g
Girolamo Bedoli (attributed to),g
Madonna with Saint George, gall. no.
165A
Girolamo Mazzola Bedoli, Virgin and
Child with Saints, gall. no. 166
Bartolomeo Schedoni, Holy Family,
gall. no. 167
Titian, Virgin with Child and Four
Saints, gall. no. 168
Titian, The Tribute Money, gall. no.
169
Titian, Potrait of a Lady in White, gall.
no. 170
Titian, Portrait of Lavinia, gall. no.
171
Titian, Portrait of a Man with a Palm,
gall. no. 172
Padovanino, Portrait of a Young
Woman with a Vase, gall. no. 173
Titian (school of), Holy Family and
Donors, gall. no. 175
Giambattista Moroni ?, Woman in a
Red Dress, gall. no. 176
Titian (copy), Venus and the Lute
Player, gall. no. 177 KV
Giorgione and Titian, Sleeping Venus,
gall. no. 185
Giorgione (imitator), The Horoscope,
Girolamo Bedoli, cat. no. 167
Correggio (school of) [p. 143–
44]
Correggio (school of), gall. no.
159
Correggio (school copy) [p.
194]
Girolamo Mazzola Bedoli
Parmigianino, cat. no. 162
Girolamo Mazzola Bedoli [p.
143]
Bartolomeo Schedoni [p. 144]
Girolamo Mazzola Bedoli
Girolamo Mazzola Bedoli
Bartolomeo Schedoni
Girolamo Mazzola Bedoli [p.
193]
Bartolomeo Schedoni [p. 194]
Titian [p. 201]
Titian
Titian [p. 297]
Titian
Titian, cat. no. 222
Titian [p. 200]
Titian
Titian [p. 297–298]
Titian
Titian, cat. no. 229
Titian [p. 203]
Titian
Titian [p. 299–300]
Titian
Titian, cat. no. 230
—
Titian
Titian [p. 302–303]
Titian
Titian, cat. no. 228
Titian [p. 203]
Titian
Titian [p. 299]
Titian
Titian, cat. no. 226
Ruined by restoration [p. 203]
Titian
Ruined by restauration [p. 299]
Titian
Titian, cat. no. 224
Titian [p. 202]
Titian
Titian [p. 299]
Titian and workshoph
Titian ?, cat. no. 231
Titian [p. 206–207]
Titian
Titian [p. 303]
Titian
Titian, cat. no. 225
Titian (copy)i [p. 197, 202]
Titian (copy)
Titian (copy) [p. 299]
Titian (copy)
Titian (copy), possibly
Sassoferrato, cat. no. 236
Giorgione, cat. no. 2389
Giorgione and Titian [p. 161,
191, 193–194]
Giorgione (copy) [p. 183]
Giorgione and Titian
Giorgione and Titian [p. 217,
284, 288, 292]
Giorgione (copy) [p. 273]
Giorgione and Titian
Bartolomeo Schedoni, cat. no.
174
Titian, cat. no. 223
Giorgione (imitator)
Bartolomeo Schedoni
Giorgione (imitator)
The traditional attribution of this work to Girolamo Bedoli was repeatedly called into question by critics. In 1996, Mauro Lucco suggested the name of Giorgio Gandini,
called Giorgio del Grano (oral communication with the museum), see Marx 2005, as note 3, vol. 2, cat. no. 78, 105.
h
Bernard Berenson first attributed the painting to Titian and his workshop: Bernard Berenson, ed., The Venetian Painters of the Renaissance with an Index to their Works,
New York: Putnam, 1897 (3. edition), 135.
i
Crowe and Cavalcaselle recognised in the painting a copy after Titian’s original work at the Prado in Madrid (inv. no. 421): Joseph Archer Crowe and Giovanni Battista
Cavalcaselle, eds, Tiziano, la sua vita e i suoi tempi, 2 vols, Florence: Successori Le Monnier, 1877–1878, vol. 2, 107.
gall. no. 186
102
103
104
105
106
107
Jacopo Palma il Vecchio, The Virgin
and Child with Saints Catherine and
John the Baptist, gall. no. 188
Jacopo Palma il Vecchio, The Three
Sisters, gall. no. 189
Jacopo il Vecchio Palma, Resting
Venus, gall. no. 190
Jacopo Palma il Vecchio, cat.
no. 245
Jacopo Palma il Vecchio [p.
213]
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio [p.
