Tanglewood Theatre SIX CONCERTS OF CHAMBER MUSIC Tuesday Evenings at 8:00 July 11 Phyllis Curtin, Soprano Ryan Edwards, Pianist ^H =L^ BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director . ^ SMl BERKSHIRE FESTIVAL BALDWIN PIANO 1967 RCA VICTOR RECORDS 7 LDS SECOND CONCERT OF THE CHAMBER MUSIC SERIES PHYLLIS CURTIN, Soprano RYAN EDWARDS, Pianist Poems of Paul Verlaine Faure No. 3 from "Cinq Melodies", Op. 58 Debussy No. 5 from "Ariettes oubliees" Green Here are fruits, flowers, leaves and branches, and here also is my heart, which beats only for you. Do not rend it with your two white hands; may this humble offering seem sweet to your lovely eyes. My brow is covered with dew which the morning wind has turned to frost. Let me rest a moment (at your feet) and refresh myself with dreams of cherished moments. On your young bosom, let me cradle my head which is still ringing with the music of your last kisses; let me be soothed after the good storm, and let me sleep a little while you rest. — Faure No. 5 from "Cinq Melodies", Op. 58 Debussy No. 1 from "Ariettes oubliees" Cest I'Extase languorous ecstasy, this is sensual weariness, this is the rustling of the chorus of little voices among forests in the embrace of the breezes the gray boughs. O, how the faint cool murmur twitters and whispers; it is like the sweet sound of the stirring grass. You might say it is like the muted sound of pebbles rolling under eddying water. This spirit sighing its quiet lament is ours, is it not? Say that it is mine and yours that softly breathes its humble hymn on this balmy evening. This is — Faure Op. 51, No. 3 Debussy No. 2 from Spleen my heart as the rain falls on the city. What is this languor penetrates my heart? O gentle sound of rain on the ground and on the Tears that "Ariettes oubliees" fall in is weary (O, the sound of the rain) Tears fall without reason in this anguished heart. What! No betrayal? This mourning has no reason. This is truly the keenest pain, not knowing why with neither love nor hate my heart is so full of pain. roofs; for a heart that ! — — Faure Op. 46, No. 2 Debussy No. 3 from Clair de lune Your "Fetes galantes", set 1 where charming masqueraders and dancers promenade, playing the lute and dancing, almost sad beneath their fantastic disguises, as they sing in the minor key of love triumphant and the pleasant life. They seem not to believe in their happiness; their song blends with the quiet moonlight, sad and lovely which sets the birds the moonlight in the trees to dreaming, and makes the tall slim fountains among the marsoul is a rare landscape — — ble statues sob with ecstasy. En Sourdine Faure No. 2 from "Cinq Melodies", Op. 58 Debussy No. 1 from "Fetes galantes", set 1 Serene in the twilight created by the high branches, let us dwell upon our — ! deep silence, let us blend our souls, our hearts and our enraptured senses amidst the faint languor of the pines and strawberry trees. Half -close your eyes, cross your arms on your breast, and drive away all burdens forever from your weary heart. Let us surrender to the soft and lulling breeze that comes to your feet and ripples the russet grass. And when the night descends solemnly from the black oaks, the nightingale shall sing. voice of our despair love. In this — Faure No. 1 from "Cinq Melodies", Op. 58 Debussy (1880-1883) Mandoline The serenading swains and their lovely listeners under the singing boughs. This is Tircis, exchange banal remarks Aminta and the eternal Clitander; and there is Damis who, for many a cruel lady, fashions a tender verse. Their short silken vests, their flowing gowns, their elegance, their gaiety, and their soft blue shadows whirl madly in the magic of a rose and gray moon. And the mandolin La Chanson chatters in the cooling breeze. Faure d'Eve, Op. 95 Poems by Charles van Lerberghe (1861-1907) Paradis dawn. Like a flower perfuming the night in the fresh breeze from the sea, a blue garden blooms. The rustle of leaves, songs of birds, voices of wind and water a vast murmuring are blended together as part of the silence. Eve, the creature of God, awakens and the world lies at her feet like a beautiful dream. At His bidding, she speaks to all things in witness of her existence. Twilight comes and Eden sleeps, hiding itself in a hazy blue dream. Everything waits; the evening star rises and Eve sings. This is Earth's first — — Prima Verba Behold, through flowers, how the long-murmuring soul