313]
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio, cat.
no. 243
Jacopo Palma il Vecchio, cat.
no. 244
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio [p.
312]
Jacopo Palma il Vecchio [p.
270, 289, 313]
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio, The Holy
Family with Saint Catherine, gall. no.
191
Jacopo Palma il Vecchio, Jacob and
Rachel, gall. no. 192
Jacopo Palma il Vecchio (school of),
Lovers, gall. no. 194 KV
Jacopo Palma il Vecchio, cat.
no. 242
Jacopo Palma il Vecchio [p.
212]
Jacopo Palma il Vecchio and
Bonifazio Veronese [p. 180,
195, 213]
Jacopo Palma il Vecchio [p.
213]
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio [p.
313]
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio [p.
180, 212–213, 222]
Jacopo Palma il Vecchio
(imitator) [p. 213]
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio [p.
270, 274, 313, 323]
Jacopo Palma il Vecchio
(imitator) [p. 313]
Jacopo Palma il Vecchio
Giorgione, cat. no. 218
Jacopo Palma il Vecchio, cat.
no. 241
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio
(school of)
Jacopo Palma il Vecchio
Jacopo Palma il Vecchio
(school of)
108
109
110
111
112
j
k
Lorenzo Lotto, Virgin and Child with
the Infant Saint John the Baptist, gall.
no. 194A
Annibale Carracci, Saint Sebastian,
gall. no. 194B
— [Location unknown, The Virgin and
Child with Saints Jerome, Peter,
Francis and an Unidentified Female
Saint, formerly gall. no. 195]k
Lorenzo Lotto (copy), Christ and the
Adulteress, gall. no. 197
Jacopo Palma il Vecchio, (ambit of),
The Calling of Saint Matthew, gall. no.
199
Vincenzo Tamagni ?, cat. no.
77
Giacinto Gimignani [p. 250]
North Italian master, mid of the Lorenzo Lottoj [p. 333]
16th century gall. no. 295
Lorenzo Lotto
Domenico Feti ?, cat. no. 105
—
—
Bolognese, second–rank artist,
17th century [p. 332]
Lorenzo Lotto (Flemish copy)
[p. 332–333, 360]
Lorenzo Lotto (late manner of)
—
Lorenzo Lotto (manner of),
gall. no. 196
Lorenzo Lotto
Unknown, cat. no. 434
—
Lorenzo Lotto (copy)
Lorenzo Lotto (copy)
Pordenone ?, cat. no. 253
—
Pordenone
Lorenzo Lotto (Flemish copy)
[p. 332, 359]
Flemish copy [p. 332, 360]
Lorenzo Lotto (copy)
Pordenone
Gustavo Frizzoni attributed the painting to Lorenzo Lotto: Frizzoni 1890, as note 73.
Karl Woermann, without first having seen it, bought this work in Florence for 9,000 Reichsmarks upon suggestion of the famous English art dealer and connoisseur
Charles Fairfax Murray (1849–1919). As soon as the work arrived in Dresden it became immediately clear that it was only a copy after the original painting by Lorenzo Lotto
in the Bridgewater Gallery (today in the National Gallery of Scotland, Edinburgh, inv. no. 2418). From 1920, the copy was exhibited on permanent loan in the Saxon Legation
(‘Sächsischen Gesandtschaft’) in Berlin (Voßstrasse, 19). In 1922, during the directorate of Hans Posse, the painting was estimated 8,000 Lire and sold in Venice together
with five pastels by Rosalba Carriera (1673–1757). In exchange for these works, the Gemäldegalerie Alte Meister acquired the Annunciation attributed to Lorenzo Cossa
which is now regarded as a work of the Ferrara school, ca. 1500–10 (gall. no. 47 A). On the disposal of the painting from the collection of the Gemäldegalerie in Dresden see
Hans Posse’s letter to the Ministry of Culture and public Education (‘Ministerium des Kultus und öffentlichen Unterrichts’), Staatliche Kunstsammlungen Dresden (SKD),
archive, documents (‘Akte’), no. 4, vol. 15, Vermehrung, 1921–24, folio 293.
113
114
115
116
117
118
119
120
121
122
123
124
125
l
Cavazzola, Portrait of a Gentleman,
gall. no. 201
Bartolomeo Veneto, Salome with the
Head of Saint John the Baptist, gall.
no. 201A
Moretto da Brescia (copy), The
Madonna of Paitone, gall. no. 202
Paris Bordone, The Holy Family with
Saints Jerome, gall. no. 205
Cavazzola, cat. no. 2411
Cavazzola [p. 167]
Cavazzola
Cavazzola [p. 235]
Cavazzola
Leonardo da Vinci (school of),
cat. no. 31
Leonardo da Vinci (school of)
[p. 230]
Leonardo da Vinci (school of),
gall. no. 292
Bartolomeo Venetol [p. 224,
335]
Bartolomeo Veneto
Moretto da Brescia, cat. no.
254 a
Paris Bordone ?, cat. no. 258
Moretto da Brescia (copy) [p.
194, 197]
Paris Bordone [p. 225]
Moretto da Brescia (copy)
Moretto da Brescia (copy)
Bonifazio de’ Pitati, The Finding of
Moses, gall. no. 208
Bonifazio de’ Pitati (workshop),
Adoration of the Shepherds, gall. no.
210
Bonifazio de’ Pitati (workshop), The
Holy Family with Saints Elisabeth and
Catharine, gall. no. 211
Bonifazio de’ Pitati (workshop),
Raising of Lazarus, gall. no. 212
Bonifazio de’ Pitati (workshop), Virgin
with Child and Saints, gall. no. 213
Polidoro da Lanciano, Holy Family
with Saint Magdalene and a Venetian
Patrician, gall. no. 214
Polidoro da Lanciano, Mystic
Marriage of Saint Catherine, gall. no.
215
Gualtiero Padovano, Allegory of
Munificence, gall. no. 217
Paris Bordon, Portrait of a Man, gall.
no. 219
Bonifacio Bembo, cat. no. 261
Bonifazio de’ Pitati [p. 219]
Bonifazio de’ Pitati
Moretto da Brescia (copy) [p.
288, 294, 360]
Paris Bordone (reminiscent of
Polidoro da Lanciano)
[p. 327]
Bonifazio de’ Pitati [p. 321]
Giorgione, cat. no. 219
Bonifazio de’ Pitatim [p. 182,
186, 213, 222]
Bonifazio de’ Pitati
Bonifazio de’ Pitati [p. 272,
277, 314, 323]
Bonifazio de’ Pitati
(worskshop)
Jacopo Palma il Vecchio, cat.
no. 246
Bonifazio de’ Pitati [p. 213,
222]
Bonifazio de’ Pitati
Bonifazio de’ Pitati [p. 313,
323]
Bonifazio de’ Pitati (workshop)
Bembo, Bonifacio ?, cat. no.
264
Bembo, Bonifacio, cat. no. 262
Bonifazio de’ Pitati [p. 220]
Bonifazio de’ Pitati
Bonifazio de’ Pitati [p. 321]
Bonifazio de’ Pitati (workshop)
Paris Bordone
Paris Bordone
Bonifazio de’ Pitati
Bonifazio de’ Pitati (workshop) Bonifazio de’ Pitati
[p. 207, 220]
Polidoro da Lanciano [p. 207]
Polidoro da Lanciano
Bonifazio de’ Pitati (workshop) Bonifazio Veronese
[p. 305, 321]
(workshop)
Polidoro da Lanciano
Polidoro da Lanciano
[p. 305]
Polidoro da Lanciano,
cat. no. 266
Polidoro da Lanciano
[p. 207]
Polidoro da Lanciano
Polidoro da Lanciano [p. 305]
Polidoro da Lanciano
Domenico Campagnola, cat.
no. 260
Giorgione, cat. no. 221
Bonifazio de’ Pitati (workshop)
[p. 226]
Not by Giorgione, poor [p.
182]
Venetian, mid of the 16th
century
Venetian, mid of the 16th
century
Bonifazio de’ Pitati (workshop)
[p. 329]
Not by Giorgione, poor [p. 272
ff.]
Venetian, mid and end of the
16th century
Venetian, mid and end of the
16th century
Polidoro da Lanciano, cat. no.
265
Gustavo Frizzoni was the first to attribute the painting to Bartolomeo Veneto: Gustavo Frizzoni, ‘I progressi della critica artistica in proposito di due quadri del Museo
Borromeo’, Archivio storico dell’arte, 4: III, 1891, 160–171, here 171.
m
Crowe and Cavalcaselle had also already attributed the painting to Bonifazio de’ Pitati: Crowe and Cavalcaselle (1871), 1912, as note e, vol. 3, 48–49.