of woodlands and streams sings my voice. How marvelous the atmosphere of Paradise with its its fruits, its glow of light! Words unspoken from time immemor- ial finally by my take shape on my lips. A joyful silence is born of their lifted souls, breath and voice. Roses ardentes Blazing roses, in the still night, within thee I dwell and sing. May I endure forever in thy glow on the fringe of the woods. deep ocean, with shining wave and dancing ripple, in thee is my lifeblood reborn. Glorious sun, supreme power, in thee my very soul reaches its God O Comme Dieu rayonne How God gleams today! How He exults and flourishes among these fruits and flowers! How He murmurs in the fountain and sings with the birds. How gentle His breath in the fragrant new spring. How He bathes in the light with His love, my young God! All things on earth are his dazzling raiment. L'aube blanche The white dawn says to my dream: "Awake, the sun shines." My soul 7 lds listens, my and hair. things, I My and slowly open my eyes. soul, like a gently A flame awakens nodding rose, my mouth; awakens a breeze, to the beauty of all to their love. Eau vivante How pure and clear thou art, living water, springing from earth in song! O divine and pure fountain, plants imbibe thy liquid crystal. Doe and dove quench their thirst in thee, as you descend through mosses and flowers to the primordial ocean never still, never languid from earth to sea and thence — — to sky. Veilles-tu, ma senteur de soleil Are you waking, fragrance of sunshine, bees and honey, abroad in the earth ? Scents of flowers, do you presage my silent footsteps in the night? Am I like fruit hidden in foliage, known only by my perfume in the night? Does he know, there on earth that, as I throw back my hair and spread my arms, my voice which he hears now is scented by the lilies of this vale? — — Dans un parfum de roses blanches She sits and ponders amid a perfume of white roses. The dark is beautiful, as though an angel were reflected in it. The darkness deepens, the woodland sleeps. Between the leaves and branches, a golden paradise appears against the blue paradise. A voice which has just been singing murmurs, dwindles to a breath, and is mute. Petals fall in the silence. Crepuscule Who who sighs, cries in this evening's joy? wounded bird? a Is it in the silence. Isle of forgetfulness, rends thy voice as thy veil of ecstasy? O it What —of a voice of the future soothes O my heart like What scream in the night cry rips thy garland of flowers and Paradise! me? What flutters in the past? I strain to hear mort, poussiere d'etoiles O Death, dust of the stars, arise from my footsteps. Come, gentle wave, shining in the darkness. Bear me hence to thy void! Come, dark breath in which I waver like a drunken flame in the wind! Let me recline, subside, be dissolved in thee, Death, which my soul craves. Come, topple me like the froth on a breaker, like a flower of the sun on the fringe of the waters! Like divine wine from a golden flask, pour my soul into thy depths, that it may scent the dark earth and the breath of the dead. Mr. Edwards plays the Steinway Piano this program on a Cambridge recording. Miss Curtin has recorded CONCERTS TO FOLLOW: July ... ... 18 July 25 Zimbler Sinfonietta Boston Symphony Chamber Players Claude Frank, Piano August 1 . . . August 15 . . . Roman Totenberg, Violin Igor Kipnis, Harpsichord Columbia University Group for Contemporary Music (Part of a Festival of Contemporary American Music, in cooperation with the Fromm Music Foundation. July 15 and 16, 1967 Beverly Wolff ALLEN is indisposed and is not able to sing this weekend. BETTY has graciously and at short notice consented to appear in her colleague's place. Betty Allen taught music as a teenager Children in Hartford, Connecticut. She tered: a scholarship to in won the the Tanglewood. Since her time Community Center first voice contest she en- in the Berkshires Betty Allen has appeared in recitals and concerts in parts of the world as far apart as Kong and Buenos for the first and Aeneas" is now one for Aires, as well as in the United States Hong and Europe. She appeared time on the opera stage in the Kansas City production of "Dido last year, and went on from there to the San Francisco Opera. She of the most travelled and sought after singers of her generation. July 15, 1967 James Stagliano played by is indisposed. The solo horn in the Mass in B minor will be CHARLES YANCICH. 7 ms / T-