Brescian, mid of the 16th
century
Carlo Caliari, cat. no. 318
Unknown master from the
March of Treviso territory [p.
182]
Francesco Prato da Caravaggio
[p. 226]
Gabriele Caliari [p. 227]
Unknown master from the
March of Treviso territory [p.
272]
Francesco Prato da Caravaggio
[p. 328–329]
Gabriele Caliari [p. 329]
Venetian, mid of the 16th
century
Giovanni Antonio Fasolo, cat.
no. 323
Unknown, cat. no. 259
Giovanni Antonio Fasolo [p.
228]
Paris Bordone [p. 225]
Giovanni Antonio Fasolo
Giovanni Antonio Fasolo [p.
330]
Paris Bordone [p. 327]
Giovanni Antonio Fasolo
Titian, cat. no. 227
Titian [p. 203]
Paris Bordone (manner of),
gall. no. 206
Titian, gall. no. 174
Titian [p. 299]
Tintorettoo
Girolamo Munziano,
(supposedly), cat. no. 328
Bolognese [p. 228]
Domenichino (school of)
Bolognese [p. 330]
Domenichino (school of)
Venetian school, cat. no. 428
Pietro Longhi[p. 228]
Pietro Longhi
Pietro Longhi [p. 330–331]
Pietro Longhi
Alessandro Magnasco, cat. no.
198
Alessandro Magnasco, cat. no.
199
Rosa, Salvatore, cat. no. 2413
Alessandro Magnasco [p. 231]
Alessandro Magnasco
Alessandro Magnasco [p. 335]
Alessandro Magnasco
Alessandro Magnasco [p. 231]
Alessandro Magnasco
Alessandro Magnasco [p. 335]
Alessandro Magnasco
Alessandro Magnasco [p. 231]
Alessandro Magnasco
Alessandro Magnasco
Salvatore Rosa, cat. no. 2414
Alessandro Magnasco [p. 231]
Alessandro Magnasco
Giovanni Battista Moroni, cat.
no. 267
Giovanni Battista Moroni, gall.
no. 207 [p. 207]
Giovanni Battista Moroni
Alessandro Magnasco [p. 335–
336]
Alessandro Magnasco [p. 335–
36]
Flemish [p. 306]
126
Altobello Melone, Embrace of Lovers,
gall. no. 221
Giorgione, cat. no. 220
127
Girolamo Romanino ?, The Procession
to Calvary, gall. no. 222
Paolo Caliari (copy), Holy Family,
gall. no. 241
Venetian, ca. 1500, Portrait of
Venetian Woman, gall. no. 249
Jacopo Bassano, Simson Defeats the
Philistines, gall. no. 252A
Tintoretto, Portrait of a Lady in
Mourning, gall. no. 265A
[Collection Wettiner],p Saint Francis
in the Hermitage, formerly gall. no.
352
Venetian, 17th century, Portrait of a
Lady, gall. no. 595
Alessandro Magnasco, Nuns in the
Chorus, gall. no. 649
Alessandro Magnasco, Capuchin in the
Refectory, gall. no. 650 KV
Alessandro Magnasco, Landscape with
Saint Antony, gall. no. 651 KV
Alessandro Magnasco, Landscape with
Saint Jerome, gall. no. 652 KV
Antonis Mor, Portrait of a Gentleman,
gall. no. 847A
Rocco Marconi ?, cat. no. 251
128
129
130
131
132
133
134
135
136
137
138
Brescian, mid of the 16th
century
Paolo Caliari (school of)
Venetian, mid and end of the
16th century
Paolo Caliari (school of)
Jacopo Bassanon
Alessandro Magnasco
Antonis Mor
n
Gustavo Frizzoni was the first to attribute the painting to Jacopo Bassano: Frizzoni, ‘Ricordi di un viaggio artistico oltralpe’, L’Arte, IV, 1901, 220–238, here 221 ff.
o
Bernard Berenson attributed the painting to Tintoretto: Berenson, The Venetian Painters of the Renaissance with an Index to their Works, New York: G.P. Putnam’s Sons,
1894 (3rd ed.), 118.
p
In 1923 the painting was consigned to the former Saxon dynasty, see ‘Gesetz über die Auseinandersetzung zwischen dem Freistaat Sachsen und dem vormaligen
Königshaus’, in Sächsisches Gesetzblatt 37, 21. Juli 1924, law (‘Gesetz’) no. 202.